CHAPTER I. APPEARANCE AND REALITY

THE PROBLEMS OF PHILOSOPHY

By Bertrand Russell

PREFACE

In the following pages I have confined myself in the main to those

problems of philosophy in regard to which I thought it possible to say

something positive and constructive, since merely negative criticism

seemed out of place. For this reason, theory of knowledge occupies a

larger space than metaphysics in the present volume, and some topics

much discussed by philosophers are treated very briefly, if at all.

I have derived valuable assistance from unpublished writings of G. E.

Moore and J. M. Keynes: from the former, as regards the relations

of sense-data to physical objects, and from the latter as regards

probability and induction. I have also profited greatly by the

criticisms and suggestions of Professor Gilbert Murray.

1912

CHAPTER I. APPEARANCE AND REALITY

Is there any knowledge in the world which is so certain that no

reasonable man could doubt it? This question, which at first sight might

not seem difficult, is really one of the most difficult that can

be asked. When we have realized the obstacles in the way of a

straightforward and confident answer, we shall be well launched on the

study of philosophy--for philosophy is merely the attempt to answer

such ultimate questions, not carelessly and dogmatically, as we do in

ordinary life and even in the sciences, but critically, after exploring

all that makes such questions puzzling, and after realizing all the

vagueness and confusion that underlie our ordinary ideas.

In daily life, we assume as certain many things which, on a closer

scrutiny, are found to be so full of apparent contradictions that only a

great amount of thought enables us to know what it is that we really may

believe. In the search for certainty, it is natural to begin with our

present experiences, and in some sense, no doubt, knowledge is to be

derived from them. But any statement as to what it is that our immediate

experiences make us know is very likely to be wrong. It seems to me that

I am now sitting in a chair, at a table of a certain shape, on which I

see sheets of paper with writing or print. By turning my head I see out

of the window buildings and clouds and the sun. I believe that the sun

is about ninety-three million miles from the earth; that it is a hot

globe many times bigger than the earth; that, owing to the earth's

rotation, it rises every morning, and will continue to do so for an

indefinite time in the future. I believe that, if any other normal

person comes into my room, he will see the same chairs and tables and

books and papers as I see, and that the table which I see is the same as

the table which I feel pressing against my arm. All this seems to be

so evident as to be hardly worth stating, except in answer to a man who

doubts whether I know anything. Yet all this may be reasonably doubted,

and all of it requires much careful discussion before we can be sure

that we have stated it in a form that is wholly true.

To make our difficulties plain, let us concentrate attention on the

table. To the eye it is oblong, brown and shiny, to the touch it is

smooth and cool and hard; when I tap it, it gives out a wooden sound.

Any one else who sees and feels and hears the table will agree with this

description, so that it might seem as if no difficulty would arise;

but as soon as we try to be more precise our troubles begin. Although

I believe that the table is 'really' of the same colour all over, the

parts that reflect the light look much brighter than the other parts,

and some parts look white because of reflected light. I know that, if

I move, the parts that reflect the light will be different, so that the

apparent distribution of colours on the table will change. It follows

that if several people are looking at the table at the same moment, no

two of them will see exactly the same distribution of colours, because

no two can see it from exactly the same point of view, and any change in

the point of view makes some change in the way the light is reflected.

For most practical purposes these differences are unimportant, but to

the painter they are all-important: the painter has to unlearn the habit

of thinking that things seem to have the colour which common sense says

they 'really' have, and to learn the habit of seeing things as they

appear. Here we have already the beginning of one of the distinctions

that cause most trouble in philosophy--the distinction between

'appearance' and 'reality', between what things seem to be and what they

are. The painter wants to know what things seem to be, the practical man

and the philosopher want to know what they are; but the philosopher's

wish to know this is stronger than the practical man's, and is more

troubled by knowledge as to the difficulties of answering the question.

To return to the table. It is evident from what we have found, that

there is no colour which pre-eminently appears to be _the_ colour of the

table, or even of any one particular part of the table--it appears to

be of different colours from different points of view, and there is

no reason for regarding some of these as more really its colour than

others. And we know that even from a given point of view the colour will

seem different by artificial light, or to a colour-blind man, or to a

man wearing blue spectacles, while in the dark there will be no colour

at all, though to touch and hearing the table will be unchanged. This

colour is not something which is inherent in the table, but something

depending upon the table and the spectator and the way the light falls

on the table. When, in ordinary life, we speak of _the_ colour of the

table, we only mean the sort of colour which it will seem to have to a

normal spectator from an ordinary point of view under usual conditions

of light. But the other colours which appear under other conditions

have just as good a right to be considered real; and therefore, to avoid

favouritism, we are compelled to deny that, in itself, the table has any

one particular colour.

The same thing applies to the texture. With the naked eye one can see

the grain, but otherwise the table looks smooth and even. If we looked

at it through a microscope, we should see roughnesses and hills and

valleys, and all sorts of differences that are imperceptible to the

naked eye. Which of these is the 'real' table? We are naturally tempted

to say that what we see through the microscope is more real, but that in

turn would be changed by a still more powerful microscope. If, then, we

cannot trust what we see with the naked eye, why should we trust what we

see through a microscope? Thus, again, the confidence in our senses with

which we began deserts us.

The shape of the table is no better. We are all in the habit of judging

as to the 'real' shapes of things, and we do this so unreflectingly that

we come to think we actually see the real shapes. But, in fact, as we

all have to learn if we try to draw, a given thing looks different

in shape from every different point of view. If our table is 'really'

rectangular, it will look, from almost all points of view, as if it had

two acute angles and two obtuse angles. If opposite sides are parallel,

they will look as if they converged to a point away from the spectator;

if they are of equal length, they will look as if the nearer side were

longer. All these things are not commonly noticed in looking at a table,

because experience has taught us to construct the 'real' shape from the

apparent shape, and the 'real' shape is what interests us as practical

men. But the 'real' shape is not what we see; it is something inferred

from what we see. And what we see is constantly changing in shape as we

move about the room; so that here again the senses seem not to give us

the truth about the table itself, but only about the appearance of the

table.

Similar difficulties arise when we consider the sense of touch. It is

true that the table always gives us a sensation of hardness, and we feel

that it resists pressure. But the sensation we obtain depends upon how

hard we press the table and also upon what part of the body we press

with; thus the various sensations due to various pressures or various

parts of the body cannot be supposed to reveal _directly_ any definite

property of the table, but at most to be _signs_ of some property which

perhaps _causes_ all the sensations, but is not actually apparent in any

of them. And the same applies still more obviously to the sounds which

can be elicited by rapping the table.

Thus it becomes evident that the real table, if there is one, is not the

same as what we immediately experience by sight or touch or hearing. The

real table, if there is one, is not _immediately_ known to us at all,

but must be an inference from what is immediately known. Hence, two very

difficult questions at once arise; namely, (1) Is there a real table at

all? (2) If so, what sort of object can it be?

It will help us in considering these questions to have a few simple

terms of which the meaning is definite and clear. Let us give the name

of 'sense-data' to the things that are immediately known in sensation:

such things as colours, sounds, smells, hardnesses, roughnesses, and

so on. We shall give the name 'sensation' to the experience of being

immediately aware of these things. Thus, whenever we see a colour,

we have a sensation _of_ the colour, but the colour itself is a

sense-datum, not a sensation. The colour is that _of_ which we are

immediately aware, and the awareness itself is the sensation. It is

plain that if we are to know anything about the table, it must be

by means of the sense-data--brown colour, oblong shape, smoothness,

etc.--which we associate with the table; but, for the reasons which have

been given, we cannot say that the table is the sense-data, or even

that the sense-data are directly properties of the table. Thus a problem

arises as to the relation of the sense-data to the real table, supposing

there is such a thing.

The real table, if it exists, we will call a 'physical object'. Thus

we have to consider the relation of sense-data to physical objects.

The collection of all physical objects is called 'matter'. Thus our two

questions may be re-stated as follows: (1) Is there any such thing as

matter? (2) If so, what is its nature?

The philosopher who first brought prominently forward the reasons

for regarding the immediate objects of our senses as not existing

independently of us was Bishop Berkeley (1685-1753). His _Three

Dialogues between Hylas and Philonous, in Opposition to Sceptics and

Atheists_, undertake to prove that there is no such thing as matter at

all, and that the world consists of nothing but minds and their ideas.

Hylas has hitherto believed in matter, but he is no match for Philonous,

who mercilessly drives him into contradictions and paradoxes, and makes

his own denial of matter seem, in the end, as if it were almost common

sense. The arguments employed are of very different value: some are

important and sound, others are confused or quibbling. But Berkeley

retains the merit of having shown that the existence of matter is

capable of being denied without absurdity, and that if there are any

things that exist independently of us they cannot be the immediate

objects of our sensations.

There are two different questions involved when we ask whether matter

exists, and it is important to keep them clear. We commonly mean by

'matter' something which is opposed to 'mind', something which we think

of as occupying space and as radically incapable of any sort of thought

or consciousness. It is chiefly in this sense that Berkeley denies

matter; that is to say, he does not deny that the sense-data which we

commonly take as signs of the existence of the table are really signs

of the existence of _something_ independent of us, but he does deny

that this something is non-mental, that it is neither mind nor ideas

entertained by some mind. He admits that there must be something which

continues to exist when we go out of the room or shut our eyes, and that

what we call seeing the table does really give us reason for believing

in something which persists even when we are not seeing it. But he

thinks that this something cannot be radically different in nature from

what we see, and cannot be independent of seeing altogether, though it

must be independent of _our_ seeing. He is thus led to regard the 'real'

table as an idea in the mind of God. Such an idea has the required

permanence and independence of ourselves, without being--as matter would

otherwise be--something quite unknowable, in the sense that we can only

infer it, and can never be directly and immediately aware of it.

Other philosophers since Berkeley have also held that, although the

table does not depend for its existence upon being seen by me, it does

depend upon being seen (or otherwise apprehended in sensation) by

_some_ mind--not necessarily the mind of God, but more often the whole

collective mind of the universe. This they hold, as Berkeley does,

chiefly because they think there can be nothing real--or at any rate

nothing known to be real except minds and their thoughts and feelings.

We might state the argument by which they support their view in some

such way as this: 'Whatever can be thought of is an idea in the mind of

the person thinking of it; therefore nothing can be thought of except

ideas in minds; therefore anything else is inconceivable, and what is

inconceivable cannot exist.'

Such an argument, in my opinion, is fallacious; and of course those who

advance it do not put it so shortly or so crudely. But whether valid or

not, the argument has been very widely advanced in one form or another;

and very many philosophers, perhaps a majority, have held that there is

nothing real except minds and their ideas. Such philosophers are called

'idealists'. When they come to explaining matter, they either say, like

Berkeley, that matter is really nothing but a collection of ideas,

or they say, like Leibniz (1646-1716), that what appears as matter is

really a collection of more or less rudimentary minds.

But these philosophers, though they deny matter as opposed to mind,

nevertheless, in another sense, admit matter. It will be remembered that

we asked two questions; namely, (1) Is there a real table at all? (2) If

so, what sort of object can it be? Now both Berkeley and Leibniz admit

that there is a real table, but Berkeley says it is certain ideas in the

mind of God, and Leibniz says it is a colony of souls. Thus both of them

answer our first question in the affirmative, and only diverge from the

views of ordinary mortals in their answer to our second question. In

fact, almost all philosophers seem to be agreed that there is a real

table: they almost all agree that, however much our sense-data--colour,

shape, smoothness, etc.--may depend upon us, yet their occurrence is

a sign of something existing independently of us, something differing,

perhaps, completely from our sense-data, and yet to be regarded as

causing those sense-data whenever we are in a suitable relation to the

real table.

Now obviously this point in which the philosophers are agreed--the view

that there _is_ a real table, whatever its nature may be--is vitally

important, and it will be worth while to consider what reasons there are

for accepting this view before we go on to the further question as

to the nature of the real table. Our next chapter, therefore, will be

concerned with the reasons for supposing that there is a real table at

all.

Before we go farther it will be well to consider for a moment what it

is that we have discovered so far. It has appeared that, if we take any

common object of the sort that is supposed to be known by the senses,

what the senses _immediately_ tell us is not the truth about the object

as it is apart from us, but only the truth about certain sense-data

which, so far as we can see, depend upon the relations between us and

the object. Thus what we directly see and feel is merely 'appearance',

which we believe to be a sign of some 'reality' behind. But if the

reality is not what appears, have we any means of knowing whether there

is any reality at all? And if so, have we any means of finding out what

it is like?

Such questions are bewildering, and it is difficult to know that even

the strangest hypotheses may not be true. Thus our familiar table,

which has roused but the slightest thoughts in us hitherto, has become a

problem full of surprising possibilities. The one thing we know about it

is that it is not what it seems. Beyond this modest result, so far, we

have the most complete liberty of conjecture. Leibniz tells us it is a

community of souls: Berkeley tells us it is an idea in the mind of God;

sober science, scarcely less wonderful, tells us it is a vast collection

of electric charges in violent motion.

Among these surprising possibilities, doubt suggests that perhaps there

is no table at all. Philosophy, if it cannot _answer_ so many questions

as we could wish, has at least the power of _asking_ questions which

increase the interest of the world, and show the strangeness and wonder

lying just below the surface even in the commonest things of daily life.

The Problems of Philosophy · 第 1 / 15 章