THE HUSKING OF THE MAIZE
"If all the year were playing holidays,
To sport would be as tedious as to work."
--_William Shakespeare._
JOSE and Antonio, Malfada and Joanna worked side by side those busy
days of the next two weeks. They gathered and trod the grapes. They cut
and carried through the threshing-floor great sheaves of maize and of
bean-stalks, leaving them to dry there in readiness for the threshing.
The girls were active and willing, strong and cheerful. Both girls and
boys worked with the eager purpose of helping the invalid father and
the mother so wearied with constant care of the sick man and the young
child.
After the grapes were gathered, and the maize and beans harvested,
the hard work was over for a time. The gourds and watermelons, which
had been planted between the rows of maize and beans, now open to the
sunshine, were gaining in mellow color.
There was some free time for the Almaida family in the afternoons of
these October days. Jose drew his engine and cars back and forth on the
terrace, Carlos barking after him. Sometimes Jose played with Malfada
around the water-works, and swam oranges in the streams still running
from the endless chain of buckets. The mother and Joanna worked in the
flower garden. Antonio wandered off on the hillside with his flute.
At the maize-husking season in Portugal there is many a gay assembly.
The threshing-floor is the social gathering-place for old and young.
Antonio, Joanna, Malfada and even little Jose had already been to the
_Decamisadas_, or husking, on neighboring farms, when the work and the
dancing had lasted until late into the evening. Now Antonio had, in
turn, invited their neighbors to a maize-husking.
On the afternoon set, eager troops of men and boys, most of them
carrying some musical instrument, came in holiday costume of homespun
trousers, white linen shirt with a large gold or silver stud at the
neck, a red sash bound around the waist, broadcloth or homespun
cloak hung over one shoulder, and newest hat of black felt or cap of
knitted yarn. Eager troops of girls came also, in full short skirts,
in bodices of dark red or yellow worn over white waists, the large
sleeves newly starched and ironed. Each girl had a gay-colored cotton
or silk kerchief over her shoulders, and almost every one wore handsome
filigree gold earrings.
Jose's mother was dressed in the same kind of costume, except that her
kerchief was of soft dark red silk; and she wore her chief treasure, a
heavy gold chain and cross.
That afternoon, for the first time since his illness, Senhor Almaida
sat out on the porch in his arm-chair, his best broadcloth cloak
wrapped about him. In the excitement of the family preparation for the
_Decamisadas_, he had moved his right hand slightly. How the mother and
the children rejoiced in this sign of returning strength!
The husking went on merrily. Skilful fingers made quick work. Gossip
and song filled the air with busy hum. At times one or two of the
men left off work, upon Antonio's asking, and for a half hour played
familiar tunes on flute, guitar, violin or pipe.
Toward sunset, when the sky was all aglow with red light, the mother,
Joanna and Malfada brought out the supper of _brôa_, dried fish and
preserved fruits. The large platters were piled high with the food, and
there was plenty more in the house. The workers had hearty appetites,
and each took a cupful of the fresh-pressed grape-juice which Antonio
passed around.
[Illustration: "SHE WAS A PICTURE OF YOUTH, BEAUTY AND GRACE."]
The round harvest moon rose just at sunset. In the red-silver glow of
twilight and moonlight, the cheerful workers began their tasks again.
After an hour more, the husking was finished. A huge heap of golden
ears gleamed in the centre of the threshing-floor. Willing hands
carried these off to the barn. The threshing-floor was cleared of
maize-stalks and chaff. All was ready for dancing.
First the young men and maidens formed a circle and went round and
round in a merry jig. Then they danced, in groups, the _bolero_, a
dance slow and firm in motion, with well-marked time. This was followed
by a lively reel.
As the music grew louder, little Jose dared to join in with his beloved
violin.
Then singing burst forth to the music, players and dancers taking part
in the simple country-side melodies, until, warm and breathless, the
dancers drew back to the edges of the threshing-floor. And now they
began eagerly calling upon Inez Castillo for the dance she did so well.
Eighteen-year-old Inez Castillo had stood aside while the others
danced. She did not like so much romping. But now she stepped forward
good-naturedly at their request. Her deep black eyes glowed with the
lustre of health. There was a ripe red flush upon her cheeks, an
expression of gentle modesty upon face and figure.
"You play for me, Jose, you alone, please," the girl asked. She knew
how perfectly in tune and in time Jose's music was.
Steadily, but rather low at first, the boy began to play. Steadily and
gracefully Inez danced forth, her silver bracelets tinkling upon her
wrists. Her arms and body moved in perfect time. She was a picture of
youth, beauty and grace.
Jose did not think about the people listening as he drew his bow back
and forth. He thought only of making his music as true as possible for
Inez,--Inez who had given him his dear dog-friend Carlos.
Antonio leaned against the stone wall of the barn, watching the face
of his music-loving little brother. "I must try to let the lad have
some music-training," he said to himself. He watched, too, the modest,
graceful dancing of Inez; and he decided that however interesting
far-away America had been, his own fatherland was a goodly country.