MAN ABOUT TOWN

There were two or three things that I wanted to know. I do not care

about a mystery. So I began to inquire.

It took me two weeks to find out what women carry in dress suit cases.

And then I began to ask why a mattress is made in two pieces. This

serious query was at first received with suspicion because it sounded

like a conundrum. I was at last assured that its double form of

construction was designed to make lighter the burden of woman, who

makes up beds. I was so foolish as to persist, begging to know why,

then, they were not made in two equal pieces; whereupon I was shunned.

The third draught that I craved from the fount of knowledge was

enlightenment concerning the character known as A Man About Town. He

was more vague in my mind than a type should be. We must have a

concrete idea of anything, even if it be an imaginary idea, before we

can comprehend it. Now, I have a mental picture of John Doe that is as

clear as a steel engraving. His eyes are weak blue; he wears a brown

vest and a shiny black serge coat. He stands always in the sunshine

chewing something; and he keeps half-shutting his pocket knife and

opening it again with his thumb. And, if the Man Higher Up is ever

found, take my assurance for it, he will be a large, pale man with blue

wristlets showing under his cuffs, and he will be sitting to have his

shoes polished within sound of a bowling alley, and there will be

somewhere about him turquoises.

But the canvas of my imagination, when it came to limning the Man About

Town, was blank. I fancied that he had a detachable sneer (like the

smile of the Cheshire cat) and attached cuffs; and that was all.

Whereupon I asked a newspaper reporter about him.

“Why,” said he, “a ‘Man About Town’ is something between a ‘rounder’ and a

‘clubman.’ He isn’t exactly—well, he fits in between Mrs. Fish’s

receptions and private boxing bouts. He doesn’t—well, he doesn’t belong

either to the Lotos Club or to the Jerry McGeogheghan Galvanised Iron

Workers’ Apprentices’ Left Hook Chowder Association. I don’t exactly

know how to describe him to you. You’ll see him everywhere there’s

anything doing. Yes, I suppose he’s a type. Dress clothes every

evening; knows the ropes; calls every policeman and waiter in town by

their first names. No; he never travels with the hydrogen derivatives.

You generally see him alone or with another man.”

My friend the reporter left me, and I wandered further afield. By this

time the 3126 electric lights on the Rialto were alight. People passed,

but they held me not. Paphian eyes rayed upon me, and left me

unscathed. Diners, heimgangers, shop-girls, confidence men,

panhandlers, actors, highwaymen, millionaires and outlanders hurried,

skipped, strolled, sneaked, swaggered and scurried by me; but I took no

note of them. I knew them all; I had read their hearts; they had

served. I wanted my Man About Town. He was a type, and to drop him

would be an error—a typograph—but no! let us continue.

Let us continue with a moral digression. To see a family reading the

Sunday paper gratifies. The sections have been separated. Papa is

earnestly scanning the page that pictures the young lady exercising

before an open window, and bending—but there, there! Mamma is

interested in trying to guess the missing letters in the word N_w Yo_k.

The oldest girls are eagerly perusing the financial reports, for a

certain young man remarked last Sunday night that he had taken a flyer

in Q., X. & Z. Willie, the eighteen-year-old son, who attends the New

York public school, is absorbed in the weekly article describing how to

make over an old skirt, for he hopes to take a prize in sewing on

graduation day.

Grandma is holding to the comic supplement with a two-hours’ grip; and

little Tottie, the baby, is rocking along the best she can with the

real estate transfers. This view is intended to be reassuring, for it

is desirable that a few lines of this story be skipped. For it

introduces strong drink.

I went into a café to—and while it was being mixed I asked the man who

grabs up your hot Scotch spoon as soon as you lay it down what he

understood by the term, epithet, description, designation,

characterisation or appellation, viz.: a “Man About Town.”

“Why,” said he, carefully, “it means a fly guy that’s wise to the

all-night push—see? It’s a hot sport that you can’t bump to the rail

anywhere between the Flatirons—see? I guess that’s about what it

means.”

The Four Million · 第 11 / 31 题