CHAPTER II.

BUSTED—SOAP SIGNS—WALKING—THE TWO ACTORS—FREE THEATRES—JUMPING BILLS—THE

OTHER FAKIR—PEN SCHEME—STREET TALK—THE FRIENDLY HAYSTACK.

Every man who has ever rustled on the road has had his experiences with

that peculiar disease known as shortness of cash. I believe I have been

“busted” more times than any other man on earth; and I am sure that the

disease never elsewhere struck me with half the stunning force then it

did when adrift and alone in the streets of Davenport.

It was positively my first experience of the kind. At home it was

nothing strange to have an empty pocket from one week’s end to another;

but what of that? Board was free, and a roof-tree overhead, while the

paternal pocket was ready to respond to any demands within reason. In

Chicago my finances had been perilously near to low water mark, but that

needed to cause no uneasiness. A walk of a day and I could be feasting

on the fatted calf.

But to be stranded in Davenport was a different matter. I remember, in

the midst of my troubles, there popped into my head an old couplet,

learned in my days at the public school:

“Take heart, nor of the laws of fate complain; Though now it be cloudy,

it will clear up again.”

With that in my mind I took on a moral brace and marched down the

street, willing to meet fate half way, and looking for something to do

that might show a profit, however small.

I found it.

Had I not been cut out by nature, and the special design of Providence

for the vocation which I have so successfully followed, it is more than

likely I would have sat down, with my head on my hands, and wept. I

confess I felt like it for a moment. When I had resolutely thrust such

weakness out of my mind, and taken a calmer view of the situation, I saw

a glimmer of light ahead.

A miserably written placard in a store window furnished the inspiration.

In my early school days if there was any one thing I excelled in it was

penmanship, and with decent opportunity, and a propulsion in such

direction, I might have made a fair draughtsman, or a very decent sign

painter. Whether I would have made a fortune or not is another question.

At this moment of distress I remembered some “work” I had seen done in

Chicago by a traveling “artist,” and that for the sake of amusement I

had tried my hand at it for an hour. I went back to the hotel, and

begged or borrowed a piece of soap. Then I worked store after store for

sign work, promising to put up a magnificent one on each window, done in

soap froth, for the inconsiderable sum of ten cents.

The thing was new to the most of them, and perhaps curiosity helped me.

I was curious myself to know what I could do; and am not sure whether I

was glad or sorry when the first merchant told me to fall to work.

But at it I went. A dozen strokes gave me confidence, and half a dozen

jobs gave me skill. I made one dollar during the rest of the day, and

two and a half the next. I lived on crackers and cheese the whole time,

and cleaned the windows of a livery barn for permission to sleep in the

office. The third day I had apparently exhausted the field, business

fell off, and I determined to leave the town.

First, I went to the hospital, to take leave of Mr. Carlysle, and tried

to force on him a share of my earnings. He refused, as at present he was

well taken care of, and expected a small remittance in a few days, when

he hoped to be sufficiently recovered to leave the city and attend to

some business which would probably net him a little money. Bidding him

good-bye, I slung my budget on my back and took to the ties, without any

fair idea of where I was going or what I should do. I had a cash capital

of three or four dollars in my pocket, and the art of making soap-foam

signs at my fingers’ ends. I had also heard of a pressing want for

laborers in a construction gang which was working on an intersecting

railroad, and if the worst came to the worst I was able to handle a

shovel or pick against the best of them. I was not brought up on a farm

for nothing.

The sign business stayed with me fairly well. Even the smallest towns

were willing to pay for an exhibition of my skill, and hard times soon

developed a faculty for economical living. I cleared my expenses, at

least, and some days did a trifle more. Of course, this was better than

nothing, but was not satisfactory to my ambition. At such a rate fortune

was a long way off, and it seemed to me the time was about ripe for

something else, even though it should turn out to be no better.

When I once began to look about me it was not long before the something

else turned up. I followed the railroad track, to make sure of good

walking, and on the ties one morning I fell in with a couple of actors,

whose finances were even at a lower ebb than mine. They were all-round

variety people, and had their musical instruments with them, but there

was not a cent of money in the whole outfit.

It did not take long for us to fraternize, especially as I carried a

store of cold victuals which, at a pinch, might serve as a lunch for all

of us. At noon we stopped at a spring in the shade of the woods, and,

after making a moderate meal, put our heads together in a consultation

as to the future.

The men were somewhat acquainted with this part of the country, and

spoke of a small town a short distance ahead, where a hall could be

obtained at a very moderate expense. We decided, if possible, to arrange

for the use of this hall on sharing terms, and give a grand, free

entertainment, to be interspersed with a collection.

We all “managed” the venture. By this time I had rubbed off quite a

large percentage of the moss with which I was ornamented when first

making my entrance into public life, and had wit enough to conceal a

total ignorance of the show business and its possibilities. We arranged

for the hall, on the percentage plan, and advertised ourselves by a

little playing and singing on the street, an occasional blast from the

horn that one of the party could really use in a rather creditable

manner, and an announcement which I made at the top of my voice, and as

near after the manner of a side-show “blower,” as I knew how:

“Free entertainment this evening at eight thirty, at Bixley’s Hall. Fun

by the barrel and music by the cord. Singing and dancing by the world

renowned Milton Brothers, and an afterpiece that will split your side.

Leave your buttons at home if you don’t want them busted; and don’t get

your measure taken for a new suit of clothes until the show is over. You

are bound to laugh and grow fat.”

This, and other nonsense, I howled out at the top of my voice, and

before I had been at it a quarter of an hour “the Milton Brothers”

wanted to know with what show I had last been hitting the road. They had

a curiosity to know who else was stranded. You may be certain I did not

give myself away, and yet I returned a fairly satisfactory answer.

Had we charged even a nickel I doubt if we could have drummed up the

skeleton of an audience; but for a free entertainment—it was immense.

The people came in crowds, and responded nobly when the “deacon” passed

the hat.

There is all the difference in the world in towns and the crowds you

gather in them. This crowd was willing to be amused, came to be amused,

and had made up its mind not to be disappointed. They were with us from

start to finish, and when we “counted up the house” found the collection

amounted to within a fraction of twenty dollars. After paying for the

hall, and some little incidental expenses, we had remaining about three

dollars and a half apiece, and a large stock of confidence in the

future.

That party was a wise one in its day and generation. The weather was

delightful, the roads good, the moon near to full; for these reasons,

and others, we took a promenade after the show was out. In other words,

we saved the expense of a hotel bill, and went on to the next town,

getting what rest we wanted in a friendly haystack along the road. While

the Milton Brothers’ combination lasted we paid the hotels less money,

and lived better, than I had thought possible. We had generally got in

too late for dinner, and an order for supper was enough to insure the

moral support of the landlord. Probably he was disappointed that he did

not see the color of our money, but that was no matter.

The business was grand while it lasted, and I continued to be a showman

for some time. We went from town to town, walking when the distance was

not too great, riding in box-cars sometimes, giving entertainments

similar to the first, occupying halls when we could get them, but

content with an empty store or dining room in the hotel at which we

temporarily stopped. Sometimes, of course, there was very little profit,

but oftener there was a fair dividend. Before long we had accumulated at

least twenty dollars apiece. Passing through a large town, we succeeded

in getting hold of a quantity of old lithographs and pictorial sheets.

With these posters and a few small streamers and dodgers we billed a

smaller town not far away for a “Grand Theatrical Entertainment,”

charging regular prices of admission.

Success was with us. After counting up the house, and deducting

expenses, we found we were on the sunny side of fifty dollars.

Such a result as this was too much for us. We began to think that our

time had come. Bob Milton talked of telegraphing for “people” to join us

on ahead; and all of us figured up the cost of putting a show on the

road that would carry eight or ten actors, and play the larger towns.

Had I even imagined myself born to the buskin, I suppose I would have

taken up with the idea as enthusiastically as anyone. Fortunately, the

footlights had never cast their glamour over me, and I had always

regarded this venture as a makeshift and a stepping-stone. When I had

done a few sums in addition, subtraction, multiplication and division, I

suggested that the time was hardly ripe for such a scheme. We were doing

very well as it was, among the smaller towns, where theatres had no

season, and the population could not, and would not, support a regular

company. As for playing the larger towns, I did not believe it could be

done for a month yet; and, meanwhile, if we tried it, we would have

abundant opportunity to drop our little capital and become hopelessly

involved. I thought it would be the part of wisdom to keep on as we had

been doing, playing on velvet, and week by week adding to our slender

store; otherwise, I thought I could retire from the show business.

To this view the boys finally and grumblingly consented, after having

obtained my consent, by way of compromise, to hiring a hall at a

fair-sized town not far away, and trying again the racket of a fine

entertainment.

I think I had a presentment of failure, and presentments are not things

to be trifled with. Surely, nothing ever fell quite so flat as that

night’s work. We had to procure a license, we had to put up five dollars

in advance on the hall rent, our hotel bill was of respectable

proportions, there were other incidental expenses—and we gave no show at

all. There was no gang at the door that night, no rush for the front

seats, no audience, no money, no nothing. A dozen boys and men presented

themselves at the door, but the most of them were dead-heads. They filed

dismally into the hall, and filed more dismally out again. The “house

remained dark” after all. The Miltons concluded that it was more

profitable to dismiss the audience and immediately “skip by the light of

the moon” than to remain and wrestle with such complications as the

balance of the hall rent, the hotel bill, and other like troubles which

fate might send them.

Though the venture had made considerable inroad on our capital, I cannot

say that I was particularly cast down, being full of that exhilaration

which comes from the ability and the right to say, “I told you so.” I

objected, moreover, to the shirking of a bill which we had the means to

pay without its causing us any serious financial embarrassment. Also, I

was interested in the possible cause of our failure, which was a street

fakir, whose harangue I had heard from the doorway of the hall, where I

was in attendance.

Up to this time any little efforts I had made upon the lines which I

have so long followed with such great success, had been addressed to the

individual rather than to the crowd. I had heard street talkers, to be

sure, but had never analyzed their methods, or thought seriously of

following the profession.

I had wit of my own, however, and from the moment this fellow set up his

stand I recognized the finger of destiny, and made the most of my

opportunity. He was an orator in his way, and I can not do better here

than to give the sum and substance of a discourse which put much money

in his purse, and wrecked the Milton Theatrical Combination.

He was selling pens.

The article was good enough of its kind, and one probably familiar to

the reader. It was brass, but looked like gold, and so flexible that it

could stand any sort of abuse, except continuous writing, without being

harmed in the least.

He had his little folding, three-legged stand, a torch, and a rough

piece of board. He would rub the point of the pen up and down and jab it

into the rough surface of the board, spread the points apart, put them

together again, and then, filling it with ink, write and shade as

artistically as you please. All the time he was so maltreating the poor

pen he was keeping up a running fire of talk:

“Hey there, everybody! Come right this way. There is plenty of time. The

show won’t open for half an hour, and meanwhile I want the chance to do

you good. I would like to give away lots of money—fives, tens, twenties,

fifties—everything up to a hundred dollar bill. I’m a down-town, Eastern

Yankee millionaire, and I’ve got more money than I know what to do with.

If you’ll lend me your attention for a few moments I’ll make every

mother’s son of you rich and happy—in your mind at least.

“Here is a little article known as the automatic, Goldentine pen. It

reads, writes and talks in sixty-four different languages, and is one of

the handiest little articles you ever gazed on.

“It is small, gentlemen, but one of the toughest little staples that was

ever brought into the world to bless mankind.

“In the first place, I will ask some gentleman from the audience to

select a pen from the box. Any one in the lot will do. They are all

exactly alike, so it makes no difference which one you take. Ah, thank

you, sir. Now, I will take this pen, place it in this handsome

penholder, and then rub the point up and down on this rough, pine board,

in this manner, just as you would a stick. That should be a good enough

test to convince anyone, but we will not stop at that. I’ll take the

little pen and stick it into the board, just as though it was a

knife-blade. And not only that. I’ll take the little points of the pen

and bend them apart till they have the appearance of just getting over a

drunk.

“I know it looks hard to so abuse a little thing like this—but like a

careful curator, we’ll just place the points back in their original

position like this, stick the little pen in the ink like that, just as

though nothing had ever happened to it. There is its work on the paper.

You saw it done or you wouldn’t have believed it. Is it not beautiful?

The lines are fine enough, and graceful enough, to satisfy the dreams of

an artist—‘fair as the sun, clear as the moon, gentlemen, and beautiful

as an army with banners.’

“If you want to write cross-eyed, or left-handed, it works just the

same; and when it comes to German, French, Spanish, Danish, Irish,

Scotch, Latin or Choctaw, the employment is identical. If you wish to

come up and try before you buy, you are at perfect liberty to do so.

“I have here, also, a stock of beautiful silver-nickel penholders, that

cost you a quarter the world over, and I couldn’t sell them to you at

any less. As a special inducement for your patronage, I’ll make this

proposition:

“Every man who buys a box of pens, one dozen in a box, gets two of these

elegant holders, free, gratis, without cost or consideration. Who is the

first man to pass up a quarter?

“Hurry up, gentlemen, I’ve only got about ten more minutes to talk to

you before the show begins.” (The wretch was perhaps postponing the

beginning of that show until the outer end of eternity, for there was a

suspicion in the crowd that he belonged to it, and that nothing would be

done in the hall until he ceased talking outside.) “If you came to me

after that and offered me fifty dollars for a single pen I wouldn’t sell

to you. Live and let live is my motto, and I never would do anything to

interfere with another man’s business. It is probably the first, last

and only time in your lives that you will have the chance to buy the

Automatic, Indestructible, Goldentine Pen at any such figures, and if

you go to your jeweler he will charge you a dollar and a half or two

dollars for an article not half so good. Where are—ah, yes. Here they

come, here they come. Don’t crowd so, my friends, I’ll get around to you

all by and by.”

That was the substance of his opening oration, but he had jokes by the

dozen and could hold the crowd at will. I am not sure but that the first

purchasers were dummies, as the boys who came and broke the ice had a

sheepish look; but the ice was fairly broken, and for quite a while he

drove a roaring trade.

By the time I had got from under his hypnotic spell, my late companions

were a mile or more out of town, and I was once more free to follow my

own inclination and devices.

What of that? This time I was not busted, and I saw glimpses of a

promising land ahead.

[Illustration]

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Twenty years a fakir · 第 2 / 20 章