[ILLUSTRATION: The Last Palms]

I was tempted to think that the sunset view from the Meda eminence was the

finest in the immediate neighbourhood of Gafsa. Not so; that from the low

hills behind Sidi Mansur, with the stony ridge of Jebel Assalah at your

back, surpasses it in some respects. Through a gap you look towards the

distant green plantations, with a shimmering level in the foreground; on

your other side lies the Oued Baiesh, crossed by the track to Kairouan,

where strings of camels are for ever moving to and fro, laden with

merchandise from the north or with desert products from the oases of

Djerid and Souf. The dry bed of the torrent glows in hues of isabel and

cream, while its perpendicular mud-banks, on the further side, gleam like

precipices of amber; the soil at your feet is besprinkled with a profusion

of fair and fragile flowerlets.

Here stand, like sentinels at the end of all things living, the three or

four last, lonely palms--they and their fellows lower down are fed by a

silvery streamlet which is forced upwards, I suppose, by contact with

Professor Koken's conglomerate; above and below this oasis-region the

river-bed is generally dry. It must be a wonderful sight, however, when

the place is in flood--a deluge of liquid ooze careering madly southward

towards the dismal Chotts amid the crashing of stones and palm trees and

the collapse of banks. For the Oued Baiesh can be angry at times; in 1859

it submerged fifty hectares of the Gafsa gardens.

Instead of returning by the main road from Sidi Mansur, one can bend a

little to the right and so pass the military hospital, a large

establishment which looks as if it could be converted into a barrack in

case of need. This is as it should be. Gafsa is a rallying-point, and must

be prepared for emergencies. Here, too, lie the cemeteries: the Jewish,

fronting the main road, with a decent enclosure; that of the Christians,

framed in a wire fence and containing a few wooden crosses, imitation

broken columns and tinsel wreaths; Arab tombs, scattered over a large

undefined tract of brown earth, and clustering thickly about some

white-domed maraboutic monument, whose saintly relics are desirable

companionship for the humbler dead.

The bare ground here is littered with pottery and other fragments of

ancient life testifying to its former populousness: flint implements,

among the rest. Of the interval between the latest of these stone-age

primevals and the first Egyptian invasion of Gafsa we know nothing; they,

the Egyptians, brought with them that plough which is figured in the

hieroglyphics, and has not yet changed its shape. You may see the

venerable instrument any day you like, being carried on a man's back to

his work in the oasis.

Athwart this region there runs an underground (excavated) stream of water,

led from Sidi Mansur to nourish the Gafsa plantations. Through holes in

the ground one looks down upon the element flowing mysteriously below;

figs and other trees are set in these hollows for the sake of the shade

and moisture, and their crowns barely reach the level of the soil. This is

no place to wander about at night--a false step in the darkness and a man

would break his neck. There was talk, at one time, of leading this brook,

which is sweet and non-mineral, into Gafsa for drinking purposes, but the

native garden proprietors raised their inevitable howl of objections, and

the project was abandoned.

If you ask a local white man as to the misdeeds of his administration, be

sure he will mention the affair of the railway station which was built too

far from the town, and this of the Sidi Mansur water. And who, you ask,

was to blame for these follies? Oh, the _controlleur_, as usual; always

the _controlleur!_ It is no sinecure being an official of this kind in

Tunisia, with precise Government instructions in one pocket, and in the

other his countrymen's contrary lamentations and suggestions, often

reasonable enough....

Loaded down with a choice selection of Sidi Mansur flints, which are

singular as having a white patina, I returned to Gafsa in the late

afternoon and entered my favourite Arab café. Here, at all events, if you

do not mind a little native _esprit de corps_, you will be able to thaw

your frozen limbs; all the other rooms of Gafsa, public and private, are

like ice-cellars. There are many of these coffeehouses in the town, and

this is one of the least fashionable of them. Never a European darkens its

door; seldom even a native soldier; it is not good enough for them; they

go to finer resorts.

At its entrance there lie, conveniently arranged as seats, some old Roman

blocks, overshadowed by a mulberry, now gaunt and bare. It must be

delightful, in the spring-time, to sit under its shade and watch the

street-life: the operations at the neighbouring dye-shop where gaudy

cloths of blue and red are hanging out to dry, or, lower down, the

movement at the wood-market--a large tract of "boulevard" encumbered with

the impedimenta of nomadism. There is a ceaseless unloading of fuel here;

bargains are struck about sheep and goats, the hapless quadruped, that

refuses to accompany its new purchaser good-naturedly, being lifted up by

the hind legs and made to walk in undignified fashion on the remaining

two. Fires gleam brightly, each one surrounded by a knot of camels couched

in the dust, their noses converging towards the flame, while old desert

hags, bent double with a life of hardship, bustle about the cooking-pots.

There are brawls, too--Arabs seizing each other by the throat, raising

sticks and uttering wild imprecations....

[ILLUSTRATION: Café by the Mulberry Tree]

But within that windowless chamber, all is peace. Eternal twilight reigns,

and your eyes must become accustomed to the gloom ere you can perceive the

cobwebby ceiling of palm-rafters, smoke-begrimed and upheld by two stone

columns that glisten with the dirt of ages. Here is the hearth, overhung

by a few ancient pots, where the server, his head enveloped in a greasy

towel, officiates like some high priest at the altar. You may have milk,

or the mixture known as coffee, or tea flavoured in Moroccan style with

mint, or with cinnamon, or pepper. The water-vessels stew everlastingly

upon a slow fire fed with the residue of pressed olives. Or, if too poor,

you may take a drink of water out of the large clay tub that stands by the

door. Often a beggar will step within for that purpose, and then the

chubby serving-lad gives a scowl of displeasure and makes pretence to take

away the cup; but the mendicant will not be gainsaid--water is the gift of

Allah! And, if so please you, you may drink nothing at all, but simply

converse with your neighbour, or sit still and dream away the days, the

weeks, the year, sleeping by night upon the floor.

A few of the customers are playing at cards or sedately chatting; others

begin to prepare their favourite smoke of hashish. A board is called for

and the hashish-powder spread out upon it. The operator chops it into

still finer particles by means of a semicircular blade, deftly blowing

away the dust--this brings out its strength. He is in no hurry; it is a

ceremony rather than a task. Slowly he separates the coarser from the

finer grains, his fingers moving with loving deliberation over the smooth

board. Then the cutting process is repeated once more, and yet again.

Maybe he will now add a little of the Soufi stuff, to improve the taste.

At last all is ready, and small pipes are extracted from the folds of the

burnous and filled with half a thimbleful of the precious mixture. Two or

three whiffs, deeply inhaled, stream out at mouth and nostrils; then the

pipe is swiftly passed on to a friend, who drains the last drop of smoke

and knocks out the ashes. Not a word is spoken.

Hand him your pipe, if you are wise, and let him fill it for you. This

_kif_, they say, affects people differently; but I think that, as a

general effect, you will discover a genial warmth stealing through your

limbs, while the things of this world begin to reveal themselves in a more

spiritual perspective.

I thought of the sunset this afternoon, as viewed from Sidi Mansur. They

are fine, these moments of conflagration, of mineral incandescence, when

the sober limestone rocks take on the tints of molten copper, their

convulsed strata standing out like the ribs of some agonized Prometheus,

while the plain, where every little stone casts an inordinate shadow

behind it, clothes itself in demure shades of pearl. Fine, and all too

brief. For even before the descending sun has touched the rim of the world

the colours fade away; only overhead the play of blues and greens

continues--freezing, at last, to pale indigo. Fine, but somewhat trite; a

well-worn subject, these Oriental sunsets. Yet the man who can revel in

such displays with a whole heart is to be envied of a talisman against

many ills. I can conceive the subtlest and profoundest sage desiring

nothing better than to retain, ever undiminished, a childlike capacity for

these simple pleasures....

A spirit of immemorial eld pervades this tavern. Silently the shrouded

figures come and go. They have lighted the lamp yonder, and it glimmers

through the haze like some distant star.

And I remembered London at this sunset hour, a medley of tender

grey-in-grey, save where a glory of many-coloured light hovers about some

street-lantern, or where a carriage, splashing through the river of mud,

leaves a momentary track of silver in its rear. There are the nights, of

course, with their bustle and flare, but nights in a city are apt to grow

wearisome; they fall into two or three categories, whose novelty soon

wears off. How different from the starlit ones of the south, each with its

peculiar moods and aspirations!

Yet the Thames--odd how one's _kif_-reveries always lead to running

water--the Thames, I know, will atone for much. It is even more impressive

at this season than in its summer clarity, and as I walk, in imagination,

along that rolling flood flecked with patches of unwholesome iridescence

and crossed by steamers and barges that steer in ghostly fashion about the

dusky waters, I marvel that so few of our poets have responded to its

beauty and signification. They find it easier, doubtless, to warble a

spring song or two. The fierce pulsations of industry, the shiftings of

gold that make and mar human happiness--these are themes reserved for the

bard of the future who shall strike, bravely, a new chord, extracting from

the sombre facts of city life a throbbing, many-tinted romance, even as

out of that foul coal-tar some, who know the secret, craftily distil most

delicate perfumes and colours exquisite. The bard of the future ... h'm!

Will he ever appear? As an atavism, perhaps. Take away from modern poetry

what appeals to primitive man--the jingle and pathetic fallacy--and the

residue, if any, would be better expressed in prose.

My neighbour, a sensible person, has ceased to take interest in the

proceedings. Perched upright at first, his head drooping within the folds

of his cloak, he has slowly succumbed; he has kicked off his sandals,

stretched himself out, and now slumbers. I, too, am beginning to feel

weary, and no wonder....

Primitive man with those flints of his, that weigh me down at this moment.

This stone-collecting, _par exemple!_ I wonder what induced me to take up

such a hobby. The German Professor, as usual. Ah, Mr. Koken, Mr.

Koken--those light words of yours have borne a heavy fruit. I possess four

hundred implements now, and they will double the weight of my luggage and

ruin my starched shirts, especially those formidable "præchellean"

skull-cleavers. And I know exactly what the customs officer at Marseilles

will say, when he peeps into my bag:

"_Tiens, des cailloux! Monsieur est botaniste?"_

And then a crowd of people will assemble, to whom I must explain

everything, with the result of being arrested for smuggling forbidden

mining samples out of a colony and ending my days in some insanitary

French prison.

_Chapter VI_

_AMUSEMENTS BY THE WAY_

Meanwhile, to satiate myself with Gafsa impressions, I linger by the

margin of the pool that lies below the fortress. Hither the camels are

driven to slake their thirst, arriving sometimes in such crowds as almost

to fill up the place. Donkeys and horses are scoured by half-naked lads;

in the clearer parts, a number of tattooed Bedouin girls are everlastingly

washing their household stuffs. Only on rare occasions is the liquid

undisturbed, and then it shines with the steely-blue transparency of those

diamonds that are a class by themselves, superior to "first-water" stones.

At the slightest agitation all the accumulated ooze and filth of

generations--rags and decomposing frogs and things unmentionable--rise to

the surface in turbid clouds. The element wells out hot, from under the

neighbouring Kasbah, with a pestiferous mineral aroma.

Hither comes, at fixed intervals, my friend Silenus, the water-carrier, on

his philosophic donkey; nearly all Gafsa draws its supply of cooking and

drinking water from this fetid and malodorous mere.

A fine example of French inefficiency, this "abreuvoir." Two hundred

francs would suffice to tap the liquid a few yards higher up, by means of

a common cast-iron pipe, whence it would rush out, pure and undefiled, to

fill in a few moments those multitudinous water-skins that are now

laboriously furnished, by hand, out of the often tainted pool below.

And of native inefficiency, likewise. Day after day, age after age, have

these women done their laundry-work at this spot, and yet their clothing,

for purposes of the work, is more hopelessly inadequate than the burnous

of the males. They will arrive wrapped up in twenty rags that are always

falling off their backs and shoulders (they possess no baskets). One by

one these articles are removed, soaped with one little hand, stamped upon

by two little feet, and laid aside. Nothing remains, at last, but a single

covering garment--a loose chemise full of artistic possibilities for the

onlookers. It gives the poor girls endless trouble, for it is continually

slipping off their bodies on one side or the other, and one hand is

engaged, all the time, in counteracting these mischievous movements.

Standing as they do up to their knees in the water, it is tucked up high

and of course tumbles down again every minute. At the end of their washing

they are as wet as drenched poodles.

[ILLUSTRATION: My Friend Silenus]

No harm in this, in summer-time; but with the thermometer below

freezing-point they would suffer considerably were they not inured, like

to other creatures of the desert, to every kind of discomfort.

The chief mental exercise of the Arab, they say, consists in thinking how

to reduce his work to a minimum. Now this being precisely my own ideal of

life, and a most rational one, I would prefer to put it thus: that of many

kinds of simplification they practise only one--_omission_, which does not

always pay. They are imaginative, but incredibly uninventive. How

different from the wily Hindu or Chinaman, with his almost preternatural

sagacity in small practical matters! Scorn of theories is one of their

chief race-characteristics, and that is why they end in becoming

stoics--stoics, that is, as the beasts are, who suffer without knowing

why.

There was one of these girls in particular whom I noticed every day, and

whom, at last, I compassionately supplied with a couple of safety-pins,

after explaining their uses. She was decidedly ugly. But sometimes you may

see others here, with neatly chiselled limbs and elfish eyes of a sultry,

troubling charm into which, if sentimentally disposed, you can read an

ocean of love; these need not be supplied with safety-pins. An

enthusiastic Frenchman at Gabes actually married one of these sphynx-like

creatures--a hazardous and quixotic experiment. As brides for a lifetime

(slaves) they cost from a hundred to six hundred francs apiece, and even

more; and you will do well to _abonner_ yourself with the family

beforehand, in order to be sure of obtaining a sound article, as with the

Tartar girls in Russian Asia and elsewhere. As a general rule, those of

the semi-nomads--the Gourbi people--cost more than those of the true

wanderers. The price varies according to the season and a thousand other

contingencies; it rises, inevitably, in the neighbourhood of settled

places, where employment of one kind (olive-picking, etc.) or

another--chiefly of another--can be found for them.

One of the prettiest I ever saw was offered me for three hundred francs.

It was an uncommon bargain, due to a drought and certain family mishaps.

These little wildlings are troublesome to carry about. They are less

nimble and amiable than the boys, and often require more beating than a

European has time to give them. You can always sell them again, of course;

and sometimes (into the towns) at a good profit.

The Arab woman is the repository of all the accumulated nonsense of the

race, and her influence upon the young brood is retrogressive and malign.

It matters little what happens in the desert where men and women are

necessarily animals, but it does among the middle and upper native classes

of the larger places. Here the French have established their so-called

Arab-French schools, excellent institutions which are largely attended,

and would produce far better results but for the halo of sanctity with

which boys in every country--but particularly in half-civilized ones--are

apt to invest the most flagrantly empty-headed of mothers. In Tunisia, as

soon as the youngsters return home, these women quickly undo all the good

work, by teaching them that what they have learnt at school is dangerous

untruth, and that the Koran and native mode of life are the only sources

of happiness. Then, to keep the son at home, the mother will hasten to

catch a bride for him who shall be, if possible, more incompetent than

herself, in order that she, the mother, may retain her ascendency over

him. The father, meanwhile, shrugs his shoulders: _Mektoub_! There is no

fighting against such heroic perseverance on a woman's part; besides, was

he not brought up on the same lines?

The mischief is done, for Arabs relapse easily; even native officers, who

have served for years in the French army, will, on returning home, don the

burnous, sit at street corners, and become more _arabized_ than ever. So

it comes about that, if the eyes of the former generation were entirely

averse from French rule, the present one is Janus-faced--looking both

ways. Some day, presumably, there will be a further adaptation, and their

eyes, like those of certain flat-fish, will wander round and settle down

definitely on the right side....

This is a favourite month for native weddings. There was one going on last

night. I looked into the courtyard of a ruinous building which was crammed

with spectators. The Aissouyiahs were performing, in honour of the

occasion.

These are the dervish fanatics whom everyone knows. They eat scorpions,

glass, nails, and burning coals; they cut themselves with knives and other

instruments--impostors, for the most part.

It is mere child's play to what you can see further East.

Yet, with the starry night overhead, and the flare of torches lighting up

a seething mass of faces below, of bronzed limbs and bright-tinted rags

dangling at every altitude from the palm rafters and decayed stairway, the

scene was more weirdly fascinating than as one generally sees it--in

mosques or in the open daylight. There were wild strains of music and

song; a wave of disquietude, clearly, was passing over the beholders.

These performances, at such a time, may originally have taken place for

purposes of nuptial excitement or stimulation; but it requires rather an

exotic mentality to be stimulated, otherwise than unpleasantly, by the

spectacle of little boys writhing on the ground in simulated agony with a

long iron skewer thrust through their cheeks. They catch them young; and

these scholars, or aspirants, are indubitably frauds and often worse than

frauds. Mixed with them are a certain proportion of unbalanced, half-crazy

individuals, who really work themselves into a frenzy and give the

semblance of veracity to the entertainment. A judge of native physiognomy

can generally tell the two types apart. There are also a few sensible

men--butchers, porters, and the like--who do not mind a little pain for

the sake of the profit.

For the rest, the ceaseless mandarin-like head-wagglings and mutterings of

the names of Allah would stupefy anyone's brain up to a point. It is not

only Arabs who daze their understandings with godly ejaculations, oft

repeated. The marabout leader, who is a kind of _maître de ballet_,

enfolds each performer in his arms and makes a few passes round him, or

kisses him. The uninitiated then reel off in a trance of hypnotic joy; the

others do the same, in more theatrical fashion. At the end of each one's

trick he de-mesmerizes him once more, and perhaps touches the wound with

his hands. He passes the skewer or sword between his lips as a

disinfectant--a wise precaution.

These lacerations heal quickly. I have spoken to men labouring in the

fields on the day following such excesses, and found them ready to "work"

again the same evening.

It ended up with a beast-dance--two fine negroes, all but naked, depicting

the amorous rages of panthers or some other cat-like feral. This was

really good, of its kind; and if, as regards the earlier part of the

programme, it was still difficult to tell where religion ended and

sensuality began (it sometimes is), there was no doubt about the last

item, which was purely sadistic. Soon there issued the familiar trillings

from the balcony, and the firing-off of guns, to announce that the drama

was terminated.

It is we shrinkingly æsthetic creatures who conjure up by a mere effort of

the imagination what these blunt folks cannot conceive without gross

visual stimulants. That is because they have not enjoyed our advantages;

they are not civilized. Among other things, they have not gone through a

"reformation." Take a northern stock, sound in mind and body; infuse into

it a perverse disrespect for the human frame and other anti-rational

whimsies; muddle the whole, once more, by a condiment of Hellenistic

renaissance and add, as crowning flavour, puritan "conscience" and

"sinfulness"--mix up, in a general way, good nourishment with ascetic

principles--and you will attain to a capacity of luxuriance in certain

matters that may well be the envy and despair of poor primitives like the

Arabs.

Extremes meet. Performances such as these are beyond good and evil. They

are for the wholly savage or the wholly civilized. We complain

considerably just now of the swamping of class distinctions in our lands,

but a man of culture has a prerogative to which the biliously moral middle

classes can never aspire: to be an Arab, when it suits him.

_Chapter VII_

_AT THE CAFÉ_

Whether it be due to the incessant cold and dry winds, that parch the more

genial humours, or to some other cause, there is certainly a tone of

exacerbation, at this moment, among the European residents at Gafsa. I

noticed it very clearly yesterday evening in the little French café--a

soul-withering resort, furnished with a few cast-iron tables and

uncomfortable chairs that repose on a flooring of chill cement

tiles--where, in sheer desperation, two or three of us, muffled up to our

ears, congregate before dinner to exchange gossip and imbibe the

pre-prandial absinthe.

I announced my intention of leaving shortly for Tozeur.

Fountains in the Sand: Rambles Among the Oases of Tunisia · 第 2 / 11 段