He buried himself in the darkness as in a gulf. Something urged him

on; something attracted him. What was going on in him no one could

tell, but all will understand it,--for what man has not entered, at

least once in his life, this obscure cavern of the unknown? However,

he had settled, decided, and done nothing; not one of the acts of his

conscience had been definitive, and he was still as unsettled as at the

beginning.

Why was he going to Arras? He repeated what he had already said on

hiring the gig of Scaufflaire--that, whatever the result might be,

there would be no harm in seeing with his own eyes, and judging matters

for himself--that this was prudent; and he was bound to know what was

going on--that he could not decide anything till he had observed and

examined--that, at a distance, a man made mountains of molehills--that

after all, when he had seen this Champmathieu, his conscience would

probably be quietly relieved, and he could let the scoundrel go to the

galleys in his place: that Javert would be there and the three convicts

who had known him,--but, nonsense! they would not recognize him, for

all conjectures and suppositions were fixed on this Champmathieu, and

there is nothing so obstinate as conjectures and suppositions,--and

that hence he incurred no danger. It was doubtless a black moment,

but he would emerge from it. After all, he held his destiny, however

adverse it might try to be, in his own hands, and was master of it. He

clung wildly to the latter thought.

Although, to tell the whole truth, he would have preferred not to go

to Arras, yet he went. While reflecting he lashed the horse, which

was going at that regular and certain trot which covers two leagues

and a half in an hour; and as the gig advanced, he felt something

within him recoil. At day-break he was in the open country, and the

town of M---- was far behind him. He watched the horizon grow white;

he looked, without seeing them, at all the cold figures of a winter

dawn. Morning has its spectres like night. He did not see them, but

unconsciously, and through a sort of almost physical penetration, these

black outlines of trees and hills added something gloomy and sinister

to the violent state of his soul. Each time that he passed one of those

isolated houses which skirt high roads, he said to himself: "And yet

there are people asleep in them." The trot of the horse, the bells on

the harness, the wheels on the stones, produced a gentle and monotonous

sound, which is delightful when you are merry, and mournful when you

are sad.

It was broad daylight when he reached Hesdin, and he stopped at the inn

to let the horse breathe and give it a feed. This horse, as Scaufflaire

had said, belonged to that small Boulonnais breed, which has too large

a head, too much stomach, and not enough neck, but which also has a

wide crupper, lean, slender legs, and a solid hoof: it is an ugly

but strong and healthy breed. The capital little beast had done five

leagues in two hours, and had not turned a hair.

He did not get out of the tilbury; the ostler who brought the oats

suddenly stooped down and examined the left wheel.

"Are you going far in this state?" the man said.

He answered almost without emerging from his reverie,--

"Why do you ask?"

"Have you come any distance?" the ostler continued.

"Five leagues."

"Ah!"

"Why do you say, 'Ah'?"

The ostler bent down again, remained silent for a moment, with his eye

fixed on the wheel, and then said as he drew himself up,--

"Because this wheel, which may have gone five leagues, cannot possibly

go another mile."

He jumped out of the tilbury.

"What are you saying, my friend?"

"I say that it is a miracle you and your horse did not roll into a

ditch by the road-side. Just look."

The wheel was, in fact, seriously damaged. The blow dealt it by the

mail-cart had broken two spokes, and almost carried away the axle-tree.

"My good fellow," he said to the ostler, "is there a wheelwright here?"

"Of course, sir."

"Be good enough to go and fetch him."

"He lives close by. Hilloh, Master Bourgaillard."

Master Bourgaillard was standing in his doorway: he examined the wheel,

and made a face like a surgeon regarding a broken leg.

"Can you mend this wheel?"

"Yes, sir."

"When can I start again?"

"To-morrow: there is a good day's work. Are you in a hurry, sir?"

"In a great hurry: I must set out again in an hour at the latest."

"It is impossible, sir."

"I will pay anything you ask."

"Impossible."

"Well, in two hours?"

"It is impossible for to-day; you will not be able to go on till

to-morrow."

"My business cannot wait till to-morrow. Suppose, instead of mending

this wheel, you were to put another on?"

"How so?"

"You are a wheelwright, and have probably a wheel you can sell me, and

then I could set out again directly."

"I have no ready-made wheel to suit your gig, for wheels are sold in

pairs, and it is not easy to match one."

"In that case, sell me a pair of wheels."

"All wheels, sir, do not fit all axle-trees."

"At any rate try."

"It is useless, sir; I have only cart-wheels for sale, for ours is a

small place."

"Have you a gig I can hire?"

The wheelwright had noticed at a glance that the tilbury was a hired

vehicle; he shrugged his shoulders.

"You take such good care of gigs you hire, that if I had one I would

not let it to you."

"Well, one to sell me?"

"I have not one."

"What, not a tax-cart? I am not particular, as you see."

"This is a small place. I have certainly," the wheelwright added, "an

old calèche in my stable, which belongs to a person in the town, and

who uses it on the thirty-sixth of every month. I could certainly let

it out to you, for it is no concern of mine, but the owner must not see

it pass; and besides, it is a calèche, and will want two horses."

"I will hire post-horses."

"Where are you going to, sir?"

"To Arras."

"And you wish to arrive to-day?"

"Certainly."

"By taking post-horses?"

"Why not?"

"Does it make any difference to you if you reach Arras at four o'clock

to-morrow morning?"

"Of course it does."

"There is one thing to be said about hiring post-horses; have you your

passport, sir?"

"Yes."

"Well, if you take post-horses, you will not reach Arras before

to-morrow. We are on a cross-country road. The relays are badly served,

and the horses are out at work. This is the ploughing season, and

as strong teams are required, horses are taken anywhere, from the

post-houses like the rest. You will have to wait three or four hours,

sir, at each station, and only go at a foot-pace, for there are many

hills to ascend."

"Well, I will ride. Take the horse out. I suppose I can purchase a

saddle here?"

"Of course, but will this horse carry a saddle?"

"No, I remember now that it will not."

"In that case--"

"But surely I can hire a saddle-horse in the village?"

"What! to go to Arras without a break?"

"Yes."

"You would want a horse such as is not to be found in these parts. In

the first place, you would have to buy it, as you are a stranger, but

you would not find one to buy or hire for five hundred francs,--not for

a thousand."

"What is to be done?"

"The best thing is to let me mend the wheel and put off your journey

till to-morrow."

"To-morrow will be too late."

"Hang it!"

"Is there not the Arras mail-cart? When does that pass?"

"Not till to-night."

"What! you will take a whole day in mending that wheel?"

"An honest day."

"Suppose you employed two workmen?"

"Ay, if I had ten."

"Suppose the spokes were tied with cords?"

"What is to be done with the axle? Besides, the felloe is in a bad

state."

"Is there any one who lets out vehicles in the town?"

"No."

"Is there another wheelwright?"

The ostler and the wheelwright replied simultaneously--,

"No."

He felt an immense joy, for it was evident that Providence was

interfering. Providence had broken the tilbury wheel and stopped his

journey. He had not yielded to this species of first summons; he had

made every possible effort to continue his journey; he had loyally and

scrupulously exhausted all resources; he had not recoiled before the

season, fatigue, or expense; and he had nothing to reproach himself

with. If he did not go farther, it did not concern him; it was not his

fault, it was not the doing of his conscience, but of Providence. He

breathed freely and fully for the first time since Javert's visit. He

felt as if the iron hand which had been squeezing his heart for twenty

hours had relaxed its grasp; God now appeared to be on his side, and

declared Himself openly. He said to himself that he had done all in his

power, and at present need only return home quietly.

Had the conversation with the wheelwright taken place in an inn-room,

it would probably have not been heard by any one,--matters would have

remained in this state, and we should probably not have had to record

any of the following events; but the conversation took place in the

street. Any colloquy in the street inevitably produces a crowd, for

there are always people who only ask to be spectators. While he was

questioning the wheelwright, some passers-by stopped around, and a lad

to whom no one paid any attention, after listening for some moments,

ran off. At the instant when the traveller made up his mind to turn

back, this boy returned, accompanied by an old woman.

"Sir," the woman said, "my boy tells me that you wish to hire a

conveyance?"

This simple remark, made by an old woman led by a child, made the

perspiration pour down his back. He fancied he saw the hand which had

let him loose reappear in the shadow behind him, ready to clutch him

again. He replied,--

"Yes, my good woman, I want to hire a gig."

And he hastily added, "But there is not one in the town."

"Yes there is," said the old woman.

"Where?" the wheelwright remarked.

"At my house," the old crone answered.

He gave a start, for the fatal hand had seized him again. The poor

woman really had a sort of wicker-cart under a shed. The wheelwright

and the ostler, sorry to see the traveller escape them, interfered:--

"It was a frightful rattle-trap, and had no springs,--it is a fact

that the inside seats were hung with leathern straps--the rain got into

it--the wheels were rusty, and ready to fall to pieces--it would not go

much farther than the tilbury--the gentleman had better not get into

it,"--and so on.

All this was true; but the rattle-trap, whatever it might be, rolled

on two wheels, and could go to Arras. He paid what was asked, left

the tilbury to be repaired against his return, had the horse put into

the cart, got in, and went his way. At the moment when the cart moved

ahead, he confessed to himself that an instant before he had felt a

sort of joy at the thought that he could not continue his journey. He

examined this joy with a sort of passion, and found it absurd. Why did

he feel joy at turning back? After all, he was making this journey of

his free will, and no one forced him to do so. And assuredly nothing

could happen, except what he liked. As he was leaving Hesdin, he heard

a voice shouting to him, "Stop, stop!" He stopped the cart with a

hurried movement in which there was something feverish and convulsive

that resembled joy. It was the old woman's boy.

"Sir," he said, "it was I who got you the cart."

"Well?"

"You have given me nothing."

He who gave to all, and so easily, considered this demand exorbitant,

and almost odious.

"Oh, it's you, scamp," he said; "well, you will not have anything."

He flogged his horse, which started again at a smart trot. He had lost

much time at Hesdin, and would have liked to recover it. The little

horse was courageous, and worked for two; but it was February, it

had been raining, and the roads were bad. The cart too ran much more

heavily than the tilbury, and there were numerous ascents. He took

nearly four hours in going from Hesdin to St. Pol: four hours for

five leagues! At St. Pol he pulled up at the first inn he came to,

and had the horse put in a stable. As he had promised Scaufflaire, he

stood near the crib while it was eating, and had troubled and confused

thoughts. The landlady entered the stable.

"Do you not wish to breakfast, sir?"

"It is true," said he, "I am very hungry."

He followed the woman, who had a healthy, ruddy face; she led him to a

ground-floor room, in which were tables covered with oil-cloth.

"Make haste," he remarked, "for I am in a great hurry."

A plump Flemish servant-girl hastened to lay the cloth, and he looked

at her with a feeling of comfort.

"That was the trouble," he thought; "I had not breakfasted."

He pounced upon the bread, bit a mouthful, and then slowly laid it back

on the table, and did not touch it again. A wagoner was sitting at

another table, and he said to him,--

"Why is their bread so bitter?"

The wagoner was a German, and did not understand him; he returned to

his horse. An hour later he had left St. Pol, and was proceeding toward

Tinques, which is only five leagues from Arras. What did he do during

the drive? What was he thinking of? As in the morning, he looked at

the trees, the roofs, the ploughed fields, and the diversities of a

landscape which every turn in the road changes, as he passed them. To

see a thousand different objects for the first and last time is most

melancholy! Travelling is birth and death at every moment. Perhaps

in the vaguest region of his mind he made a comparison between the

changing horizon and human existence, for everything in this life is

continually flying before us. Shadow and light are blended; after a

dazzling comes an eclipse; every event is a turn in the road, and all

at once you are old. You feel something like a shock, all is black,

you distinguish an obscure door, and the gloomy horse of life which

dragged you, stops, and you see a veiled, unknown form unharnessing it.

Twilight was setting in at the moment when the school-boys, leaving

school, saw this traveller enter Tinques. He did not halt there, but as

he left the village, a road-mender, who was laying stones, raised his

head, and said to him,--

"Your horse is very tired."

The poor brute, in fact, could not get beyond a walk.

"Are you going to Arras?" the road-mender continued.

"Yes."

"If you go at that pace, you will not reach it very soon."

He stopped his horse, and asked the road-mender--,

"How far is it from here to Arras?"

"Nearly seven long leagues."

"How so? The post-book says only five and a quarter leagues."

"Ah" the road-mender continued, "you do not know that the road is under

repair; you will find it cut up about a mile farther on, and it is

impossible to pass."

"Indeed!"

"You must take the road on the left, that runs to Carency, and cross

the river; when you reach Camblin you will turn to the right, for it is

the Mont St. Eloy road that runs to Arras."

"But I shall lose my way in the dark."

"You do not belong to these parts?"

"No."

"And it is a cross-road; stay, sir," the road-mender continued; "will

you let me give you a piece of advice? Your horse is tired, so return

to Tinques, where there is a good inn; sleep there, and go to Arras

to-morrow."

"I must be there to-night."

"That is different. In that case go back to the inn all the same, and

hire a second horse. The stable boy will act as your guide across the

country."

He took the road-mender's advice, turned back, and half an hour after

passed the same spot at a sharp trot with a strong second horse. A

stable lad, who called himself a postilion, was sitting on the shafts

of the cart. Still he felt that he had lost time, for it was now dark.

They entered the cross-road, and it soon became frightful; the cart

tumbled from one rut into another, but he said to the postilion,--

"Keep on at a trot, and I will give you a double fee."

In one of the jolts the whipple-tree broke.

"The whipple-tree is broken, sir," said the postilion, "and I do not

know how to fasten my horse, and the road is very bad by night. If you

will go back and sleep at Tinques, we can get to Arras at an early hour

to-morrow."

He answered, "Have you a piece of rope and a knife?"

"Yes, sir."

He cut a branch and made a whipple-tree; it was a further loss of

twenty minutes, but they started again at a gallop. The plain was

dark, and a low, black fog was creeping over the hills. A heavy wind,

which came from the sea, made in all the corners of the horizon a

noise like that of furniture being moved. All that he could see had

an attitude of terror, for how many things shudder beneath the mighty

breath of night! The cold pierced him, for he had eaten nothing since

the previous morning. He vaguely recalled his other night-excursion, on

the great plain of D---- eight years before, and it seemed to him to

be yesterday. A clock struck from a distant steeple, and he asked the

lad,--

"What o'clock is that?"

"Seven, sir, and we shall be at Arras by eight, for we have only three

leagues to go."

At this moment he made for the first time this reflection--and

considered it strange that it had not occurred to him before--that all

the trouble he was taking was perhaps thrown away; he did not even know

the hour for the trial, and he might at least have asked about that; it

was extravagant to go on thus, without knowing if it would be of any

service. Then he made some mental calculations: usually the sittings of

assize courts began at nine o'clock; this matter would not occupy much

time, the theft of the apples would be easily proved, and then there

would be merely the identification, four or five witnesses to hear, and

little for counsel to say. He would arrive when it was all over.

The postilion flogged the horses; they had crossed the river and left

Mont St Hoy behind them; the night was growing more and more dark.

CHAPTER VI.

SISTER SIMPLICE IS SORELY TRIED.

At this very moment Fantine was joyful. She had passed a very bad

night, she had coughed fearfully, and her fever had become worse. In

the morning, when the physician paid his visit, she was raving; he felt

alarmed, and begged to be sent for so soon as M. Madeleine arrived.

All the morning she was gloomy, said little, and made folds in sheets,

while murmuring in a low voice, and calculating what seemed to be

distances. Her eyes were hollow and fixed, they seemed almost extinct,

and then, at moments, they were relit, and flashed like stars. It seems

as if, on the approach of a certain dark hour, the brightness of heaven

fills those whom the brightness of earth is quitting. Each time that

Sister Simplice asked her how she was, she invariably answered, "Well,

but I should like to see M. Madeleine."

A few months previously, at the time when Fantine lost her last

modesty, her last shame, and her last joy, she was the shadow of

herself: now she was the ghost. Physical suffering had completed the

work of moral suffering. This creature of five-and-twenty years of

age had a wrinkled forehead, sunken cheeks, a pinched nose, a leaden

complexion, a bony neck, projecting shoulder-blades, thin limbs, an

earthy skin, and white hairs were mingled with the auburn. Alas! how

illness improvises old age! At mid-day, the physician returned, wrote a

prescription, inquired whether M. Madeleine had been to the infirmary,

and shook his head. M. Madeleine usually came at three o'clock, and

as punctuality was kindness, he was punctual. At about half-past two

Fantine began to grow agitated, and in the next twenty minutes asked

the nun more than ten times, "What o'clock is it?"

Three o'clock struck: at the third stroke Fantine, who usually could

scarce move in her bed, sat up; she clasped her thin yellow hands in a

sort of convulsive grasp, and the nun heard one of those deep sighs,

which seem to remove a crushing weight, burst from her chest. Then

Fantine turned and looked at the door: but no one entered, and the door

was not opened. She remained thus for a quarter of an hour, with her

eyes fixed on the door, motionless, and holding her breath. The nun did

not dare speak to her, and as the clock struck the quarter, Fantine

fell back on her pillow. She said nothing, and began again making folds

in the sheet. The half-hour passed, then the hour, and no one came.

Each time the clock struck Fantine sat up, looked at the door, and then

fell back again. Her thoughts could be clearly read, but she did not

say a word, complain, or make any accusation: she merely coughed in a

sad way. It seemed as if something dark was settling down on her, for

she was livid and her lips were blue. She smiled every now and then.

When five o'clock struck, the nun heard her say very softly and

sweetly, "As I am going away to-morrow, it was wrong of him not to come

to-day." Sister Simplice herself was surprised at M. Madeleine's delay.

In the mean while Fantine looked up at the top of her bed, and seemed

to be trying to remember something: all at once she began singing in

a voice faint as a sigh. It was an old cradle-song with which she had

in former times lulled her little Cosette to sleep, and which had not

once recurred to her during the five years she had been parted from her

child. She sang with so sad a voice and to so soft an air, that it was

enough to make any one weep, even a nun. The sister, who was accustomed

to austere things, felt a tear in her eye. The clock struck, and

Fantine did not seem to hear it: she appeared not to pay any attention

to things around her. Sister Simplice sent a servant-girl to inquire of

the portress of the factory whether M. Madeleine had returned and would

be at the infirmary soon: the girl came back in a few minutes. Fantine

was still motionless and apparently engaged with her own thoughts. The

servant told Sister Simplice in a very low voice that the Mayor had

set off before six o'clock that morning in a small tilbury; that he

had gone alone, without a driver; that no one knew what direction he

had taken, for while some said they had seen him going along the Arras

road, others declared they had met him on the Paris road. He was, as

usual, very gentle, and he had merely told his servant she need not

expect him that night.

While the two women were whispering with their backs turned to Fantine,

the sister questioning, and the servant conjecturing, Fantine, with

the feverish vivacity of certain organic maladies which blend the free

movements of health with the frightful weakness of death, had knelt in

bed, with her two clenched hands supported by the pillow, and listened

with her head thrust between the curtains. All at once she cried,--

"You are talking about M. Madeleine: why do you whisper? What is he

doing, and why does he not come?"

Her voice was so loud and hoarse that the two women fancied it a man's

voice, and they turned round in alarm.

"Answer!" Fantine cried.

The servant stammered,--

"The portress told me that he could not come to-day."

"My child," the sister said, "be calm and lie down again."

Fantine, without changing her attitude, went on in a loud voice and

with an accent at once imperious and heart-rending,--

"He cannot come: why not? You know the reason. You were whispering it

to one another, and I insist on knowing."

The servant hastily whispered in the nun's ear, "Tell her that he is

engaged at the Municipal Council."

Sister Simplice blushed slightly, for it was a falsehood that the

servant proposed to her. On the other hand it seemed to her that

telling the patient the truth would doubtless deal her a terrible blow,

and this was serious in Fantine's present condition. The blush lasted

but a little while: the sister fixed her calm sad eye on Fantine, and

said,--

"The Mayor is gone on a journey."

Fantine rose and sat up on her heels, her eyes sparkled, and an

ineffable joy shone on her sad face.

"He has gone to fetch Cosette," she exclaimed.

Then she raised her hands to heaven, and her lips moved: she was

praying. When she had finished she said, "My sister, I am willing to

lie down again and do everything you wish: I was naughty just now.

I ask your pardon for having spoken so loud, for I know that it was

wrong, good sister; but, look you, I am so happy. God is good, and M.

Madeleine is good: only think, he has gone to Montfermeil to fetch my

little Cosette."

She lay down again, helped the nun to smooth her pillow, and kissed a

little silver cross she wore on her neck, and which Sister Simplice had

given her.

"My child," the sister said, "try to go to sleep now, and do not speak

any more."

"He started this morning for Paris, and indeed had no occasion to go

there; for Montfermeil is a little to the left before you get there.

You remember how he said to me yesterday when I asked him about

Cosette, "Soon, soon"? He wishes to offer me a surprise, for, do you

know, he made me sign a letter to get her back from the Thénardiers.

They cannot refuse to give up Cosette, can they? for they are paid;

the authorities would not allow a child to be kept, for now there is

nothing owing. Sister, do not make me signs that I must not speak,

for I am extremely happy: I am going on very well, I feel no pain at

all; I am going to see Cosette again, and I even feel very hungry. It

is nearly five years since I saw her: you cannot imagine how a mother

clings to her child,--and then she must be so pretty. She has such

pretty pink fingers, and she will have beautiful hands. She must be

a great girl now, for she is going on to seven. I call her Cosette,

but her real name is Euphrasie. This morning I was looking at the

dust on the mantel-piece, and I had a notion that I should soon see

Cosette again. Good Lord! how wrong it is for a mother to be so many

years without seeing her child! She ought to reflect that life is not

eternal. Oh, how kind it is of the Mayor to go! Is it true that it is

so cold? I hope he took his cloak. He will be here again to-morrow,

will he not? and we will make a holiday of it. To-morrow morning,

sister, you will remind me to put on my little cap with the lace

border. Montfermeil is a great distance, and I came from there to this

town on foot, and it took me a long time; but the stage-coaches travel

so quickly! He will be here to-morrow with Cosette. How far is it to

Montfermeil?"

The sister, who had no notion of distances, answered, "Oh, I believe he

can be here to-morrow."

"To-morrow! to-morrow!" said Fantine; "I shall see Cosette to-morrow,

my good sister! I am not ill now; I feel wild, and would dance if you

permitted me."

Any one who had seen her a quarter of an hour before would not have

understood it; she was now quite flushed, she spoke with an eager

natural voice, and her whole face was a smile. At times she laughed

while speaking to herself in a low voice. A mother's joy is almost a

childish joy.

"Well!" the nun said, "you are now happy. So obey me and do not speak

any more."

Fantine laid her head on the pillow, and said in a low voice, "Yes,

lie down, behave yourself, as you are going to have your child. Sister

Simplice is right: all in this place are right."

And then, without stirring, without moving her head, she began looking

around with widely opened eyes and a joyous air, and said nothing more.

The sister closed the curtains, hoping she would fall off to sleep. The

physician arrived between seven and eight o'clock. Hearing no sound,

he fancied Fantine asleep. He entered softly and walked up to the bed

on tip-toe. He opened the curtains, and by the light of the lamp saw

Fantine's large calm eyes fixed on him. She said to him,--

"Oh, sir, my child will be allowed to sleep in a little cot by my

bed-side?"

The physician fancied she was delirious. She added,--

"Only look; there is exactly room."

The physician took Sister Simplice on one side who explained the matter

to him: that M. Madeleine was absent for a day or two, and being in

doubt they had not thought it right to undeceive the patient, who

fancied that he had gone to Montfermeil, and she might possibly be in

the right. The physician approved, and drew near to Fantine's bed. She

said to him,--

"In the morning, when the poor darling wakes, I will say good-day to

her, and at night I, who do not sleep, will listen to her sleeping. Her

gentle little breathing will do me good."

"Give me your hand," said the physician.

"Oh yes, you do not know that I am cured. Cosette arrives to-morrow."

The physician was surprised to find her better: the oppression was

slighter, her pulse had regained strength, and a sort of altogether

unlooked-for life reanimated the poor exhausted being.

"Doctor," she continued, "has the sister told you that M. Madeleine has

gone to fetch my darling?"

The physician recommended silence, and that any painful emotion should

be avoided: he prescribed a dose of quinine, and if the fever returned

in the night, a sedative; and as he went away, he said to the sister:

"She is better. If the Mayor were to arrive with the child to-morrow, I

do not know what would happen: there are such astounding crises; great

joy has been known to check diseases; and though hers is an organic

malady, and in an advanced stage, it is all a mystery;--we might

perchance save her."

CHAPTER VII

THE TRAVELLER TAKES PRECAUTIONS FOR RETURNING.

It was nearly eight in the evening when the cart we left on the road

drove under the archway of the post-house at Arras. The man whom we

have followed up to this moment got out, discharged the second horse,

and himself led the white pony to the stables; then he pushed open the

door of a billiard room on the ground-floor, sat down, and rested his

elbows on the table. He had taken fourteen hours in a journey for which

he had allowed himself six. He did himself the justice that it was no

fault of his, but in his heart he was not sorry at it. The landlady

came in.

"Will you sleep here, sir?"

He nodded in the negative.

"The ostler says that your horse is extremely tired."

"Will it not be able to start again to-morrow morning?"

"Oh dear, no, sir; it requires at least two days' rest."

"Is not the postoffice in this house?"

"Yes, sir."

The landlady led him to the office, where he showed his passport,

and inquired whether he could return to M---- the same night by the

mail-cart. Only one seat was vacant, and he took it and paid for

it. "Do not fail, sir," said the clerk, "to be here at one o'clock

precisely."

This done, he left the hotel, and began walking about the streets. He

was not acquainted with Arras, the streets were dark, and he walked

about hap-hazard, but he seemed obstinately determined not to ask his

way of passers-by. He crossed the little river Crinchon, and found

himself in a labyrinth of narrow lanes, in which he lost his way. A

citizen came toward him with a lantern, whom, after some hesitation, he

resolved to address, though not till he had looked before and behind

him, as if afraid lest anybody should overhear the question he was

about to ask.

"Will you be kind enough to tell me the way to the courts of justice,

sir?" he said.

"You do not belong to the town, sir?" replied the man, who was rather

old; "well, follow me, I am going in the direction of the courts,

that is to say, of the Prefecture, for the courts are under repair at

present, and the sittings take place temporarily at the Prefecture."

"Are the assizes held there?" he asked.

"Of course, sir: you must know that what is now the Prefecture was the

Bishop's palace before the Revolution. Monsieur de Conzié, who was

Bishop in '92, had a large hall built there, and the trials take place

in this hall."

On the road, the citizen said to him,--

"If you wish to witness a trial you are rather late, for the court

usually closes at six o'clock."

However, when they arrived in the great square the old man showed him

four lofty lighted windows in a vast gloomy building.

"On my word, sir," he said, "you have arrived in time, and are in

luck's way. Do you see those four windows? They belong to the assize

courts. As there are lights, it is not closed yet: there must have

been a long trial, and they are having an evening session. Are you

interested in the trial? Is it a criminal offence, or are you a

witness?"

He answered,--

"I have not come for any trial: I only wish to speak to a solicitor."

"That is different. That is the door, sir, where the sentry is

standing, and you have only to go up the large staircase."

He followed the old man's instructions, and a few minutes later was in

a large hall, in which there were a good many people, and groups of

robed barristers were gossiping together. It is always a thing that

contracts the heart, to see these assemblies of men dressed in black,

conversing in a low voice on the threshold of a court of justice. It

is rare for charity and pity to be noticed in their remarks, for they

generally express condemnations settled before trial. All such groups

appear to the thoughtful observer so many gloomy hives, in which

buzzing minds build in community all sorts of dark edifices. This hall,

which was large and only lighted by one lamp, served as a waiting-room:

and folding-doors, at this moment closed, separated it from the grand

chamber in which the assizes were being held. The obscurity was so

great, that he was not afraid of addressing the first barrister he came

across.

"How is it going, sir?" he said.

"It is finished."

"Finished!" This word was repeated with such an accent, that the

barrister turned round.

"I beg your pardon, sir, but perhaps you are a relative?"

"No, I know no one here. Was a verdict of guilty brought in?"

"Of course; it could not possibly be otherwise."

"The galleys?"

"For life."

He continued in a voice so faint that it was scarce audible,--

"Then, the identity was proved?"

"What identity?" the barrister retorted. "Nothing of the sort was

required; the affair was simple,--the woman had killed her child, the

infanticide was proved, the jury recommended her to mercy, and she was

sentenced to imprisonment for life."

"You are alluding to a woman, then?"

"Why, of course; a girl of the name of Limosin. To whom were you

referring, pray?"

"To nobody; but as the trial is over, how is it that the court is still

lighted?"

"It is for the other trial, which began about two hours back."

"What other trial?"

"Oh, it is clear too; he is a sort of beggar, a relapsed galley slave,

who has been robbing. I forget his name, but he has a regular bandit

face, on the strength of which I would send him to the galleys if for

nothing else."

"Is there any way of entering the court, sir?" he asked.

"I do not think so, for it is very full. Still, the trial is suspended,

and some persons have gone out. When the court resumes, you can try."

"Which is the way in?"

"By that large door."

The barrister left him; in a few minutes he had experienced almost

simultaneously, and confusedly blended, every emotion possible. The

words of this indifferent person had by turns pierced his heart like

needles of ice and like red-hot sword-blades. When he found that the

trial was not over, he breathed again; but he could not have said

whether what he felt were satisfaction or pain. He walked up to several

groups and listened to what they were saying; as the trial list was

very heavy, the President had selected for this day two simple and

short cases. They had begun with the infanticide, and were now engaged

with the relapsed convict, the "return horse." This man had stolen

apples, but it was proved that he had already been at the Toulon

galleys. It was this that made his case bad. His examination and the

deposition of the witnesses were over; but there were still the speech

for the defence and the summing up, and hence it would not be finished

till midnight. The man would probably be condemned, for the public

prosecutor was sharp, and did not let his accused escape; he was a

witty fellow who wrote verses. An usher was standing near the door

communicating with the court, and he asked him,--

"Will this door be opened soon?"

"It will not be opened," said the usher.

"Will it not be opened when the court resumes its sitting?"

"It has resumed," the usher replied, "but the door will not be opened."

"Why not?"

"Because the hall is full."

"What! is there no room?"

"For not a soul more. The door is closed, and no one can go in."

The usher added after a pause,--"There are certainly two or three seats

behind the President, but he only admits public officials to them."

After saying this, the usher turned his back on him. He withdrew with

hanging head, crossed the waiting-room, and slowly went down the

stairs, hesitating at every step. He was probably holding counsel with

himself; the violent combat which had been going on in him since the

previous day was not finished, and every moment he entered some new

phase. On reaching the landing he leaned against the banisters and

folded his arms; but all at once he took his pocket-book, tore a leaf

from it, wrote in pencil upon it, "M. Madeleine, Mayor of M. sur M.;"

then he hurried up the stairs, cleft the crowd, walked up to the usher,

handed him the paper, and said to him with an air of authority,--"Hand

this to the President." The usher took the paper, glanced at it, and

obeyed.

CHAPTER VIII.

INSIDE THE COURT.

Without suspecting the fact, the Mayor of M---- enjoyed a species of

celebrity. During the seven years that his reputation for virtue had

filled the whole of the Bas Boulonnais, it had gradually crossed the

border line into two or three adjoining departments. In addition to

the considerable service he had done the chief town, by restoring

the glass-bead trade, there was not one of the one hundred and forty

parishes in the bailiwick of M---- which was not indebted to him for

some kindness. He had ever assisted and promoted, when necessary, the

trades of other departments: thus he had supported with his credit and

funds, the tulle factory at Boulogne, the flax-spinning machine at

Nivers, and the hydraulic manufacture of canvas at Bourbus sur Cauche.

The name of M. Madeleine was everywhere pronounced with veneration, and

Arras and Douai envied the fortunate little town of M---- its Mayor.

The Councillor of the Royal Court of Douai, who presided at the present

Arras assizes, like every one else, was acquainted with this deeply and

universally honored name. When the usher discreetly opened the door of

the judges' robing room, leaned over the President's chair, and handed

him the paper, adding, "This gentleman wishes to hear the trial," the

President made a deferential movement, took up a pen, wrote a few words

at the foot of the paper, and returned it to the usher, saying,--"Show

him in."

The unhappy man whose history we are recording had remained near the

door of the court at the same spot and in the same attitude as when

the usher left him. He heard through his reverie some one say to him,

"Will you do me the honor of following me, sir?" It was the same usher

who had turned his back on him just before, and who now bowed to the

ground. At the same time the usher handed him the paper; he unfolded

it, and as he happened to be near the lamps he was able to read, "The

President of the Assize Court presents his respects to M. Madeleine."

He crumpled the paper in his hands, as if the words had a strange and

bitter after-taste for him. He followed the usher, and a few minutes

later found himself alone in a room of severe appearance, lighted by

two wax candles standing on a green-baize covered table. He still had

in his ears the last words of the usher, who had just left him,--

"You are in the judges' chamber; you have only to turn the handle of

that door, and you will find yourself in court behind the President's

chair." These words were mingled in his thoughts with a confused

recollection of narrow passages and dark staircases, which he had just

passed through. The usher had left him alone; the supreme moment had

arrived. He tried to collect himself, but could not succeed; for it is

especially in the hours when men have the most need of thought that

all the threads are broken in the brain. He was at the actual spot

where the judges deliberate and pass sentence. He gazed with stupid

tranquillity at this peaceful and yet formidable room, in which so

many existences had been broken, where his name would be echoed ere

long, and which his destiny was traversing at this moment. He looked

at the walls and then at himself, astonished that it was this room

and that it was he. He had not eaten for more than twenty-four hours,

he was exhausted by the jolting of the cart, but he did not feel it;

it seemed to him that he did not feel anything. He walked up to a

black frame hanging on the wall, and which contained under glass an

autograph letter of Jean Nicolas Pache, Mayor of Paris, and Minister,

dated, doubtless in error, Juin 9 an II., and in which Pache sent

to the commune a list of the ministers and deputies under arrest at

their own houses. Any who saw him at this moment would doubtless have

imagined that this letter appeared to him very curious, for he did not

remove his eyes from it, and read it two or three times. But he read it

without paying attention; and unconsciously he was thinking of Fantine

and Cosette.

While thinking, he turned, and his eyes met the brass handle of the

door that separated him from the assize court. He had almost forgotten

this door, but his eye, at first calm, rested on it, then became wild

and fixed, and was gradually filled with terror. Drops of perspiration

started out from his hair and streamed down his temples. At one

moment he made with a species of authority blended with rebellion

that indescribable gesture which means and says so well,--"By heaven,

who forces me?" Then he turned hurriedly, saw before him the door by

which he had entered, walked up, opened it, and went out. He was no

longer in that room, but in a passage, a long narrow passage, cut up by

steps and wickets, making all sorts of turns, lit up here and there by

reflectors like the night-lamps for the sick,--the passage by which he

had come. He breathed, he listened, not a sound behind him, not a sound

before him, and he began to fly as if he were pursued. When he had

passed several turnings, he listened again,--there was still the same

silence and the same gloom around him. He panted, tottered, and leaned

against the wall; the stone was cold, the perspiration was chilled on

his forehead, and he drew himself up with a shudder. Then standing

there alone, trembling from cold, and perhaps from something else, he

thought. He had thought all night, he had thought all day; but he only

heard within him a voice that said, Alas!

A quarter of an hour passed thus; at length he inclined his head,

sighed with agony, let his arms droop, and turned back. He walked

slowly and as if stunned; it looked as if he had been caught up in his

flight, and was being brought back. He entered the judges chamber, and

the first thing he saw was the handle of the door. This handle, which

was round and made of polished brass, shone for him like a terrific

star; he looked at it as a sheep would look at the eye of a tiger. His

eyes would not leave it, and from time to time he took a step which

brought him nearer to the door. Had he listened he would have heard,

like a species of confused murmur, the noise in the adjoining court;

but he did not listen and did not hear. All at once, and without

knowing how, he found himself close to the door; he convulsively seized

the handle, and the door opened. He was in the assize court.

CHAPTER IX.

THE TRIAL.

He advanced a step, closed the door mechanically after him, and gazed

at the scene before him. It was a dimly-lighted large hall, at one

moment full of sounds, and at another of silence, in which all the

machinery of a criminal trial was displayed, with its paltry and

lugubrious gravity, in the midst of a crowd. At one of the ends of

the hall, the one where he was, judges with a vacant look, in shabby

gowns, biting their nails or shutting their eye-lids; barristers in

all sorts of attitudes; soldiers with honest harsh faces; old stained

wainscoting, a dirty ceiling; tables covered with baize, which was

rather yellow than green; doors blackened by hands; pot-house sconces

that produced more smoke than light, hanging from nails driven into

the wall; upon the tables brass candlesticks,--all was obscurity,

ugliness, and sadness. But all this yet produced an austere and august

impression, for the grand human thing called law, and the great divine

thing called justice, could be felt in it.

No one in this crowd paid any attention to him, for all eyes converged

on a single point,--a wooden bench placed against a little door,

along the wall on the left of the President; on this bench, which

was illumined by several candles, sat a man between two gendarmes.

This man was the man; he did not seek him, he saw him; his eyes went

there naturally, as if they had known beforehand where that face was.

He fancied he saw himself, aged, not absolutely alike in face, but

exactly similar in attitude and appearance, with his bristling hair,

with his savage restless eyeballs, and the blouse, just as he was on

the day when he entered D----, full of hatred, and concealing in his

mind that hideous treasure of frightful thoughts which he had spent

nineteen years in collecting on the pavement of the bagne. He said to

himself with a shudder, "My God! shall I become again like that?" This

being appeared to be at least sixty years of age; he had something

about him rough, stupid, and startled. On hearing the sound of the

door, persons made way for the new comer, the President had turned his

head, and guessing that the gentleman who had just entered was the

Mayor of M----, he bowed to him. The public prosecutor who had seen

M. Madeleine at M----, whither his duties had more than once called

him, recognized him and also bowed. He scarce noticed it, for he was

under a species of hallucination; he was looking at a judge, a clerk,

gendarmes, a number of cruelly curious faces,--he had seen all this

once, formerly, seven-and-twenty years ago. These mournful things he

found again,--they were there, stirring, existing; it was no longer an

effort of his memory, a mirage of his mind; they were real gendarmes,

real judges, a real crowd, and real men in flesh and bone. He saw all

the monstrous aspect of his past reappear, and live again around him,

with all the terror that reality possesses. All this was yawning before

him; he felt terrified, closed his eyes, and exclaimed in the depths

of his mind. Never! And by a tragic sport of fate which made all his

ideas terrible and rendered him nearly mad, it was another himself who

was there. This man who was being tried everybody called Jean Valjean.

He had before him an unheard-of vision, a species of representation of

the most horrible moment of his life played by his phantom. All was

there,--it was the same machinery, the same hour of the night, almost

the same faces of judges, soldiers, and spectators. The only difference

was that there was a crucifix over the President's head, which had been

removed from the courts at the time of his condemnation. When he was

tried God was absent. There was a chair behind him, into which he fell,

terrified by the idea that people could see him. When he was seated he

took advantage of a pile of paste-board cases on the judges' desk to

hide his face from the spectators. He could now see without being seen:

he fully regained the feeling of the real, and gradually recovered. He

attained that phase of calmness in which a man can listen. Monsieur

Bamatabois was serving on the jury. He looked for Javert, but could not

see him, for the witnesses' bench was hidden by the clerk's table, and

then, as we have said, the court was hardly lighted.

At the moment when he came in, the counsel for the defence was ending

his speech. The attention of all was excited to the highest pitch; for

three hours they had seen a man, a stranger, a species of miserable

being, deeply stupid or deeply clever, being gradually crushed by the

weight of a terrible resemblance. This man, as we know already, was a

vagabond who was found in a field, carrying a branch covered with ripe

apples, which had been broken off a tree in a neighboring orchard. Who

was this man? Inquiries had been made, and witnesses heard; they were

unanimous, and light had flashed all through the trial. The accusation

said,--"We have got hold not only of a fruit-stealer, a marauder,

but we hold under our hand a bandit, a man who has broken his ban,

an ex-convict, a most dangerous villain, a malefactor of the name of

Jean Valjean, whom justice has been seeking for a long time, and who,

eight years ago, on leaving Toulon, committed a highway robbery with

violence on a Savoyard lad, called Little Gervais, a crime provided

for by Article 383 of the penal code, for which we intend to prosecute

him hereafter, when the identity has been judicially proved. He has

just committed a fresh robbery, and that is a case of relapse. Find him

guilty of the new offence, and he will be tried at a later date for

the old one." The prisoner seemed highly amazed at this accusation and

the unanimity of the witnesses; he made gestures and signs intended to

deny, or else looked at the ceiling. He spoke with difficulty, answered

with embarrassment, but from head to foot his whole person denied.

He was like an idiot in the presence of all these intellects ranged

in battle-array round him, and like a stranger in the midst of this

society which seized him. Still, a most menacing future was hanging

over him; the probability of his being Jean Valjean increased with each

moment, and the entire crowd regarded with greater anxiety than himself

the sentence full of calamity which was gradually settling down on him.

An eventuality even offered a glimpse of a death-penalty, should the

identity be proved, and he was hereafter found guilty of the attack on

Little Gervais. Who was this man? Of what nature was his apathy? Was it

imbecility or cunning? Did he understand too much, or did he understand

nothing at all? These questions divided the crowd, and the jury seemed

to share their opinion. There was in this trial something terrific and

something puzzling; the drama was not only gloomy, but it was obscure.

The counsel for the defence had argued rather cleverly, in that

provincial language which for a long time constituted the eloquence

of the bar, and which all barristers formerly employed, not only at

Paris but at Romorantin or Montbrison, and which at the present day,

having become classical, is only spoken by public prosecutors, whom

it suits through its serious sonorousness and majestic movements. It

is the language in which a husband is called a "consort;" a wife,

a "spouse;" Paris, "the centre of the arts and of civilization;"

the king, "the Monarch;" the bishop, a "holy Pontiff;" the public

prosecutor, the "eloquent interpreter of the majesty of the law;"

the pleadings, the "accents which we have just heard;" the age of

Louis XIV., "the great age;" a theatre, the "temple of Melpomene;"

the reigning family, the "august blood of our kings;" a concert, "a

musical solemnity;" the general commanding in the department, "the

illustrious warrior who, etc.;" the pupils of the seminary, "those

tender Levites;" the mistakes imputed to the newspapers, "the imposture

which distils its venom in the columns of these organs," etc., etc.

The barrister had, consequently, begun by explaining away the robbery

of the apples,--rather a difficult thing in this grand style; but

Bénigne Bossuet himself was obliged to allude to a fowl in the midst

of a formal speech, and got out of the difficulty with glory. The

barrister had established the fact that the apple robbery was not

materially proved,--his client, whom, in his quality as defender, he

persistently called Champmathieu, had not been seen by any one scaling

a wall or breaking the branch; he had been arrested with the branch

in his possession, but he declared that he found it on the ground

and picked it up. Where was the proof of the contrary? This branch

had been broken off and then thrown away by the frightened robber,

for doubtless there was one. But where was the evidence that this

Champmathieu was a robber? Only one thing, his being an ex-convict.

The counsel did not deny that this fact seemed unluckily proved. The

prisoner had lived at Faverolles; he had been a wood-cutter; the name

of Champmathieu might possibly be derived from Jean Mathieu; lastly,

four witnesses unhesitatingly recognized Champmathieu as the galley

slave, Jean Valjean. To these indications, to this testimony, the

counsel could only oppose his client's denial, which was certainly

interested: but, even supposing that he was the convict Jean Mathieu,

did that prove he was the apple-stealer? It was a presumption at the

most, but not a proof. The accused, it was true,--and his counsel was

obliged "in his good faith" to allow it,--had adopted a bad system of

defence; he insisted in denying everything,--not merely the robbery,

but his quality as convict. A confession on the latter point would have

doubtless been better, and gained him the indulgence of his judges;

the counsel had advised him to do so, but the prisoner had obstinately

refused, probably in the belief that he would save everything by

confessing nothing. This was wrong, but should not his scanty intellect

be taken into consideration? This man was visibly stupid: a long misery

at the galleys, a long wretchedness out of them, had brutalized him,

etc., etc.; his defence was bad, but was that a reason to find him

guilty? As for the offence on Little Gervais, the counsel need not

argue that, as it was not included in the indictment. The counsel wound

up by imploring the jury and the court, if the identity of Jean Valjean

appeared to them proved, to punish him as a criminal who had broken his

ban, and not apply the fearful chastisement which falls on the relapsed

convict.

The public prosecutor replied. He was violent and flowery, as public

prosecutors usually are. He congratulated the counsel for the defence

on his "fairness," and cleverly took advantage of it; he attacked

the prisoner with all the concessions which his counsel had made. He

appeared to allow that the prisoner was Jean Valjean, and he therefore

was so. This was so much gained for the prosecution, and could not be

contested; and here, reverting cleverly to the sources and causes of

criminality, the public prosecutor thundered against the immorality

of the romantic school, at that time in its dawn under the name of

the "Satanic school," which the critics of the _Quotidienne_ and the

_Oriflamme_ had given it; and he attributed, not without some show of

reason, the crime of Champmathieu, or to speak more correctly, of Jean

Valjean, to this perverse literature. These reflections exhausted,

he passed to Jean Valjean himself. Who was this Jean Valjean? Here

came a description of Jean Valjean, a monster in human form, etc. The

model of this sort of description will be found in the recitation of

Théramène, which is not only useful to tragedy but daily renders great

services to judicial eloquence. The audience and the jury "quivered,"

and when the description was ended, the public prosecutor went on, with

an oratorical outburst intended to excite to the highest pitch the

enthusiasm of the country papers which would appear the next morning.

"And it is such a man, etc., etc., etc., a vagabond, a beggar, having

no means of existence, etc., etc., etc., accustomed through his past

life to culpable actions, and but little corrected by confinement in

the bagne, as is proved by the crime committed on little Gervais, etc.,

etc., etc.,--it is such a man, who, found on the high road with the

proof of robbery in his hand, and a few paces from the wall he had

climbed over, denies the fact, the robbery, denies everything, even to

his name and his identity. In addition to a hundred proofs to which we

will not revert, four witnesses recognize him,--Javert, the upright

Inspector of Police, and three of his old comrades in ignominy, the

convicts Brevet, Chenildieu, and Cochepaille. And what does he oppose

to this crushing unanimity? He denies. What hardness of heart! But you

will do justice, gentlemen of the jury, etc., etc., etc."

While the public prosecutor was speaking, the prisoner listened with

open mouth, and with a sort of amazement in which there was certainly

some admiration. He was evidently surprised that a man could speak

like this. From time to time, at the most energetic apostrophes, when

eloquence, unable to restrain itself, overflows in a flux of branding

epithets, and envelopes the prisoner in a tempest, he slowly moved his

head from right to left, and from left to right, in a sort of dumb and

melancholy protest, with which he had contented himself ever since

the beginning of the trial. Twice or thrice the spectators standing

nearest to him heard him say in a low voice: "All this comes from not

asking Monsieur Baloup." The public prosecutor drew the attention of

the jury to this dull attitude, which was evidently calculated, and

which denoted, not imbecility, but skill, cunning, and the habit of

deceiving justice, and which brought out in full light the "profound

perverseness" of this man. He concluded by reserving the affair of

Little Gervais, and by demanding a severe sentence. The counsel for

the defence rose, began by complimenting the public prosecutor on his

"admirable speech," and then replied as well as he could, but feebly;

it was plain that the ground was giving way under him.

CHAPTER X.

THE SYSTEM OF DENIAL.

The moment for closing the trial had arrived: the President ordered

the prisoner to stand up, and asked him the usual question: "Have you

anything to add to your defence?" The man, who was rolling in his

hands his hideous cap, made no reply, and the President repeated his

question. This time the man heard, and seemed to understand; he moved

like a person who is waking up, looked around him, at the public, the

gendarmes, his counsel, the jury, and the court, laid his monstrous

fist on the wood-work in front of his bench, and, suddenly fixing his

eyes on the public prosecutor, began to speak. It was an eruption;

from the way in which the words escaped from his lips, incoherent,

impetuous, and pell-mell, it seemed as if they were all striving to get

out at the same time. He said:

"I have this to say: That I was a wheelwright in Paris, and worked for

Master Baloup. It is a hard trade, is a wheelwright's; you always work

in the open air, in yards, under sheds when you have a good master, but

never in a room, because you want space, look you. In winter you are

so cold that you swing your arms to warm you, but the masters don't

like when there is ice between the stones, is rough work; it soon uses

a man up. You are old when quite young in that trade. At forty a man

is finished. I was fifty-three, and had hard lines of it. And then the

workmen are so unkind. When a man is not so young as he was, they call

him an old fool, an old brute! I only earned thirty sous a day, for the

masters took advantage of my age, and paid me as little as they could.

With that I had my daughter, who was a washer-woman in the river. She

earned a little for her part, and the pair of us managed to live. She

was bothered too. All day in a tub up to your waist, in the snow and

rain, and with the wind that cuts your face. When it freezes, it is

all the same, for you must wash; there are persons who have not much

linen, and expect it home; if a woman did not wash, she would lose her

customers. The planks are badly joined, and drops of water fall on

you everywhere. Her petticoats were wet through, over and under. That

penetrates. She also worked at the wash-house of the Enfants Rouges,

where the water is got from taps. You are no longer in the tub; you

wash at the tap before you, and rinse in the basin behind you. As it

is shut up, you don't feel so cold. But there is a steam of hot water

which ruins your sight. She came home at seven in the evening, and went

to bed directly, for she was so tired. Her husband used to beat her. He

is dead. We were not very happy. She was a good girl, who did not go to

balls, and was very quiet. I remember a Mardi-gras, on which she went

to bed at eight o'clock. I am telling the truth. You need only inquire.

Oh yes, inquire! What an ass I am! Paris is a gulf. Who is there that

knows Father Champmathieu? And yet, I tell you, Monsieur Baloup. Ask

him. After all, I do not know what you want of me."

The man ceased speaking and remained standing; he had said all this

in a loud, quick, hoarse, hard voice, with a sort of wretched and

savage energy. Once he broke off to bow to somebody in the crowd. The

affirmations which he seemed to throw out hap-hazard came from him in

gasps, and he accompanied each by the gesture of a man who is chopping

wood. When he had finished, his hearers burst into a laugh; he looked

at the public, seeing they were laughing, and understanding nothing,

he began to laugh himself. That did him mischief. The President, a

grave and kind man, began speaking. He reminded the "gentlemen of the

jury" that "Monsieur Baloup, formerly a wheelwright in whose service

the accused declared that he had been, was a bankrupt, and had not

been found when an attempt was made to serve him with a subpoena."

Then, turning to the prisoner, he requested him to listen to what he

was about to say, and added: "You are in a situation which should cause

you to reflect. The heaviest presumptions are weighing upon you, and

may entail capital punishment. Prisoner, I ask you for the last time

to explain yourself clearly on the two following facts: In the first

place, did you, yes or no, climb over the wall, break a branch, and

steal apples, that is to say, commit a robbery with escalade? Secondly,

yes or no, are you the liberated convict, Jean Valjean?"

The prisoner shook his head with a confident air, like a man who

understands and knows what answer he is going to make. He opened his

mouth, turned to the President, and said,--

"In the first place--"

Then he looked at his cap, looked at the ceiling, and held his tongue.

"Prisoner," the public prosecutor said in a stern voice, "pay

attention. You make no answer to the questions that are asked you,

and your confusion condemns you. It is evident that your name is not

Champmathieu, but Jean Valjean, at first concealed under the name of

Jean Mathieu, your mother's name; that you went to Auvergne; that

your birth-place is Faverolles, and that you are a wood-cutter. It is

evident that you stole ripe apples by clambering over a wall, and the

gentlemen of the jury will appreciate the fact."

The prisoner had sat down again, but he hurriedly rose when the public

prosecutor had finished, and exclaimed,--

"You are a wicked man. This is what I wanted to say, but I could not

think of it at first. I have stolen nothing. I am a man who does not

eat every day. I was coming from Ailly, and walking after a flood,

which had made the whole country yellow; the very ponds had overflowed,

and nothing grew in the sand except a few little blades of grass by

the road-side. I found a branch with apples lying on the ground, and

picked it up, little thinking that it would bring me into trouble. I

have been in prison and bullied for three months, and after that people

talk against me, I don't know why, and say to me, Answer. The gendarme,

who is a good-hearted fellow, nudges me with his elbow, and says, Why

don't you answer? I cannot explain myself, for I am no scholar, but

only a poor man, and you are wrong not to see it. I have not stolen, I

only picked up things lying on the ground. You talk about Jean Valjean

and Jean Mathieu. I do not know these persons, they are countrymen. I

used to work for Monsieur Baloup, Boulevard de l'Hôpital, and my name

is Champmathieu. You are a very clever fellow to tell me where I was

born, for I don't know. It is not everybody who has a house to come

into the world in. That would be too comfortable. I believe that my

father and mother were folks who went about on the roads, but I do not

know it after all. When I was a boy I was called little, and now I am

called old. Those are my Christian names, and you can take them as you

please. I have been in Auvergne. I have been at Faverolles. Well, hang

it! may not a man have been at those two places without having been to

the galleys? I tell you that I have not stolen, and that my name is

Champmathieu. I worked for M. Baloup, and kept house. You tire me with

your foolishness. Why is everybody so spiteful against me?"

The public prosecutor, who had not sat down, here addressed the

President.

"In the presence of these confused but very clear denials on the part

of the prisoner, who would like to pass for an idiot, but will not

succeed,--we warn him,--we request that it may please you, sir, and the

court to recall the prisoners Brevet, Cochepaille, and Chenildieu, and

Police Inspector Javert, and examine them again as to the identity of

the prisoner with Jean Valjean."

"I must remark," said the President, "that Inspector Javert, having

been recalled to his duties at a neighboring town, left the hall and

the town immediately after giving his evidence; we authorized him to do

so with the consent of the public prosecutor and the counsel for the

defence."

"Perfectly correct, sir," the public prosecutor continued. "In the

absence of Inspector Javert, I believe it my duty to remind the

gentlemen of the jury of the statement he made here a few hours ago.

Javert is a worthy man, who honors by his rigorous and strict probity

inferior but important functions. His evidence is as follows: "I do

not require moral presumptions and material proof to contradict the

prisoner's assertions, for I recognize him perfectly. This man's name

is not Champmathieu, he is Jean Valjean, an ex-convict of a very

violent and formidable character. It was with great reluctance that

he was liberated when he completed his time. He had nineteen years'

hard labor for qualified robbery, and made five or six attempts to

escape. In addition to the little Gervais robbery and the larceny of

the apples, I also suspect him of a robbery committed in the house

of his Grandeur the late Bishop of D----. I frequently saw him when

I was assistant jailer at Toulon, and I repeat that I recognize him

perfectly."

Such a precise declaration seemed to produce a lively effect on the

audience and the jury, and the public prosecutor wound up by requesting

that the other three witnesses should be brought in and reexamined. The

President gave an order to an usher, and a moment after the door of

the witness-room opened. The usher, accompanied by a gendarme, brought

in the prisoner Brevet. The audience were all in suspense, and their

chests heaved as if they had but one soul among them. The ex-convict

Brevet wore the black and gray jacket of the central prisons; he was a

man of about sixty years of age, who had the face of a business man and

the look of a rogue,--these are sometimes seen together. He had become

a sort of jailer in the prison to which new offences had brought him,

and was a man of whom the officials said, "He tries to make himself

useful." The chaplains bore good testimony to his religious habits,

and it must not be forgotten that this trial took place under the

Restoration.

"Brevet," said the President, "as you have undergone a degrading

punishment, you cannot be sworn."

Brevet looked down humbly.

"Still," the President continued, "there may remain, by the permission

of Heaven, a feeling of honor and equity even in the man whom the law

has degraded, and it is to that feeling I appeal in this decisive

hour. If it still exist in you, as I hope, reflect before answering

me; consider, on one hand, this man whom a word from you may ruin, on

the other, the justice which a word from you may enlighten. The moment

is a solemn one, and there is still time for you to retract, if you

believe that you are mistaken. Prisoner, stand up. Brevet, look at the

prisoner. Think over your past recollections, and tell us on your soul

and conscience whether you still persist in recognizing this man as

your old mate at the galleys, Jean Valjean."

Brevet looked at the prisoner, and then turned to the court.

"Yes, sir, I was the first who recognized him, and I adhere to it. This

man is Jean Valjean, who came to Toulon in 1796 and left in 1815. I

came out a year later. He looks like a brute now, but in that case age

has brutalized him, for he was cunning at the hulks. I recognize him

positively."

"Go and sit down," said the President. "Prisoner, remain standing."

Chenildieu was next brought in, a convict for life, as was shown by his

red jacket and green cap. He was serving his time at Toulon, whence he

had been fetched for this trial. He was a little man of about fifty

years of age, quick, wrinkled, thin, yellow, bold, and feverish, who

had in all his limbs and his whole person a sort of sickly weakness,

and immense strength in his look. His mates at the galleys had surnamed

him Je-nie-Dieu. The President addressed him much as he had done

Brevet. At the moment when he reminded him that his degradation robbed

him of the right of taking an oath, Chenildieu raised his head and

looked boldly at the crowd. The President begged him to reflect, and

asked him if he still persisted in recognizing the prisoner. Chenildieu

burst into a laugh:--

"I should think I do! Why, we were fastened to the same chain for five

years! So you are sulky, old fellow?"

"Go and sit down," said the President.

The usher brought in Cochepaille. This second convict for life,

who had been fetched from the galleys and was dressed in red like

Chenildieu, was a peasant of Lourdes and a half-bear of the Pyrenees.

He had guarded sheep in the mountains, and had gradually drifted into

brigandage. Cochepaille was no less savage, and appeared even more

stupid, than the prisoner; he was one of those wretched men whom nature

has outlined as wild beasts and whom society finishes as galley-slaves.

The President tried to move him by a few grave and pathetic words, and

asked him, like the two others, whether he still persisted, without any

hesitation or trouble, in recognizing the man standing before him.

"It is Jean Valjean," said Cochepaille. "He was nicknamed Jean the

Jack, because he was so strong."

Each of the affirmations of these three men, evidently sincere and

made in good faith, had aroused in the audience a murmur of evil omen

for the prisoner,--a murmur which grew louder and more prolonged

each time that a new declaration was added to the preceding one.

The prisoner himself listened to them with that amazed face which,

according to the indictment, was his principal means of defence. At

the first the gendarmes heard him mutter between his teeth, "Well,

there's one!" after the second he said rather louder, and with an air

of satisfaction, "Good!" at the third he exclaimed, "Famous!" The

President addressed him,--

"You have heard the evidence, prisoner; have you any answer to make?"

He answered,--

"I say--famous!"

A laugh broke out in the audience and almost affected the jury. It was

plain that the man was lost.

"Ushers," said the President, "produce silence in the court: I am about

to sum up."

At this moment there was a movement by the President's side: and a

voice could be heard exclaiming,--

"Brevet, Chenildieu, and Cochepaille, look this way." All those who

heard the voice felt chilled to the heart, for it was so lamentable and

terrible. All eyes were turned in the direction whence it came: a man

seated among the privileged audience behind the court had risen, pushed

open the gate that separated the judges' bench from the public court,

and stepped down. The President, the public prosecutor, M. Bamatabois,

twenty persons, recognized him, and exclaimed simultaneously, "Monsieur

Madeleine."

CHAPTER XI

CHAMPMATHIEU IS ASTOUNDED.

It was he in truth; the clerk's lamp lit up his face; he held his hat

in his hand, there was no disorder in his attire, and his coat was

carefully buttoned. He was very pale and trembled slightly; and his

hair, which had been gray when he arrived at Arras, was now perfectly

white; it had turned so during the hour he had passed in the court.

Every head was raised, the sensation was indescribable, and there was

a momentary hesitation among the spectators. The voice had been so

poignant, the man standing there seemed so calm, that at first they

did not understand, and asked each other who it was that had spoken.

They could not believe that this tranquil man could have uttered

that terrific cry. This indecision lasted but a few moments. Before

the President and the public prosecutor could say a word, before the

gendarmes and ushers could make a move, the man, whom all still called

at this moment M. Madeleine, had walked up to the witnesses, Brevet,

Chenildieu, and Cochepaille.

"Do you not recognize me?" he asked them.

All three stood amazed, and gave a nod to show that they did not know

him, and Cochepaille, who was intimidated, gave a military salute.

M. Madeleine turned to the jury and the court, and said in a gentle

voice,--

"Gentlemen of the jury, acquit the prisoner. Monsieur le President,

have me arrested. The man you are seeking is not he, for--I am Jean

Valjean."

Not a breath was drawn,--the first commotion of astonishment had

been succeeded by a sepulchral silence; all felt that species of

religious terror which seizes on a crowd when something grand is being

accomplished. The President's face, however, displayed sympathy and

sorrow; he exchanged a rapid look with the public prosecutor, and a few

words in a low voice with the assistant judges. He then turned to the

spectators, and asked with an accent which all understood,--

"Is there a medical man present?"

The public prosecutor then said,--

"Gentlemen of the jury, the strange and unexpected incident which has

disturbed the trial inspires us, as it does yourselves, with a feeling

which we need not express. You all know, at least by reputation, the

worthy M. Madeleine, Mayor of M----.

If there be a medical man here, we join with the President in begging

him to attend to M. Madeleine and remove him to his house."

M. Madeleine did not allow the public prosecutor to conclude, but

interrupted him with an accent full of gentleness and authority. These

are the words he spoke; we produce them literally as they were written

down by one of the witnesses of this scene, and as they still live in

the ears of those who heard them just forty years ago:--

"I thank you, sir, but I am not mad, as you will soon see. You were on

the point of committing a great error; set that man at liberty: I am

accomplishing a duty, for I am the hapless convict. I am the only man

who sees clearly here, and I am telling you the truth. What I am doing

at this moment God above is looking at, and that is sufficient for me.

You can seize me, for here I am; and yet I did my best. I hid myself

under a name, I became rich, I became Mayor, and I wished to get back

among honest men, but it seems that this is impossible. There are many

things I cannot tell you, as I am not going to describe my life to you,

for one day it will be known. It is true that I robbed the Bishop; also

true that I robbed Little Gervais, and they were right in telling you

that Jean Valjean was a dangerous villain,--though, perhaps, all the

fault did not lie with him. Listen, gentlemen of the court. A man so

debased as myself cannot remonstrate with Providence, or give advice to

society; but I will say that the infamy from which I sought to emerge

is an injurious thing, and the galleys make the convict. Be good enough

to bear that fact in mind. Before I went to Toulon I was a poor peasant

with but little intelligence, a sort of idiot; the galleys changed me:

I was stupid, and I became wicked; I was a log, and I became a brand.

At a later date indulgence and goodness saved me, in the same way as

severity had destroyed me. But, forgive me, you cannot understand what

I am saying. At my house the two-franc piece I stole seven years ago

from Little Gervais will be found among the ashes in the fire-place. I

have nothing more to add. Apprehend me. My God! the public prosecutor

shakes his head. You say M. Madeleine has gone mad, and do not believe

me. This is afflicting; at least do not condemn this man. What! these

three do not recognize me! Oh, I wish that Javert were here, for he

would recognize me!"

No pen could render the benevolent and sombre melancholy of the accent

which accompanied these words. He then turned to the three convicts,--

"Well, I recognize you. Brevet, do you not remember me?" He broke off,

hesitated for a moment, and said,--

"Can you call to mind the checkered braces you used to wear at the

galleys?"

Brevet gave a start of surprise and looked at him from head to foot in

terror. He continued,--

"Chenildieu, who named yourself Je-nie-Dieu, you have a deep burn in

your right shoulder, because you placed it one day in a pan of charcoal

in order to efface the three letters, T. F. P., which, however, are

still visible. Answer me--is it so?"

"It is true," said Chenildieu.

"Cochepaille, you have near the hollow of your left arm a date made in

blue letters with burnt gun-powder; the date is that of the Emperor's

landing at Cannes, March I, 1815. Turn up your sleeve."

Cochepaille did so, and every eye was turned to his bare arm; a

gendarme brought up a lamp, and the date was there. The unhappy man

turned to the audience and the judges, with a smile which to this day

affects those who saw it. It was the smile of triumph, but it was also

the smile of despair.

"You see plainly," he said, "that I am Jean Valjean."

In the hall there were now neither judges, accusers, nor gendarmes;

there were only fixed eyes and heaving hearts. No one thought of the

part he might be called on to perform,--the public prosecutor that

he was there to prove a charge, the President to pass sentence, and

the prisoner's counsel to defend. It was a striking thing that no

question was asked, no authority interfered. It is the property of

sublime spectacles to seize on all minds and make spectators of all

the witnesses. No one perhaps accounted for his feelings, no one said

to himself that he saw a great light shining, but all felt dazzled in

their hearts. It was evident that they had Jean Valjean before them.

The appearance, of this man had been sufficient to throw a bright light

on an affair which was so obscure a moment previously: without needing

any explanation, the entire crowd understood, as if through a sort of

electric revelation, at once and at a glance the simple and magnificent

story of a man who denounced himself in order that another man might

not be condemned in his place. Details, hesitation, any possible

resistance, were lost in this vast luminous fact. It was an impression

which quickly passed away, but at the moment was irresistible.

"I will not occupy the time of the court longer," Jean Valjean

continued; "I shall go away, as I am not arrested, for I have several

things to do. The public prosecutor knows who I am, he knows where I am

going, and he will order me to be arrested when he thinks proper."

He walked towards the door, and not a voice was raised, not an arm

stretched forth to prevent him. All fell back, for there was something

divine in this incident, which causes the multitude to recoil and make

way for a single man. He slowly walked on; it was never known who

opened the door, but it is certain that he found it opened when he

reached it. When there, he turned and said,--

"I am at your orders, sir."

Then he addressed the audience.

"I presume that all of you consider me worthy of pity? Great God! when

I think of what I was on the point of doing, I consider myself worthy

of envy. Still, I should have preferred that all this had not taken

place."

He went out, and the door was closed as it had been opened, for men

who do certain superior deeds are always sure of being served by some

one in the crowd. Less than an hour after, the verdict of the jury

acquitted Champmathieu, and Champmathieu, who was at once set at

liberty, went away in stupefaction, believing all the men mad, and not

at all comprehending this vision.

BOOK VIII.

THE COUNTERSTROKE.

CHAPTER I.

M. MADELEINE LOOKS AT HIS HAIR.

Day was beginning to dawn. Fantine had passed a sleepless and feverish

night, though full of bright visions, and towards morning fell asleep.

Sister Simplice, who was watching, took advantage of this slumber to go

and prepare a fresh dose of bark. The worthy sister had been for some

time in the surgery, stooping over her drugs and bottles, and looking

carefully at them on account of the mist which dawn spreads over

objects. All at once she turned her head and gave a slight shriek. M.

Madeleine had entered silently, and was standing before her.

"Is it you, sir?" she exclaimed.

He answered in a low voice,--

"How is the poor creature?"

"Not so bad just at present, but she has frightened us terribly."

She explained to him what had occurred, how Fantine had been very ill

the previous day, but was now better, because she believed that he

had gone to Montfermeil to fetch her child. The sister did not dare

question him, but she could see from his looks that he had not been

there.

"All that is well," he said. "You did right in not undeceiving her."

"Yes," the sister continued; "but now that she is going to see you,

sir, and does not see her child, what are we to tell her?"

He remained thoughtful for a moment.

"God will inspire us," he said.

"Still, it is impossible to tell a falsehood," the sister murmured in a

low voice.

It was now bright day in the room, and it lit up M. Madeleine's face.

The sister raised her eyes by chance.

"Good gracious, sir!" she exclaimed; "what can have happened to you?

Your hair is quite white."

"What!" he said.

Sister Simplice had no mirror, but she took from a drawer a small

looking-glass which the infirmary doctor employed to make sure that a

patient was dead. M. Madeleine took this glass, looked at his hair, and

said, "So it is." He said it carelessly and as if thinking of something

else, and the sister felt chilled by some unknown terror of which she

caught a glimpse in all this. He asked,--

"Can I see her?"

"Will you not recover her child for her, sir?" the sister said, hardly

daring to ask the question.

"Of course; but it will take at least two or three days."

"If she were not to see you till then, sir," the sister continued

timidly, "she would not know that you had returned; it would be easy to

keep her quiet, and when her child arrived, she would naturally think

that you had returned with it. That would not be telling a falsehood."

M. Madeleine appeared to reflect for a few moments, and then said with

his calm gravity,--

"No, sister, I must see her, for I am possibly pressed for time."

The nun did not seem to notice the word "possibly," which gave an

obscure and singular meaning to the Mayor's remark. She answered in a

low voice,--

"In that case you can go in, sir, though she is asleep."

He made a few remarks about a door that closed badly and whose creaking

might awake the patient, then entered Fantine's room, went up to

the bed, and opened the curtains. She was asleep; her breath issued

from her chest with that tragic sound peculiar to these diseases,

which crushes poor mothers, who sit up at nights by the side of their

sleeping child for whom there is no hope. But this painful breathing

scarce disturbed an ineffable serenity spread over her face, which

transfigured her in her sleep. Her pallor had become whiteness; her

cheeks were carnations. Her long, fair eyelashes, the sole beauty that

remained of her virginity and youth, quivered, though remaining closed.

Her whole person trembled as if she had wings which were on the point

of expanding and bearing her away. To see her thus, no one could have

believed that she was in an almost hopeless state, for she resembled

rather a woman who is about to fly away than one who is going to die.

The branch, when the hand approaches to pluck the flowers, quivers and

seems at once to retire and advance. The human body undergoes something

like this quiver when the moment arrives for the mysterious fingers of

death to pluck the soul.

M. Madeleine stood for some time motionless near this bed, looking

first at the patient and then at the crucifix, as he had done two

months previously, on the day when he came for the first time to

see her in this asylum. They were both in the same attitude,--she

sleeping, he praying; but in those two months her hair had turned gray,

and his white. The sister had not come in with him: he was standing by

the bed-side, finger on lip, as if there were some one in the room whom

he was bidding to be silent. She opened her eyes, saw him, and said

calmly and with a smile,--

"And Cosette?"

CHAPTER II.

FANTINE IS HAPPY.

She gave no start of surprise, no start of joy, for she was joy itself.

The simple question--"And Cosette?" was asked in such profound faith,

with so much certainty, with such an utter absence of anxiety and

doubt, that he could not find a word to say. She continued,--

"I knew you were there, for though I was asleep, I saw. I have seen you

for a long time, and have been following you with my eyes all night;

you were in a glory, and had around you all sorts of heavenly faces."

She looked up to the crucifix.

"But," she continued, "tell me where Cosette is? Why was she not laid

in my bed so that I could see her directly I woke?"

He answered something mechanically which he could never remember.

Luckily the physician, who had been sent for, came to M. Madeleine's

assistance.

"My dear girl," said the physician, "calm yourself; your child is here."

Fantine's eyes sparkled, and covered her whole face with brightness;

she clasped her hands with an expression which contained all the

violence and all the gentleness a prayer can have simultaneously.

"Oh," she exclaimed, "bring her to me!"

Touching maternal illusion! Cosette was still to her the little child

who must be carried.

"Not yet," the physician continued,--"not at this moment; you have

a little fever hanging about you; the sight of your own child would

agitate you and do you harm. You must get well first."

She impetuously interrupted him,--

"But I am well! I tell you I am well! What a donkey this doctor is! I

insist on seeing my child."

"There, you see," the physician said, "how violent you are! So long as

you are like that, I will prevent your having your child. It is not

enough to see her, but you must live for her. When you grow reasonable,

I will bring her myself."

The poor mother hung her head.

"Doctor, I ask your pardon; I sincerely ask your pardon. In former

times I should not have spoken as I did just now, but I have gone

through so much unhappiness that I do not know at times what I am

saying. I understand; you are afraid of the excitement; I will wait as

long as you like, but I swear to you that it would not do me any harm

to see my child. Is it not very natural that I should want to see my

child, who has been fetched from Montfermeil expressly for me? I am

not angry, for I know very well that I am going to be happy. The whole

night I have seen white things and smiling faces. The doctor will bring

me Cosette when he likes; I have no fever now, because I am cured; I

feel that there is nothing the matter with me, but I will behave as if

I were ill, and not stir, so as to please these ladies. When you see

that I am quite calm, you will say, We must give her her child."

M. Madeleine had seated himself in a chair by the bed-side; she turned

to him, visibly making an effort to appear calm and "very good," as

she said in that weakness of illness which resembles childhood, in

order that, on seeing her so peaceful, there might be no difficulty in

bringing Cosette to her. Still, while checking herself, she could not

refrain from asking M. Madeleine a thousand questions.

"Have you had a pleasant journey, sir? Oh, how kind it was of you to

go and fetch her for me! Only tell me how she is. Did she stand the

journey well? Alas! she will not recognize, she will have forgotten

me in all this time, poor darling! Children have no memory. They are

like the birds; to-day they see one thing and another to-morrow, and

do not think about anything. Had she got clean underclothing? Did

those Thénardiers keep her clean? What food did they give her? Oh, if

you only knew how I suffered when I asked myself all these questions

during the period of my wretchedness! But now it is all passed away

and I am happy. Oh, how I should like to see her! Did you not find her

very pretty, sir? You must have been very cold in the stage-coach? Can

she not be brought here if only for a moment? She could be taken away

again directly afterwards. You could do it if you liked, as you are the

Mayor."

He took her hand and said: "Cosette is lovely, she is well, you will

see her soon; but calm yourself. You speak too eagerly and put your

arms out of bed, which will make you cough."

In fact, a fit of coughing interrupted Fantine at nearly every word.

She did not object; she feared lest she had injured the confidence she

had wished to inspire, by some too impassioned entreaties, and she

began talking of indifferent matters.

"Montfermeil is a rather pretty place, is it not? In summer, pleasure

parties go there. Have those Thénardiers a good trade? Not many people

pass through the village, and theirs is a sort of pot-house."

M. Madeleine still held her hand, and was looking at her anxiously;

it was evident that he had come to tell her something at which he now

hesitated.

The physician had left, and Sister Simplice alone remained near them.

"I can hear her, I can hear her!" She held out her arms to command

silence, held her breath, and began listening with ravishment. A child

was playing in the yard, and probably belonged to one of the workmen.

It was one of those accidents which constantly occur, and seem to form

part of the mysterious _mise-en-scène_ of mournful events. The child,

a little girl, was running about to warm herself, laughing and singing

loudly. Alas! what is there in which children's games are not mingled?

"Oh," Fantine continued, "'t is my Cosette! I recognize her voice."

The child went away again. Her voice died away. Fantine listened for

some time, and then her face was clouded, and M. Madeleine could hear

her murmuring, "How unkind that doctor is not to let me see my child!

That man has a bad face."

Still, her merry ideas returned to her, and she continued to talk to

herself, with her head on the pillow. "How happy we are going to be!

We will have a small garden, for M. Madeleine has promised me that. My

child will play in the garden. She must know her alphabet by this time,

and I will teach her to spell. She will chase butterflies, and I shall

look at her. Then, she will take her first communion; let me see when

that will be."

She began counting on her fingers,--

"One, two, three, four,--she is now seven years old; in five years,

then, she will wear a white open-work veil, and look like a little

lady. Oh, my good sister, you cannot think how foolish I am, for I am

thinking of my daughter's first communion."

And she began laughing. He had let go Fantine's hand, and listened to

these words, as one listens to the soughing breeze, with his eyes fixed

on the ground, and his mind plunged into unfathomable reflections.

All at once she ceased speaking, and this made him raise his head

mechanically. Fantine had become frightful to look at. She no longer

spoke, she no longer breathed; she was half sitting up, and her thin

shoulder projected from her nightgown; her face, radiant a moment

previously, was hard, and she seemed to be fixing her eyes, dilated by

terror, upon something formidable that stood at the other end of the

room.

"Great Heaven!" he exclaimed; "what is the matter with you, Fantine?"

She did not answer, she did not remove her eyes from the object,

whatever it might be, which she fancied she saw; but she touched his

arm with one hand, and with the other made him a sign to look behind

him. He turned back and saw Javert.

CHAPTER III.

JAVERT IS SATISFIED.

This is what had occurred. Half-past twelve was striking when M.

Madeleine left the assize court of Arras; and he returned to the

hotel just in time to start by the mail-cart in which he had booked

his place. A little before six A.M. he reached M----, and his first

care was to post the letter for M. Lafitte, and then proceed to the

infirmary and see Fantine. Still, he had scarce quitted the court ere

the public prosecutor, recovering from his stupor, rose on his legs,

deplored the act of mania on the part of the honorable Mayor of M----,

declared that his convictions were in no way modified by this strange

incident, which would be cleared up at a later date, and demanded, in

the interim, the conviction of this Champmathieu, evidently the true

Jean Valjean. The persistency of the public prosecutor was visibly in

contradiction with the feelings of all,--the public, the court, and

the jury. The counsel for the defence had little difficulty in refuting

his arguments, and establishing that through the revelations of M.

Madeleine, that is to say, the real Jean Valjean, circumstances were

entirely altered, and the jury had an innocent man before them. The

barrister deduced a few arguments, unfortunately rather stale, about

judicial errors, etc., the President in his summing-up supported the

defence, and the jury in a few moments acquitted Champmathieu. Still,

the public prosecutor wanted a Jean Valjean; and, as he no longer had

Champmathieu, he took Madeleine. Immediately after Champmathieu was

acquitted, he had a conference with the President as to the necessity

of seizing the person of the Mayor of M----, and after the first

emotion had passed, the President raised but few objections. Justice

must take its course; and then, to tell the whole truth, although the

President was a kind and rather sensible man, he was at the same time

a very ardent Royalist, and had been offended by the way in which

the Mayor of M----, in alluding to the landing at Cannes, employed

the words "the Emperor" and not "Buonaparte." The order of arrest

was consequently made out, and the prosecutor at once sent it off by

express to M----, addressed to Inspector Javert, who, as we know,

returned home immediately after he had given his evidence.

Javert was getting up at the moment when the messenger handed him

the order of arrest and the warrant. This messenger was himself a

very skilful policeman, who informed Javert in two words of what

had occurred at Arras. The order of arrest, signed by the public

prosecutor, was thus conceived: "Inspector Javert will apprehend

Monsieur Madeleine, Mayor of M----, who in this day's session was

recognized as the liberated convict, Jean Valjean." Any one who did

not know Javert and had seen him at the moment when he entered the

infirmary ante-room, could not have guessed what was taking place, but

would have considered him to be as usual. He was cold, calm, serious,

his gray hair was smoothed down on his temples, and he went up the

stairs with his usual slowness. But any one who was well acquainted

with him, and examined him closely, would have shuddered; the buckle

of his leathern stock, instead of sitting in the nape of his neck, was

under his left ear. This revealed an extraordinary agitation. Javert

was a complete character, without a crease in his duty or in his

uniform: methodical with criminals, and rigid with his coat-buttons.

For him to have his stock out of order, it was necessary for him to be

suffering from one of those emotions which might be called internal

earthquakes. He had merely fetched a corporal and four men from the

guardhouse close by, left them in the yard, and had Fantine's room

pointed out to him by the unsuspecting portress, who was accustomed to

see policemen ask for the Mayor.

On reaching Fantine's door, Javert turned the key, pushed the door with

the gentleness either of a sick-nurse or a spy, and entered. Correctly

speaking, he did not enter: he stood in the half-opened door with

his hat on his head, and his left hand thrust into the breast of his

great-coat, which was buttoned to the chin. Under his elbow could be

seen the leaden knob of his enormous cane, which was concealed behind

his back. He remained thus for many a minute, no one perceiving his

presence. All at once Fantine raised her eyes, saw him, and made M.

Madeleine turn. At the moment when Madeleine's glance met Javert's,

the latter, without stirring or drawing near, became fearful. No human

feeling can succeed in being so horrible as joy. It was the face of a

fiend who has just found a condemned soul again. The certainty of at

length holding Jean Valjean caused all he had in his soul to appear

on his countenance, and the stirred-up sediment rose to the surface.

The humiliation of having lost the trail for a while and having been

mistaken with regard to Champmathieu was effaced by his pride at having

guessed so correctly at the beginning, and having a right instinct

for such a length of time. Javert's satisfaction was displayed in his

sovereign attitude, and the deformity of triumph was spread over his

narrow forehead.

Javert at this moment was in heaven: without distinctly comprehending

the fact, but still with a confused intuition of his necessity and his

success, he, Javert, personified justice, light, and truth in their

celestial function of crushing evil. He had behind him, around him, at

an infinite depth, authority, reason, the legal conscience, the public

vindication, all the stars: he protected order, he drew the lightning

from the law, he avenged society, he rendered assistance to the

absolute. There was in his victory a remnant of defiance and contest:

upright, haughty, and dazzling, he displayed the superhuman bestiality

of a ferocious archangel in the bright azure of heaven. The formidable

shadow of the deed he was doing rendered visible to his clutching fist

the flashing social sword. Happy and indignant, he held beneath his

heel, crime, vice, perdition, rebellion, and hell: he was radiant, he

exterminated, he smiled, and there was an incontestable grandeur in

this monstrous St. Michael. Javert, though terrifying, was not ignoble.

Probity, sincerity, candor, conviction, and the idea of duty, are

things which, by deceiving themselves, may become hideous, but which,

even if hideous, remain grand; their majesty, peculiar to the human

conscience, persists in horror; they are virtues which have but one

vice, error. The pitiless honest joy of a fanatic, in the midst of his

atrocity, retains a mournfully venerable radiance. Without suspecting

it, Javert, in his formidable happiness, was worthy of pity, like every

ignorant man who triumphs; nothing could be so poignant and terrible as

this face, in which was displayed all that may be called the wickedness

of good.

CHAPTER IV.

AUTHORITY RESUMES ITS RIGHTS.

Fantine had not seen Javert since the day when the Mayor tore her out

of his clutches, and her sickly brain could form no other thought but

that he had come to fetch her. She could not endure his frightful face:

she felt herself dying. She buried her face in her hands, and cried

with agony,--

"Monsieur Madeleine, save me!"

Jean Valjean--we will not call him otherwise in future--had risen, and

said to Fantine in his gentlest, calmest voice,--

"Do not be alarmed: he has not come for you."

Then he turned to Javert and said,--

"I know what you want."

And Javert answered,--

"Come, make haste--"

There was something savage and frenzied in the accent that accompanied

these words; no orthographer could write it down, for it was no longer

human speech, but a roar. He did not behave as usual, he did not enter

into the matter or display his warrant. To him Jean Valjean was a

sort of mysterious combatant, a dark wrestler with whom he had been

struggling for five years, and had been unable to throw. This arrest

was not a beginning but an end, and he confined himself to saying,

"Come, make haste." While speaking thus, he did not advance: he merely

darted at Jean Valjean the look which he threw out as a grapple, and

with which he violently drew wretches to him. It was this look which

Fantine had felt pierce to her marrow two months before. On hearing

Javert's roar, Fantine opened her eyes again; but the Mayor was

present, so what had she to fear? Javert walked into the middle of the

room and cried,--

"Well, are you coming?"

The unhappy girl looked around her. No one was present but the nun and

the Mayor; to whom, then, could this humiliating remark be addressed?

Only to herself. She shuddered. Then she saw an extraordinary

thing,--so extraordinary that nothing like it had ever appeared in the

darkest delirium of fever. She saw the policeman Javert seize the Mayor

by the collar, and she saw the Mayor bow his head. It seemed to her as

if the end of the world had arrived.

"Monsieur le Maire!" Fantine screamed.

Javert burst into a laugh,--that frightful laugh which showed all his

teeth.

"There is no Monsieur le Maire here."

Jean Valjean did not attempt to remove the hand that grasped his

collar; he said,--

"Javert--"

Javert interrupted him: "Call me Monsieur the Inspector."

"I should like to say a word to you in private, sir," Jean Valjean

continued.

"Speak up," Javert answered; "people talk aloud to me."

Jean Valjean went on in a low voice,--

"It is a request I have to make of you."

"I tell you to speak up."

"But it must only be heard by yourself--"

"What do I care for that? I am not listening!"

Jean Valjean turned to him and said rapidly, and in a very low voice,--

"Grant me three days,--three days to go and fetch this unhappy woman's

child! I will pay whatever you ask, and you can accompany me if you

like."

"You must be joking," Javert cried. "Why, I did not think you such a

fool! You ask three days of me that you may bolt! You say that it is to

fetch this girl's brat! Ah, ah, that is rich, very rich!"

Fantine had a tremor.

"My child!" she exclaimed,--"to go and fetch my child? Then she is not

here! Sister, answer me,--where is Cosette? I want my child! Monsieur

Madeleine, M. le Maire!"

Javert stamped his foot.

"There's the other beginning now; will you be quiet, wench? A devil's

own country, where galley-slaves are magistrates, and street-walkers

are nursed like countesses. Well, well, it will be altered now, and

it's time for it."

He looked fixedly at Fantine, and added, as he took a fresh hold of

Jean Valjean's cravat, shirt, and coat-collar,--

"I tell you there is no M. Madeleine and no Monsieur le Maire; but

there is a robber, a brigand, a convict of the name of Jean Valjean,

and I've got him,--that's what there is!"

Fantine rose, supporting herself on her stiffened arms and hands; she

looked at Jean Valjean; she looked at Javert; she looked at the nun;

she opened her mouth as if to speak, but there was a rattle in her

throat, her teeth chattered, she stretched out her arms, convulsively

opening her hands, clutching like a drowning man, and then suddenly

fell back on the pillow. Her head struck against the bed-head, and fell

back on her breast with gaping mouth and open eyes. She was dead. Jean

Valjean laid his hand on that one of Javert's which held him, opened it

as if it had been a child's hand, and then said to Javert,--

"You have killed this woman."

"Enough of this!" Javert shouted furiously. "I am not here to listen

to abuse, so you can save your breath. There is a guard down below, so

come quickly, or I shall handcuff you."

There was in the corner of the room an old iron bedstead in a bad

condition, which the sisters used as a sofa when they were sitting up

at night. Jean Valjean went to this bed, tore off in a twinkling the

head piece,--an easy thing for muscles like his,--seized the supporting

bar, and looked at Javert. Javert recoiled to the door. Jean Valjean,

with the iron bar in his hand, walked slowly up to Fantine's bed; when

he reached it, he turned and said to Javert in a scarcely audible

voice,--

"I would advise you not to disturb me just at present."

One thing is certain,--Javert trembled. He thought of going to fetch

the guard, but Jean Valjean might take advantage of the moment to

escape. He therefore remained, clutched his stick by the small end, and

leaned against the door-post, without taking his eyes off Jean Valjean.

The latter rested his elbow on the bedstead, and his forehead on his

hand, and began contemplating Fantine, who lay motionless before him.

He remained thus, absorbed and silent, and evidently not thinking of

anything else in the world. On his face and in his attitude there was

only an indescribable pity. After a few minutes passed in this reverie,

he stooped over Fantine and spoke to her in a low voice. What did he

say to her? What could this outcast man say to this dead woman? No one

on earth heard the words, but did that dead woman hear them? There are

touching illusions, which are perhaps sublime realities. One thing is

indubitable, that Sister Simplice, the sole witness of what took place,

has frequently declared that at the moment when Jean Valjean whispered

in Fantine's ear, she distinctly saw an ineffable smile playing round

her pale lips and in her vague eyeballs, which were full of the

amazement of the tomb. Jean Valjean took Fantine's head in his hands,

and laid it on the pillow, as a mother might have done to a child.

Then he tied the strings of her nightgown, and thrust her hair under

her cap. When this was done, he closed her eyes. Fantine's face at

this moment seemed strangely illumined, for death is the entrance into

brilliant light. Fantine's hand was hanging out of bed; Jean Valjean

knelt down by this hand, gently raised and kissed it. Then he rose and

turned to Javert,--

"Now I am at your service."

CHAPTER V.

A VERY PROPER TOMB.

Javert placed Jean Valjean in the town jail. The arrest of M. Madeleine

produced an extraordinary commotion in M----, but it is sad to have

to say that nearly everybody abandoned him on hearing that he was a

galley-slave. In less than two hours all the good he had done was

forgotten, and he was only a galley-slave. It is but fair to say,

though, that they did not yet know the details of the affair at Arras.

The whole day through, conversations like the following could be heard

in all parts of the town:--

"Don't you know? he is a liberated convict.--Who is?--The

Mayor.--Nonsense. M. Madeleine?--Yes.--Really?--His name is not

Madeleine, but some hideous thing like Béjean, Bojean, Boujean.--Oh,

my goodness--he has been arrested, and will remain in the town jail

till he is removed.--Removed! where to?--He will be tried at the

assizes for a highway robbery which he formerly committed.--Well,

do you know, I always suspected that man, for he was too kind, too

perfect, too devout. He refused the cross, and gave sous to all the

little scamps he met. I always thought that there was some black story

behind."

The "drawing-rooms" greatly improved the occasion. An old lady, who

subscribed to the _Drapeau Blanc_, made this remark, whose depth it is

almost impossible to fathom,--

"Well, I do not feel sorry at it, for it will be a lesson to the

Buonapartists."

It is thus that the phantom which called itself M. Madeleine faded

away at M----; only three or four persons in the whole town remained

faithful to his memory, and his old servant was one of them. On the

evening of the same day this worthy old woman was sitting in her lodge,

still greatly startled and indulging in sad thoughts. The factory

had been closed all day, the gates were bolted, and the street was

deserted. There was no one in the house but the two nuns, who were

watching by Fantine's body. Toward the hour when M. Madeleine was wont

to come in, the worthy portress rose mechanically, took the key of

M. Madeleine's bed-room from a drawer, and the candlestick which he

used at night to go up-stairs; then she hung the key on the nail from

which he usually took it, and placed the candlestick by its side, as

if she expected him. Then she sat down again and began thinking. The

poor old woman had done all this unconsciously. She did not break off

her reverie for two or three hours, and then exclaimed: "Only think of

that! I have hung his key on the nail!"

At this moment the window of the lodge was opened, a hand was passed

through the opening, which seized the key and lit the candle by hers.

The portress raised her eyes, and stood with gaping mouth, but she

repressed the cry which was in her throat; for she recognized this

hand, this arm, this coat-sleeve, as belonging to M. Madeleine. It was

some minutes ere she could speak, for she "was struck," as she said

afterwards when describing the adventure.

"Good gracious, M. le Maire!" she at length exclaimed, "I fancied--"

She stopped, for the end of the sentence would have been disrespectful

to the first part. Jean Valjean was still Monsieur le Maire with her.

He completed her thought.

"That I was in prison?" he said. "I was so, but I pulled out a bar,

leaped out, and here I am. I am going up to my room; go and fetch

Sister Simplice, who doubtless is by the side of that poor woman."

The old servant hastened to obey; he said nothing further to her,

for he was quite sure that she would guard him better than he could

himself. It was never known how he managed to get into the yard without

having the gate opened. He always carried about him a master-key, which

opened a little side door, but he must have been searched and this key

taken from him. This point was not cleared up. He went up the stairs

that led to his room, and on reaching the landing, left the candle

on the top stair, closed his window and shutters, and then entered

the room with the candle. This precaution was useful, for it will be

remembered that his window could be noticed from the street. He took a

glance around him, at his table, his chair, his bed, which had not been

slept in for three nights. No trace of that night's disorder remained,

for the portress "had done his room;" but she had picked out of the

ashes and laid neatly on the table the two iron ends of the stick and

the forty-sous piece, which was blackened by the fire. He took a sheet

of paper, on which he wrote, "This is the two-franc piece stolen from

Little Gervais to which I alluded in court," and he laid the coin on

the paper, so that it should be the first thing seen on entering the

room. He took from a drawer an old shirt which he tore up, and wrapped

the two candlesticks in the rags. Still, he displayed no haste or

agitation, and while wrapping up the candlesticks he ate a piece of

black bread,--probably the prison bread which he took with him on his

escape. This fact was proved by the crumbs found on the boards when

the authorities made an investigation at a later date. There were two

gentle taps at the door. "Come in," he said.

It was Sister Simplice; she was pale, her eyes were red, and the

candle she held shook in her hand. Violent events of destiny have this

peculiarity, that however perfect or cold we may be, they draw human

nature out of our entrails and compel it to reappear on the surface. In

the emotions of this day the nun had become a woman again; she had wept

and was trembling. Jean Valjean had just finished writing some lines

on a piece of paper, which he handed to the sister, with the remark,

"Sister, you will deliver this to the Curé?"

As the paper was open, she turned her eyes on it. "You may read it," he

said.

She read, "I request the Curé to take charge of all that I leave here.

He will be good enough to defray out of it the costs of my trial and

the interment of the woman who died this morning. The rest will be for

the poor."

The sister attempted to speak, but could only produce a few

inarticulate sounds: at length she managed to say,--

"Do you not wish to see the poor unhappy girl for the last time, sir?"

"No," he said; "I am pursued, and if I were to be arrested in her room

it would disturb her."

He had scarce said this, ere a great noise broke out on the staircase:

they heard a tumult of ascending steps, and the old servant cry in her

loudest and most piercing voice,--

"My good sir, I can take my oath that no one has come in here all day

or all the evening, and I have not left my lodge once."

A man answered,--

"But there is a light in that room."

They recognized Javert's voice. The room was so built that the door,

on being thrown open, concealed a nook in the right-hand wall: Jean

Valjean blew out the light and crept into the nook. Sister Simplice

fell on her knees by the table, as the door opened and Javert entered.

The voices of several men and the protestations of the old portress

could be heard. The nun did not raise her eyes: she was praying. Her

candle was on the chimney and gave but little light, and on noticing

the nun, Javert halted in great confusion. It will be remembered

that the very basis of Javert, his element, the air he breathed, was

reverence for all authority: he was all of one piece, and allowed no

objection or limitation. With him, of course, ecclesiastical authority

was the highest of all: he was religious, superficial, and correct on

this point as on all. In his eyes, a priest was a spirit that does not

deceive, a nun a creature who does not sin. Theirs were souls walled

up against the world with only one door, which never opened except to

let truth pass out. On noticing the sister, his first movement was to

withdraw, but he had another duty too, which imperiously urged him in

an opposite direction. His second impulse was to remain, and at least

venture one question. Sister Simplice had never told a falsehood in her

life: Javert was aware of this, and especially revered her for it.

"Sister," he asked, "are you alone in the room?"

There was a terrible moment, during which the old servant felt as if

she were going to faint: the sister raised her eyes and said, "Yes."

"In that case," Javert continued, "I beg your pardon for pressing you,

but it is my duty,--you have not seen this evening a person, a man

who has escaped and we are seeking,--that fellow of the name of Jean

Valjean. Have you seen him?"

The sister answered "No."

She had told two falsehoods, one upon the other, without hesitation,

rapidly, as if devoting herself.

"I beg your pardon," said Javert; and he withdrew with a deep bow.

Oh, holy woman! it is many years since you were on this earth; you have

rejoined in the light your sisters the virgins and your brothers the

angels; may this falsehood be placed to your credit in Paradise!

The sister's assertion was so decisive for Javert that he did not

notice the singular fact of the candle just blown out, and which was

still smoking on the table. An hour later a man, making his way through

the fog, was hurrying away from M---- in the direction of Paris. This

man was Jean Valjean; and it was proved, by the testimony of two or

three carriers who met him, that he was carrying a bundle and was

dressed in a blouse. Where did he procure this blouse from? It was

never known; but a few days before, an old workman had died in the

infirmary of the sailors, leaving only a blouse. It might have been

that one.

One last word about Fantine. We have all one mother, the earth, and

Fantine was given back to that mother. The Curé thought he was doing

his duty, and perhaps did it, in keeping as much money for the poor as

he possibly could out of what Jean Valjean left him. After all, who

were the people interested? A convict and a street-walker: hence he

simplified Fantine's interment, and reduced it to what is called the

"public grave." Fantine was therefore interred in the free corner of

the cemetery, which belongs to everybody and to nobody, and where the

poor are lost. Fortunately God knows where to look for a soul. Fantine

was laid in the darkness among a pile of promiscuous bones in the

public grave. Her tomb resembled her bed.

END OF PART FIRST.

Les Misérables, v. 1/5: Fantine · 第 17 / 17 章