II

The following morning, when Candia Marcanda had her hands in the

soap-suds, there appeared at her door-sill the town guard Biagio Pesce,

popularly known as “The Corporal.” He said to her, “You are wanted by

Signor Sindaco at the town-hall this very moment.”

“What did you say?” asked Candia, knitting her brows without

discontinuing her task.

“You are wanted by Signor Sindaco at the town-hall this very moment.”

“I am wanted? And why?” Candia asked in a brusque manner. She did not

know what was responsible for this unexpected summons and therefore

reared at it like a stubborn animal before a shadow.

“I cannot know the reason,” answered the Corporal. “I have received but

an order.”

“What order?”

The woman because of an obstinacy natural to her could not refrain from

questions. She was unable to realise the truth.

“I am wanted by Signor Sindaco? And why? And what have I done? I have

no wish to go there. I have done nothing unseemly.”

Then the Corporal cried impatiently, “Ah, you do not wish to go there?

You had better beware!” And he went away muttering, with his hand on

the hilt of his shabby sword.

Meanwhile several who had heard the dialogue came from their doorways

into the street and began to stare at the laundress, who was violently

attacking her wash. Since they knew of the silver spoon they laughed

at one another and made remarks that the laundress did not understand.

Their ridicule and ambiguous expressions filled the heart of the

woman with much uneasiness, which increased when the Corporal appeared

accompanied by another guard.

“Now move on!” he said resolutely.

Candia wiped her arms in silence and went. Throughout the square

everyone stopped to look. Rosa Panara, an enemy, from the threshold of

her shop, called with a fierce laugh, “Drop the bone thou hast picked

up!”

The laundress, bewildered, unable to imagine the cause of this

persecution, could not answer.

Before the town-hall stood a group of curious people who waited to see

her pass. Candia, suddenly seized with a wrathful spirit, mounted the

stairs quickly, came into the presence of Signor Sindaco out of breath,

and asked, “Now, what do you want with me?”

Don Silla, a man of peaceable temperament, remained for a moment

somewhat taken aback by the sharp voice of the laundress and turned a

beseeching look upon the faithful custodians of the communal dignity.

Then he took some tobacco from a horn-box and said, “Be seated, my

daughter.”

Candia remained upon her feet. Her hooked nose was inflated with

choler, and her cheeks, roughly seamed, trembled from the contraction

of her tightly compressed jaws.

“Speak quickly, Don Silla!” she cried.

“You were occupied yesterday in carrying back the clean linen to Donna

Cristina Lamonica?”

“Well, and what of it? Is she missing something? Everything was counted

piece by piece ... nothing was lacking. Now, what is it all about?”

“One moment, my daughter! The room had silver in it...!”

Candia, divining the truth, turned upon him like a viper about to

sting. At the same time her thin lips trembled.

“The room had silver in it,” he continued, “and now Donna Cristina

finds herself lacking one spoon. Do you understand, my daughter? Was it

taken by you ... through mistake?”

Candia jumped like a grasshopper at this undeserved accusation. In

truth she had stolen nothing. “Ah, I? I?” she cried. “Who says I took

it? Who has seen me in such an act? You fill me with amazement ... you

fill me with wonder! Don Silla! I a thief? I? I?...”

And her indignation had no limit. She was even more wounded by this

unjust accusation because she felt herself capable of the deed which

they had attributed to her.

“Then you have not taken it?” Don Silla interrupted, withdrawing

prudently into the depths of his large chair.

“You fill me with amazement!” Candia chided afresh, while she shook her

long hands as if they were two whips.

“Very well, you may go. We will see in time.” Without saying good-bye,

Candia made her exit, striking against the door-post as she did so.

She had become green in the face and was beside herself with rage.

On reaching the street and seeing the crowd assembled there, she

understood at length that popular opinion was against her, that no one

believed in her innocence. Nevertheless she began publicly to exculpate

herself. The people laughed and drifted away from her. In a wrathful

state of mind she returned home, sank into a condition of despair and

fell to weeping in her doorway.

Don Donato Brandimarte, who lived next door, said to her by way of a

joke:

“Cry aloud, Candia. Cry to the full extent of your strength, for the

people are about to pass now.”

As there were clothes lying in a heap waiting to be boiled clean she

finally grew quiet, bared her arms and set herself to work. While

working, she brooded on how to clear her character, constructed

a method of defence, sought in her cunning, feminine thoughts an

artificial means for proving her innocence; balancing her mind

subtly in mid-air, she had recourse to all of those expedients which

constitute an ignorant argument, in order to present a defence that

might persuade the incredulous.

Later, when she had finished her task, she went out and went first to

Donna Cristina.

Donna Cristina would not see her. Maria Bisaccia listened to Candia’s

prolific words and shook her head without reply and at length left her

in a dignified way.

Then Candia visited all of her customers. To each one she told her

story, to each one she laid bare her defence, always adding to it a new

argument, ever increasing the size of the words, becoming more heated

and finally despairing in the presence of incredulity and distrust as

all was useless. She felt at last that an explanation was no longer

possible. A kind of dark discouragement fastened upon her mind. What

more could she do! What more could she say!

Tales of My Native Town · 第 29 / 51 题