CHAPTER V

CHANGED CONCEPTIONS OF THE IDEAL AND THE REAL

It has been noted that human experience is made human through the

existence of associations and recollections, which are strained through

the mesh of imagination so as to suit the demands of the emotions. A

life that is humanly interesting is, short of the results of discipline,

a life in which the tedium of vacant leisure is filled with images that

excite and satisfy. It is in this sense that poetry preceded prose in

human experience, religion antedated science, and ornamental and

decorative art while it could not take the place of utility early

reached a development out of proportion to the practical arts. In order

to give contentment and delight, in order to feed present emotion and

give the stream of conscious life intensity and color, the suggestions

which spring from past experiences are worked over so as to smooth out

their unpleasantnesses and enhance their enjoyableness. Some

psychologists claim that there is what they call a natural tendency to

obliviscence of the disagreeable--that men turn from the unpleasant in

thought and recollection as they do from the obnoxious in action. Every

serious-minded person knows that a large part of the effort required in

moral discipline consists in the courage needed to acknowledge the

unpleasant consequences of one's past and present acts. We squirm,

dodge, evade, disguise, cover up, find excuses and palliations--anything

to render the mental scene less uncongenial. In short, the tendency of

spontaneous suggestion is to idealize experience, to give it in

consciousness qualities which it does not have in actuality. Time and

memory are true artists; they remould reality nearer to the heart's

desire.

As imagination becomes freer and less controlled by concrete

actualities, the idealizing tendency takes further flights unrestrained

by the rein of the prosaic world. The things most emphasized in

imagination as it reshapes experience are things which are absent in

reality. In the degree in which life is placid and easy, imagination is

sluggish and bovine. In the degree in which life is uneasy and troubled,

fancy is stirred to frame pictures of a contrary state of things. By

reading the characteristic features of any man's castles in the air you

can make a shrewd guess as to his underlying desires which are

frustrated. What is difficulty and disappointment in real life becomes

conspicuous achievement and triumph in revery; what is negative in fact

will be positive in the image drawn by fancy; what is vexation in

conduct will be compensated for in high relief in idealizing

imagination.

These considerations apply beyond mere personal psychology. They are

decisive for one of the most marked traits of classic philosophy:--its

conception of an ultimate supreme Reality which is essentially ideal in

nature. Historians have more than once drawn an instructive parallel

between the developed Olympian Pantheon of Greek religion and the Ideal

Realm of Platonic philosophy. The gods, whatever their origin and

original traits, became idealized projections of the selected and

matured achievements which the Greeks admired among their mortal selves.

The gods were like mortals, but mortals living only the lives which men

would wish to live, with power intensified, beauty perfected, and wisdom

ripened. When Aristotle criticized the theory of Ideas of his master,

Plato, by saying that the Ideas were after all only things of sense

eternalized, he pointed out in effect the parallelism of philosophy with

religion and art to which allusion has just been made. And save for

matters of merely technical import, is it not possible to say of

Aristotle's Forms just what he said of Plato's Ideas? What are they,

these Forms and Essences which so profoundly influenced for centuries

the course of science and theology, save the objects of ordinary

experience with their blemishes removed, their imperfections eliminated,

their lacks rounded out, their suggestions and hints fulfilled? What

are they in short but the objects of familiar life divinized because

reshaped by the idealizing imagination to meet the demands of desire in

just those respects in which actual experience is disappointing?

That Plato, and Aristotle in somewhat different fashion, and Plotinus

and Marcus Aurelius and Saint Thomas Aquinas, and Spinoza and Hegel all

taught that Ultimate Reality is either perfectly Ideal and Rational in

nature, or else has absolute ideality and rationality as its necessary

attribute, are facts well known to the student of philosophy. They need

no exposition here. But it is worth pointing out that these great

systematic philosophies defined perfect Ideality in conceptions that

express the opposite of those things which make life unsatisfactory and

troublesome. What is the chief source of the complaint of poet and

moralist with the goods, the values and satisfactions of experience?

Rarely is the complaint that such things do not exist; it is that

although existing they are momentary, transient, fleeting. They do not

stay; at worst they come only to annoy and tease with their hurried and

disappearing taste of what might be; at best they come only to inspire

and instruct with a passing hint of truer reality. This commonplace of

the poet and moralist as to the impermanence not only of sensuous

enjoyment, but of fame and civic achievements was profoundly reflected

upon by philosophers, especially by Plato and Aristotle. The results of

their thinking have been wrought into the very fabric of western ideas.

Time, change, movement are signs that what the Greeks called Non-Being

somehow infect true Being. The phraseology is now strange, but many a

modern who ridicules the conception of Non-Being repeats the same

thought under the name of the Finite or Imperfect.

Wherever there is change, there is instability, and instability is proof

of something the matter, of absence, deficiency, incompleteness. These

are the ideas common to the connection between change, becoming and

perishing, and Non-Being, finitude and imperfection. Hence complete and

true Reality must be changeless, unalterable, so full of Being that it

always and forever maintains itself in fixed rest and repose. As

Bradley, the most dialectially ingenious Absolutist of our own day,

expresses the doctrine "Nothing that is perfectly real moves." And while

Plato took, comparatively speaking, a pessimistic view of change as mere

lapse and Aristotle a complacent view of it as tendency to realization,

yet Aristotle doubted no more than Plato that the fully realized

reality, the divine and ultimate, is changeless. Though it is called

Activity or Energy, the Activity knew no change, the energy did nothing.

It was the activity of an army forever marking time and never going

anywhere.

From this contrast of the permanent with the transient arise other

features which mark off the Ultimate Reality from the imperfect

realities of practical life. Where there is change, there is of

necessity numerical plurality, multiplicity, and from variety comes

opposition, strife. Change is alteration, or "othering" and this means

diversity. Diversity means division, and division means two sides and

their conflict. The world which is transient _must_ be a world of

discord, for in lacking stability it lacks the government of unity. Did

unity completely rule, these would remain an unchanging totality. What

alters has parts and partialities which, not recognizing the rule of

unity, assert themselves independently and make life a scene of

contention and discord. Ultimate and true Being on the other hand, since

it is changeless is Total, All-Comprehensive and One. Since it is One,

it knows only harmony, and therefore enjoys complete and eternal Good.

It _is_ Perfection.

Degrees of knowledge and truth correspond with degrees of reality point

by point. The higher and more complete the Reality the truer and more

important the knowledge that refers to it. Since the world of becoming,

of origins and perishings, is deficient in true Being, it cannot be

known in the best sense. To know it means to neglect its flux and

alteration and discover some permanent form which limits the processes

that alter in time. The acorn undergoes a series of changes; these are

knowable only in reference to the fixed form of the oak which is the

same in the entire oak species in spite of the numerical diversity of

trees. Moreover, this form limits the flux of growth at both ends, the

acorn coming from the oak as well as passing into it. Where such

unifying and limiting eternal forms cannot be detected, there is mere

aimless variation and fluctuation, and knowledge is out of the question.

On the other hand, as objects are approached in which there is no

movement at all, knowledge becomes really demonstrative, certain,

perfect--truth pure and unalloyed. The heavens can be more truly known

than the earth, God the unmoved mover than the heavens.

From this fact follows the superiority of contemplative to practical

knowledge, of pure theoretical speculation to experimentation, and to

any kind of knowing that depends upon changes in things or that induces

change in them. Pure knowing is pure beholding, viewing, noting. It is

complete in itself. It looks for nothing beyond itself; it lacks nothing

and hence has no aim or purpose. It is most emphatically its own excuse

for being. Indeed, pure contemplative knowing is so much the most truly

self-enclosed and self-sufficient thing in the universe that it is the

highest and indeed the only attribute that can be ascribed to God, the

Highest Being in the scale of Being. Man himself is divine in the rare

moments when he attains to purely self-sufficient theoretical insight.

In contrast with such knowing, the so-called knowing of the artisan is

base. He has to bring about changes in things, in wood and stone, and

this fact is of itself evidence that his material is deficient in Being.

What condemns his knowledge even more is the fact that it is not

disinterestedly for its own sake. It has reference to results to be

attained, food, clothing, shelter, etc. It is concerned with things that

perish, the body and its needs. It thus has an ulterior aim, and one

which itself testifies to imperfection. For want, desire, affection of

every sort, indicate lack. Where there is need and desire--as in the

case of all practical knowledge and activity--there is incompleteness

and insufficiency. While civic or political and moral knowledge rank

higher than do the conceptions of the artisan, yet intrinsically

considered they are a low and untrue type. Moral and political action is

practical; that is, it implies needs and effort to satisfy them. It has

an end beyond itself. Moreover, the very fact of association shows lack

of self-sufficiency; it shows dependence upon others. Pure knowing is

alone solitary, and capable of being carried on in complete,

self-sufficing independence.

In short, the measure of the worth of knowledge according to Aristotle,

whose views are here summarized, is the degree in which it is purely

contemplative. The highest degree is attained in knowing ultimate Ideal

Being, pure Mind. This is Ideal, the Form of Forms, because it has no

lacks, no needs, and experiences no change or variety. It has no desires

because in it all desires are consummated. Since it is perfect Being, it

is perfect Mind and perfect Bliss;--the acme of rationality and

ideality. One point more and the argument is completed. The kind of

knowing that concerns itself with this ultimate reality (which is also

ultimate ideality) is philosophy. Philosophy is therefore the last and

highest term in pure contemplation. Whatever may be said for any other

kind of knowledge, philosophy is self-enclosed. It has nothing to do

beyond itself; it has no aim or purpose or function--except to be

philosophy--that is, pure, self-sufficing beholding of ultimate reality.

There is of course such a thing as philosophic _study_ which falls short

of this perfection. Where there is learning, there is change and

becoming. But the function of study and learning of philosophy is, as

Plato put it, to convert the eye of the soul from dwelling contentedly

upon the images of things, upon the inferior realities that are born and

that decay, and to lead it to the intuition of supernal and eternal

Being. Thus the mind of the knower is transformed. It becomes

assimilated to what it knows.

Through a variety of channels, especially Neo-Platonism and St.

Augustine, these ideas found their way into Christian theology; and

great scholastic thinkers taught that the end of man is to know True

Being, that knowledge is contemplative, that True Being is pure

Immaterial Mind, and to know it is Bliss and Salvation. While this

knowledge cannot be achieved in this stage of life nor without

supernatural aid, yet so far as it is accomplished it assimilates the

human mind to the divine essence and so constitutes salvation. Through

this taking over of the conception of knowledge as Contemplative into

the dominant religion of Europe, multitudes were affected who were

totally innocent of theoretical philosophy. There was bequeathed to

generations of thinkers as an unquestioned axiom the idea that knowledge

is intrinsically a mere beholding or viewing of reality--the spectator

conception of knowledge. So deeply engrained was this idea that it

prevailed for centuries after the actual progress of science had

demonstrated that knowledge is power to transform the world, and

centuries after the practice of effective knowledge had adopted the

method of experimentation.

Let us turn abruptly from this conception of the measure of true

knowledge and the nature of true philosophy to the existing practice of

knowledge. Nowadays if a man, say a physicist or chemist, wants to know

something, the last thing he does is merely to contemplate. He does not

look in however earnest and prolonged way upon the object expecting

that thereby he will detect its fixed and characteristic form. He does

not expect any amount of such aloof scrutiny to reveal to him any

secrets. He proceeds to _do_ something, to bring some energy to bear

upon the substance to see how it reacts; he places it under unusual

conditions in order to induce some change. While the astronomer cannot

change the remote stars, even he no longer merely gazes. If he cannot

change the stars themselves, he can at least by lens and prism change

their light as it reaches the earth; he can lay traps for discovering

changes which would otherwise escape notice. Instead of taking an

antagonistic attitude toward change and denying it to the stars because

of their divinity and perfection, he is on constant and alert watch to

find some change through which he can form an inference as to the

formation of stars and systems of stars.

Change in short is no longer looked upon as a fall from grace, as a

lapse from reality or a sign of imperfection of Being. Modern science no

longer tries to find some fixed form or essence behind each process of

change. Rather, the experimental method tries to break down apparent

fixities and to induce changes. The form that remains unchanged to

sense, the form of seed or tree, is regarded not as the key to knowledge

of the thing, but as a wall, an obstruction to be broken down.

Consequently the scientific man experiments with this and that agency

applied to this and that condition until something begins to happen;

until there is, as we say, something doing. He assumes that there is

change going on all the time, that there is movement within each thing

in seeming repose; and that since the process is veiled from perception

the way to know it is to bring the thing into novel circumstances until

change becomes evident. In short, the thing which is to be accepted and

paid heed to is not what is originally given but that which emerges

after the thing has been set under a great variety of circumstances in

order to see how it behaves.

Now this marks a much more general change in the human attitude than

perhaps appears at first sight. It signifies nothing less than that the

world or any part of it as it presents itself at a given time is

accepted or acquiesced in only as _material_ for change. It is accepted

precisely as the carpenter, say, accepts things as he finds them. If he

took them as things to be observed and noted for their own sake, he

never would be a carpenter. He would observe, describe, record the

structures, forms and changes which things exhibit to him, and leave the

matter there. If perchance some of the changes going on should present

him with a shelter, so much the better. But what makes the carpenter a

_builder_ is the fact that he notes things not just as objects in

themselves, but with reference to what he wants to do to them and with

them; to the end he has in mind. Fitness to effect certain special

changes that he wishes to see accomplished is what concerns him in the

wood and stones and iron which he observes. His attention is directed to

the changes they undergo and the changes they make other things undergo

so that he may select that combination of changes which will yield him

his desired result. It is only by these processes of active manipulation

of things in order to realize his purpose that he discovers what the

properties of things are. If he foregoes his own purpose and in the name

of a meek and humble subscription to things as they "really are" refuses

to bend things as they "are" to his own purpose, he not only never

achieves his purpose but he never learns what the things themselves are.

They _are_ what they can do and what can be done with them,--things that

can be found by deliberate trying.

The outcome of this idea of the right way to know is a profound

modification in man's attitude toward the natural world. Under differing

social conditions, the older or classic conception sometimes bred

resignation and submission; sometimes contempt and desire to escape;

sometimes, notably in the case of the Greeks, a keen esthetic curiosity

which showed itself in acute noting of all the traits of given objects.

In fact, the whole conception of knowledge as beholding and noting is

fundamentally an idea connected with esthetic enjoyment and

appreciation where the environment is beautiful and life is serene, and

with esthetic repulsion and depreciation where life is troubled, nature

morose and hard. But in the degree in which the active conception of

knowledge prevails, and the environment is regarded as something that

has to be changed in order to be truly known, men are imbued with

courage, with what may almost be termed an aggressive attitude toward

nature. The latter becomes plastic, something to be subjected to human

uses. The moral disposition toward change is deeply modified. This loses

its pathos, it ceases to be haunted with melancholy through suggesting

only decay and loss. Change becomes significant of new possibilities and

ends to be attained; it becomes prophetic of a better future. Change is

associated with progress rather than with lapse and fall. Since changes

are going on anyway, the great thing is to learn enough about them so

that we be able to lay hold of them and turn them in the direction of

our desires. Conditions and events are neither to be fled from nor

passively acquiesced in; they are to be utilized and directed. They are

either obstacles to our ends or else means for their accomplishment. In

a profound sense knowing ceases to be contemplative and becomes

practical.

Unfortunately men, educated men, cultivated men in particular, are still

so dominated by the older conception of an aloof and self-sufficing

reason and knowledge that they refuse to perceive the import of this

doctrine. They think they are sustaining the cause of impartial,

thorough-going and disinterested reflection when they maintain the

traditional philosophy of intellectualism--that is, of knowing as

something self-sufficing and self-enclosed. But in truth, historic

intellectualism, the spectator view of knowledge, is a purely

compensatory doctrine which men of an intellectual turn have built up to

console themselves for the actual and social impotency of the calling of

thought to which they are devoted. Forbidden by conditions and held back

by lack of courage from making their knowledge a factor in the

determination of the course of events, they have sought a refuge of

complacency in the notion that knowing is something too sublime to be

contaminated by contact with things of change and practice. They have

transformed knowing into a morally irresponsible estheticism. The true

import of the doctrine of the operative or practical character of

knowing, of intelligence, is objective. It means that the structures and

objects which science and philosophy set up in contrast to the things

and events of concrete daily experience do not constitute a realm apart

in which rational contemplation may rest satisfied; it means that they

represent the selected obstacles, material means and ideal methods of

giving direction to that change which is bound to occur anyway.

This change of human disposition toward the world does not mean that man

ceases to have ideals, or ceases to be primarily a creature of the

imagination. But it does signify a radical change in the character and

function of the ideal realm which man shapes for himself. In the classic

philosophy, the ideal world is essentially a haven in which man finds

rest from the storms of life; it is an asylum in which he takes refuge

from the troubles of existence with the calm assurance that it alone is

supremely real. When the belief that knowledge is active and operative

takes hold of men, the ideal realm is no longer something aloof and

separate; it is rather that collection of imagined possibilities that

stimulates men to new efforts and realizations. It still remains true

that the troubles which men undergo are the forces that lead them to

project pictures of a better state of things. But the picture of the

better is shaped so that it may become an instrumentality of action,

while in the classic view the Idea belongs ready-made in a noumenal

world. Hence, it is only an object of personal aspiration or

consolation, while to the modern, an idea is a suggestion of something

to be done or of a way of doing.

An illustration will, perhaps, make the difference clear. Distance is an

obstacle, a source of trouble. It separates friends and prevents

intercourse. It isolates, and makes contact and mutual understanding

difficult. This state of affairs provokes discontent and restlessness;

it excites the imagination to construct pictures of a state of things

where human intercourse is not injuriously affected by space. Now there

are two ways out. One way is to pass from a mere dream of some heavenly

realm in which distance is abolished and by some magic all friends are

in perpetual transparent communication, to pass, I say, from some idle

castle-building to philosophic reflection. Space, distance, it will then

be argued, is merely phenomenal; or, in a more modern version,

subjective. It is not, metaphysically speaking, real. Hence the

obstruction and trouble it gives is not after all "real" in the

metaphysical sense of reality. Pure minds, pure spirits, do not live in

a space world; for them distance is not. Their relationships in the true

world are not in any way affected by special considerations. Their

intercommunication is direct, fluent, unobstructed.

Does the illustration involve a caricature of ways of philosophizing

with which we are all familiar? But if it is not an absurd caricature,

does it not suggest that much of what philosophies have taught about the

ideal and noumenal or superiorly real world, is after all, only casting

a dream into an elaborate dialectic form through the use of a speciously

scientific terminology? Practically, the difficulty, the trouble,

remains. Practically, however it may be "metaphysically," space is

still real:--it acts in a definite objectionable way. Again, man dreams

of some better state of things. From troublesome fact he takes refuge in

fantasy. But this time, the refuge does not remain a permanent and

remote asylum.

The idea becomes a standpoint from which to examine existing occurrences

and to see if there is not among them something which gives a hint of

how communication at a distance can be effected, something to be

utilized as a medium of speech at long range. The suggestion or fancy

though still ideal is treated as a possibility capable of realization

_in_ the concrete natural world, not as a superior reality apart from

that world. As such, it becomes a platform from which to scrutinize

natural events. Observed from the point of view of this possibility,

things disclose properties hitherto undetected. In the light of these

ascertainments, the idea of some agency for speech at a distance becomes

less vague and floating: it takes on positive form. This action and

reaction goes on. The possibility or idea is employed as a method for

observing actual existence; and in the light of what is discovered the

possibility takes on concrete existence. It becomes less of a mere idea,

a fancy, a wished-for possibility, and more of an actual fact. Invention

proceeds, and at last we have the telegraph, the telephone, first

through wires, and then with no artificial medium. The concrete

environment is transformed in the desired direction; it is idealized in

fact and not merely in fancy. The ideal is realized through its own use

as a tool or method of inspection, experimentation, selection and

combination of concrete natural operations.

Let us pause to take stock of results. The division of the world into

two kinds of Being, one superior, accessible only to reason and ideal in

nature, the other inferior, material, changeable, empirical, accessible

to sense-observation, turns inevitably into the idea that knowledge is

contemplative in nature. It assumes a contrast between theory and

practice which was all to the disadvantage of the latter. But in the

actual course of the development of science, a tremendous change has

come about. When the practice of knowledge ceased to be dialectical and

became experimental, knowing became preoccupied with changes and the

test of knowledge became the ability to bring about certain changes.

Knowing, for the experimental sciences, means a certain kind of

intelligently conducted doing; it ceases to be contemplative and becomes

in a true sense practical. Now this implies that philosophy, unless it

is to undergo a complete break with the authorized spirit of science,

must also alter its nature. It must assume a practical nature; it must

become operative and experimental. And we have pointed out what an

enormous change this transformation of philosophy entails in the two

conceptions which have played the greatest rôle in historic

philosophizing--the conceptions of the "real" and "ideal" respectively.

The former ceases to be something ready-made and final; it becomes that

which has to be accepted as the material of change, as the obstructions

and the means of certain specific desired changes. The ideal and

rational also ceased to be a separate ready-made world incapable of

being used as a lever to transform the actual empirical world, a mere

asylum from empirical deficiencies. They represent intelligently

thought-out possibilities _of_ the existent world which may be used as

methods for making over and improving it.

Philosophically speaking, this is the great difference involved in the

change from knowledge and philosophy as contemplative to operative. The

change does not mean the lowering in dignity of philosophy from a lofty

plane to one of gross utilitarianism. It signifies that the prime

function of philosophy is that of rationalizing the _possibilities_ of

experience, especially collective human experience. The scope of this

change may be realized by considering how far we are from accomplishing

it. In spite of inventions which enable men to use the energies of

nature for their purposes, we are still far from habitually treating

knowledge as the method of active control of nature and of experience.

We tend to think of it after the model of a spectator viewing a finished

picture rather than after that of the artist producing the painting.

Thus there arise all the questions of epistemology with which the

technical student of philosophy is so familiar, and which have made

modern philosophy in especial so remote from the understanding of the

everyday person and from the results and processes of science. For these

questions all spring from the assumption of a merely beholding mind on

one side and a foreign and remote object to be viewed and noted on the

other. They ask how a mind and world, subject and object, so separate

and independent can by any possibility come into such relationship to

each other as to make true knowledge possible. If knowing were

habitually conceived of as active and operative, after the analogy of

experiment guided by hypothesis, or of invention guided by the

imagination of some possibility, it is not too much to say that the

first effect would be to emancipate philosophy from all the

epistemological puzzles which now perplex it. For these all arise from a

conception of the relation of mind and world, subject and object, in

knowing, which assumes that to know is to seize upon what is already in

existence.

Modern philosophic thought has been so preoccupied with these puzzles of

epistemology and the disputes between realist and idealist, between

phenomenalist and absolutist, that many students are at a loss to know

what would be left for philosophy if there were removed both the

metaphysical task of distinguishing between the noumenal and phenomenal

worlds and the epistemological task of telling how a separate subject

can know an independent object. But would not the elimination of these

traditional problems permit philosophy to devote itself to a more

fruitful and more needed task? Would it not encourage philosophy to face

the great social and moral defects and troubles from which humanity

suffers, to concentrate its attention upon clearing up the causes and

exact nature of these evils and upon developing a clear idea of better

social possibilities; in short upon projecting an idea or ideal which,

instead of expressing the notion of another world or some far-away

unrealizable goal, would be used as a method of understanding and

rectifying specific social ills?

This is a vague statement. But note in the first place that such a

conception of the proper province of philosophy where it is released

from vain metaphysics and idle epistemology is in line with the origin

of philosophy sketched in the first hour. And in the second place, note

how contemporary society, the world over, is in need of more general and

fundamental enlightenment and guidance than it now possesses. I have

tried to show that a radical change of the conception of knowledge from

contemplative to active is the inevitable result of the way in which

inquiry and invention are now conducted. But in claiming this, it must

also be conceded, or rather asserted, that so far the change has

influenced for the most part only the more technical side of human life.

The sciences have created new industrial arts. Man's physical command of

natural energies has been indefinitely multiplied. There is control of

the sources of material wealth and prosperity. What would once have been

miracles are now daily performed with steam and coal and electricity and

air, and with the human body. But there are few persons optimistic

enough to declare that any similar command of the forces which control

man's social and moral welfare has been achieved.

Where is the moral progress that corresponds to our economic

accomplishments? The latter is the direct fruit of the revolution that

has been wrought in physical science. But where is there a corresponding

human science and art? Not only has the improvement in the method of

knowing remained so far mainly limited to technical and economic

matters, but this progress has brought with it serious new moral

disturbances. I need only cite the late war, the problem of capital and

labor, the relation of economic classes, the fact that while the new

science has achieved wonders in medicine and surgery, it has also

produced and spread occasions for diseases and weaknesses. These

considerations indicate to us how undeveloped are our politics, how

crude and primitive our education, how passive and inert our morals.

The causes remain which brought philosophy into existence as an attempt

to find an intelligent substitute for blind custom and blind impulse as

guides to life and conduct. The attempt has not been successfully

accomplished. Is there not reason for believing that the release of

philosophy from its burden of sterile metaphysics and sterile

epistemology instead of depriving philosophy of problems and

subject-matter would open a way to questions of the most perplexing and

the most significant sort?

Let me specify one problem quite directly suggested by certain points in

this lecture. It has been pointed out that the really fruitful

application of the contemplative idea was not in science but in the

esthetic field. It is difficult to imagine any high development of the

fine arts except where there is curious and loving interest in forms and

motions of the world quite irrespective of any use to which they may be

put. And it is not too much to say that every people that has attained a

high esthetic development has been a people in which the contemplative

attitude has flourished--as the Greek, the Hindoo, the medieval

Christian. On the other hand, the scientific attitude that has actually

proved itself in scientific progress is, as has been pointed out, a

practical attitude. It takes forms as disguises for hidden processes.

Its interest in change is in what it leads to, what can be done with it,

to what use it can be put. While it has brought nature under control,

there is something hard and aggressive in its attitude toward nature

unfavorable to the esthetic enjoyment of the world. Surely there is no

more significant question before the world than this question of the

possibility and method of reconciliation of the attitudes of practical

science and contemplative esthetic appreciation. Without the former, man

will be the sport and victim of natural forces which he cannot use or

control. Without the latter, mankind might become a race of economic

monsters, restlessly driving hard bargains with nature and with one

another, bored with leisure or capable of putting it to use only in

ostentatious display and extravagant dissipation.

Like other moral questions, this matter is social and even political.

The western peoples advanced earlier on the path of experimental science

and its applications in control of nature than the oriental. It is not,

I suppose wholly fanciful, to believe that the latter have embodied in

their habits of life more of the contemplative, esthetic and

speculatively religious temper, and the former more of the scientific,

industrial and practical. This difference and others which have grown up

around it is one barrier to easy mutual understanding, and one source of

misunderstanding. The philosophy which, then, makes a serious effort to

comprehend these respective attitudes in their relation and due

balance, could hardly fail to promote the capacity of peoples to profit

by one another's experience and to co-operate more effectually with one

another in the tasks of fruitful culture.

Indeed, it is incredible that the question of the relation of the "real"

and the "ideal" should ever have been thought to be a problem belonging

distinctively to philosophy. The very fact that this most serious of all

human issues has been taken possession of by philosophy is only another

proof of the disasters that follow in the wake of regarding knowledge

and intellect as something self-sufficient. Never have the "real" and

the "ideal" been so clamorous, so self-assertive, as at the present

time. And never in the history of the world have they been so far apart.

The world war was carried on for purely ideal ends:--for humanity,

justice and equal liberty for strong and weak alike. And it was carried

on by realistic means of applied science, by high explosives, and

bombing airplanes and blockading marvels of mechanism that reduced the

world well nigh to ruin, so that the serious-minded are concerned for

the perpetuity of those choice values we call civilization. The peace

settlement is loudly proclaimed in the name of the ideals that stir

man's deepest emotions, but with the most realistic attention to details

of economic advantage distributed in proportion to physical power to

create future disturbances.

It is not surprising that some men are brought to regard all idealism as

a mere smoke-screen behind which the search for material profit may be

more effectually carried on, and are converted to the materialistic

interpretation of history. "Reality" is then conceived as physical force

and as sensations of power, profit and enjoyment; any politics that

takes account of other factors, save as elements of clever propaganda

and for control of those human beings who have not become realistically

enlightened, is based on illusions. But others are equally sure that the

real lesson of the war is that humanity took its first great wrong step

when it entered upon a cultivation of physical science and an

application of the fruits of science to the improvement of the

instruments of life--industry and commerce. They will sigh for the

return of the day when, while the great mass died as they were born in

animal fashion, the few elect devoted themselves not to science and the

material decencies and comforts of existence but to "ideal" things, the

things of the spirit.

Yet the most obvious conclusion would seem to be the impotency and the

harmfulness of any and every ideal that is proclaimed wholesale and in

the abstract, that is, as something in itself apart from the detailed

concrete existences whose moving possibilities it embodies. The true

moral would seem to lie in enforcing the tragedy of that idealism which

believes in a spiritual world which exists in and by itself, and the

tragic need for the most realistic study of forces and consequences, a

study conducted in a more scientifically accurate and complete manner

than that of the professed _Real-politik_. For it is not truly realistic

or scientific to take short views, to sacrifice the future to immediate

pressure, to ignore facts and forces that are disagreeable and to

magnify the enduring quality of whatever falls in with immediate desire.

It is false that the evils of the situation arise from absence of

ideals; they spring from wrong ideals. And these wrong ideals have in

turn their foundation in the absence in social matters of that methodic,

systematic, impartial, critical, searching inquiry into "real" and

operative conditions which we call science and which has brought man in

the technical realm to the command of physical energies.

Philosophy, let it be repeated, cannot "solve" the problem of the

relation of the ideal and the real. That is the standing problem of

life. But it can at least lighten the burden of humanity in dealing with

the problem by emancipating mankind from the errors which philosophy has

itself fostered--the existence of conditions which are real apart from

their movement into something new and different, and the existence of

ideals, spirit and reason independent of the possibilities of the

material and physical. For as long as humanity is committed to this

radically false bias, it will walk forward with blinded eyes and bound

limbs. And philosophy can effect, if it will, something more than this

negative task. It can make it easier for mankind to take the right steps

in action by making it clear that a sympathetic and integral

intelligence brought to bear upon the observation and understanding of

concrete social events and forces, can form ideals, that is aims, which

shall not be either illusions or mere emotional compensations.

Reconstruction in Philosophy · 第 5 / 8 章