COCKLES AND CRAMBO.

Hazel Ripwinkley put on her nankeen sack and skirt, and her little

round, brown straw hat. For May had come, and almost gone, and it

was a day of early summer warmth.

Hazel's dress was not a "suit;" it had been made and worn two

summers before suits were thought of; yet it suited very well, as

people's things are apt to do, after all, who do not trouble

themselves about minutiæ of fashion, and so get no particular

antediluvian marks upon them that show when the flood subsides.

Her mother knew some things that Hazel did not. Mrs. Ripwinkley, if

she had been asleep for five and twenty years, had lost none of her

perceptive faculties in the trance. But she did not hamper her child

with any doubts; she let her go on her simple way, under the shield

of her simplicity, to test this world that she had come into, for

herself.

Hazel had written down her little list of the girls' names that she

would like to ask; and Mrs. Ripwinkley looked at it with a smile.

There was Ada Geoffrey, the banker's daughter, and Lilian Ashburne,

the professor's,--heiresses each, of double lines of birth and

wealth. She could remember how, in her childhood, the old names

sounded, with the respect that was in men's tones when they were

spoken; and underneath were Lois James and Katie Kilburnie, children

of a printer and a hatter. They had all been chosen for their purely

personal qualities. A child, let alone, chooses as an angel chooses.

It remained to be seen how they would come together.

Real Folks · 第 25 / 63 题