GENERAL HISTORY OF MUSIC.

This project was no sooner fixed than, transiently, it appeared to

him to be executed; so quick was the rush upon his imagination of

illuminating and varying ideas; and so vast, so prolific, the material

which his immense collection of notes, abridgments, and remarks,

had amassed, that it seemed as if he had merely to methodize his

manuscripts, and entrust them to a copyist, for completing his purpose.

But how wide from the rapidity of such incipient perceptions were the

views by which, progressively, they were superseded! Mightier and

mightier appeared the enterprize upon every new investigation; more

difficult, more laborious, and more precarious in all its results:

yet, also, as is usual where Genius is coupled with Application, more

inviting, more inciting, and more alluring to the hope of literary

glory. ’Tis only where the springs of Genius are clogged by “the heavy

and retarding weight” of Indolence; or where they are relaxed by the

nervous and trembling irresolutions of timidity, that difficulties and

dangers produce desertion.

Far, however, from the desired goal, as was the measured distance of

reality compared with the visionary approaches of imagination, he had

nothing to lament from time thrown away by previous labours lost: his

long, multifarious, and curious, though hitherto unpointed studies,

all, ultimately, turned to account; for he found that his chosen

subject involved, circuitously, almost every other.

Thus finally fixed to an enterprize which, in this country, at least,

was then new, he gave to it all the undivided energies of his mind;

and, urged by the spur of ambition, and glowing with the vivacity of

hope, he determined to complete his materials before he consigned them

to their ultimate appropriations, by making a scientific musical tour

through France and Italy.

A letter,[38] of which a copy in his own hand-writing remains,

containing the opening view of his plan and of his tour, addressed to

the Reverend William Mason, will shew how fully he was prepared for

what he engaged to perform, before he called for a subscription to aid

the publication of so expensive a work.

Through various of his friends amongst persons in power, he procured

recommendatory letters to the several ambassadors and ministers from

our Court, who were stationed in the countries through which he meant

to travel.

And, through the yet more useful services of persons of influence in

letters and in the arts, he obtained introductions, the most felicitous

for his enterprize, to those who, then, stood highest in learning, in

the sciences, and in literature.

None in this latter class so eminently advanced his undertaking as Mr.

Garrick; whose solicitations in his favour were written with a warmth

of friendship, and an animation of genius, that carried all before

them.

Here stops, for this period, the pen of the memorialist.

From the month of June, 1770, to that of January, 1771, the life of

Doctor Burney is narrated by himself, in his “Tour to France and Italy.”

And few who have read, or who may read that Tour, but will regret that

the same pen, while in its full fair vigour, had not drawn up what

preceded, and what will follow this epoch.

Such, however, not being the case, the memorialist must resume her pen

where that of Dr. Burney, in his narrative, drops,—namely, upon his

regaining the British shore.

Memoirs of Doctor Burney (Vol. 1 of 3) Arranged from his own manuscripts, from family papers, and from personal recollections by his daughter, Madame d'Arblay · 第 74 / 112 题