Arab. “Baras au Juzám,” the two common forms of leprosy. See vol. iv.

51. Popular superstition in Syria holds that coition during the menses

breeds the Juzám, Dáa al-Kabír (Great Evil) or Dáa al-Fíl (Elephantine

Evil), _i.e._ Elephantiasis and that the days between the beginning of

the flow (Sabíl) to that of coition shows the age when the progeny

will be attacked; for instance if it take place on the first day, the

disease will appear in the tenth year, on the fourth the fortieth and

so on. The only diseases really dreaded by the Badawin are leprosy and

small-pox. Coition during the menses is forbidden by all Eastern

faiths under the severest penalties. Al-Mas’údi relates how a man thus

begotten became a determined enemy of Ali; and the ancient Jews

attributed the magical powers of Joshua Nazarenus to this accident of

his birth, the popular idea being that sorcerers are thus impurely

engendered.

Footnote 41:

By adoption: See vol. iii. 151. This sudden affection (not love)

suggests the “Come to my arms, my slight acquaintance!” of the

Anti-Jacobin. But it is true to Eastern nature; and nothing can be

more charming than this fast friendship between the Princess and

Hasan.

Footnote 42:

En tout bien et en tout honneur, be it understood.

Footnote 43:

He had done nothing of the kind; but the feminine mind is prone to

exaggeration. Also Hasan had told them a fib, to prejudice them

against the Persian.

Footnote 44:

These nervous movements have been reduced to a system in the Turk.

“Ihtilájnámeh” = Book of palpitations, prognosticating from the

subsultus tendinum and other involuntary movements of the body from

head to foot; according to Ja’afar the Just, Daniel the Prophet,

Alexander the Great; the Sages of Persia and the Wise Men of Greece.

In England we attend chiefly to the eye and ear.

Footnote 45:

Revenge, amongst the Arabs, is a sacred duty; and, in their state of

civilization, society could not be kept together without it. So the

slaughter of a villain is held to be a sacrifice to Allah, who amongst

Christians claims for Himself the monopoly of vengeance.

Footnote 46:

Arab. “Zindík.” See vol. v. 230.

Footnote 47:

Lane translates this “put for him the remaining food and water:” but

Al-Ákhar (Mac. Edit.) evidently refers to the Najíb (dromedary).

Footnote 48:

We can hardly see the heroism of the deed, but it must be remembered

that Bahram was a wicked sorcerer, whom it was every good Moslem’s

bounden duty to slay. Compare the treatment of witches in England two

centuries ago.

Footnote 49:

The mother, in Arab tales, is _ma mère_, now becoming somewhat

ridiculous in France on account of the over use of that venerable

personage.

Footnote 50:

The forbidden closet occurs also in Sayf Zú al-Yazan, who enters it

and finds the bird-girls. Trébutien ii, 208 says, “Il est assez

remarquable qu’il existe en Allemagne une tradition à peu près

semblable, et qui a fourni le sujet d’un des contes de Musaeus,

entitulé _le voile enlevé_.” Here Hasan is artfully left alone in a

large palace without other companions but his thoughts and the reader

is left to divine the train of ideas which drove him to open the door.

Footnote 51:

Arab. “Buhayrah” (Bresl. Edit. “Bahrah”), the tank or cistern in the

Hosh (= court-yard) of an Eastern house. Here, however, it is a

rain-cistern on the flat roof of the palace (See Night dcccviii).

Footnote 52:

This description of the view is one of the most gorgeous in The

Nights.

Footnote 53:

Here again are the “Swan-maidens” (See vol. v. 346) “one of the

primitive myths, the common heritage of the whole Aryan (Iranian)

race.” In Persia Bahram-i-Gúr when carried off by the Dív Sapíd seizes

the Peri’s dove-coat: in Santháli folk-lore Torica, the Goatherd,

steals the garment doffed by one of the daughters of the sun; and

hence the twelve birds of Russian Story. To the same cycle belong the

Seal-tales of the Faroe Islands (Thorpe’s Northern Mythology) and the

wise women or mermaids of Shetland (Hibbert). Wayland the smith

captures a wife by seizing a mermaid’s raiment and so did Sir Hagán by

annexing the wardrobe of a Danubian water-nymph. Lettsom, the

translator, mixes up this swan-raiment with that of the Valkyries or

Choosers of the Slain. In real life stealing women’s clothes is an old

trick and has often induced them, after having been seen naked, to

offer their persons spontaneously. Of this I knew two cases in India,

where the theft is justified by divine example. The blue god Krishna,

a barbarous and grotesque Hindu Apollo, robbed the raiment of the

pretty Gopálís (cowherdesses) who were bathing in the Arjun River and

carried them to the top of a Kunduna tree; nor would he restore them

till he had reviewed the naked girls and taken one of them to wife.

See also Imr al-Kays (of the Mu’allakah) with “Onaiza” at the port of

Daratjuljul (Clouston’s Arabian Poetry, p. 4). A critic has complained

of my tracing the origin of the Swan-maiden legend to the physical

resemblance between the bird and a high-bred girl (vol. v. 346). I

should have explained my theory which is shortly, that we must seek a

material basis for all so-called supernaturalisms, and that

anthropomorphism satisfactorily explains the Swan-maiden, as it does

the angel and the devil. There is much to say on the subject; but this

is not the place for long discussion.

Footnote 54:

Arab. “Nafs Ammárah,” corresponding with our canting term “The Flesh.”

Nafs al-Nátíkah is the intellectual soul or function; Nafs

al-Ghazabíyah = the animal function and Nafs al Shahwániyah = the

vegetative property.

Footnote 55:

The lines occur in vol. ii. 331: I have quoted Mr. Payne. Here they

are singularly out of place.

Footnote 56:

Not the “green gown” of Anglo-India _i.e._ a white ball-dress with

blades of grass sticking to it in consequence of a “fall backwards.”

Footnote 57:

These lines occur in vol. i. 219: I have borrowed from Torrens (p.

219).

Footnote 58:

The appearance of which ends the fast and begins the Lesser Festival.

See vol. i. 84.

Footnote 59:

See note, vol. i. 84, for notices of the large navel; much appreciated

by Easterns.

Footnote 60:

Arab. “Shá’ir Al-Walahán” = the love-distraught poet; Lane has “a

distracted poet.” My learned friend Professor Aloys Sprenger has

consulted, upon the subject of Al-Walahán the well-known Professor of

Arabic at Halle, Dr. Thorbeck, who remarks that the word (here as

further on) must be an adjective, mad, love-distraught, not a “lakab”

or poetical cognomen. He generally finds it written Al-Shá’ir

al-Walahán (the love-demented poet) not Al-Walahán al-Shá’ir = Walahán

the Poet. Note this burst of song after the sweet youth falls in love:

it explains the cause of verse-quotation in The Nights, poetry being

the natural language of love and battle.

Footnote 61:

“Them” as usual for “her.”

Footnote 62:

Here Lane proposes a transposition, for “Wa-huwá (and he) fí

’l-hubbi,” to read “Fi ’l-hubbi wa huwa (wa-hwa);” but the latter is

given in the Mac. Edit.

Footnote 63:

For the pun in “Sabr” = aloe or patience. See vol. i. 138. In Herr

Landberg (i. 93) we find a misunderstanding of the couplet—

Aw’ákibu s-sabri (Kála ba’azuhum)

Mahmúdah: Kultu, “khshi an takhirriní.”

“The effects of patience” (or aloes) quoth one “are praiseworthy!”

Quoth I, much I fear lest it make me stool. Mahmúdah is not only un

laxatif, but a slang name for a confection of aloes.

Footnote 64:

Arab. “Akúna fidá-ka.” Fidá = ransom, self-sacrifice and Fidá’an =

instead of. The phrase, which everywhere occurs in The Nights, means,

“I would give my life to save thine.”

Footnote 65:

Thus accounting for his sickness, improbably enough but in flattering

way. Like a good friend (feminine) she does not hesitate a moment in

prescribing a fib.

Footnote 66:

_i.e._ the 25,000 Amazons who in the Bresl. Edit. (ii. 308) are all

made to be the King’s “Banát” = daughters or protégées. The Amazons of

Dahome (see my “Mission”) who may now number 5,000 are all officially

wives of the King and are called by the lieges “our mothers.”

Footnote 67:

The tale-teller _has_ made up his mind about the damsel; although in

this part of the story she is the chief and eldest sister and

subsequently she appears as the youngest daughter of the supreme Jinn

King. The mystification is artfully explained by the extraordinary

likeness of the two sisters. (See Night dcccxi.)

Footnote 68:

This is a reminiscence of the old-fashioned “marriage by capture,” of

which many traces survive, even among the civilised who wholly ignore

their origin.

Footnote 69:

Meaning her companions and suite.

Footnote 70:

Arab. “’Abáah” vulg. “’Abáyah.” See vol. ii. 133.

Footnote 71:

Feet in the East lack that development of sebaceous glands which

afflicts Europeans.

Footnote 72:

_i.e._ cutting the animals’ throats after Moslem law.

Footnote 73:

In Night dcclxxviii. supra p. 5, we find the orthodox Moslem doctrine

that “a single mortal is better in Allah’s sight than a thousand

Jinns.” For, I repeat, Al-Islam systematically exalts human nature

which Christianity takes infinite trouble to degrade and debase. The

results of its ignoble teaching are only too evident in the East: the

Christians of the so-called (and miscalled) “Holy Land” are a disgrace

to the faith and the idiomatic Persian term for a Nazarene is “Tarsá”

= funker, coward.

Footnote 74:

Arab. “Sakaba Kúrahá;” the forge in which children are hammered out?

Footnote 75:

Arab. “Má al-Maláhat” = water (brilliancy) of beauty.

Footnote 76:

The fourth of the Seven Heavens, the “Garden of Eternity,” made of

yellow coral.

Footnote 77:

How strange this must sound to the Young Woman of London in the

nineteenth century.

Footnote 78:

“Forty days” is a quasi-religious period amongst Moslem for praying,

fasting and religious exercises: here it represents our “honey-moon.”

See vol. v. p. 62.

Footnote 79:

Yá layta, still popular. Herr Carlo Landberg (Proverbes et Dietons du

Peuple Arabe, vol. i. of Syria, Leyden, E. J. Brill, 1883) explains

layta for rayta (= raayta) by permutation of liquids and argues that

the contraction is ancient (p. 42). But the Herr is no Arabist:

“Layta” means “would to Heaven,” or, simply “I wish,” “I pray” (for

something possible or impossible); whilst “La’alla” (perhaps, it may

be) prays only for the possible; and both are simply particles

governing the noun in the oblique, or accusative case.

Footnote 80:

“His” for “her,” _i.e._ herself, making somewhat of confusion between

her state and that of her son.

Footnote 81:

_i.e._ his mother; the words are not in the Mac. Edit.

Footnote 82:

Baghdad is called House of Peace, amongst other reasons, from the

Dijlah (Tigris) River and Valley “of Peace.” The word was variously

written Baghdád, Bághdád, (our old Bughdaud and Bagdat), Baghzáz,

Baghzán, Baghdán, Baghzám and Maghdád as Makkah and Bakkah (Koran iii.

90). Religious Moslems held Bágh (idol) and Dád (gift) an ill-omened

conjunction, and the Greeks changed it to Eirenopolis. (See Ouseley’s

Oriental Collections, vol. i. pp. 18–20.)

Footnote 83:

This is a popular saying but hardly a “vulgar proverb.” (Lane iii.

522). It reminds rather of Shakespear’s:

“So loving to my mother,

That he might not beteem the winds of heaven

Visit her face too roughly.”

Footnote 84:

_i.e._ God forbid that I should oppose thee!

Footnote 85:

Here the writer again forgets apparently that Shahrazad is speaking:

she may, however, use the plural for the singular when speaking of

herself.

Footnote 86:

_i.e._ She would have pleaded ill-treatment and lawfully demanded to

be sold.

Footnote 87:

The Hindus speak of “the only bond that woman knows—her heart.”

Footnote 88:

_i.e._ a rarity, a present (especially in Persian).

Footnote 89:

Arab. Al-bisát wa’ l-masnad lit. the carpet and the cushion.

Footnote 90:

For “Báb al-bahr” and “Báb al-Barr” see vol. iii. 281.

Footnote 91:

She was the daughter of Ja’afar bin Mansúr; but, as will be seen, The

Nights again and again call her father Al-Kásim.

Footnote 92:

This is an error for the fifth which occurs in the popular saying, “Is

he the fifth of the sons of Al-Abbás!” _i.e._ Harun al-Rashid. Lane

(note, in loco) thus accounts for the frequent mention of the Caliph,

the greatest of the Abbasides in The Nights. But this is a causa non

causa.

Footnote 93:

_i.e._ I find thy beauty all-sufficient. So the proverb “The son of

the quarter (young neighbour) filleth not the eye,” which prefers a

stranger.

Footnote 94:

They are mere doggrel, like most of the pieces de circonstance.

Footnote 95:

Afterwards called Wák Wák, and in the Bresl. Edit. Wák al-Wák. See

Lane’s notes upon these Islands. Arab Geographers evidently speak of

two Wak Waks. Ibn al-Fakih and Al-Mas’údi (Fr. Transl., vol. iii. 6–7)

locate one of them in East Africa beyond Zanzibar and Sofala. “Le

territoire des Zendjes (Zanzibar-Negroids) commence au canal

(Al-Khalij) dérivé du haut Nil (the Juln River?) et se prolonge

jusqu’au pays de Sofalah et des Wak-Wak.” It is simply the peninsula

of Guardafui (Jard Hafun.) occupied by the Gallas, pagans and

Christians, before these were ousted by the Moslem Somal; and the

former perpetually ejaculated “Wak” (God) as Moslems cry upon Allah.

This identification explains a host of other myths such as the

Amazons, who as Marco Polo tells us held the “Female Island” Socotra

(Yule ii. 396). The fruit which resembled a woman’s head (whence the

puellæ Wakwakienses hanging by the hair from trees), and which when

ripe called out “Wak Wak” and “Allah al-Khallák” (the Creator) refers

to the Calabash-tree (_Adausonia digitata_), that grotesque growth, a

vegetable elephant, whose gourds, something larger than a man’s head,

hang by a slender filament. Similarly the “cocoa” got its name, in

Port. = Goblin, from the fancied face at one end. The other Wak Wak

has been identified in turns with the Seychelles, Madagascar, Malacca,

Sunda or Java (this by Langlès), China and Japan. The learned Prof. de

Goeje (Arabishe Berichten over Japan, Amsterdam Muller, 1880) informs

us that in Canton the name of Japan is Wo-Kwok, possibly a corruption

of Koku-tan, the ebony-tree (_Diospyros ebenum_) which Ibn Khordábah

and others find together with gold in an island 4,500 parasangs from

Suez and East of China. And we must remember that Basrah was the chief

starting-place for the Celestial Empire during the rule of the Tang

dynasty (seventh and ninth centuries). Colonel J. W. Watson of Bombay

suggests New Guinea or the adjacent islands where the Bird of Paradise

is said to cry “Wak Wak!” Mr. W. F. Kirby in the Preface (p. ix.) to

his neat little book “The New Arabian Nights,” says: “The Islands of

Wak-Wak, seven years’ journey from Bagdad, in the story of Hasan, have

receded to a distance of a hundred and fifty years’ journey in that of

Majin (of Khorasan). There is no doubt (?) that the Cora Islands, near

New Guinea, are intended; for the wonderful fruits which grow there

are Birds of Paradise, which settle in flocks on the trees at sunset

and sunrise, uttering this very cry.” Thus, like Ophir, Wak Wak has

wandered all over the world and has been found even in Peru by the

Turkish work Tárikh al-Hind al-Gharbi = History of the West Indies

(Orient. Coll. ii. 189).

Footnote 96:

I accept the emendation of Lane’s Shaykh, “Nasím” (Zephyr) for “Nadím”

(cup-companion.)

Footnote 97:

“Jannat al-Ná’im” = Garden of Delights is No. V Heaven, made of white

diamond.

Footnote 98:

This appears to her very prettily put.

Footnote 99:

This is the “House of Sadness” of our old chivalrous Romances. See

chapt. vi. of “Palmerin of England,” by Francisco de Moraes (ob.

1572), translated by old Anthony Munday (dateless, 1590?) and

“corrected” (read spoiled) by Robert Southey. London, Longmans, 1807.

Footnote 100:

The lines have occurred in Night clix. (vol. iii. 183), I quote Mr.

Payne who, like Lane, prefers “in my bosom” to “beneath my ribs.”

Footnote 101:

In this tale the Bresl. Edit, more than once adds “And let us and you

send a blessing to the Lord of Lords” (or to “Mohammed,” or to the

“Prophet”); and in vol. v. p. 52 has a long prayer. This is an act of

contrition in the tale-teller for romancing against the expressed

warning of the Founder of Al-Islam.

Footnote 102:

From Bresl. Edit. (vi. 29): the four in the Mac. Edit. are too

irrelevant.

Footnote 103:

Arab. Ghayúr = jealous, an admirable epithet which Lane dilutes to

“changeable”—making a truism of a metaphor.

Footnote 104:

These lines have occurred before. I quote Mr. Payne.

Footnote 105:

_i.e._ One fated to live ten years.

Footnote 106:

This poetical way of saying “fourteen” suggests Camoens (The Lusiads)

Canto v. 2.

Footnote 107:

Arab. “Surrah,” lit. = a purse: a few lines lower down it is called

“’Ulbah” = a box which, of course, may have contained the bag.

Footnote 108:

The month which begins the Moslem year.

Footnote 109:

As an Arab often does when deep in thought. Lane appositely quotes

John viii. 6. “Jesus stooped down, and with his finger wrote on the

ground.” Mr. Payne translates, “He fell a-drumming on the earth with

his fingers,” but this does not complete the sense.

Footnote 110:

_i.e._ “And the peace of Allah be upon thee! that will end thy story.”

The Arab formula, “Wa al-Salám” (pron. Wassalám) is used in a variety

of senses.

Footnote 111:

Like Camoens, one of the model lovers, he calls upon Love to torment

him still more—ad majorem Dei (amoris) gloriam.

Footnote 112:

Pron. Aboor-Ruwaysh. “The Father of the little Feather”: he is

afterwards called “Son of the daughter of the accursed Iblis”; yet, as

Lane says, “he appears to be a virtuous person.”

Footnote 113:

Arab. “Kantara al-lijám fí Karbús (bow) sarjih.”

Footnote 114:

I do not translate “beckoned” because the word would give a wrong

idea. Our beckoning with the finger moved towards the beckoner makes

the so-beckoned Eastern depart in all haste. To call him you must wave

the hand from you.

Footnote 115:

The Arabs knew what large libraries were; and a learned man could not

travel without camel-loads of dictionaries.

Footnote 116:

Arab. “Adim;” now called Bulghár, our Moroccan leather.

Footnote 117:

Arab. “Zinád,” which Lane renders by “instruments for striking fire,”

and Mr. Payne, after the fashion of the translators of Al-Hariri,

“flint and steel.”

Footnote 118:

A congener of Hasan and Husayn, little used except in Syria where it

is a favourite name for Christians. The Muhit of Butrus Al-Bostání

(s.v.) tells us that it also means a bird called Abú Hasan and

supplies various Egyptian synonyms. In Mod. Arab. Grammar the form

Fa’’úl is a diminutive as Hammúd for Ahmad, ’Ammúr for ’Amrú. So the

fem. form, Fa’’úlah, _e.g._ Khaddúgah = little Khadijah and Naffúsah =

little Nafisah; Ar’úrah = little clitoris: whereas in Heb. it is an

incrementative _e.g._ dabbúlah a large dablah (cake or lump of dried

figs, etc).

Footnote 119:

In the Mac. Edit. “Soldiers of Al-Daylam” _i.e._ warlike as the

Daylamites or Medes. See vol. ii. 94.

Footnote 120:

Bilkís, it will be remembered, is the Arab. name of the Queen of Sheba

who visited Solomon. In Abyssinia she is termed Kebra zá negest or zá

makadá, the latter (according to Ferdinand Werne’s “African

Wanderings,” Longmans, 1852) being synonymous with Ityopia or Habash

(Ethiopia or Abyssinia.)

Footnote 121:

Arab. “Dakkah,” which Lane translates by “settee.”

Footnote 122:

Arab. “Ambar al-Khám,” the latter word (raw) being pure Persian.

Footnote 123:

The author neglects to mention the ugliest part of old-womanhood in

the East, long empty breasts like tobacco-pouches. In youth the bosom

is beautifully high, arched and rounded, firm as stone to the touch,

with the nipples erect and pointing outwards. But after the

girl-mother’s first child (in Europe _le premier embellit_) all

changes. Nature and bodily power have been overtasked; then comes the

long suckling at the mother’s expense: the extension of the skin and

the enlargement of its vessels are too sudden and rapid for the

diminished ability of contraction and the bad food aids in the

continual consumption of vitality. Hence, among Eastern women age and

ugliness are synonymous. It is only in the highest civilisation that

we find the handsome old woman.

Footnote 124:

The name has occurred in the Knightly tale of King Omar and his sons

vol. ii. 269. She is here called Mother of Calamities, but in p. 123,

vol. iv. of the Mac. Edit, she becomes “Lady (Zát) al-Dawáhi.” It will

be remembered that the title means calamitous to the foe.

Footnote 125:

By this address she assured him that she had no design upon his

chastity. In Moslem lands it is always advisable to accost a strange

woman, no matter how young, with, “Yá Ummí!” = O my mother. This is

pledging one’s word, as it were, not to make love to her.

Footnote 126:

Apparently the Wakites numbered their Islands as the Anglo-Americans

do their streets. For this they have been charged with “want of

imagination”; but the custom is strictly classical. See at Pompeii

“Reg (io) I; Ins (ula) I, Via Prima, Secunda,” etc.

Footnote 127:

These are the Puellæ Wakwakienses of whom Ibn Al-Wardi relates after

an ocular witness, “Here too is a tree which bears fruits like women

who have fair faces and are hung by their hair. They come forth from

integuments like large leathern bags (calabash-gourds?) and when they

sense air and sun they cry “Wak! Wak!” (God! God!) till their hair is

cut, and when it is cut they die; and the islanders understand this

cry wherefrom they augur ill.” The Ajáib al-Hind (chapt. xv.) places

in Wak-land the Samandal, a bird which enters the fire without being

burnt evidently the Egyptian “Pi-Benni,” which the Greeks

metamorphised to “Phœnix.” It also mentions a hare-like animal, now

male then female; and the Somal behind Cape Guardafui tell the same

tale of their Cynhyænas.

Footnote 128:

_i.e._ I will keep thee as though thou wert the apple of my eye.

Footnote 129:

A mere exaggeration of the “Gull-fairs” noted by travellers in sundry

islands as Ascension and the rock off Brazilian Santos.

Footnote 130:

Arab. “Kámil wa Basít wa Wáfir” = the names of three popular metres,

for which see the Terminal Essay.

Footnote 131:

Arab. “Manáshif” = drying towels, Plur. of Minshafah, and the popular

term which Dr. Jonathan Swift corrupted to “Munnassaf.” Lane (Nights,

Introduct. p. ix.)

Footnote 132:

Arab. “Shafáif” opposed to “Shafah” the mouth-lips.

Footnote 133:

Fountains of Paradise. This description is a fair instance of how the

Saj’a (prose-rhyme) dislocates the order; an Arab begins with hair,

forehead, eyebrows and lashes and when he reaches the nose, he slips

down to the toes for the sake of the assonance. If the latter be

neglected the whole list of charms must be otherwise ordered; and the

student will compare Mr. Payne’s version of this passage with mine.

Footnote 134:

A fair specimen of the Arab logogriph derived from the Abjad Alphabet

which contains only the Hebrew and Syriac letters not the six Arabic.

Thus 4 × 5 = 20 which represents the Kaf (K) and 6 × 10 = 60, or Sin

(S). The whole word is thus “Kus,” the Greek κυσὸς or κυσσὸς, and the

lowest word, in Persian as in Arabic, for the female pudenda,

extensively used in vulgar abuse. In my youth we had at the University

something of the kind,

To five and five and fifty-five

The first of letters add

To make a thing to please a King

And drive a wise man mad.

Answer VVLVA. Very interesting to the anthropological student is this

excursus of Hasan, who after all manner of hardships and horrors and

risking his life to recover his wife and children, breaks out into

song on the subject of her privities. And it can hardly be

tale-teller’s gag as both verse and prose show considerable art in

composition.

Footnote 135:

Egyptian and Syrian vulgar term for Mawálíyah or Mawáliyah, a short

poem on subjects either classical or vulgar. It generally consists of

five lines all rhyming except the penultimate. The metre is a species

of the Basít which, however, admits of considerable poetical license;

this being according to Lane the usual “Weight,”

¯ ¯ ˘ ¯ ¯ / ˘ ¯ ˘ / ¯ ¯ ˘ ¯ / ¯ ¯.

The scheme is distinctly anapæstic and Mr. Lyall (Translations of

Ancient Arabic Poetry) compares with a cognate metre, the Tawíl,

certain lines in Abt Vogler, _e.g._

“Ye know why the forms are fair, ye hear how the tale is told.”

Footnote 136:

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