CHAPTER VII. (p. 117)

1833-1838.

On the fifth of November, 1833, Cooper landed at New York. For a few

winters that followed he made that city his place of residence. The

summers he spent in Cooperstown. To this village he paid a visit in

June, 1834, after having been away from it entirely for about sixteen

years. The recollections of his early life had always endeared it to his

memory, and in it he now determined to take up his permanent abode.

Accordingly he acquired possession of his father's old place, which for

a long period had remained unoccupied. The house had received from the

inhabitants the name of Templeton Hall, with a direct reference to "The

Pioneers." Everything about it was rapidly hastening to ruin. Cooper at

once began repairs upon it, and after these had been fully completed he

made it his only residence. It was in this little village, upon the

shore of the lake which his pen has made famous, that he spent the

remainder of his life. There he wrote nearly all the works which he

produced after his return to his native land. Its seclusion and quiet

gave him ample opportunities for undisturbed literary exertion; the

beauty of the surroundings ministered constantly to his passion for

scenery; and of the world outside he saw sufficient to satisfy his

wishes in the frequent journeys which business compelled him to make to

the great cities.

Yet, though his latter days were spent in the country, the life (p. 118)

he led henceforward deserves anything but the name of a pastoral. With

the return from Europe begins the epic period of Cooper's career. The

next ten years, in particular, were years of battle and storm. He had

been criticised harshly and unjustly; he came back prepared and disposed

to criticise. His feelings found expression at once. The America to

which he had returned seemed to him much worse than that from which he

had gone. In his opinion nearly everything had deteriorated. Manners,

morals, the whole spirit of the nation, struck him as being on a lower

level. Yet the change was not really in the people; it was in himself.

The country had been moving on in the line of its natural bustling

development; he, on the contrary, had been going back in sentiment. In

one particular there was a certain justification for the dislike

expressed by him for the novel things he saw. The business of the entire

land was in a feverish condition. The Erie Canal, completed the year

before his departure for Europe, had opened an unbroken water way from

the Atlantic sea-board to the farthest shores of the great lakes. To

this stimulus to population and trade was added the expected stimulus of

the railroad system, then in its infancy. Both together were disclosing,

though more to the imagination than to the eye, the wealth that lay hid

in the unsettled regions of the West. They were active agents,

therefore, in creating one of those periods of speculative prosperity

which are sure to recur when any new and unforeseen avenue to sudden

fortune is laid open. The immense field for endeavor revealed by the

prospective establishment of flourishing communities reacted unfavorably

upon the intellectual movement which had begun in a feeble way (p. 119)

to show itself twenty years before. The attraction of mighty enterprises

which held out to the hope promises of the highest temporal triumphs,

was a competition that mere literary and scholastic pursuits, with their

doubtful success and precarious rewards, could not well maintain. The

country certainly went back for a time in higher things in consequence

of that rapid material progress which drew to its further development

the youthful energy and ability of the entire land. To make money and to

make it rapidly seemed to be the one object of life.

Such a fever of speculative prosperity wholly absorbing the thoughts and

activities of men in the acquisition of wealth, would have been viewed

by Cooper at any time with indifference, even if it did not inspire

disgust. But a greater change than he knew had come over him. It is

clear that he had now grown largely out of sympathy with the energy and

enterprise which were doing so much to build up the prosperity and power

of his country. His nature had come into a profound sympathy with the

quiet, the culture, and the polish of the lands he had left behind. His

spirit could no longer be incited by the romance that lay hid in the

fiery energies of trade. In the tumultuousness of the life about him, he

could see little but a restless and vulgar exertion for the creation of

wealth. The perpetual bustle and change were not to his taste. He spoke

of it afterwards, in one of his works, with a certain grim humor

peculiarly his own. America he said, was a country for alibis. The whole

nation was in motion; and everybody was everywhere, and nobody was

anywhere.

Feelings of this kind had begun to come over him long before his (p. 120)

return from abroad. He had been affected by his surroundings to an

extent of which he was only vaguely conscious. While in Europe he

admitted that he found growing in his nature a strong distaste for the

common appliances of common life. He had not been long in Florence

before these sentiments found utterance. "I begin to feel," he wrote, "I

could be well content to vegetate here for one half of my life, to say

nothing of the remainder." He drew sharp distinctions between commercial

towns and capitals. Even in Italy, Leghorn with its growing trade, its

bales of merchandise, its atmosphere filled with the breath of the salt

sea mixed with the smell of pitch and tar, seemed mean and vulgar after

the refinement and world-old beauty of Florence. He acknowledged that

the languor and repose of towns which glory simply in their collections

and recollections, were far more suited to his feelings than the

activity and tumult of towns whose glory lies in their commercial

enterprises. This preference is not uncommon among cultivated men. But

it is too much to ask of a nation that it shall exist for the sake of

gratifying the æsthetic emotions of travelers. The process of achieving

greatness can never be so agreeable to the looker-on as the sight of

greatness achieved; but it is unhappily often the case that many things,

which the visitor regards as a charm, the native feels to be a reproach.

Besides the change of view in himself, there were some actual changes in

the country that were not temporary in their nature. The constitution of

society had altered at home during his residence abroad, or was rapidly

altering. The influence of the old colonial aristocracy was fast dying

out. New men were pushing to the wall the descendants of the (p. 121)

families that had flourished before the Revolution, and had sought after

it to keep up distinctions and exclusiveness which the very success of

the struggle in which they had been concerned doomed to an early decay.

This was especially noticeable in New York. In such a city social rank

must tend, in the long run, to wait upon wealth. The result may be

delayed, it cannot be averted. Wealth, too, in most cases, will find its

way to the hands of those carrying on great commercial undertakings.

That this class would eventually become a controlling one in society, if

not the controlling one, was inevitable. It was not likely that men, who

were bent on the conquest of the continent, who revolved even in their

dreams all forms of the adventurous and the perilous, whose enterprise

stopped short only with the impossible, would be content long to submit

to a fictitious superiority on the part of those whose thoughts were so

taken up with the consideration of what their fathers had been or had

done that they forgot to be or to do anything themselves. Yet the latter

composed no small share of the class with which Cooper's early

associations had lain. He naturally sympathized with them rather than

with those who were displacing them. Trade began to seem to him vulgar,

and it was doubtless true that many engaged in it, who had become

rapidly rich, were vulgar enough. But he made no distinction. He longed

for the restoration of a state of things that had gone forever by. He

was disposed to feel dissatisfaction with much that was taking place,

not because it came into conflict with his judgment, but because it

jarred upon his tastes and prejudices.

A residence in Europe for a few years had, indeed, done for him (p. 122)

what the coming-on of old age does for most. He had become the eulogist

of times past. The views which he expressed in private and in public,

during the decade that followed his return to America, were not of the

kind to make him popular with his countrymen. The manners of the people

were, according to him, decidedly worse than they were twenty or thirty

years before. The elegant deportment of women had been largely

supplanted by the rattle of hoydens and the giggling of the nursery. The

class of superior men of the quiet old school were fast disappearing

before the "wine-discussing, trade-talking, dollar-dollar set" of the

day. Under the blight of this bustling, fussy, money-getting race of

social Vandals, simplicity of manners had died out, or was dying out.

The architecture of the houses, like the character of the society, was

more ambitious than of old, but in far worse taste; in a taste, in fact,

which had been corrupted by uninstructed pretension. The towns were

larger, but they were tawdrier than ever. The spirit of traffic was

gradually enveloping everything in its sordid grasp. There had taken

place a vast expansion of mediocrity, well enough in itself, but so

overwhelming as nearly to overshadow everything that once stood out as

excellent.

In most of these remarks I am giving Cooper's sentiments, as far as

possible, in his own words. They stung the national vanity to the quick.

The bitter resentment they evoked at the time could hardly be understood

now; and a great deal of wrath was then kindled at what would meet with

assent, at the present day, on account of its justice, or excite

amusement on account of its exaggeration. Thurlow Weed, in 1841,

expressed a general sentiment about Cooper, with much affluence of

capital letter and solemnity of exclamatory punctuation. "He has (p. 123)

disparaged, American Lakes," wrote that editor, "ridiculed American

Scenery, burlesqued American Coin, and even satirized the American

Flag!" Cooper could hardly have expected his strictures to be received

with applause, but he was clearly surprised at the outcry they awoke.

Yet he had had plenty of opportunities to learn that other countries

were as sensitive to criticism as his own. One singular illustration of

this feeling had been exhibited at Rome. He had completed his novel of

"The Water Witch" and wished to print and publish it in that city. The

manuscript was accordingly sent to the censor. It was kept for days,

which grew to weeks. It was at last returned with refusal, unless it

were subjected to thorough revision. Almost on the opening page occurred

a highly objectionable paragraph. "It would seem," Cooper had written,

"that as nature has given its periods to the stages of animal life, it

has also set limits to all moral and political ascendency. While the

city of the Medici is receding from its crumbling walls, like the human

form shrinking into 'the lean and slippered pantaloon,' the Queen of the

Adriatic sleeping on her muddy isles, and Rome itself is only to be

traced by fallen temples and buried columns, the youthful vigor of

America is fast covering the wilds of the West with the happiest fruits

of human industry." This passage, the censor quietly but severely

pointed out, laid down a principle that was unsound, and supported it by

facts that were false. A rigid pruning could alone make the work worthy

of a license. The consequence was that Cooper carried the manuscript

with him to Germany, and it was first published in Dresden, in a land

where men were not sensitive to anything that might be said, at any rate

about Italy.

But the personal unpopularity he brought upon himself by his (p. 124)

censorious remarks will not wholly account for the unpopularity as a

writer, which it was his fortune, in no short time, to acquire. There

were other agencies at work besides those which affected the feeling

towards him as a man. Throughout the English-speaking world there had

been a literary reaction. Men had begun to tire of the novel of

adventure. It was not that it had lost its hold upon the public; it had

lost the supreme hold which for twenty years it had maintained. The

mighty master was dead; to some extent his influence had died before

him. The later work he did, had in several instances detracted from,

rather than added to the fame he had won by the earlier. Cooper's own

ventures in the field of foreign fiction, whatever their absolute merit,

could not be compared with those in which he had drawn the life of the

ocean, or the streams and forests of his native land. But outside of any

effect produced by poorer production, there could be no doubt of the

fact of a change in the public taste. The hero of action had gone by. In

his place had come the hero of observation and reflection, who did not

do great things, but who said good things. The exquisite and the

sentimentalist were the fashion, to be speedily followed, according to

the law of reaction, by the boor and the satirist. At the time when

Cooper returned from Europe, Bulwer was the popular favorite. Both in

England and America he was styled the prince of living novelists; and

nowhere was enthusiasm, in his behalf, crazier than in this country. The

revolution in taste, moreover, worked directly in his favor in more ways

than one. Scott and Cooper's heroes, whether intelligent or not, were

invariably moral. But of this sort of men readers were tired. No (p. 125)

character could please highly the popular palate in which there was

not a distinct flavor of iniquity. More ability and less morality was

the opinion generally entertained, though probably not often expressed.

Hence it was not unnatural that the sentimental dandies and high-toned

villains of Bulwer's earlier novels should have been the heroes to

captivate all hearts.

The comparatively low estimate into which the novel of adventure had

sunk, undoubtedly had a marked effect upon Cooper's reputation. Some of

his later work is superior to his earlier from the artistic point of

view. Yet it was never received with the same praise, at least in

English-speaking countries. More than that, the criticism it received

was often excessively depreciatory; nor was this all due to personal

unpopularity, though a good deal of it certainly was. He simply wrote in

a style which the age had temporarily left behind, and fancied it had

outgrown. All that Cooper had to do, all that under any circumstances he

could do, was to keep on producing the best that lay in his power; sure

to find a certain body of readers in sympathy with him; sure also that

some time in the future the revolution of taste would bring him into

fashion if he had written anything that really deserved to live.

These facts and considerations must, however, be borne in mind in order

to understand the gradual growth of the ill-feeling that sprang up

between Cooper and his countrymen. To the change of view in himself and

to the change of taste in the public, were soon added special

circumstances that tended to bring about or increase alienation. But

there did not exist toward him, when he came back from Europe, any

hostility on the part of his countrymen. Circumstances had led him (p. 126)

to suspect such a feeling; but it was mainly the creation of a nature

that was morbidly sensitive to criticism. He was not, to be sure, the

popular idol at his return that he had been at his departure. But this

decline, outside of the causes already mentioned, was due to ignorance

rather than dislike. A new generation had, during his absence, come on

the scene of active life. To it the influence of his personal presence

was unknown. He had been away so long that many looked upon him with the

indifference with which foreigners are regarded by the majority; on the

other hand, the fact of his being a native prevented others from feeling

that interest in him which a foreigner has to some. Whatever hostility

actually existed sprang mainly from causes creditable to himself. If

Cooper disliked England for its depreciation of America, he hated with a

hatred akin to loathing, the recreant Americans who mistook the relation

they bore to their native land, and apologized for its character and

existence, instead of apologizing for their own. For these men he made

no effort to hide the contempt he felt. This class, far larger then in

numbers than now, came mainly from the great cities. Many of them had

wealth and social position to make up for their lack of ability; some of

them were attached to the legations. They naturally resented the low

opinion entertained and expressed of them by their countryman, and had

doubtless done him some harm, though far less than he supposed. Besides

these, however, there were certainly a pretty large number by whom his

aggressive patriotism was felt to be a positive bore. To this feeling

there had been a good deal of expression given in the newspaper press.

Cooper, who never could learn how little effect of itself hostile (p. 127)

criticism has upon the reputation of a popular writer, gave to these

attacks far more weight than they deserved.

It was, therefore, with exaggerated and unnecessary feelings of distrust

that he had returned to his native land. He looked for indifference and

aversion. Men seldom fail to find in such cases what they expect. He was

present at a reception given, a few days after his return, to Commodore

Chauncey. Men whom he knew, but had not seen for years, did not come up

to speak with him; those who did, addressed him as if he had been gone

from the city a few weeks. So much was he chilled by this apparent

coldness that he left the room before the dinner was half over. He did

not appreciate his own reserve of manner. The indifference which he

found was, in many cases, due not to any lack of cordiality in others,

but to hesitation at the way in which advances would be received by

himself. There was a brusqueness in his address, an apparent assumption

in his manner, which had nothing consonant to them in his feelings. But

it was only those who knew him intimately that could venture, after long

separation, to break in upon this seeming unsociableness and hauteur.

On Monday, May 29 1826, just before his departure for Europe, a dinner

had been given to Cooper at the City Hotel by the club which he had

founded. It partook almost of the nature of an ovation. Chancellor Kent

had presided. De Witt Clinton, the governor of the state, General Scott,

and many others conspicuous in public life, had honored it with their

presence. Charles King, the editor of the "New York American," and

subsequently president of Columbia College, had addressed him in a

speech full of the heartiest interest in his future and of pride (p. 128)

in his past. The Chancellor had voiced the general feeling by toasting

him as the "genius which has rendered our native soil classic ground,

and given to our early history the enchantment of fiction." No one, in

fact, had ever left the country with warmer wishes or more enthusiastic

expressions of admiration and regard. It was but little more than a week

after his return when another invitation to a public dinner was offered

him by some of the most prominent citizens of New York. In this they

expressly asserted that he had won their esteem and affection, not

merely by his talents, but by his manly defense, while abroad, of the

institutions of his country. The invitation seemed to surprise Cooper as

well as the language in which it was couched. He thanked the proposers

warmly, but he declined it. The refusal was perhaps unavoidable. If so,

it was unfortunate; if not, it was a mistake. Had the dinner taken

place, it would have shown him the estimation in which he was really

held, and would have modified or destroyed any prejudices entertained

towards him by others, if any such existed.

Up to this period in his public career, Cooper had certainly not done

anything to undermine his popularity. He now entered upon a line of

conduct which it is charity to call blundering. He began, or at any rate

pursued, a controversy, in which nothing was to be gained and everything

to be risked, if not actually lost. He not only set himself to defend a

course that needed no defense, he replied to attacks, real or imaginary,

which could only be raised into importance by receiving from him notice.

These attacks were a criticism on "The Bravo" which had appeared in the

"New York American;" a criticism on his later writings which was found

in the columns of the "New York Commercial Advertiser;" and an (p. 129)

editorial article in the "New York Courier and Enquirer." He could not

have done a more foolish thing. He knew perfectly well that no writer

could be written down save by himself. He has quoted the very remark.

But a hundred similar sayings, condensing in a line the wisdom of ages,

could never have kept him quiet when an attack was made upon himself. A

popular writer has always immense odds in his favor in any controversy

he may have with inferior men. He is ordinarily sure of the verdict of

posterity, for his is likely to be the only side that will reach its

ears. Even during his own time there will always be a large body of

admirers who will defend him with more fervor, and advocate his cause

with more effect than he has it in his own power to do. But it can and

will be done only in the case that he does little or nothing himself. If

Cooper had lost any ground in the estimation of the public, all he had

to do, in order to regain it, was to remain quiet. The one thing that

Cooper could not do was to remain quiet. He determined to set himself

right before his countrymen. He speedily had full opportunity to

ascertain the results that are pretty sure to follow experiments of this

kind.

In June, 1834, appeared Cooper's "Letter to His Countrymen." Its

publication was no sudden freak, for the year before he had announced

the preparation of it. The work is a thin octavo of a little more than

one hundred pages; but the damage it wrought him was out of all

proportion to its size. The first half of it was taken up with a reply

to the comments and criticisms made in the New York journals already

mentioned. This was of itself sufficiently absurd, for it revived what

had already been forgotten, and gave importance to some things (p. 130)

had not been worth reading, let alone remembering. But to this

blundering was added a wrongheadedness, of which Cooper's later life was

to afford numerous illustrations. The article from the "Courier and

Enquirer" is quoted in full in the book. Some of its statements are

inaccurate; but no one can read it now without seeing at once that it

was written in a spirit that was the very reverse of hostile. To attack

a powerful journal for comments clearly dictated by friendly feeling,

betrayed more than a lack of prudence; it betrayed a lack of common

sense. Moreover, there were other serious defects in the Letter. He

criticised at some length certain forms of expression used by one of his

assailants. Cooper's remarks on language are almost invariably marked by

the pretension and positiveness that characterize the writers on usage

who are ignorant of their ignorance; but in this case they are in

addition frequently puerile. His personal references were not especially

objectionable. But the best that can be asserted of them is, that he

said with good taste what it would have been better taste not to say at

all. He, however, so contrived to state his position that he laid

himself open to the charge that he looked upon the unfavorable opinion

expressed of "The Bravo" as being instigated by the French government,

and that, in consequence, the ill reception here accorded to his book

was not due necessarily to any inferiority in the work itself, but to

the machinations of foreign political enemies. He did not so mean it. He

meant to imply that there was no limit to the volunteer baseness of men

who stand ready to gratify power by doing for it what it would gladly

have done, but would never ask to have done. But the other was a (p. 131)

natural inference, and it was used against him with marked effect.

Worse even than all this, he succeeded in accomplishing in the latter

half of his Letter. A most exciting controversy was going on at the time

between the President and the Senate of the United States. The

bitterness had been aggravated into fury by the removal of the deposits.

The Senate had passed a resolution declaring the conduct of the

President unconstitutional. Against this resolution Jackson had

published a protest. The whole country was in a flame. Into the purely

personal controversy in which he was engaged, Cooper lugged in a

discussion of the political question that was agitating the nation. He

remarked, in the course of it, that if the Union were ever destroyed by

errors or faults of an internal origin, it would not be by executive but

by legislative usurpation. In order apparently to have neither of the

two parties in full sympathy with him, he criticised the appointing

power of the President, and his action in filling embassies. It is by

the most strained interpretation of the danger to our institutions from

imitation of those found in foreign countries, that the political

discussion was dragged into this production. The force of folly could

hardly go farther.

The inevitable result followed. The work pleased nobody, and irritated

nearly everybody. Three influential journals were at once made open and

active enemies, and in their wake followed a long train of minor

newspapers. More than that was effected. The Letter called down upon him

the wrath of a great political party, which in the North embraced a

large majority of the educated class; and its hostility followed him

relentlessly to the grave. Unwise as the work was, however, there (p. 132)

was nothing in it to justify the abuse that in consequence fell upon its

author. To his statement of the danger of legislative usurpation Caleb

Cushing made a dignified, though somewhat rhetorical reply; but while

controverting his opinions, he spoke of Cooper personally with great

respect. But such was not the treatment he generally received. The

language with which he was assailed was of the most insulting and

grossly abusive kind. In those days it was called appalling severity. It

reads now like very dreary and very vulgar billingsgate. One example

will suffice. The "New York Mirror" was then supposed to be the leading

literary paper in New York. It was nominally edited by Morris, Willis,

and Fay, though the two last were at that time in Europe. Morris is

still remembered by two or three songs he wrote. Besides being an

editor, he held the position of general of militia; accordingly he was

often styled by his admirers, "he of the sword and pen," which was just

and appropriate to this extent, that he did as much execution with the

one as with the other. His paper intimated that Cooper was willing to

transform himself into a baboon for the sake of abusing America, and

that his inordinate ambition prompted him to distance all competitors,

whether the race were fame or shame. It is proper to add that the tone

of the "Mirror" in regard to Cooper was radically changed after the

return of Willis from Europe.

In his Letter Cooper announced publicly, what he had long before said to

his friends, that he had made up his mind to abandon authorship. Such

resolutions are mainly remarkable for the fact that they are never kept.

But the howl of denunciation that immediately arose would never have

suffered him to keep still. From this time dates the beginning of (p. 133)

the long and gallant fight he carried on with the American people.

Gallant it certainly was, whatever may be thought of its wisdom; for it

was essentially the fight of one man against a nation. In politics he

had joined the Democratic party, but with some of their tenets he was

not in the slightest sympathy. He was, for example, a fierce

protectionist, and neglected no opportunity to cover with ridicule the

doctrine of free trade. But though practically standing alone, his

courage never faltered. The storm of obloquy that fell upon him made him

in his turn bitter and unjust in many things he said; but it never once

daunted his spirit or shook his resolution. On the contrary, it almost

seems as if he were aiming at unpopularity; at any rate he could not be

accused of seeking the favor of the public. Its acts he criticised, its

opinions he defied. His literary reputation and the sale of his works

were seriously affected by the course of conduct he pursued and the

hostility it provoked. But he was of that nature that if the certain

result of following the path he had marked out for himself had been the

hatred of the world, he would never have once deviated from it the

breadth of a hair.

He was not a man to remain on the defensive. He at once began

hostilities. His first attempt was unfortunate enough. This was the

satirical novel called "The Monikins," which was published on the 9th of

July, 1835. Of all the works written by Cooper this is most justly

subject to the criticism conveyed in the German idiom, that "it does not

let itself be read." To the immense majority of even the author's

admirers, it has been from the very beginning a sealed book. It is

invariably dangerous to assert a negative. But if a personal reference

may be pardoned, I am disposed to say, that of the generation that (p. 134)

has come upon the stage of active life since Cooper's death, I am

the only person who has read this work through. The knowledge of it

possessed by his contemporaries did not, in many cases, approach to the

dignity of being even second-hand. The accounts of it that have come

under my own notice, seem often to have been gathered from reviews of it

which had themselves been written by men who had never read the

original. It is no difficult matter to explain the neglect into which it

immediately sank. The work was a satire mainly upon certain of the

social and political features to be found in England and America,

designated respectively as Leaphigh and Leaplow; though one or two

things characteristic of France were transferred to the former country.

But satire Cooper could not write. The power of vigorous invective he

had in a marked degree. But the wit which plays while it wounds, which

while saying one thing means another, which deals in far-off suggestion

and remote allusion, this was something entirely unsuited to the

directness and energy of his intellect. Moreover, some of his most

marked literary defects were seen here exaggerated and unrelieved. In

many of his novels there is prolixity in the introduction. Still in

these it is often compensated by descriptions of natural scenery so

life-like and so enthusiastic that even the most _blasé_ of novel

readers is carried along in a state of what may be called endurable

tediousness. But in "The Monikins" the introductory tediousness is

unendurable. It is not until we are nearly half-way into the work and

have actually entered upon the voyage to the land of the monkeys, that

the dullness at all disappears. After the country of Leaphigh is reached

the story is far less absurd and more entertaining; though (p. 135)

Cooper's descriptions are of the nature of caricature rather than of

satire. There are, however, many shrewd and caustic remarks scattered up

and down the pages of the latter part of the work, but they will never

be known to anybody, for nobody will read the book through.

The work fell perfectly dead from the press. But its failure had not the

least effect in deterring Cooper from continuing in the course upon

which he had started. During the years 1836, 1837, and 1838, he

published ten volumes of travels. In these he repeated, with emphasis,

everything that he had uttered privately or had implied in his previous

publications. The first of these works was entitled "Sketches of

Switzerland." It was divided into two parts. The first, which was

published on May 21, 1836, gave an account of his residence and

excursions in that country during the summer and autumn of 1828. The

second part, which appeared October 8, 1836, was largely taken up with

accounts of matters and things in Paris during the winter of 1831-32, a

journey up the Rhine, and a second visit to Switzerland. These two parts

made four volumes. The remaining six had the general title of "Gleanings

in Europe," and two each were devoted to France, England, and Italy. The

first of these was published March 4, 1837; the second September 2 of

the same year; and the third, May 26, 1838. They were written in the

form of letters, and were pretty certainly made up from letters actually

written or memoranda taken at the time. But they were likewise largely

interspersed with the expression of views and feelings that he had

learned to adopt and cherish since his return to his native land.

In the case of England and America, in particular, his remarks (p. 136)

may have been full of light, but they did not exhibit sweetness.

Probably no set of travels was ever more elaborately contrived to arouse

the wrath of readers in both countries, nor one that more successfully

fulfilled its mission. His keen observation let no striking traits

escape notice. The individual Englishmen he meets and describes could

furnish entertainment only to men that were not themselves Englishmen.

There is, for instance, the sea-captain who endeavors to compensate for

his lack of energy by giving his passenger an account of the marvelous

riches of the nobility and gentry. Even more graphically drawn is the

islander he met in the Bernese Oberland, who appeared to regard the peak

of the Jungfrau with contempt, as if it did very well for Switzerland;

and who, when his attention was called to a singularly beautiful effect

upon a mountain top, began to tell how cheap mutton was in

Herefordshire. Nor were many of his general remarks flattering. As one

descended in the social scale he thought the English the most artificial

people on earth. Large numbers of them mistook a labored, feigned,

heartless manner for high-breeding. The mass of them acted in society

like children who have had their hair combed and faces washed, to be

shown up in the drawing-room. They were conventional everywhere. The

very men whom he met after his arrival in the streets of Southampton,

all looked as if they had been born with hat-brushes and clothes-brushes

in their hands. As a race, moreover, they had special defects. They

lacked delicacy and taste in conferring obligations or paying

compliments. They were utterly indifferent to the feelings of others.

There was a national propensity to blackguardism; and the English press,

in particular, calumniated its enemies, both political and (p. 137)

personal, with the coarsest vituperation.

These were not the sort of remarks to draw favorable notices from

British periodicals. Cooper soon had an opportunity to verify, in his

own experience, the truth of the last of his observations that have been

cited. Harsh, however, as was his language about England, it bore little

comparison to the severity with which he expressed himself about

America. The attacks on the newspaper press belong not here, but to the

account of the war he waged with it. The omission, however, will hardly

be noticed in the multitude of other matters he found to criticise.

Manners, customs, society, were touched throughout with an unsparing

hand. Common crimes, he admitted, were not so general with us as in

Europe, though mainly because we were exempt from temptation, but

uncommon meannesses did abound in a large circle of our population. Our

two besetting sins were canting and hypocrisy. We had far less publicity

in our pleasures than other nations; yet we had scarcely any domestic

privacy on account of the neighborhood. The whole country was full of a

village-like gossip which caused every man to think that he was a judge

of character, when he was not even a judge of facts. In most matters we

were humble imitators of the English. All their mistakes and

misjudgments we adopted except such as impaired our good opinion of

ourselves. It was a consequence that all their errors about foreign

countries had become our errors also. In a few cases, indeed, we were

compelled to be American; but whenever there was a tolerable chance we

endeavored to become second-class English. Wherever making money was in

view, we had but one soul and that was inventive enough; but when (p. 138)

it came to spending it we did not know how to set about it except

by routine. No people traveled as much as we; none traveled with so

little enjoyment or so few comforts. Taste and knowledge and tone were

too little concentrated anywhere, too much diffused everywhere, to make

head against the advances of an overwhelming mediocrity. Of society

there was but little; for what it suited the caprice of certain people

to call such was little more than the noisy, screeching, hoydenish

romping of both sexes. The taint of provincialism was diffused over all

feelings and beliefs. Of arts and letters the country possessed none or

next to none. Moreover, there was no genuine sympathy with either. To

all this dismal prospect there was slight hope of improvement, because

there was a disposition to resent any intimation that we could be better

than we were at present.

It would be a gross error to infer the general character of Cooper's

travels from these extracts. They are gathered together from ten

volumes, without any of the attendant statements by which they are there

in many cases modified. Equally erroneous would it be to suppose that he

did not find much to praise as well as to condemn in both England and

America. These extracts, however, explain the almost savage vituperation

with which Cooper was thenceforth followed in the press of the two

countries. The works themselves met with a very slight sale: none of

them ever passed into a second edition. Men were not likely to read with

alacrity, however much they might with profit, unfavorable opinions

entertained of themselves. Cooper himself could not have hoped for much

success for his strictures. In fact, he expressly declared the contrary.

The most he should expect, he said, would be the secret assent of (p. 139)

the wise and good, the expressed censure of the numerous class of the

vapid and ignorant, the surprise of the mercenary and the demagogue, and

the secret satisfaction of the few who should come after him who would

take an interest in his name.

Notwithstanding the ferocious criticism with which they were assailed at

the time and the forgetfulness into which they have now fallen, Cooper's

accounts of the countries in which he lived are among the best of their

kind. Books of travel are from their very nature of temporary interest.

It requires peculiar felicity of manner to make up long for the fresher

matter about foreign lands which newer books contain. Striking

descriptions and acute observations will still, however, reward the

reader of Cooper's sketches. There are often displayed in them a vigor

and a political sagacity which of themselves would justify his being

styled the most robust of American authors. Pointed assertions are

scattered up and down his pages. Could, for instance, one of the dangers

of a democracy be more clearly and ill-naturedly put than by his

statement, that the whole science of government in what are called free

states, is getting to be a strife in mystification, in which the great

secret is to persuade the governed that he is in fact the governor? His

books, moreover, while they reflect his prejudices, show an honest

desire to be just. He undoubtedly preferred the Continent to England.

But in his account of that country, while he had the unfairness of

dislike, he never had the unfairness of intentional misrepresentation.

There is nothing of that exulting yell with which the British traveler

of those days fell foul of some specimen of American ill-breeding or

American bumptiousness. Nor did he fail to pay a high tribute to (p. 140)

what was best in English society or English character. The gentlemen

of that country, in appearance, in attainments, in manliness, and he was

inclined to add in principles, he placed at the head of their class in

Christendom. His censure of America and the Americans was not at all in

the nature of indiscriminate abuse. The fault he found with his

countrymen was based mainly upon their mistaken opinion of themselves

and of their advantages and disadvantages. You boast, he practically

said to them, of the superiority of your scenery, in which you are not

to be compared with Europe; but you constantly abuse your climate which

is equal to, if not finer, than that of any region in the Old World. You

stand up manfully for your manners and tastes, which you ought to

correct; but you are incessantly apologizing for your institutions of

which you ought to be proud. The defects imputed in Europe to the

inhabitants of the United States, such as the want of morals, honesty,

order, decency, liberality, and religion, were not at all our defects.

These, in fact were, as the world goes, the strong points of American

character. On the other hand, those on which we prided ourselves,

intelligence, taste, manners, education as applied to all beyond the

base of society, were the very points upon which we should do well to be

silent. This is certainly not an extreme position. But men are far more

affected by the blame bestowed upon their foibles than by the praise

given to their virtues; and both in England and America the censures

were remembered and the commendations forgotten. Other circumstances

also came in now to add to his unpopularity in his own country. A local

quarrel in which he accidently became concerned, was followed by (p. 141)

consequences which affected his estimation throughout the whole land;

but the details of this will require a separate chapter.

James Fenimore Cooper American Men of Letters · 第 7 / 12 章