CHAPTER I: THE CONTRAST

Produced by Martin Robb

QUENTIN DURWARD

by Sir Walter Scott, Bart.

AUTHOR'S INTRODUCTION

The scene of this romance is laid in the fifteenth century, when the

feudal system, which had been the sinews and nerves of national defence,

and the spirit of chivalry, by which, as by a vivifying soul, that

system was animated, began to be innovated upon and abandoned by those

grosser characters who centred their sum of happiness in procuring the

personal objects on which they had fixed their own exclusive attachment.

The same egotism had indeed displayed itself even in more primitive

ages; but it was now for the first time openly avowed as a professed

principle of action. The spirit of chivalry had in it this point

of excellence, that, however overstrained and fantastic many of its

doctrines may appear to us, they were all founded on generosity and self

denial, of which, if the earth were deprived, it would be difficult to

conceive the existence of virtue among the human race.

Among those who were the first to ridicule and abandon the self denying

principles in which the young knight was instructed and to which he

was so carefully trained up, Louis XI of France was the chief. That

sovereign was of a character so purely selfish--so guiltless of

entertaining any purpose unconnected with his ambition, covetousness,

and desire of selfish enjoyment--that he almost seems an incarnation of

the devil himself, permitted to do his utmost to corrupt our ideas

of honour in its very source. Nor is it to be forgotten that Louis

possessed to a great extent that caustic wit which can turn into

ridicule all that a man does for any other person's advantage but his

own, and was, therefore, peculiarly qualified to play the part of a cold

hearted and sneering fiend.

The cruelties, the perjuries, the suspicions of this prince, were

rendered more detestable, rather than amended, by the gross and debasing

superstition which he constantly practised. The devotion to the heavenly

saints, of which he made such a parade, was upon the miserable principle

of some petty deputy in office, who endeavours to hide or atone for the

malversations of which he is conscious by liberal gifts to those whose

duty it is to observe his conduct, and endeavours to support a system of

fraud by an attempt to corrupt the incorruptible. In no other light can

we regard his creating the Virgin Mary a countess and colonel of his

guards, or the cunning that admitted to one or two peculiar forms of

oath the force of a binding obligation which he denied to all other,

strictly preserving the secret, which mode of swearing he really

accounted obligatory, as one of the most valuable of state mysteries.

To a total want of scruple, or, it would appear, of any sense whatever

of moral obligation, Louis XI added great natural firmness and sagacity

of character, with a system of policy so highly refined, considering the

times he lived in, that he sometimes overreached himself by giving way

to its dictates.

Probably there is no portrait so dark as to be without its softer

shades. He understood the interests of France, and faithfully pursued

them so long as he could identify them with his own. He carried the

country safe through the dangerous crisis of the war termed “for the

public good;” in thus disuniting and dispersing this grand and dangerous

alliance of the great crown vassals of France against the Sovereign, a

king of a less cautious and temporizing character, and of a more bold

and less crafty disposition than Louis XI, would, in all probability,

have failed. Louis had also some personal accomplishments not

inconsistent with his public character. He was cheerful and witty in

society; and none was better able to sustain and extol the superiority

of the coarse and selfish reasons by which he endeavoured to supply

those nobler motives for exertion which his predecessors had derived

from the high spirit of chivalry.

In fact, that system was now becoming ancient, and had, even while

in its perfection, something so overstrained and fantastic in its

principles, as rendered it peculiarly the object of ridicule, whenever,

like other old fashions, it began to fall out of repute; and the weapons

of raillery could be employed against it, without exciting the disgust

and horror with which they would have been rejected at an early period,

as a species of blasphemy. The principles of chivalry were cast aside,

and their aid supplied by baser stimulants. Instead of the high spirit

which pressed every man forward in the defence of his country, Louis

XI substituted the exertions of the ever ready mercenary soldier, and

persuaded his subjects, among whom the mercantile class began to make a

figure, that it was better to leave to mercenaries the risks and labours

of war, and to supply the Crown with the means of paying them, than to

peril themselves in defence of their own substance. The merchants were

easily persuaded by this reasoning. The hour did not arrive in the days

of Louis XI when the landed gentry and nobles could be in like manner

excluded from the ranks of war; but the wily monarch commenced that

system, which, acted upon by his successors, at length threw the whole

military defence of the state into the hands of the Crown.

He was equally forward in altering the principles which were wont to

regulate the intercourse of the sexes. The doctrines of chivalry had

established, in theory at least, a system in which Beauty was the

governing and remunerating divinity--Valour, her slave, who caught his

courage from her eye and gave his life for her slightest service. It is

true, the system here, as in other branches, was stretched to fantastic

extravagance, and cases of scandal not unfrequently arose. Still, they

were generally such as those mentioned by Burke, where frailty was

deprived of half its guilt, by being purified from all its grossness.

In Louis XI's practice, it was far otherwise. He was a low voluptuary,

seeking pleasure without sentiment, and despising the sex from whom he

desired to obtain it.... By selecting his favourites and ministers from

among the dregs of the people, Louis showed the slight regard which he

paid to eminent station and high birth; and although this might be

not only excusable but meritorious, where the monarch's fiat promoted

obscure talent, or called forth modest worth, it was very different when

the King made his favourite associates of such men as the chief of his

police, Tristan l'Hermite..

Nor were Louis's sayings and actions in private or public of a kind

which could redeem such gross offences against the character of a man

of honour. His word, generally accounted the most sacred test of a man's

character, and the least impeachment of which is a capital offence

by the code of honour, was forfeited without scruple on the slightest

occasion, and often accompanied by the perpetration of the most enormous

crimes... It is more than probable that, in thus renouncing almost

openly the ties of religion, honour, and morality, by which mankind

at large feel themselves influenced, Louis sought to obtain great

advantages in his negotiations with parties who might esteem themselves

bound, while he himself enjoyed liberty. He started from the goal, he

might suppose, like the racer who has got rid of the weights with which

his competitors are still encumbered, and expects to succeed of course.

But Providence seems always to unite the existence of peculiar danger

with some circumstance which may put those exposed to the peril upon

their guard. The constant suspicion attached to any public person who

becomes badly eminent for breach of faith is to him what the rattle is

to the poisonous serpent: and men come at last to calculate not so much

on what their antagonist says as upon that which he is likely to do;

a degree of mistrust which tends to counteract the intrigues of such a

character, more than his freedom from the scruples of conscientious men

can afford him advantage..

Indeed, although the reign of Louis had been as successful in a

political point of view as he himself could have desired, the spectacle

of his deathbed might of itself be a warning piece against the seduction

of his example. Jealous of every one, but chiefly of his own son,

he immured himself in his Castle of Plessis, intrusting his person

exclusively to the doubtful faith of his Scottish mercenaries. He never

stirred from his chamber; he admitted no one into it, and wearied heaven

and every saint with prayers, not for forgiveness of his sins, but

for the prolongation of his life. With a poverty of spirit totally

inconsistent with his shrewd worldly sagacity, he importuned his

physicians until they insulted as well as plundered him..

It was not the least singular circumstance of this course, that bodily

health and terrestrial felicity seemed to be his only object. Making

any mention of his sins when talking on the state of his health, was

strictly prohibited; and when at his command a priest recited a prayer

to Saint Eutropius in which he recommended the King's welfare both in

body and soul, Louis caused the two last words to be omitted, saying it

was not prudent to importune the blessed saint by too many requests at

once. Perhaps he thought by being silent on his crimes he might suffer

them to pass out of the recollection of the celestial patrons, whose aid

he invoked for his body.

So great were the well merited tortures of this tyrant's deathbed, that

Philip de Comines enters into a regular comparison between them and the

numerous cruelties inflicted on others by his order; and considering

both, comes to express an opinion that the worldly pangs and agony

suffered by Louis were such as might compensate the crimes he had

committed, and that, after a reasonable quarantine in purgatory, he

might in mercy he found duly qualified for the superior regions...

The instructive but appalling scene of this tyrant's sufferings was at

length closed by death, 30th August, 1483.

The selection of this remarkable person as the principal character in

the romance--for it will be easily comprehended that the little love

intrigue of Quentin is only employed as the means of bringing out the

story--afforded considerable facilities to the author. In Louis XI's

time, extraordinary commotions existed throughout all Europe. England's

Civil Wars were ended, rather in appearance than reality, by the short

lived ascendancy of the House of York. Switzerland was asserting that

freedom which was afterwards so bravely defended. In the Empire and in

France, the great vassals of the crown were endeavouring to emancipate

themselves from its control, while Charles of Burgundy by main force,

and Louis more artfully by indirect means, laboured to subject them to

subservience to their respective sovereignties. Louis, while with one

hand he circumvented and subdued his own rebellious vassals, laboured

secretly with the other to aid and encourage the large trading towns of

Flanders to rebel against the Duke of Burgundy, to which their wealth

and irritability naturally disposed them. In the more woodland districts

of Flanders, the Duke of Gueldres, and William de la Marck, called from

his ferocity the Wild Boar of Ardennes, were throwing off the habits

of knights and gentlemen to practise the violences and brutalities of

common bandits.

[Chapter I gives a further account of the conditions of the period which

Quentin Durward portrays.]

A hundred secret combinations existed in the different provinces of

France and Flanders; numerous private emissaries of the restless

Louis, Bohemians, pilgrims, beggars, or agents disguised as such, were

everywhere spreading the discontent which it was his policy to maintain

in the dominions of Burgundy.

Amidst so great an abundance of materials, it was difficult to select

such as should be most intelligible and interesting to the reader: and

the author had to regret, that though he made liberal use of the power

of departing from the reality of history, he felt by no means confident

of having brought his story into a pleasing, compact, and sufficiently

intelligible form. The mainspring of the plot is that which all who know

the least of the feudal system can easily understand, though the facts

are absolutely fictitious. The right of a feudal superior was in nothing

more universally acknowledged than in his power to interfere in the

marriage of a female vassal. This may appear to exist as a contradiction

both of the civil and canon laws, which declare that marriage shall be

free, while the feudal or municipal jurisprudence, in case of a fief

passing to a female, acknowledges an interest in the superior of

the fief to dictate the choice of her companion in marriage. This is

accounted for on the principle that the superior was, by his bounty, the

original granter of the fief, and is still interested that the marriage

of the vassal shall place no one there who may be inimical to his liege

lord. On the other hand, it might be reasonably pleaded that this

right of dictating to the vassal to a certain extent in the choice of

a husband, is only competent to the superior from whom the fief is

originally derived. There is therefore no violent improbability in a

vassal of Burgundy flying to the protection of the King of France, to

whom the Duke of Burgundy himself was vassal; not is it a great stretch

of probability to affirm that Louis, unscrupulous as he was, should have

formed the design of betraying the fugitive into some alliance which

might prove inconvenient, if not dangerous, to his formidable kinsman

and vassal of Burgundy.

[Some of these departures from historical accuracy, as when the death

of the Bishop of Liege is antedated, are duly set forth in the notes.

It should be mentioned that Mr. J. F. Kirk, in his elaborate History of

Charles the Bold, claims that in some points injustice has been done

to the Duke in this romance. He says: “The faults of Charles were

sufficiently glaring, and scarcely admitted of exaggeration; but his

breeding had been that of a prince, his education had been better than

that of other princes of his time, his tastes and habits were more, not

less, refined than theirs, and the restraint he imposed upon his sensual

appetites was as conspicuous a trait as his sternness and violence.”]

Abbotsford, 1830.

Quentin Durward was published in June, 1823, and was Scott's first

venture on foreign ground. While well received at home, the sensation

it created in Paris was comparable to that caused by the appearance of

Waverley in Edinburgh and Ivanhoe in London. In Germany also, where the

author was already popular, the new novel had a specially enthusiastic

welcome. The scene of the romance was partly suggested by a journal

kept by Sir Walter's dear friend, Mr. James Skene of Rubislaw, during

a French tour, the diary being illustrated by a vast number of clever

drawings. The author, in telling this tale laid in unfamiliar scenes,

encountered difficulties of a kind quite new to him, as it necessitated

much study of maps, gazetteers, and books of travel. For the history,

he naturally found above all else the Memoirs of Philip de Comines “the

very key of the period,” though it need not be said that the lesser

chroniclers received due attention. It is interesting to note that in

writing to his friend, Daniel Terry, the actor and manager, Scott says,

“I have no idea my present labours will be dramatic in situation; as to

character, that of Louis XI, the sagacious, perfidious, superstitious,

jocular, politic tyrant, would be, for a historical chronicle containing

his life and death, one of the most powerful ever brought on the stage.”

So thought the poet, Casimir Delavigne--writing when Scott's influence

was marked upon French literature--whose powerful drama, Louis XI, was

a great Parisian success. Later Charles Kean and Henry Irving made an

English version of it well known in England and America.

CHAPTER I: THE CONTRAST

Look here upon this picture, and on this,

The counterfeit presentment of two brothers.

HAMLET

The latter part of the fifteenth century prepared a train of future

events that ended by raising France to that state of formidable power

which has ever since been from time to time the principal object of

jealousy to the other European nations. Before that period she had to

struggle for her very existence with the English already possessed of

her fairest provinces while the utmost exertions of her King, and the

gallantry of her people, could scarcely protect the remainder from a

foreign yoke. Nor was this her sole danger. The princes who possessed

the grand fiefs of the crown, and, in particular, the Dukes of Burgundy

and Bretagne, had come to wear their feudal bonds so lightly that they

had no scruple in lifting the standard against their liege and sovereign

lord, the King of France, on the slightest pretence. When at peace, they

reigned as absolute princes in their own provinces; and the House of

Burgundy, possessed of the district so called, together with the fairest

and richest part of Flanders, was itself so wealthy, and so powerful, as

to yield nothing to the crown, either in splendour or in strength.

In imitation of the grand feudatories, each inferior vassal of the crown

assumed as much independence as his distance from the sovereign power,

the extent of his fief, or the strength of his chateau enabled him to

maintain; and these petty tyrants, no longer amenable to the exercise

of the law, perpetrated with impunity the wildest excesses of fantastic

oppression and cruelty. In Auvergne alone, a report was made of more

than three hundred of these independent nobles, to whom incest, murder,

and rapine were the most ordinary and familiar actions.

Besides these evils, another, springing out of the long continued wars

betwixt the French and English, added no small misery to this distracted

kingdom. Numerous bodies of soldiers, collected into bands, under

officers chosen by themselves, from among the bravest and most

successful adventurers, had been formed in various parts of France out

of the refuse of all other countries. These hireling combatants sold

their swords for a time to the best bidder; and, when such service was

not to be had, they made war on their own account, seizing castles

and towers, which they used as the places of their retreat, making

prisoners, and ransoming them, exacting tribute from the open villages

and the country around them--and acquiring, by every species of rapine,

the appropriate epithets of Tondeurs and Ecorcheurs, that is, Clippers

and Flayers.

In the midst of the horrors and miseries arising from so distracted a

state of public affairs, reckless and profuse expense distinguished the

courts of the lesser nobles, as well as of the superior princes; and

their dependents, in imitation, expended in rude but magnificent display

the wealth which they extorted from the people. A tone of romantic and

chivalrous gallantry (which, however, was often disgraced by unbounded

license) characterized the intercourse between the sexes; and the

language of knight errantry was yet used, and its observances followed,

though the pure spirit of honourable love and benevolent enterprise

which it inculcates had ceased to qualify and atone for its

extravagances. The jousts and tournaments, the entertainments and

revels, which each petty court displayed, invited to France every

wandering adventurer; and it was seldom that, when arrived there, he

failed to employ his rash courage, and headlong spirit of enterprise, in

actions for which his happier native country afforded no free stage.

At this period, and as if to save this fair realm from the various woes

with which it was menaced, the tottering throne was ascended by Louis

XI, whose character, evil as it was in itself, met, combated, and in

a great degree neutralized the mischiefs of the time--as poisons of

opposing qualities are said, in ancient books of medicine, to have the

power of counteracting each other.

Brave enough for every useful and political purpose, Louis had not a

spark of that romantic valour, or of the pride generally associated with

it, which fought on for the point of honour, when the point of utility

had been long gained. Calm, crafty, and profoundly attentive to his

own interest, he made every sacrifice, both of pride and passion,

which could interfere with it. He was careful in disguising his real

sentiments and purposes from all who approached him, and frequently used

the expressions, “that the king knew not how to reign, who knew not how

to dissemble; and that, for himself, if he thought his very cap knew his

secrets, he would throw it into the fire.” No man of his own, or of any

other time, better understood how to avail himself of the frailties

of others, and when to avoid giving any advantage by the untimely

indulgence of his own.

He was by nature vindictive and cruel, even to the extent of finding

pleasure in the frequent executions which he commanded. But, as no touch

of mercy ever induced him to spare, when he could with safety condemn,

so no sentiment of vengeance ever stimulated him to a premature

violence. He seldom sprang on his prey till it was fairly within his

grasp, and till all hope of rescue was vain; and his movements were

so studiously disguised, that his success was generally what first

announced to the world the object he had been manoeuvring to attain.

In like manner, the avarice of Louis gave way to apparent profusion,

when it was necessary to bribe the favourite or minister of a rival

prince for averting any impending attack, or to break up any alliance

confederated against him. He was fond of license and pleasure; but

neither beauty nor the chase, though both were ruling passions, ever

withdrew him from the most regular attendance to public business and the

affairs of his kingdom. His knowledge of mankind was profound, and he

had sought it in the private walks of life, in which he often personally

mingled; and, though naturally proud and haughty, he hesitated not,

with an inattention to the arbitrary divisions of society which was then

thought something portentously unnatural, to raise from the lowest rank

men whom he employed on the most important duties, and knew so well how

to choose them, that he was rarely disappointed in their qualities.

Yet there were contradictions in the character of this artful and able

monarch; for human nature is rarely uniform. Himself the most false and

insincere of mankind, some of the greatest errors of his life arose from

too rash a confidence in the honour and integrity of others. When these

errors took place, they seem to have arisen from an over refined system

of policy, which induced Louis to assume the appearance of undoubting

confidence in those whom it was his object to overreach; for, in his

general conduct, he was as jealous and suspicious as any tyrant who ever

breathed.

Two other points may be noticed to complete the sketch of this

formidable character, by which he rose among the rude, chivalrous

sovereigns of the period to the rank of a keeper among wild beasts,

who, by superior wisdom and policy, by distribution of food, and some

discipline by blows, comes finally to predominate over those who, if

unsubjected by his arts, would by main strength have torn him to pieces.

The first of these attributes was Louis's excessive superstition, a

plague with which Heaven often afflicts those who refuse to listen to

the dictates of religion. The remorse arising from his evil

actions Louis never endeavoured to appease by any relaxation in his

Machiavellian stratagems [on account of the alleged political immorality

of Machiavelli, an illustrious Italian of the sixteenth century, this

expression has come to mean “destitute of political morality; habitually

using duplicity and bad faith.” Cent. Dict.], but laboured in vain to

soothe and silence that painful feeling by superstitious observances,

severe penance, and profuse gifts to the ecclesiastics. The second

property, with which the first is sometimes found strangely united, was

a disposition to low pleasures and obscure debauchery. The wisest, or

at least the most crafty sovereign of his time, he was fond of low life,

and, being himself a man of wit, enjoyed the jests and repartees of

social conversation more than could have been expected from other points

of his character. He even mingled in the comic adventures of obscure

intrigue, with a freedom little consistent with the habitual and guarded

jealousy of his character, and he was so fond of this species of humble

gallantry, that he caused a number of its gay and licentious anecdotes

to be enrolled in a collection well known to book collectors, in whose

eyes (and the work is unfit for any other) the right edition is very

precious.

[This editio princeps, which, when in good preservation, is much

sought after by connoisseurs, is entitled Les Cent Nouvelles Nouvelles,

contenant Cent Histoires Nouveaux, qui sont moult plaisans a raconter

en toutes bonnes compagnies par maniere de joyeuxete. Paris, Antoine

Verard. Sans date d'annee d'impression; en folio gotique. See De Bure.

S]

By means of this monarch's powerful and prudent, though most unamiable

character, it pleased Heaven, who works by the tempest as well as by the

soft, small rain, to restore to the great French nation the benefits of

civil government, which, at the time of his accession, they had nearly

lost.

Ere he succeeded to the crown, Louis had given evidence of his vices

rather than of his talents. His first wife, Margaret of Scotland, was

“done to death by slanderous tongues” in her husband's court, where,

but for the encouragement of Louis himself, not a word would have been

breathed against that amiable and injured princess. He had been an

ungrateful and a rebellious son, at one time conspiring to seize his

father's person, and at another levying open war against him. For the

first offence, he was banished to his appanage of Dauphine, which he

governed with much sagacity; for the second he was driven into absolute

exile, and forced to throw himself on the mercy, and almost on

the charity, of the Duke of Burgundy and his son; where he enjoyed

hospitality, afterwards indifferently requited, until the death of his

father in 1461.

In the very outset of his reign, Louis was almost overpowered by a

league formed against him by the great vassals of France, with the Duke

of Burgundy, or rather his son, the Count de Charalois, at its head.

They levied a powerful army, blockaded Paris, fought a battle of

doubtful issue under its very walls, and placed the French monarchy on

the brink of actual destruction. It usually happens in such cases,

that the more sagacious general of the two gains the real fruit, though

perhaps not the martial fame, of the disputed field. Louis, who had

shown great personal bravery during the battle of Montl'hery, was able,

by his prudence, to avail himself of its undecided character, as if it

had been a victory on his side. He temporized until the enemy had broken

up their leaguer, and showed so much dexterity in sowing jealousies

among those great powers, that their alliance “for the public weal,” as

they termed it, but in reality for the overthrow of all but the external

appearance of the French monarchy, dissolved itself, and was never again

renewed in a manner so formidable. From this period, Louis, relieved

of all danger from England by the Civil Wars of York and Lancaster,

was engaged for several years, like an unfeeling but able physician,

in curing the wounds of the body politic, or rather in stopping, now by

gentle remedies, now by the use of fire and steel, the progress of those

mortal gangrenes with which it was then infected. The brigandage of the

Free Companies [troops that acknowledged no authority except that of

their leaders, and who hired themselves out at will], and the unpunished

oppression of the nobility, he laboured to lessen, since he could not

actually stop them; and, by dint of unrelaxed attention, he gradually

gained some addition to his own regal authority, or effected some

diminution of those by whom it was counterbalanced.

Still the King of France was surrounded by doubt and danger. The members

of the league “for the public weal,” though not in unison, were in

existence, and, like a scotched snake [see Macbeth. III, ii, 13, “We

have scotch'd the snake, not kill'd it.”], might reunite and become

dangerous again. But a worse danger was the increasing power of the

Duke of Burgundy, then one of the greatest princes of Europe, and little

diminished in rank by the very slight dependence of his duchy upon the

crown of France.

Charles, surnamed the Bold, or rather, the Audacious, for his courage

was allied to rashness and frenzy, then wore the ducal coronet of

Burgundy, which he burned to convert into a royal and independent

regal crown. The character of this Duke was in every respect the direct

contrast to that of Louis XI.

The latter was calm, deliberate, and crafty, never prosecuting a

desperate enterprise, and never abandoning one likely to be successful,

however distant the prospect. The genius of the Duke was entirely

different. He rushed on danger because he loved it, and on difficulties

because he despised them. As Louis never sacrificed his interest to his

passion, so Charles, on the other hand, never sacrificed his passion,

or even his humour, to any other consideration. Notwithstanding the near

relationship that existed between them, and the support which the Duke

and his father had afforded to Louis in his exile when Dauphin, there

was mutual contempt and hatred betwixt them. The Duke of Burgundy

despised the cautious policy of the King, and imputed to the faintness

of his courage that he sought by leagues, purchases, and other indirect

means those advantages which, in his place, the Duke would have snatched

with an armed hand. He likewise hated the King, not only for the

ingratitude he had manifested for former kindnesses, and for personal

injuries and imputations which the ambassadors of Louis had cast upon

him, when his father was yet alive, but also, and especially, because of

the support which he afforded in secret to the discontented citizens of

Ghent, Liege, and other great towns in Flanders. These turbulent cities,

jealous of their privileges, and proud of their wealth, were frequently

in a state of insurrection against their liege lords, the Dukes of

Burgundy, and never failed to find underhand countenance at the court

of Louis, who embraced every opportunity of fomenting disturbance within

the dominions of his overgrown vassal.

The contempt and hatred of the Duke were retaliated by Louis with equal

energy, though he used a thicker veil to conceal his sentiments. It

was impossible for a man of his profound sagacity not to despise the

stubborn obstinacy which never resigned its purpose, however fatal

perseverance might prove, and the headlong impetuosity which commenced

its career without allowing a moment's consideration for the obstacles

to be encountered. Yet the King hated Charles even more than he

contemned him, and his scorn and hatred were the more intense, that they

were mingled with fear; for he know that the onset of the mad bull, to

whom he likened the Duke of Burgundy, must ever be formidable, though

the animal makes it with shut eyes. It was not alone the wealth of the

Burgundian provinces, the discipline of the warlike inhabitants, and

the mass of their crowded population, which the King dreaded, for

the personal qualities of their leader had also much in them that was

dangerous. The very soul of bravery, which he pushed to the verge of

rashness, and beyond it--profuse in expenditure--splendid in his court,

his person, and his retinue, in all which he displayed the hereditary

magnificence of the house of Burgundy, Charles the Bold drew into his

service almost all the fiery spirits of the age whose tempers were

congenial; and Louis saw too clearly what might be attempted and

executed by such a train of resolute adventurers, following a leader of

a character as ungovernable as their own.

There was yet another circumstance which increased the animosity of

Louis towards his overgrown vassal; he owed him favours which he never

meant to repay, and was under the frequent necessity of temporizing with

him, and even of enduring bursts of petulant insolence, injurious to

the regal dignity, without being able to treat him otherwise than as his

“fair cousin of Burgundy.”

It was about the year 1468, when their feuds were at the highest, though

a dubious and hollow truce, as frequently happened, existed for the

time betwixt them, that the present narrative opens. The person first

introduced on the stage will be found indeed to be of a rank and

condition, the illustration of whose character scarcely called for a

dissertation on the relative position of two great princes; but the

passions of the great, their quarrels, and their reconciliations

involve the fortunes of all who approach them; and it will be found,

on proceeding farther in our story, that this preliminary chapter

is necessary for comprehending the history of the individual whose

adventures we are about to relate.

Quentin Durward(#7853) · 第 1 / 37 章