CHAPTER IX.

ORLEANS

What France won in three years (1428-1431) under the leadership of

Joan of Arc restored all that France had lost during the Hundred

Years’ War. Cressy, Poitiers, Agincourt were negatived by Orleans.

More wonderful than any myth of any nation under the sun, than any

concept of poetic fancy throughout all literatures, than any vision

of poet-sage or seer in all Sybilline rhapsodies--is the plain

historical narrative of the life and deeds of Joan of Arc. Some

power beyond the natural worked thro’ the peasant maid of Domremy.

“The people of Orleans when they first saw her in their city

thought that it was an angel from Heaven that had come down to

save them”, said an eye-witness of the scene who testified at the

reversal of Jeanne’s sentence ten years after her death. On the

contrary the Duke of Bedford, in a letter still extant, writing to

Henry VI. and lamenting recent disasters to the English army says:

“And alle thing there prospered for you til the tyme of the Siege

of Orleans taken in hand God knoweth by what advis.

“At the which tyme, after the adventure fallen to the person of

my cousin of Salisbury, whom God assoile, there fell by the hand

of God as it seemeth, a great strook upon your peuple that was

assembled there in grete nombre, caused in great part as I trowe,

of lakke of sadde beleve, and of unlevefull doubte, that they had

of a disciple and limb of the Feende, called the Pucelle, that used

fals enchantments and sorcerie.”

“So certainly

As morn returneth in her radiant light

Infallibly the day of truth shall come”

said the Maid of Orleans.

That day of truth has come. Around Joan of Arc the charmed circle

of the Church of Rome is drawn. Let no man dare to call evil

that which the Church calls good; let no man dare to attribute

imposture, hysterical exaltation, or necromantic might to one whom

the Church calls Blessed. Vindicated, rehabilitated, restored,

cherished, Blessed is now the Maid who died five hundred years ago

burned at the stake as a witch.

Condemned by the University of Paris, an ecclesiastical tribunal?

Yes. Hounded to the stake by Pierre Cauchon, Bishop of Beauvais?

Yes. But the Church can shake off and disclaim the clinging

hands of her children whose touch pollutes her; and the Church

of all ages can outshine the lurid darkness of any one age, and

deprecate, and deplore and denounce the deeds done in that lurid

darkness. Splendidly, too, and with stern magnanimity, defying

apparent self-contradiction, can the Church reverse the decrees of

ecclesiastical tribunals, and stoop down to pick up and restore and

rehabilitate and bless a strangely foolish child whom kings and

courts and the great University of Paris had condemned and cast

away.

The Church of the Middle Ages must ever stand darkly enigmatic to

the non-Catholic student of history. He cannot rightly appreciate

the binding force of spiritual authority. The withering away from

fear of Church censure, the clinging claim upon all the powers

of the soul in the prayers and ceremonies and sacraments of the

Church, the isolating horrors of her excommunications, the abject

fear of her spiritual punishments, powerful alike over prince

and potentate and peasant--are practically meaningless to the

non-Catholic.

That scene in “Richelieu” by Sir Edward Bulwer Lytton, well

illustrates the power of the Church in the Middle Ages. King

Louis XIII. has sent to demand that Julie de Mortemar, Cardinal

Richelieu’s orphan ward, shall be immediately sent to the court

subject to the king’s pleasure. The girl clings to the Cardinal for

protection. To these messengers Cardinal Richelieu replies,

“To those who sent you!--

And say you found the virtue they would slay

Here--couched upon this heart, as at an altar,

And sheltered by the wings of sacred Rome.

Begone!”

They go. But soon again comes Baradas, favorite of the king, First

Gentleman of the Chamber, and about to be made premier to succeed

the temporarily deposed Cardinal Richelieu. To Baradas’ insolent

importunities the eloquent old Cardinal in righteous wrath exclaims:

“Ay, is it so?--

Then wakes the power which in the age of iron

Burst forth to curb the great and raise the low.

Mark where she stands!--around her form I draw

The awful circle of our solemn Church!

Set but a foot within that holy ground,

And on thy head--yea tho’ it wore a crown

I launch the curse of Rome!”

Baradas abashed retires, the king’s suit ceases; the Church has

triumphed.

LA PUCELLE.

France is assuredly a genius-mad nation: whether genius or madness

shall ultimately prevail is an answerless question. The Republic

shall go down in “a slough of mire and blood” is the current

prophecy today; but, then, France has gone down in mire and blood

many and many a time and, phœnix like, she has risen and soared

aloft led onward and upward by some strong Genius-Child.

Joan of Arc and Napoleon Bonaparte stand unique in history; each

picked up torn, bleeding, fragmentary France and restored her

to her rightful place in the family of nations. That Napoleon

Bonaparte, a man, a soldier, and a master of opportune occasion,

should have rescued France is not wonderful; but that the Maid of

Domremy, a timid girl aged seventeen, who “knew not how to ride

or to handle a sword”, whose hand never shed blood, should have,

amid most inopportune occasion, prevailed in battle against Talbot,

Gladsdale, Falstofe and the flower of the English Army is, past all

credence, wonderful.

France as a nation was extinguished by the Treaty of Troyes.

Isabeau of Bavaria, wife of Charles VI. deliberately and exultantly

aided the trembling hand of the imbecile king as he signed away

his kingdom. Henry VI. of England, infant son of Henry V. and

Catharine, daughter of Charles VI. of France, was proclaimed heir

of the united kingdoms France and England: later, at the death

of Henry V. this child was crowned at Paris king of England and

of France. Isabeau of Bavaria aided in the coronation ceremony,

graciously accepting young Harry Lancaster as king of France to the

exclusion of the rightful heir, her own son, Charles the dauphin.

As Schiller says:

“Even the murderous bands

Of the Burgundians, at this spectacle

Evinced some token of indignant shame.

The queen perceived it and addressed the crowds,

Exclaiming with loud voice, ‘Be grateful, Frenchmen,

That I engraft upon a sickly stock

A healthy scion, and redeem you from

The misbegotten son of a mad sire.’”

Surely the first part of Merlin’s prophecy had been ominously

fulfilled: France was lost by a woman. Would a woman save

France? And far away--among the wooded hills of Domremy wandered

the splendid Dreamer who should, in three bright, bitter

years--flame-cut into fame forever--undo what Isabeau had done,

throw off the incubus of alien authority, negative the Treaty of

Troyes, and save France.

Thank God for the enthusiasts, for those who follow their Voices!

Tho’ their way lies thro’ adamantine opposition, they know it not,

their eyes are fixed on the goal; and even as one in hypnotic

somnambulism leaps on from toppling crag to crag unawed by the

sheer depths of yawning destiny o’er which he strides, so do these

enthusiasts press on to the goal: and they reach it.

Joan appeared at the camp at Blois, clad in a new suit of brilliant

white armor, mounted on a stately black war-horse, and with a lance

in her right hand, which she had learned to wield with skill and

grace. Her head was unhelmeted; so that all could behold her fair

and expressive features, her deep-set and earnest eyes, and her

long black hair, which was parted across her forehead and bound by

a ribbon behind her back. She wore at her side a small battle-axe,

and the consecrated sword marked on the blade with five crosses

which had at her bidding been taken for her from the shrine of St.

Catharine at Fierbois.

A page carried her banner which she had caused to be made and

embroidered as her Voices enjoined. It was white satin, strewn with

fleurs-de-lis; and on it were the words “_Jhesus Maria_”. And thus

spectacularly equipped Joan made her appearance at Orleans at the

head of an enthusiastic French army. The astounded English soldiers

could only stare and glare; and had it not been from their greater

fear of their irate commanders, these brave heroes of Agincourt

would have promptly run away in panic fright from this dread Maid.

Joan advanced towards the besiegers and solemnly admonished the

English generals to desist from their unlawful holding of Orleans,

to withdraw at once from France, and to spare further bloodshed.

Oaths and imprecations and ribald jests answered her earnest

abjuration. Joan returned to her ranks and gave order for battle.

Yet she shrank from the fury of the strife and her heart recoiled

and sickened at the sight of suffering and death. Joan’s most

trustworthy biographer tells us that her own hand never shed blood.

Joan was wounded at the battle around Orleans; an arrow from a

cross-bow penetrated her armor between the neck and shoulder and

remained fastened in the wound. Joan grew faint from pain and she

suffered La Hire to lead her from the fray. Recovering herself in a

little while, she sat up and withdrew the arrow with her own hands,

then putting a little oil on the wound, she mounted and galloped

back to where the battle was raging. Joan’s presence reinspired her

followers; mad dash after dash was made against the fort held by

Sir John Gladsdale. The English soldiers, thinking her to have been

mortally wounded, were terrified at her abrupt return. Again Joan

called out to Gladsdale to surrender and spare further bloodshed.

With an oath the infuriated general came out upon the drawbridge

shouting orders for a final desperate assault. As he stood thus

conspicuous between the two armies, a cannon ball from the town

crashed thro’ the drawbridge and Gladsdale fell and perished in

the waters. At the sight of this disaster, and also at the attack

upon the fort under the leadership of Joan in person, the English

army fled. The siege of Orleans was raised. The long imprisoned

Orleannais came forth and hailed Joan as their deliverer sent from

Heaven.

CHARLES VII.

The raising of the siege of Orleans was quickly followed by the

decisive battle of Patay in which Talbot, the English commander,

was wounded and taken prisoner together with a large part of the

English army. The way now lay open to Rheims. Thither marched the

victorious French forces under Joan of Arc carrying with them the

perplexed and irresolute Dauphin. In the cathedral at Rheims, July

17, 1429, with all the solemn ceremonies of the coronation of

kings, this weakling was crowned Charles VII. of France.

Perhaps as the son of an imbecile sire and Isabeau of Bavaria,

Charles VII. couldn’t help being what he was. So in the shadow of

that comfortable Lombrosian theory we leave without reproach the

man whom, in the good sunlight of common sense and honest manhood,

we should scathingly reproach as dastard and ingrate.

After the crowning of Charles at Rheims, Joan desired to withdraw

from the king’s service and go back to Domremy. She declared that

her work was done; she, moreover, maintained that her Voices no

longer urged her to remain in the field, or pointed out unerringly

just what she should do. Du Nois and La Hire prevailed upon her to

remain with the army.

Joan was wounded in an unsuccessful attack upon Paris. And the

following spring in a sortie at Compeigne Joan was taken prisoner

by the Burgundians and subsequently sold to the English.

Joan was cast into prison at Rouen. Here the indignities to which

she was subjected, as related by her biographers, are almost

incredible. The apathy of the fickle French towards their late

“deliverer sent from Heaven”, and the dastardly indifference of

Charles VII. during her imprisonment and throughout her trial

and death form a conspicuous page in the black book of Human

Ingratitude.

_Et tu, Brute!_ (And thou too, O Brutus!) cried Cæsar as he fell

pierced, indeed, with twenty-three wounds, but slain at the sight

of his beloved Brutus among the murderers. That was death in

death. _And if my enemy had done this to me, verily, I could have

borne it. But thou, my friend and my familiar!_--This agonizing

cry--shrieked so that all the world may hear by Cæsar, Wolsey,

Joan--rises in bitter silence in many a heart. Only those we love

have power to wound us; and we stand defenceless, unresenting,

dim-wondering, yet loving. Nancy of the slums under the murderous

blows of Bill Sykes, Cæsar as he gazes at Brutus, Joan of Arc

blessing Charles VII. from her Calvary of flames--shine as

radiant silhouettes of human nobility on the somber overshadowing

background of human ingratitude.

JOAN’S VOICES.

“This pure, this gentle creature cannot lie!

No, if enchantment binds me, ’tis from Heaven

My spirit tells me she is sent from God.”--_Schiller._

Both the French and the English firmly believed that Joan of Arc

was aided by some preternatural power; but was she borne upward

by “airs from heaven or blasts from hell”? Burned at the stake as

a Witch, Relapsed Heretic, Accurst--thus died the Maid whom the

Church has raised to her altars.

But ere we too scathingly condemn that scene, disgraceful alike

to the Church and to human nature, which was enacted in the Rouen

market-place May 31, 1531; it might be well to turn a balancing

gaze upon our own Cotton Mather madness which had its orgies upon

Gallows Hill, Salem, June-September 1692. Nor are we of the passing

day and hour sufficiently washed white of the soot of Occultism

that we may conspicuously disclaim the witch-burning at Rouen.

In the late Christian Science rupture accusations of “mental

assassination” and the use of “malicious animal magnetism” were

mutually charged. Just what that may mean in the esoteric circle,

I know not; but full meaning and full knowledge would doubtless

ramify back to Rouen.

“There are more things in Heaven and Earth, Horatio,

Than are dreamed of in your philosophy.”

Yes, infinitely more: all that the human eye can see or the ear

hear or the intellect know is but as a shore-lapping wave of the

infinite ocean of the Seen, the Heard, the Known. And what if some

eye be abnormally endowed with vision, or some ear be attuned

beyond the normal for hearing, or some finely fashioned intellect

transcend ordinary knowing--shall it not inevitably see more or

hear more or know more of that infinite ocean? and shall it not

fearlessly and fully make known what it sees or hears or knows? And

then what? Why we gregarious Little People, spitefully content in

limitations, will with consenting conscience, condemn the witch to

death.

Joan’s Voices spoke to her more especially when the church bells

were ringing; they were mild and very kind; they always spoke

soothingly. When their music stilled she lay prostrate upon the

ground and wept because they had left her behind; because she had

not been able to ascend with them and go home to that waiting

Heaven. Joan’s Voices urged her to become the saviour of France.

And when the child remonstrated that she was only a poor peasant

girl and did not know how to ride a horse or handle a sword, the

Voices insistently replied, “It is God who commands.” And then the

Maid arose and went forth on that mighty mission.

Orleans, Jargeau, Troyes, Patay, Rheims, Laon, Soissons, Compeigne,

Beauvais were her victories. Then came the rapid flame-way of her

own emancipation.

As Joan stood bound to the stake, and as the smoke and flames were

hiding her from the _vulgus profanum_, a wild-eyed monk advanced to

the pyre. He held aloft a large iron cross having upon it an ivory

figure of the tortured Christ. A look of infinite sympathy and love

lit up the eyes of Joan as they rested upon the Christ. Her lips

parted in prayer. Blessings upon Charles VII., prayerful petitions

for her beloved France were heard thro’ the crackling flames. Not

once did her eyes turn from the tortured form upon the cross;

thence was coming the strength that enabled her to bear the pangs

of death, thence, too, the grace which urged her to pray for her

murderers.

Round her rolled the fire; her long black hair was blazing, her

head, her face, her wondrous eyes were flooded in flame. All was

ending. But the monk held aloft the Crucifix. A gust of wind parted

the fire, again the charred eyes rested upon the tortured form on

the cross, her lips moved in prayer; and again she was lost in

flames. Thus perished Joan of Arc, aged nineteen, virgin and martyr.

Take not the ivory Christ away. ’Tis sorrow’s mutual friend; ’tis

the strength of strong agony; ’tis the sympathizing consoler of the

rack, the stake, the prison house of pain, the dim valley of the

Shadow, the Rouen sea of flames. The Crucifix understands.

Pan? Well, yes, for the bright blue Arcadian hour in young-heart

Arcady. But for the gray every day and the solemn night; for the

hours of pain and loss and parting and change, sickness, old age,

sorrow; for the crucial crises of life as they come in bitter pangs

to us of a lost Arcady; for the mother whose boy fell at Vera Cruz;

for a Joan of Arc in the flames--ah! take your grinning Pan away;

we want the Crucifix, we want the thorny crowned Christ who has

suffered and understands.

Ten years after the death of Joan, there was a judicial reversal of

her sentence of condemnation. Twenty-five years later the Church

instituted a thorough investigation of Joan’s claims, deeds, trial,

condemnation, and death. The process and results of this inquiry

may be found in detail in the work “Proces de Condemnation et de

Rehabilitation de Jeanne D’Arc,” published in five volumes, by the

Société de L’Histoire de France.

Many eminent English authors, besides innumerable French

biographers, have written in deep sympathy with Joan of Arc; among

them may be mentioned Southey, Hallam, Carlyle, Landor, de Quincy,

Lang, and our own Mark Twain. Voltaire’s vulgar burlesque-epic is

now generally regarded as an insult to France and a superficial

satiric calumny. Schiller in The “Maid of Orleans” distorts well

known historical facts.

In 1869 Mgr. Dupanloup, Bishop of Orleans presented at the Vatican

his petition and claims for the beatification of Joan of Arc.

The trial proceeded slowly, but on April 11, 1909, Pius X., the

present reigning pontiff, pronounced the decree which raised Joan

to the first step in the process of canonization. She was solemnly

declared Blessed. “A Mass and Office of Blessed Joan taken from

the _Commune Virginum_ with ‘proper’ prayers have been approved

of by the Holy See for use in the diocese of Orleans.” Joan’s

canonization is now under active consideration.

Battles of Destiny · 第 9 / 17 章