NAÏVE REALISM VS. PRESENTATIVE REALISM[58]

I

In spite of the elucidations of contemporary realists, a number of

idealists continue to adduce in behalf of idealism certain facts

having an obvious physical nature and explanation. The visible

convergence of the railway tracks, for example, is cited as evidence

that what is seen is a mental "content." Yet this convergence follows

from the physical properties of light and a lens, and is physically

demonstrated in a camera. Is the photograph, then, to be conceived as

a psychical somewhat? That the time of the visibility of a light does

not coincide with the time at which a distant body emitted the light

is employed to support a similar idealistic conclusion, in spite of

the fact that the exact difference in time may be deduced from a

physical property of light--its rate. The dislocation in space of the

light seen and the astronomical star is used as evidence of the mental

nature of the former, though the exact angular difference is a matter

of simple computation from purely physical data. The doubling of

images of, say, the finger when the eyeball is pressed, is frequently

proffered as a clincher. Yet it is a simple matter to take any body

that reflects light, and by a suitable arrangement of lenses to

produce not only two but many images, projected into space. If the

fact that under definite _physical_ conditions (misplacement of

lenses), a finger yields two images proves the psychical character of

the latter, then the fact that under certain conditions a sounding

body yields one or more echoes is, by parity of reasoning, proof that

the echo is made of mental stuff.[59]

If, once more, the differences in form and color of a table to

different observers, occupying different physical positions, is proof

that what each sees is a psychical, private, isolated somewhat, then

the fact that one and the same physical body has different effects

upon, or relations with, different physical media is proof of the

mental nature of these effects. Take a lump of wax and subject it to

the same heat, located at different positions; now the wax is solid,

now liquid--it might even be gaseous. How "psychical" these phenomena!

It almost seems as if the transformation of the physical into the

mental in the cases cited exemplifies an interesting psychological

phenomenon. In each case the beginning is with a real and physical

existence. Taking "the real object," the astronomical star, on the

basis of its physical reality, the idealist concludes to a psychical

object, radically different! Taking the _single_ object, the finger,

from the premise of its real singleness, he concludes to a double

mental content, which then takes the place of the original single

thing! Taking one-and-the-same-object, the table, presenting _its_

different surfaces and reflections of light to different real

organisms, he eliminates the one-table-in-its-different-relations in

behalf of a multiplicity of totally separate psychical tables! The

logic reminds us of the story of the countryman who, after gazing at

the giraffe, remarked, "There ain't no such animal." It almost seems,

I repeat, as if this self-contradiction in the argument creates in

some minds the impression that the object--not the argument--is

undergoing the extraordinary reversal of form.

However this may be, the problem indicated in the foregoing cases is

simply the good old problem of the many in one, or, less cryptically,

the problem of the maintenance of a continuity of process throughout

differences. I do not pretend that this situation, though the most

familiar thing in life, is wholly without difficulties. But its

difficulty is not one of epistemology, that is, of the relation of

known to a knower; to take it as such, and then to use it as proof of

the psychical nature of a final term, is also to prove that the trail

the rocket stick leaves behind is psychical, or that the flower which

comes in a continuity of process from a seed is mental.

Essays in Experimental Logic · 第 52 / 86 题