AN OLD MAN’S FANCY.
Although Eleanor Monckton’s utmost watchfulness revealed to her nothing
that could be twisted into a proof of Launcelot Darrell’s identity with
the man who had been the indirect cause of her father’s death, she made
some progress in another quarter, very much to the annoyance of several
people, amongst whom must be included the young painter.
Maurice de Crespigny, who for some years past had not been known to
take an interest in anything, exhibited a very great interest in
Gilbert Monckton’s young wife.
The old man had never forgotten the day upon which he had been
suddenly carried back to the past, by the apparition of a fair-haired
girl who seemed to him the living image of his lost friend. He had
never forgotten this: and when, a few days after Eleanor’s arrival at
Tolldale, he happened to encounter her in one of his airings, he had
insisted on stopping to talk to her, much to the aggravation of his two
maiden warders.
Eleanor caught eagerly at any chance of becoming familiar with her
father’s friend. It was to him she looked for her promised vengeance.
The law could give her no redress; but Maurice de Crespigny held in his
hand the disposition of that wealth for which his young kinsman hoped,
and thus possessed power to punish the cheat and traitor who had robbed
a helpless old man.
Even if this motive had not existed, Eleanor’s love for her dead
father would have been sufficient to inspire her with every tender
feeling towards the owner of Woodlands. Her manner, modified by this
tenderness, acted almost like a spell upon Maurice de Crespigny. He
insisted upon coming, in the course of his daily airing, to that part
of the grounds where the two estates were only divided by a slender
wire fence, and where he might hope to meet Eleanor. By-and-by he
extorted from her the promise to meet him on every fine day at a
particular hour, and it was in vain that the maiden sisters endeavoured
by every stratagem they could devise, to detain him in-doors at this
appointed time. They were fain to pray for perpetual wet weather, for
storms and fogs, whirlwinds, and other caprices of nature, which might
keep the invalid a prisoner to the house.
But at last even rain and tempest ceased to be of any avail to these
distressed and expectant spinsters, for Maurice de Crespigny insisted
upon inviting Mr. and Mrs. Monckton to Woodlands. They were to come
whenever they could, every day if they could, the old man wrote, with
a tremulous hand that was apt to go a little astray over the paper;
but which was yet strong enough and firm enough to inscribe a decent
signature at the foot of a will.
The two sisters never saw him write without thinking of this document.
Was it made, and made in their favour? Was it yet to make? Or was it
made in accordance with the expectations of Ellen Darrell and her son?
Lavinia and Sarah de Crespigny were agonized by the mere thought of
this latter possibility. It was not the money alone that they thought
of, the lands and tenements alone that they considered. There was the
family house in which they had lived so long, the household treasures
which their own careful hands had dusted, as things too sacred to be
approached by meaner fingers.
There were the old silver salvers, the antique tea and coffee services,
the great dragon-china jars on the staircase, the inlaid card-tables in
the green parlour,—would the ruthless young man come into possession,
and seize even upon those particular household gods which were most
sacred to the maiden sisters?
They knew that they had no claim to any great mercy from Launcelot
Darrell. Had they not urged his Indian voyage, and for ever offended
him by so doing? It would have been better perhaps to have been
friendly towards him, and to have suffered him to remain in England,
and to be as much at Woodlands as he pleased, thereby affording him
ample opportunity for giving offence to his great-uncle.
“Who can count upon an old man’s caprices?” thought the maiden sisters;
“perhaps because our uncle has seen very little of Launcelot, he may be
all the more kindly disposed towards him.”
On the other hand, there was now the more imminent danger of this
sudden fancy with which Eleanor Monckton had inspired the invalid; and
the sisters grew paler and more lugubrious every day as they watched
the progress of this eccentric friendship.
Gilbert Monckton placed no obstacle in the way of his wife’s visits to
Woodlands. He knew how sternly the doors of Mr. de Crespigny’s house
were guarded against his widowed niece and her son; and he knew that
there at least Eleanor was not likely to meet Launcelot Darrell.
Mrs. Monckton was therefore free to visit her dead father’s friend when
she pleased; and she was not slow to avail herself of this privilege.
It was of vital importance to her to be on familiar terms with Maurice
de Crespigny, to be able to enter his house when and how she would.
She saw enough in the old man’s face, in the fearful uncertainty of his
health—which one day suffered him to be bright and cheerful, and on
the next laid him prostrate and helpless upon a sick bed—to convince
her that his state was terribly precarious. He might linger for years.
He might die suddenly. He might die, leaving his fortune to Launcelot
Darrell.
The sisters watched, with ever-increasing alarm, the progress that Mrs.
Monckton was making in their uncle’s favour. The old man seemed to
brighten under the influence of Eleanor’s society. He had no glimmering
idea of the truth; he fully believed that the likeness which the
lawyer’s young wife bore to George Vane was one of those accidental
resemblances so common to the experience of every one. He believed
this; and yet in spite of this he felt as if Eleanor’s presence brought
back something of his lost youth. Even his memory was revivified by
the companionship of his dead friend’s daughter; and he would sit for
hours together, talking, as his nieces had not heard him talk in many
monotonous years, telling familiar stories of that past in which George
Vane had figured so prominently.
To Eleanor these old memories were never wearisome; and Maurice de
Crespigny felt the delight of talking to a listener who was really
interested. He was accustomed to the polite attention of his nieces,
whose suppressed yawns sometimes broke in unpleasantly at the very
climax of a story, and whose wooden-faced stolidity had at best
something unpleasantly suggestive of being listened to and stared at
by two Dutch clocks. But he was not accustomed to see a beautiful and
earnest face turned towards him as he spoke; a pair of bright grey eyes
lighting up with new radiance at every crisis in the narrative; and
lovely lips half parted through intensity of interest.
These things the old man was not accustomed to, and he became entirely
Eleanor’s slave and adorer. Indeed, the elderly damsels congratulated
themselves upon Miss Vincent’s marriage with Gilbert Monckton;
otherwise Maurice de Crespigny, being besotted and infatuated, and the
young woman mercenary, there might have been a new mistress brought
home to Woodlands instead of to Tolldale Priory.
Happily for Eleanor, the anxious minds of the maiden sisters were
ultimately set in some degree at rest by a few words which Maurice de
Crespigny let drop in a conversation with Mrs. Monckton. Amongst the
treasures possessed by the old man—the relics of a past life, whose
chief value lay in association—there was one object that was peculiarly
precious to Eleanor. This was a miniature portrait of George Vane, in
the cap and gown which he had worn sixty years before, at Magdalen
College, Oxford.
This picture was very dear to Eleanor Monckton. It was no very
wonderful work of art, perhaps, but a laborious and patient
performance, whose production had cost more time and money than the
photographic representations of half the members of the Lower House
would cost to-day. It showed Eleanor a fair-haired stripling, with
bright hopeful blue eyes. It was the shadow of her dead father’s youth.
Her eyes filled with tears as she looked at the little ivory portrait
in its oval case of slippery red morocco.
“Crocodile!” thought one of the maiden sisters.
“Sycophant!” muttered the other.
But this very miniature gave rise to that speech which had so much
effect in calming the terrors of the two ladies.
“Yes, my dear,” Maurice de Crespigny said; “that portrait was painted
sixty years ago. George Vane would have been close upon eighty if he
had lived. Yes, close upon eighty, my love. You don’t see your own
likeness to that picture, perhaps; people seldom do see resemblances
of that kind. But the lad’s face is like yours, my dear, and you bring
back the memory of my youth, just as the scent of some old-fashioned
flower, that our advanced horticulture has banished to a cottager’s
garden, brings back the grass-plot upon which I played at my mother’s
knees. Do you know what I mean to do, Mrs. Monckton?”
Eleanor lifted her eyebrows with an arch smile, as who should say,
“Your caprices are quite beyond my power of divination.”
“I mean to leave that miniature to you in my will, my dear.”
The maiden sisters started simultaneously, agitated by the same
emotion, and their eyes met.
“Yes, my dear,” Maurice de Crespigny repeated, “I shall leave that
miniature to you when I die. It’s not worth anything intrinsically;
but I don’t want you to be reminded of me when I am dead and gone,
except through your own tender feelings. You have been interested in
my stories of George Vane—who, with all his faults, and I’m not slow
to acknowledge them, was a brighter and better man than I was—and
it may please you sometimes to look at that picture. You’ve brought
a ray of sunlight across a very dismal pathway, my love,” added the
invalid, quite indifferent to the fact that this remark was by no
means complimentary to his devoted nurses and guardians, “and I am
grateful to you. If you were poor, I should leave you money. But you
are the wife of a rich man; and, beyond that, my fortune is already
disposed of. I am not free to leave it as I might wish; I have a duty
to perform, my dear; a duty which I consider sacred and imperative; and
I shall fulfil that duty.”
The old man had never before spoken so freely of his intentions with
regard to his money. The sisters sat staring blankly at each other,
with quickened breaths and pale faces.
What could this speech mean? Why, clearly that the money must be left
to them. What other duty could Maurice de Crespigny owe to any one? Had
they not kept guard over him for years, shutting him in, and separating
him from every living creature? What right had he to be grateful to any
one but them, inasmuch as they had taken good care that no one else
should ever do him a service?
But to the ears of Eleanor Monckton, the old man’s speech had another
signification; the blood mounted to her face, and her heart beat
violently. “He is thinking of Launcelot Darrell,” she thought; “he will
leave his fortune to Launcelot Darrell. He will die before he learns
the secret of my father’s wrongs. His will is already made, no doubt,
and he will die before I can dare to say to him, ‘Your niece’s son is a
trickster and a villain!’”
This was the only occasion upon which Maurice de Crespigny ever spoke
of his intentions with regard to the fortune that he must leave behind
him. He said, plainly enough, that Eleanor was to have none of his
money; and the sisters, who had until now kept a jealous watch upon
the old man and his favourite, were henceforward content to let Mrs.
Monckton come and go as she pleased. But for all this Eleanor was no
nearer the accomplishment of her great purpose.
Launcelot Darrell came to Tolldale, and in a certain easy and somewhat
indifferent manner paid his homage to his affianced wife. Laura was
happy by fits and starts; and by fits and starts utterly miserable,
when the horrible pangs of jealousy—jealousy of Eleanor, and jealous
doubts of her lover’s truth—tortured her breast. Gilbert Monckton
sat day after day in the library or the drawing-room, or Eleanor’s
morning-room, as the case might be, keeping watch over his wife and the
lovers.
But though the days and weeks went by with an unnatural rapidity, as it
seemed to Mrs. Monckton—with a wearisome slowness in the opinion of her
husband—the progress of time brought George Vane’s daughter no further
onward, by so much as one step, upon the pathway which she had chosen
for herself.
Christmas came; and the girl whose youth had been spent in the shabby
lodgings in which her father had hidden the poverty of his decline, the
patient young housekeeper who had been used to eke out ounces of tea,
and to entreat for brief respite and grace from aggrieved chandlers,
was called upon to play my Lady Bountiful at Tolldale Priory, and to
dole out beef and bread, blankets and brandy, coals and flannels, to a
host of hungry and shivering claimants.
Christmas passed, and the new year straggled into life under every
disadvantage of bad weather; while the spring, the dreaded early
spring, which was to witness Laura’s marriage, approached with a
stealthy footfall, creeping day by day nearer and nearer.
Eleanor, in very despair, appealed to Richard Thornton.
She appealed to him from the force of habit, perhaps: as a fretful
child complains to its mother: rather than from any hope that he could
aid her in her great scheme.
“Oh, Richard,” she wrote, despairingly, “help me, help me, help me! I
thought all would be so easy if I could once come to this place. But I
am here, and I see Launcelot Darrell every day, and yet I am no nearer
the end. What am I to do? January is nearly over; and in March, Laura
Mason is to marry that man. Mr. de Crespigny is very ill, and may die
at any moment, leaving his money to his niece’s son. Is this man, who
caused my father’s death, to have all the brightest and best things
this world can give? Is he to have a noble fortune and an amiable wife?
and am I to stand by and permit him to be happy; remembering what
happened upon that dreadful night in Paris—remembering that my father
lies in his unconsecrated grave, and that his blood is upon this man’s
head? Help me, Richard. Come to me; help me to find proof positive of
Launcelot Darrell’s guilt. You can help me, if you please. Your brain
is clearer, your perception quicker, than mine. I am carried away by my
own passion—blinded by my indignation. You were right when you said I
should never succeed in this work. I look to you to avenge my father’s
death.”