FROM THE CABBY’S SEAT

The cabby has his point of view. It is more single-minded, perhaps,

than that of a follower of any other calling. From the high, swaying

seat of his hansom he looks upon his fellow-men as nomadic particles,

of no account except when possessed of migratory desires. He is Jehu,

and you are goods in transit. Be you President or vagabond, to cabby

you are only a Fare, he takes you up, cracks his whip, joggles your

vertebrae and sets you down.

When time for payment arrives, if you exhibit a familiarity with legal

rates you come to know what contempt is; if you find that you have left

your pocketbook behind you are made to realise the mildness of Dante’s

imagination.

It is not an extravagant theory that the cabby’s singleness of purpose

and concentrated view of life are the results of the hansom’s peculiar

construction. The cock-of-the-roost sits aloft like Jupiter on an

unsharable seat, holding your fate between two thongs of inconstant

leather. Helpless, ridiculous, confined, bobbing like a toy mandarin,

you sit like a rat in a trap—you, before whom butlers cringe on solid

land—and must squeak upward through a slit in your peripatetic

sarcophagus to make your feeble wishes known.

Then, in a cab, you are not even an occupant; you are contents. You are

a cargo at sea, and the “cherub that sits up aloft” has Davy Jones’s

street and number by heart.

One night there were sounds of revelry in the big brick tenement-house

next door but one to McGary’s Family Café. The sounds seemed to emanate

from the apartments of the Walsh family. The sidewalk was obstructed by

an assortment of interested neighbours, who opened a lane from time to

time for a hurrying messenger bearing from McGary’s goods pertinent to

festivity and diversion. The sidewalk contingent was engaged in comment

and discussion from which it made no effort to eliminate the news that

Norah Walsh was being married.

In the fulness of time there was an eruption of the merry-makers to the

sidewalk. The uninvited guests enveloped and permeated them, and upon

the night air rose joyous cries, congratulations, laughter and

unclassified noises born of McGary’s oblations to the hymeneal scene.

Close to the curb stood Jerry O’Donovan’s cab. Night-hawk was Jerry

called; but no more lustrous or cleaner hansom than his ever closed its

doors upon point lace and November violets. And Jerry’s horse! I am

within bounds when I tell you that he was stuffed with oats until one

of those old ladies who leave their dishes unwashed at home and go

about having expressmen arrested, would have smiled—yes, smiled—to have

seen him.

Among the shifting, sonorous, pulsing crowd glimpses could be had of

Jerry’s high hat, battered by the winds and rains of many years; of his

nose like a carrot, battered by the frolicsome, athletic progeny of

millionaires and by contumacious fares; of his brass-buttoned green

coat, admired in the vicinity of McGary’s. It was plain that Jerry had

usurped the functions of his cab, and was carrying a “load.” Indeed,

the figure may be extended and he be likened to a bread-waggon if we

admit the testimony of a youthful spectator, who was heard to remark

“Jerry has got a bun.”

From somewhere among the throng in the street or else out of the thin

stream of pedestrians a young woman tripped and stood by the cab. The

professional hawk’s eye of Jerry caught the movement. He made a lurch

for the cab, overturning three or four onlookers and himself—no! he

caught the cap of a water-plug and kept his feet. Like a sailor

shinning up the ratlins during a squall Jerry mounted to his

professional seat. Once he was there McGary’s liquids were baffled. He

seesawed on the mizzenmast of his craft as safe as a Steeple Jack

rigged to the flagpole of a skyscraper.

“Step in, lady,” said Jerry, gathering his lines. The young woman

stepped into the cab; the doors shut with a bang; Jerry’s whip cracked

in the air; the crowd in the gutter scattered, and the fine hansom

dashed away ’crosstown.

When the oat-spry horse had hedged a little his first spurt of speed

Jerry broke the lid of his cab and called down through the aperture in

the voice of a cracked megaphone, trying to please:

“Where, now, will ye be drivin’ to?”

“Anywhere you please,” came up the answer, musical and contented.

“’Tis drivin’ for pleasure she is,” thought Jerry. And then he

suggested as a matter of course:

“Take a thrip around in the park, lady. ’Twill be ilegant cool and

fine.”

“Just as you like,” answered the fare, pleasantly.

The cab headed for Fifth avenue and sped up that perfect street. Jerry

bounced and swayed in his seat. The potent fluids of McGary were

disquieted and they sent new fumes to his head. He sang an ancient song

of Killisnook and brandished his whip like a baton.

Inside the cab the fare sat up straight on the cushions, looking to

right and left at the lights and houses. Even in the shadowed hansom

her eyes shone like stars at twilight.

When they reached Fifty-ninth street Jerry’s head was bobbing and his

reins were slack. But his horse turned in through the park gate and

began the old familiar nocturnal round. And then the fare leaned back,

entranced, and breathed deep the clean, wholesome odours of grass and

leaf and bloom. And the wise beast in the shafts, knowing his ground,

struck into his by-the-hour gait and kept to the right of the road.

Habit also struggled successfully against Jerry’s increasing torpor. He

raised the hatch of his storm-tossed vessel and made the inquiry that

cabbies do make in the park.

“Like shtop at the Cas-sino, lady? Gezzer r’freshm’s, ’n lish’n the

music. Ev’body shtops.”

“I think that would be nice,” said the fare.

They reined up with a plunge at the Casino entrance. The cab doors flew

open. The fare stepped directly upon the floor. At once she was caught

in a web of ravishing music and dazzled by a panorama of lights and

colours. Some one slipped a little square card into her hand on which

was printed a number—34. She looked around and saw her cab twenty yards

away already lining up in its place among the waiting mass of

carriages, cabs and motor cars. And then a man who seemed to be all

shirt-front danced backward before her; and next she was seated at a

little table by a railing over which climbed a jessamine vine.

There seemed to be a wordless invitation to purchase; she consulted a

collection of small coins in a thin purse, and received from them

license to order a glass of beer. There she sat, inhaling and absorbing

it all—the new-coloured, new-shaped life in a fairy palace in an

enchanted wood.

At fifty tables sat princes and queens clad in all the silks and gems

of the world. And now and then one of them would look curiously at

Jerry’s fare. They saw a plain figure dressed in a pink silk of the

kind that is tempered by the word “foulard,” and a plain face that wore

a look of love of life that the queens envied.

Twice the long hands of the clocks went round, Royalties thinned from

their _al fresco_ thrones, and buzzed or clattered away in their

vehicles of state. The music retired into cases of wood and bags of

leather and baize. Waiters removed cloths pointedly near the plain

figure sitting almost alone.

Jerry’s fare rose, and held out her numbered card simply:

“Is there anything coming on the ticket?” she asked.

A waiter told her it was her cab check, and that she should give it to

the man at the entrance. This man took it, and called the number. Only

three hansoms stood in line. The driver of one of them went and routed

out Jerry asleep in his cab. He swore deeply, climbed to the captain’s

bridge and steered his craft to the pier. His fare entered, and the cab

whirled into the cool fastnesses of the park along the shortest

homeward cuts.

At the gate a glimmer of reason in the form of sudden suspicion seized

upon Jerry’s beclouded mind. One or two things occurred to him. He

stopped his horse, raised the trap and dropped his phonographic voice,

like a lead plummet, through the aperture:

“I want to see four dollars before goin’ any further on th’ thrip. Have

ye got th’ dough?”

“Four dollars!” laughed the fare, softly, “dear me, no. I’ve only got a

few pennies and a dime or two.”

Jerry shut down the trap and slashed his oat-fed horse. The clatter of

hoofs strangled but could not drown the sound of his profanity. He

shouted choking and gurgling curses at the starry heavens; he cut

viciously with his whip at passing vehicles; he scattered fierce and

ever-changing oaths and imprecations along the streets, so that a late

truck driver, crawling homeward, heard and was abashed. But he knew his

recourse, and made for it at a gallop.

At the house with the green lights beside the steps he pulled up. He

flung wide the cab doors and tumbled heavily to the ground.

“Come on, you,” he said, roughly.

His fare came forth with the Casino dreamy smile still on her plain

face. Jerry took her by the arm and led her into the police station. A

gray-moustached sergeant looked keenly across the desk. He and the

cabby were no strangers.

“Sargeant,” began Jerry in his old raucous, martyred, thunderous tones

of complaint. “I’ve got a fare here that—”

Jerry paused. He drew a knotted, red hand across his brow. The fog set

up by McGary was beginning to clear away.

“A fare, sargeant,” he continued, with a grin, “that I want to

inthroduce to ye. It’s me wife that I married at ould man Walsh’s this

avening. And a divil of a time we had, ’tis thrue. Shake hands wid th’

sargeant, Norah, and we’ll be off to home.”

Before stepping into the cab Norah sighed profoundly.

“I’ve had such a nice time, Jerry,” said she.

The Four Million · 第 21 / 31 题