LAUNCELOT’S TROUBLES.
Eleanor Monckton sat looking at the door which had closed upon the
scene in the lamplit hall, almost as if the intensity of her gaze could
have pierced the solid oaken panel and revealed to her that which was
taking place outside the dining-room.
Richard Thornton and her husband, both watching her face, marvelled
at the sudden change in its expression,—the look of rapt wonder and
amazement that had come over it from the moment in which Launcelot
Darrell had gone out into the hall. Richard guessed that something
strange and unexpected had occurred, but Gilbert Monckton, who was
quite in the dark as to his wife’s feelings, could only stare blankly
at her face, and mutely wonder at the mystery which tortured him. Laura
Mason, who had been throughout the day alarmed by her lover’s manner,
was too anxious about Launcelot Darrell to observe the face of her
friend.
“I’m sure there’s something wrong,” she said; “I’m sure there is,
Mr. Monckton. You don’t know how Launcelot’s been going on all day,
frightening me out of my wits. Hasn’t he, now, Eleanor? Hasn’t he, Mr.
Thornton? Saying he won’t be a pauper, dependent upon his wife, and
that you’ve wounded his feelings by talking about art as if you were
a bricklayer; or as if he was a bricklayer, I forget which. I had a
presentiment all day that something was going to happen; and Launcelot
did go on so, staring at the fire, and hammering the coals, and sighing
as if he had something awful on his mind—as if he’d committed a crime,
you know, and was brooding over it,” added the young lady, with an
evident relish of the last idea.
Mr. Monckton looked contemptuously at his ward. The girl’s frivolous
babble was in horrible discord with his own anxiety—a kind of parody of
his own alarm.
“What do you mean by committing crimes, Laura?” he said. “I’m afraid
you’ll never learn to talk like a reasonable being. Is there anything
so very miraculous in the fact that some old acquaintance of Mr.
Darrell’s has come down to Berkshire to see him?”
Laura Mason breathed a sigh of relief.
“You don’t think, then, that Launcelot has done something dreadful, and
that this man has come to arrest him?” she asked. “It seems so odd his
coming here on a dark winter’s night; and Launcelot looked angry when
he saw the card the servant gave him. I’m sure it’s something dreadful.
Let’s go into the drawing-room, Eleanor. We shall have to pass through
the hall, and if there’s anything wrong we can find out all about it.”
Eleanor started as Laura addressed her, and rose suddenly, aroused by
the necessity of having to attend to something that had been said to
her, but scarcely knowing what that something was.
“Eleanor!” exclaimed her husband, “how pale you are, and how strangely
you look at that door. One would think that you were influenced by
Laura’s absurd fears.”
“Oh, no! I am not frightened of anything; only I——”
She paused, hesitating, and looking down in painful embarrassment.
“Only what?”
“I happened to see the person who has come to speak to Mr. Darrell,
and—and—his face reminded me of a man I saw a long time ago.”
Richard looked up quickly.
“But was there anything so very startling in the mere coincidence of a
likeness?”
“Oh, no, nothing startling.”
“Upon my word, Eleanor,” exclaimed Gilbert Monckton, impatiently, “we
seem to live in an atmosphere of mystery, which, to say the least
of it, is far from agreeable to those who only occupy the position
of lookers-on. There, there, go to the drawing-room with Laura. Mr.
Thornton and I will follow you almost immediately. We shall have very
little pleasure in sitting over our wine with a consciousness that a
kind of Gunpowder Plot is going on in the hall outside.”
The lawyer filled his glass with claret, and pushed the crystal
jug towards Richard; but he left the wine untasted before him, and
he sat silently brooding over his suspicions, with a bent brow and
rigidly-compressed lips.
It was no use to struggle against his destiny, he thought. Life was to
be always a dreary French novel, in which he was to play the victim
husband. He had loved and trusted this girl. He had seen innocence
and candour beaming in her face, and he had dared to believe in her;
and from the very hour of her marriage a horrible transformation had
taken place in this frank and fearless creature. A hundred changes
of expression, all equally mysterious to him, had converted the face
he loved into a wearisome and incomprehensible enigma, which it was
the torment of his life to endeavour vainly and hopelessly to guess.
Richard Thornton opened the door, and Eleanor gladly made her escape
from the dining-room, holding Laura’s hand in hers, and with the
Signora following close behind her. The three women entered the hall in
a group, and paused for a moment looking at Launcelot Darrell and the
stranger.
Mr. Darrell stood near the open hall-door with his hands in his
pockets, and his head bent in that sulky attitude which Eleanor had
good reason to remember. The stranger, smoothing the wet nap of his hat
with a careful hand, seemed to be talking in a tone of remonstrance,
and, as it were, urging something upon his companion. This was only
to be guessed by the expression of his face, as the voice in which he
spoke was scarcely above a whisper.
The three ladies crossed the hall and went into the drawing-room.
Eleanor had no need to confirm her sudden recognition of the Frenchman
by any second scrutiny of his face. She sat down near the broad hearth,
and began to think how this man’s unlooked-for coming might affect the
fulfilment of her purpose. Would he be likely to thwart her? or could
he not, perhaps, be induced to help her?
“I must talk to Richard,” she thought. “He knows the world better than
I do. I am almost as much a child as Laura.”
While Mrs. Monckton sat looking absently at the fire, and trying to
imagine how the advent of the Frenchman might be made subservient to
the scheme of her life, Miss Mason burst into a torrent of panegyric
upon the stranger’s appearance.
“He’s such a good-natured-looking dear,” she exclaimed, “with curly
hair and a moustache just like the Emperor’s; and the idea of my
frightening myself so about him, and thinking he was a dreadful
creature in a slouched hat, and with his coat-collar turned up to hide
his face, come to arrest Launcelot for some awful crime. I’m not a bit
frightened now, and I hope Launcelot will bring him in to tea. The idea
of his being a foreigner, too! I think foreigners are _so_ interesting.
Don’t you, Nelly?”
Eleanor Monckton looked up at the sound of her name. She had not heard
a word that Laura had said.
“What, dear?” she asked, listlessly.
“Don’t you think foreigners interesting, Nelly?” repeated the young
lady.
“Interesting? No.”
“What! not Frenchmen?”
Mrs. Monckton gave a faint shiver.
“Frenchmen!” she said. “No, I don’t like them, I——. How do I know,
Laura? Baseness and treachery belong to no peculiar people, I suppose?”
Mr. Monckton and the scene-painter came into the drawing-room at this
moment, followed pretty closely by Launcelot Darrell.
“What have you done with your friend, Darrell?” Gilbert Monckton asked,
with a look of surprise.
“Oh, he’s gone,” the young man answered, indifferently.
“You’ve let him go without asking him to rest, or take some
refreshment?”
“Yes, I contrived to get rid of him.”
“We don’t usually ‘contrive to get rid’ of people when they come here
on a wet winter night,” said Mr. Monckton. “You’ll give Tolldale Priory
a reputation for inhospitality, I fear. Why did you not ask your friend
to stop?”
“Because I didn’t care to introduce him to you,” Launcelot Darrell
answered, coolly. “I never said he was a friend of mine. He’s only
an acquaintance, and a very intrusive acquaintance. He had no right
to ferret out my whereabouts, and to come down here after me. A man
doesn’t want past associations forced upon him, however agreeable they
may have been.”
“And still less when those associations are disagreeable. I understand.
But who is this man?”
“He’s a Frenchman, a _commis voyageur_, or something of that kind; by
no means a distinguished acquaintance. He’s a good fellow, in his own
particular fashion, and would go out of his way to do me a service, I
dare say; but he’s rather too fond of absinthe, or brandy, or any other
spirit he can get hold of.”
“You mean that he is a drunkard,” said Mr. Monckton.
“I don’t say that. But I know that the poor devil has had more than one
attack of delirium tremens in the course of his life. He’s over here in
the interests of a patent mustard, I believe, lately invented by some
great Parisian gastronomer.”
“Indeed; and where did you make his acquaintance?”
The same crimson hue that had mounted to Mr. Darrell’s forehead when
the Frenchman’s card was handed to him dyed his face now, and he
hesitated for a few moments before replying to Gilbert Monckton’s
straight question. But he recovered himself pretty quickly, and
answered with his accustomed carelessness of manner:
“Where did I know him? Oh, in London, of course. He was an inhabitant
of that refuge for the destitute of all nations, some years ago, while
I was sowing my wild oats there.”
“Before you went to India?”
“Yes, of course, before I went to India.”
Mr. Monckton looked sharply at the young man’s face. There were moments
when the lawyer’s prudence, when the conscientious scruples of an
honest man got the better of the husband’s selfish fears; and in those
moments Gilbert Monckton doubted whether he was doing his duty towards
his ward in suffering her to marry Launcelot Darrell.
Was the young man worthy of the trust that was to be confided to him?
Was he a fitting husband for an inexperienced and frivolous girl?
Mr. Monckton could only answer this question in one way. He could only
satisfy his conscience by taking a cynical view of the matter.
“Launcelot Darrell is as good as other young men, I dare say,” he
argued. “He’s good-looking, and conceited, and shallow, and idle; but
the poor little girl has chosen to fall in love with him, and if I
come between them, and forbid this marriage, and make the silly child
unhappy by forcing my choice upon her I may be quite as much mistaken
as she, and after all marry her to a bad man. I may just as well let
her draw her own number in the great lottery, and trust to Providence
for its being a lucky one.”
But to-night there was something in Launcelot Darrell’s manner which
aroused a vague suspicion in the breast of the lawyer.
“Then your friend the _commis voyageur_ has gone back to Windsor, I
suppose?” he said.
“No; I couldn’t very well avoid giving him shelter, as he chose to
come, though he came uninvited. I sent him back to Hazlewood with a
few lines addressed to my mother, who will do her best to make him
comfortable, I dare say. Poor soul, she would scarcely refuse to
shelter a stray dog, if the wandering cur were in any way attached to
me.”
“Yes, Mr. Darrell, you have reason to value your mother’s affection,”
answered the lawyer, gravely. “But we must not forget that we’ve a good
deal of business to transact to-night. Will you come with me into my
study, as soon as you’ve finished that cup of tea?”
Launcelot Darrell bowed, and set down his teacup on the nearest table.
Eleanor and Richard had both watched him closely since his coming into
the drawing-room. It was easy to see that he had by no means recovered
from the unpleasant surprise caused him by the Frenchman’s visit. His
careless manner was only assumed, and it was with evident difficulty
that he responded to each new demand made upon his attention.
He followed Gilbert Monckton slowly and silently from the room,
without having lingered to speak so much as a word to Laura, without
having even made her happy by so much as a look.
“He might have spoken to me,” the young lady murmured, disconsolately,
as she watched her lover’s retreating figure.
Two hours elapsed before the gentlemen returned to the drawing-room;
two dreary hours for Laura, who sat yawning over a book, or playing
with her two dogs, which, by virtue of their high breeding and good
conduct, were constant occupants of the drawing-room at Tolldale.
Richard Thornton and Mrs. Monckton played a game of chess, the
strangest game, perhaps, that ever was played, for the moving backwards
and forwards of the ivory pieces was a mere pretence, by means of which
Eleanor contrived to take counsel with her faithful ally.
“Do you think this man’s coming will help us, Dick?” she asked, when
she had told the story of her recognition of the Frenchman.
Richard shook his head, not negatively, but reflectively.
“How can I tell?” he said; “the man may or may not be inclined to
betray his friend. In any case it will be very difficult for us to get
at him.”
“Not for _you_, Richard,” murmured Eleanor, persuasively.
“Not for _me_,” echoed the young man. “Syren, mermaiden, witch of
the sea, avaunt! It was you and the blue bonnet that settled for the
shipbroker and his clerks. Have you the blue bonnet still, Nell; or
have you any other influence in the millinery line that you can bring
to bear upon this traveller in mustard?”
“But if he should remember me?”
“That’s scarcely likely. His face was impressed upon your mind by
the awful circumstance that followed your meeting with him. You have
changed very much since you were fifteen years of age, Mrs. Monckton.
You were a feminine hobbledehoy then. Now you are—never mind what. A
superb Nemesis in crinoline, bent on deeds of darkness and horror. No,
I do not see any reason to fear this man’s recognition of you.”
The expression of Launcelot Darrell’s face had subsided into a settled
gloom when he reappeared in the drawing-room with Mr. Monckton.
The lawyer seated himself at a reading-table, and began to open the
evening papers, which were sent from Windsor to Tolldale. Launcelot
strolled over to Laura Mason, and, sitting down beside her, amused
himself by pulling the silky ears of the Skye terrier.
“Do tell me everything, Launcelot,” said Miss Mason. “You don’t know
how much I’ve suffered all this evening. I hope the interview was a
pleasant one?”
“Oh, yes, remarkably pleasant,” answered the young man, with a sneer.
“I shall not be exposed to the reproach of having made a mercenary
marriage, Laura, at any rate.”
“What do you mean, Launcelot?” cried the young lady, staring aghast at
her lover. “You don’t mean that my guardian’s been deceiving me all
this time, and that I’m a poor penniless creature after all, and that
I ought to have been a companion, or a nursery governess, or something
of that kind, as Eleanor was before her marriage. You don’t mean that,
Launcelot!”
“Not precisely,” answered Mr. Darrell; “but I mean that the noble
allowance of which your guardian has talked so much is to be two
hundred a year: which, as we are so unfortunate as to possess the
habits of a gentleman and a lady, will not go very far.”
“But ain’t I rich,—ain’t I an heiress?” cried Miss Mason. “Haven’t I
what-you-may-call-’ems—expectations?”
“Oh, yes. I believe there is some vague promise of future wealth
held out as a compensation for all present deprivations. But really,
although your guardian took great pains to explain the dry business
details to me, I was almost too tired to listen to him; and certainly
too stupid to understand very clearly what he meant. I believe there is
some money which you are to have by-and-by, upon the death of somebody.
But as it seems that the somebody is a person in the prime of life, who
has the power of altering his will at any moment that he may take it
into his head to do so, I look upon that expectation as rather a remote
contingency. No, Laura, we must look our position straight in the face.
A life of hard work lies before me; a life of poverty before you.”
Miss Mason made a wry face. Her mind had little power to realize
anything but extremes. Her idea of poverty was something very horrible.
An existence of beggary, with the chance of being called upon to do
plain needlework for her daily bread, and with a workhouse at the end
of the prospect.
“But I shall love you all the same, Launcelot,” she whispered,
“however poor we may be, and I’ll wear dresses without any trimming,
and imitation lace. I suppose _you_ wouldn’t know imitation lace from
real Valenciennes, Launcelot, and it’s so cheap. And I’ll try and make
pies and puddings, and I’ll learn to be economical, and I’ve lots of
jewellery that my guardian has given me, and we can sell that, if you
like. I’ll work as hard as that poor woman in the poem, Launcelot,
for your sake. ‘Stitch, stitch, stitch, band and gusset and seam.’ I
don’t mind the seams, dear; _they’d_ be easy if one didn’t prick one’s
fingers and make knots in one’s thread; but I’m afraid I shall never be
able to manage the gussets. Only promise me that you’ll love me still,
Launcelot. Tell me that you don’t hate me because I’m poor.”
The young man took the soft little hand that was laid with an imploring
gesture on his wrist, and pressed it tenderly.
“I should be a brute if I wasn’t grateful for your love, Laura,” he
said. “I didn’t wish _you_ to be rich. I’m not the sort of fellow who
could contentedly accept a degraded position, and sponge upon a wife’s
fortune. I only wanted—I only wanted what I had been taught to expect,”
he muttered, with a savage accent; “I’m set upon and hemmed in on every
side, and I’ve a hundred mortifications and miseries to bear for want
of money. But I’ll try and make you a good husband, my dear.”
“You will, Launcelot,” cried the girl, melted by some touch of real
earnestness in her lover’s tone that was new and welcome to her.
“How good it is of you to say that. But how should you be otherwise
than good; and you will be a great painter, and all the world will
admire you and talk about you, and we shall be so happy,—shan’t we,
Launcelot?—wandering through Italy together.”
The young man answered her with a bitter laugh.
“Yes, Laura,” he said, “the sooner we get to Italy the better. Heaven
knows, I’ve no particular interest that need keep me in England, now.”