Henri did not answer. The young man had one sorry quality, for one

considers as something great everything which resembles strength, and

often men invent extravagances. Henri knew not how to pardon. That

_returning upon itself_ which is one of the soul’s graces, was a

non-existent sense for him. The ferocity of the Northern man, with which

the English blood is deeply tainted, had been transmitted to him by his

father. He was inexorable both in his good and evil impulses. Paquita’s

exclamation had been all the more horrible to him, in that it had

dethroned him from the sweetest triumph which had ever flattered his

man’s vanity. Hope, love, and every emotion had been exalted with him,

all had lit up within his heart and his intelligence, then these torches

illuminating his life had been extinguished by a cold wind. Paquita, in

her stupefaction of grief, had only strength enough to give the signal

for departure.

“What is the use of that!” she said, throwing away the bandage. “If he

does not love me, if he hates me, it is all over.”

She waited for one look, did not obtain it, and fell, half dead. The

mulatto cast a glance at Henri, so horribly significant, that, for the

first time in his life, the young man, to whom no one denied the gift of

rare courage, trembled. “_If you do not love her well, if you give her

the least pain, I will kill you_.” such was the sense of that brief

gaze. De Marsay was escorted, with a care almost obsequious, along the

dimly lit corridor, at the end of which he issued by a secret door into

the garden of the Hotel San-Real. The mulatto made him walk cautiously

through an avenue of lime trees, which led to a little gate opening upon

a street which was at that hour deserted. De Marsay took a keen notice

of everything. The carriage awaited him. This time the mulatto did not

accompany him, and at the moment when Henri put his head out of the

window to look once more at the gardens of the hotel, he encountered the

white eyes of Cristemio, with whom he exchanged a glance. On either side

there was a provocation, a challenge, the declaration of a savage

war, of a duel in which ordinary laws were invalid, where treason and

treachery were admitted means. Cristemio knew that Henri had sworn

Paquita’s death. Henri knew that Cristemio would like to kill him before

he killed Paquita. Both understood each other to perfection.

“The adventure is growing complicated in a most interesting way,” said

Henri.

“Where is the gentleman going to?” asked the coachman.

De Marsay was driven to the house of Paul de Manerville. For more than a

week Henri was away from home, and no one could discover either what he

did during this period, nor where he stayed. This retreat saved him from

the fury of the mulatto and caused the ruin of the charming creature who

had placed all her hope in him whom she loved as never human heart had

loved on this earth before. On the last day of the week, about eleven

o’clock at night, Henri drove up in a carriage to the little gate in the

garden of the Hotel San-Real. Four men accompanied him. The driver was

evidently one of his friends, for he stood up on his box, like a man who

was to listen, an attentive sentinel, for the least sound. One of the

other three took his stand outside the gate in the street; the second

waited in the garden, leaning against the wall; the last, who carried in

his hand a bunch of keys, accompanied De Marsay.

“Henri,” said his companion to him, “we are betrayed.”

“By whom, my good Ferragus?”

“They are not all asleep,” replied the chief of the Devourers; “it is

absolutely certain that some one in the house has neither eaten nor

drunk.... Look! see that light!”

“We have a plan of the house; from where does it come?”

“I need no plan to know,” replied Ferragus; “it comes from the room of

the Marquise.”

“Ah,” cried De Marsay, “no doubt she arrived from London to-day. The

woman has robbed me even of my revenge! But if she has anticipated me,

my good Gratien, we will give her up to the law.”

“Listen, listen!... The thing is settled,” said Ferragus to Henri.

The two friends listened intently, and heard some feeble cries which

might have aroused pity in the breast of a tiger.

“Your marquise did not think the sound would escape by the chimney,”

said the chief of the Devourers, with the laugh of a critic, enchanted

to detect a fault in a work of merit.

“We alone, we know how to provide for every contingency,” said Henri.

“Wait for me. I want to see what is going on upstairs--I want to know

how their domestic quarrels are managed. By God! I believe she is

roasting her at a slow fire.”

De Marsay lightly scaled the stairs, with which he was familiar, and

recognized the passage leading to the boudoir. When he opened the door

he experienced the involuntary shudder which the sight of bloodshed

gives to the most determined of men. The spectacle which was offered to

his view was, moreover, in more than one respect astonishing to him.

The Marquise was a woman; she had calculated her vengeance with that

perfection of perfidy which distinguishes the weaker animals. She had

dissimulated her anger in order to assure herself of the crime before

she punished it.

“Too late, my beloved!” said Paquita, in her death agony, casting her

pale eyes upon De Marsay.

The girl of the golden eyes expired in a bath of blood. The great

illumination of candles, a delicate perfume which was perceptible,

a certain disorder, in which the eye of a man accustomed to amorous

adventures could not but discern the madness which is common to all

the passions, revealed how cunningly the Marquise had interrogated the

guilty one. The white room, where the blood showed so well, betrayed a

long struggle. The prints of Paquita’s hands were on the cushions. Here

she had clung to her life, here she had defended herself, here she

had been struck. Long strips of the tapestry had been torn down by her

bleeding hands, which, without a doubt, had struggled long. Paquita must

have tried to reach the window; her bare feet had left their imprints

on the edge of the divan, along which she must have run. Her body,

mutilated by the dagger-thrusts of her executioner, told of the fury

with which she had disputed a life which Henri had made precious to her.

She lay stretched on the floor, and in her death-throes had bitten the

ankles of Madame de San-Real, who still held in her hand her dagger,

dripping blood. The hair of the Marquise had been torn out, she was

covered with bites, many of which were bleeding, and her torn dress

revealed her in a state of semi-nudity, with the scratches on her

breasts. She was sublime so. Her head, eager and maddened, exhaled the

odor of blood. Her panting mouth was open, and her nostrils were not

sufficient for her breath. There are certain animals who fall upon their

enemy in their rage, do it to death, and seem in the tranquillity of

victory to have forgotten it. There are others who prowl around their

victim, who guard it in fear lest it should be taken away from them, and

who, like the Achilles of Homer, drag their enemy by the feet nine times

round the walls of Troy. The Marquise was like that. She did not see

Henri. In the first place, she was too secure of her solitude to be

afraid of witnesses; and, secondly, she was too intoxicated with warm

blood, too excited with the fray, too exalted, to take notice of the

whole of Paris, if Paris had formed a circle round her. A thunderbolt

would not have disturbed her. She had not even heard Paquita’s last

sigh, and believed that the dead girl could still hear her.

“Die without confessing!” she said. “Go down to hell, monster of

ingratitude; belong to no one but the fiend. For the blood you gave him

you owe me all your own! Die, die, suffer a thousand deaths! I have

been too kind--I was only a moment killing you. I should have made you

experience all the tortures that you have bequeathed to me. I--I shall

live! I shall live in misery. I have no one left to love but God!”

She gazed at her.

“She is dead!” she said to herself, after a pause, in a violent

reaction. “Dead! Oh, I shall die of grief!”

The Marquise was throwing herself upon the divan, stricken with a

despair which deprived her of speech, when this movement brought her in

view of Henri de Marsay.

“Who are you?” she asked, rushing at him with her dagger raised.

Henri caught her arm, and thus they could contemplate each other face

to face. A horrible surprise froze the blood in their veins, and their

limbs quivered like those of frightened horses. In effect, the two

Menoechmi had not been more alike. With one accord they uttered the same

phrase:

“Lord Dudley must have been your father!”

The head of each was drooped in affirmation.

“She was true to the blood,” said Henri, pointing to Paquita.

“She was as little guilty as it is possible to be,” replied Margarita

Euphemia Porraberil, and she threw herself upon the body of Paquita,

giving vent to a cry of despair. “Poor child! Oh, if I could bring thee

to life again! I was wrong--forgive me, Paquita! Dead! and I live! I--I

am the most unhappy.”

At that moment the horrible face of the mother of Paquita appeared.

“You are come to tell me that you never sold her to me to kill,” cried

the Marquise. “I know why you have left your lair. I will pay you twice

over. Hold your peace.”

She took a bag of gold from the ebony cabinet, and threw it

contemptuously at the old woman’s feet. The chink of the gold was potent

enough to excite a smile on the Georgian’s impassive face.

“I come at the right moment for you, my sister,” said Henri. “The law

will ask of you----”

“Nothing,” replied the Marquise. “One person alone might ask for a

reckoning for the death of this girl. Cristemio is dead.”

“And the mother,” said Henri, pointing to the old woman. “Will you not

always be in her power?”

“She comes from a country where women are not beings, but

things--chattels, with which one does as one wills, which one buys,

sells, and slays; in short, which one uses for one’s caprices as you,

here, use a piece of furniture. Besides, she has one passion which

dominates all the others, and which would have stifled her maternal

love, even if she had loved her daughter, a passion----”

“What?” Henri asked quickly, interrupting his sister.

“Play! God keep you from it,” answered the Marquise.

“But whom have you,” said Henri, looking at the girl of the golden eyes,

“who will help you to remove the traces of this fantasy which the law

would not overlook?”

“I have her mother,” replied the Marquise, designating the Georgian, to

whom she made a sign to remain.

“We shall meet again,” said Henri, who was thinking anxiously of his

friends and felt that it was time to leave.

“No, brother,” she said, “we shall not meet again. I am going back to

Spain to enter the Convent of _los Dolores_.”

“You are too young yet, too lovely,” said Henri, taking her in his arms

and giving her a kiss.

“Good-bye,” she said; “there is no consolation when you have lost that

which has seemed to you the infinite.”

A week later Paul de Manerville met De Marsay in the Tuileries, on the

Terrasse de Feuillants.

“Well, what has become of our beautiful girl of the golden eyes, you

rascal?”

“She is dead.”

“What of?”

“Consumption.”

PARIS, March 1834-April 1835.

ADDENDUM

Note: The Girl with the Golden Eyes is the third part of a trilogy.

Part one is entitled Ferragus and part two is The Duchesse de

Langeais. In other addendum references all three stories are usually

combined under the title The Thirteen.

The following personages appear in other stories of the Human Comedy.

Bourignard, Gratien-Henri-Victor-Jean-Joseph

Ferragus

Dudley, Lord

The Lily of the Valley

A Man of Business

Another Study of Woman

A Daughter of Eve

Manerville, Paul Francois-Joseph, Comte de

The Ball at Sceaux

Lost Illusions

A Distinguished Provincial at Paris

A Marriage Settlement

Marsay, Henri de

Ferragus

The Duchesse of Langeais

The Unconscious Humorists

Another Study of Woman

The Lily of the Valley

Father Goriot

Jealousies of a Country Town

Ursule Mirouet

A Marriage Settlement

Lost Illusions

A Distinguished Provincial at Paris

Letters of Two Brides

The Ball at Sceaux

Modeste Mignon

The Secrets of a Princess

The Gondreville Mystery

A Daughter of Eve

Ronquerolles, Marquis de

The Imaginary Mistress

The Peasantry

Ursule Mirouet

A Woman of Thirty

Another Study of Woman

Ferragus

The Duchesse of Langeais

The Member for Arcis

End of Project Gutenberg’s The Girl with the Golden Eyes, by Honore de Balzac

The Girl with the Golden Eyes · 第 6 / 6 段