CHAPTER XXVIII.

IN WHICH IS PRESENTED ANOTHER PICTURE OF THE HOUSE OF THE NINE NATIONS.

Pale and hesitating, Brother Spyke says: "I have no passion for delving

into such places; and having seen enough for one night, am content to

leave the search for this vile old man to you." The valiant missionary

addresses Mr. Fitzgerald, who stands with one foot upon the rickety old

steps that lead to the second story of the House of the Nine Nations.

This morning, Brother Spyke was ready to do battle with the whole

heathen world, to drag it up into light, to evangelize it. Now he quails

before this heathen world, so terribly dark, at his own door.

"You have, sir," says the detective, "seen nuthin' as yet. The sights

are in these 'ere upper dens; but, I may say it, a body wants nerve.

Some of our Aldermen say ye can't see such sights nowhere else."

The missionary replies, holding tenaciously to his umbrella, "That may

be true; but I fear they will be waiting me at home." Again he scans

inquiringly into the drenched area of the Points; then bidding the

officer good-night, is soon out of sight, on his way into Centre Street.

Reaching the old stoop, the detective touches a spring, and the

shattered door opens into a narrow, gloomy passage, along which he

gropes his way, over a floor cobbled with filth, and against an

atmosphere thick of disease. Now a faint light flashes through a crevice

in the left wall, plays fantastically upon the black surface of the

opposite, then dies away. The detective lights his lantern, stands a

moment with his ear turned, as if listening to the revelry in the

bottomless pit. A door opens to his touch, he enters a cave-like

room--it is the one from out which the light stole so curiously, and in

which all is misery and sadness. A few embers still burn in a great

brick fireplace, shedding a lurid glow over the damp, filthy walls, the

discolored ceiling, and the grotesque group upon the floor. "You needn't

come at this time of night--we are all honest people;" speaks a massive

negro, of savage visage, who (he is clothed in rags) sits at the left

side of the fireplace. He coaxes the remnant of his fire to cook some

coarse food he has placed in a small, black stew-pan, he watches with

steady gaze. Three white females (we blush to say it), their bare,

brawny arms resting on their knees, and their disfigured faces drooped

into their hands, form an half circle on the opposite side.

"The world don't think nothin' of us down here--we haven't had a bite to

eat to-night," gruffly resumes the negro.

"May them that have riches enjoy them, for to be supperless is no

uncommon thing wid us," interrupts one of the women, gathering about her

the shreds of her tattered garment, parting the matted hair over her

face, and revealing her ghastly features. The detective turns his light

full upon her. "If we live we live, if we die we die--nobody cares! Look

you yonder, Mr. Fitzgerald," continues the negro, with a sarcastic leer.

Turning his light to where the negro points, the detective casts a

glance into the shadow, and there discovers the rags move. A dozen pair

of glassy eyes are seen peering from out the filthy coverings, over

which lean arms and blanched hands keep up an incessant motion. Here an

emaciated and heart-sick Welsh girl, of thirteen (enciente) lays

shivering on the broken floor; there an half-famished Scotch woman, two

moaning children nestling at her heart, suffers uncovered upon a pallet

of straw. The busy world without would seem not to have a care for her;

the clergy have got the heathen world upon their shoulders. Hunger, like

a grim tyrant, has driven her to seek shelter in this wretched abode.

Despair has made her but too anxious that the grave or prison walls

should close the record of her sorrows. How tightly she with her right

hand presses her babe to her bosom; how appealingly with her left she

asks a pittance of the detective! Will he not save from death her

starving child? He has nothing to give her, turns his head, answers only

with a look of pity, and moves slowly towards the door.

"You have not been long off the Island, Washington?" inquires the

detective, with an air of familiarity.

"I wish," replies the negro, sullenly, "I was back. An honest man as I

is, can't get on in this world. Necessity makes rascals of better men

than me, Mr. Fitzgerald. Mr. Krone (he's a white man, though) makes all

the politicians for the district, and charges me eight dollars a month

for this hole. Just measure them two things together, Mr. Fitzgerald;

then see if takin' in sixpenny, lodgers pays." Mr. Fitzgerald commences

counting them. "You needn't count," pursues the negro, uncovering his

stew-pan, "there's only eighteen in to-night. Have twenty, sometimes!

Don't get nothin' for that poor Scotch woman an' her children. Can't

get it when they hain't got it--you know that, Mr. Fitzgerald."

The detective inquires if any of them have seen Mr. Toddleworth to-day.

Washington has not seen him, and makes no scruple of saying he thinks

very little of him.

"Faith an' it's hard times with poor Tom," speaks up one of the women,

in a deep brogue. "It was only last night--the same I'm tellin' is true,

God knows--Mrs. McCarty took him to the Rookery--the divil a mouthful

he'd ate durin' the day--and says, bein' a ginerous sort of body, come,

take a drop, an' a bite to ate. Mister Toddleworth did that same, and

thin lay the night on the floor. To-night--it's the truth, God

knows--Tom Downey took him above. An' it's Tom who woundn't be the frind

of the man who hadn't a shillin' in his pocket."

The detective shrugs his shoulders, and having thanked the woman,

withdraws into the passage, to the end of which he cautiously picks his

way, and knocks at a distained door that fronts him. A voice deep and

husky bids him enter, which he does, as the lurid glare of his lantern

reveals a room some twelve by sixteen feet, the plaster hanging in

festoons from the black walls, and so low of ceiling that he scarce can

stand upright. Four bunk-beds, a little bureau, a broken chair or two,

and a few cheap pictures, hung here and there on the sombre walls, give

it an air of comfort in grateful contrast with the room just left. "Who

lives here?" inquires the detective, turning his light full upon each

object that attracts his attention. "Shure it's only me--Mrs. Terence

Murphy--and my three sisters (the youngest is scarce fourteen), and the

two English sisters: all honest people, God knows," replies Mrs. Murphy,

with a rapid tongue.

"It's not right of you to live this way," returns the detective,

continuing to survey the prostrate forms of Mrs. Murphy, her three

sisters, and the two fair-haired English girls, and the besotted beings

they claim as husbands. Alarm is pictured in every countenance. A

browned face withdraws under a dingy coverlid, an anxious face peers

from out a pallet on the floor, a prostrate figure in the corner

inquires the object of Mr. Detective Fitzgerald's visit--and Mrs.

Murphy, holding it more becoming of respectable society, leaves the bed

in which she had accommodated five others, and gets into one she calls

her own. A second thought, and she makes up her mind not to get into

bed, but to ask Mr. Fitzgerald if he will be good enough, when next he

meets his Onher, the Mayor, just to say to him how Mr. Krone is bringing

disgrace upon the house and every one in it, by letting rooms to

negroes. Here she commences pouring out her pent-up wrath upon the head

of Mr. Krone, and the colored gentleman, whom she declares has a dozen

white females in his room every night. The detective encourages her by

saying it is not right of Mr. Krone, who looks more at the color of his

money than the skin of his tenants. "To come of a dacint family--and be

brought to this!" says Mrs. Murphy, allowing her passion to rise, and

swearing to have revenge of the negro in the next room.

"You drink this gin, yet--I have warned you against it," interposes the

detective, pointing to some bottles on the bureau. "Faith, an' it's the

gin gets a many of us," returns the woman, curtly, as she gathers about

her the skirts of her garments. "Onyhow, yerself wouldn't deprive us of

a drop now and then, jist to keep up the spirits." The detective shakes

his head, then discloses to them the object of his search, adding, in

parenthesis, that he does not think Mr. Toddleworth is the thief. A

dozen tongues are ready to confirm the detective's belief. "Not a

shillin' of it did the poor crature take--indeed he didn't, now, Mr.

Fitzgerald. 'Onor's 'onor, all over the wurld!" says Mrs. Murphy,

grasping the detective by the hand. "Stay till I tell ye all about it.

Mary Maguire--indeed an' ye knows her, Mr. Fitzgerald--this same

afternoon looked in to say--'how do ye do, Mrs. Murphy. See this! Mrs.

Murphy,' says she, 'an' the divil a sich a pocket of money I'd see

before, as she held in her right hand, jist. 'Long life to ye, Mary,'

says I. 'We'll have a pint, Mrs. Murphy,' says she. 'May ye niver want

the worth of it,' says I. And the pint was not long in, when Mary got a

little the worse of it, and let all out about the money. 'You won't

whisper it, Mrs. Murphy,' says she, 'if I'd tell ye in confidence by

what manes I got the lift?'"

"'Not in the wide world, Mary,' says I; 'ye may trust me for that same.'

'Shure didn't I raise it from the pocket of an auld woman in spectacles,

that watched the fool beyant dig up the corporation.' 'An' it'll not do

yerself much good,' says I, liftin' the same, and cuttin' away to the

house. 'You won't whisper it?' says she."

"I can confirm the truth of that same," rejoins a brusque-figured man,

rising from his pallet, and speaking with regained confidence. "Mary

looked in at the Blazers, and being the worse of liquor, showed a dale

of ready money, and trated everybody, and gave the money to everybody,

and was wilcome wid everybody. Then Mrs. McCarty got aboard of her

ginerosity, and got her into the Rookery, where the Miss McCartys

thought it would not be amiss to have a quart. The same was brought in,

and Mary hersel' was soon like a dead woman on the floor, jist--"

"And they got the money all away?" interrupts the detective.

"Faith, an' she'll not have a blessed dollar come daylight," continues

the man, resuming his pallet.

The detective bids Mrs. Murphy good night, and is soon groping his way

over a rickety old floor, along a dark, narrow passage, scarce high

enough to admit him, and running at right angles with the first. A door

on the left opens into a grotto-like place, the sickly atmosphere of

which seems hurling its poison into the very blood. "Who's here?"

inquires the detective, and a voice, feeble and hollow, responds:

"Lodgers!"

The damp, greasy walls; the broken ceilings; the sooty fireplace, with

its shattered bricks; the decayed wainscoating--its dark, forlorn

aspect, all bespeak it the fit abode of rats. And yet Mr. Krone thinks

it comfortable enough (the authorities think Mr. Krone the best judge)

for the accommodation of thirteen remnants of human misery, all of whom

are here huddled together on the wet, broken floor, borrowing warmth of

one another. The detective's light falls curiously upon the dread

picture, which he stands contemplating. A pale, sickly girl, of some

eleven summers, her hair falling wildly over her wan features, lays upon

some rags near the fireplace, clinging to an inebriated mother. Here a

father, heart-sick and prostrate with disease, seeks to keep warm his

three ragged children, nestling about him. An homeless outcast,

necessity forces him to send them out to prey upon the community by day,

and to seek in this wretched hovel a shelter at night. Yonder the rags

are thrown back, a moving mass is disclosed, and there protrudes a

disfigured face, made ghostly by the shadow of the detective's lantern.

At the detective's feet a prostrate girl, insensible of gin, is seized

with convulsions, clutches with wasted hands at the few rags about her

poor, flabby body, then with fingers grasping, and teeth firmly set, her

whole frame writhes in agony. Your missionary never whispered a kind,

encouraging word in her ear; his hand never pressed that blanched bone

with which she now saddens your heart! Different might it have been with

her had some gentle-tongued Brother Spyke sought her out, bore patiently

with her waywardness, snatched her from this life of shame, and placed

her high in an atmosphere of light and love.

It is here, gentle shepherds, the benighted stand most in need of your

labors. Seek not to evangelize the Mahomedan world until you have worked

a reform here; and when you have done it, a monument in heaven will be

your reward.

"Mr. Toddleworth is not here," says the detective, withdrawing into the

passage, then ascending a broken and steep stairs that lead into the

third story. Nine shivering forms crouched in one dismal room; four

squabbish women, and three besotted men in another; and in a third, nine

ragged boys and two small girls--such are the scenes of squalid misery

presented here. In a little front room, Mr. Tom Downey, his wife, and

eight children, lay together upon the floor, half covered with rags. Mr.

Downey startles at the appearance of the detective, rises nervously from

his pallet, and after the pause of a moment, says: "Indeed, yer welcome,

Mr. Fitzgerald. Indeed, I have not--an' God knows it's the truth I

tell--seen Mr. Toddleworth the week;" he replies, in answer to a

question from the detective.

"You took a drop with him this afternoon?" continues the detective,

observing his nervousness.

"God knows it's a mistake, Mr. Fitzgerald." Mr. Downey changes the

subject, by saying the foreigners in the garret are a great nuisance,

and disturb him of his rest at night.

A small, crooked stair leads into "Organ-grinders' Roost," in the

garret. To "Organ-grinders' Roost" the detective ascends. If, reader,

you have ever pictured in your mind the cave of despair, peopled by

beings human only in shape, you may form a faint idea of the

wretchedness presented in "Organ-grinders' Roost," at the top of the

house of the Nine Nations. Seven stalworth men shoot out from among a

mass of rags on the floor, and with dark, wandering eyes, and massive,

uncombed beards, commence in their native Italian a series of

interrogatories, not one of which the detective can understand. They

would inquire for whom he seeks at this strange hour. He (the detective)

stands unmoved, as with savage gesture--he has discovered his star--they

tell him they are famishing of hunger. A pretty black-eyed girl, to

whose pale, but beautifully oval face an expression of sorrow lends a

touching softness, lays on the bare floor, beside a mother of

patriarchal aspect. Now she is seized with a sharp cough that brings

blood at every paroxysm. As if forgetting herself, she lays her hand

gently upon the cheek of her mother, anxious to comfort her. Ah! the

hard hand of poverty has been upon her through life, and stubbornly

refuses to relax its grip, even in her old age. An organ forms here and

there a division between the sleepers; two grave-visaged monkeys sit

chattering in the fireplace, then crouch down on the few charred sticks.

A picture of the crucifix is seen conspicuous over the dingy fireplace,

while from the slanting roof hang several leathern girdles. Oh, what a

struggle for life is their's! Mothers, fathers, daughters, and little

children, thus promiscuously grouped, and coming up in neglect and

shame. There an old man, whom remorseless death is just calling into

eternity, with dull, glassy eyes, white, flowing beard, bald head,

sunken mouth, begrimed and deeply-wrinkled face, rises, spectre-like,

from his pallet. Now he draws from his breast a small crucifix, and

commences muttering to it in a guttural voice. "Peace, peace, good old

man--the holy father will come soon--the holy virgin will come soon: he

will receive the good spirit to his bosom," says a black-eyed daughter,

patting him gently upon the head, then looking in his face solicitously,

as he turns his eyes upward, and for a few moments seems invoking the

mercy of the Allwise. "Yes, father," she resumes, lightening up the mat

of straw upon which he lays, "the world has been unkind to you, but you

are passing from it to a better--you will be at peace soon."

"Soon, soon, soon," mumbles the old man, in a whisper; and having

carefully returned the crucifix to his bosom, grasps fervently the hand

of the girl and kisses it, as her eyes swim in tears.

Such, to the shame of those who live in princely palaces, and revel in

luxury, are but faintly-drawn pictures of what may be seen in the house

of the Nine Nations.

The detective is about to give up the search, and turns to descend the

stairs, when suddenly he discerns a passage leading to the north end of

the garret. Here, in a little closet-like room, on the right, the rats

his only companions, lies the prostrate form of poor Toddleworth.

"Well, I persevered till I found you," says the detective, turning his

light full upon the body. Another minute, and his features become as

marble; he stands aghast, and his whole frame seems struggling under the

effect of some violent shock. "What, what, what!" he shouts, in nervous

accents, "Murder! murder! murder! some one has murdered him." Motionless

the form lies, the shadow of the light revealing the ghastly spectacle.

The head lies in a pool of blood, the bedimmed eyes, having taken their

last look, remain fixedly set on the black roof. "He has died of a

blow--of a broken skull!" says the frightened official, feeling, and

feeling, and pressing the arms and hands that are fast becoming rigid.

Life is gone out; a pauper's grave will soon close over what remains of

this wretched outcast. The detective hastens down stairs, spreads the

alarm over the neighborhood, and soon the House of the Nine Nations is

the scene of great excitement.

An Outcast; Or, Virtue and Faith · 第 28 / 48 章