CHAPTER XI.

THE THEOLOGY OF LEIBNIZ.

One of the chapters concerning knowledge is entitled, "The Knowledge

that we have of God." This introduces us to the theology of Leibniz

and indirectly to the completion of those ethical doctrines already

outlined in the chapter on will. Leibniz employs three arguments to

prove the existence of God: that of God as the sufficient reason of the

world (substantially the cosmological proof); of God as the source of

the pre-established harmony (an extension of the teleological proof);

and the ontological. The latter he accepts as it came from the hands

of Descartes, but insists that it requires an added argument before it

ranks as anything more than presumptive proof. The Anselmic-Cartesian

argument, as stated by Leibniz, is as follows: "God is defined as

the greatest, or most perfect, of beings, or as a being of supreme

grandeur and perfection. But in the notion of a perfect being,

existence must be included, since it is something more to exist than

not to exist. Or existence is a perfection, and hence must belong to

the most perfect being; otherwise some perfection would be lacking,

which is contrary to the definition." Or as Descartes sometimes puts

it, in the notion of anything like a tree, a mountain, a triangle,

contingency is contained. We may conceive such an object to exist or

not, as we like. There is no necessity involved in our thought. But we

cannot think of a perfect being except as existing. It does not rest

with the decision of our thinking whether or not to include existence

in this notion. We must necessarily think existence as soon as we think

such a being.

Leibniz takes a middle position, he says, between those who

consider this a demonstrative argument, and those who regard it

as a mere paralogism. It is pre-supposed by this argument that the

notion of a Supreme Being is possible, or that it does not involve

contradiction. This pre-supposition is to be proved. First, it is

well to simplify the argument itself. The Cartesian definition may

be reduced to this: "God is a being in whom existence and essence are

one. From this definition it follows as a corollary that such a being,

if possible, exists. For the essence of a thing being just that which

constitutes its possibility, it is evident that to exist by its essence

is the same as to exist by its possibility. Being in itself, then,

or God, may be most simply defined as the Being who must exist if he

is possible."

There are two ways of proving this last clause (namely, that he

is possible) the direct and the indirect. The indirect is employed

against those who assert that from mere notions, ideas, definitions or

possible essences, it is not possible to infer actual existence. Such

persons simply deny the possibility of being in itself. But if

being-in-itself, or absolute being, is impossible, being-by-another,

or relative, is also impossible; for there is no "other" upon which

it may depend. Nothing, in this case, could exist. Or if necessary

being is not possible, there is no being possible. Put in another way,

God is as necessary for possibility as for actual existence. If there

is possibility of anything, there is God. This leads up to the direct

proof; for it follows that, if there be a possibility of God,--the

Being in whom existence and essence are one,--he exists. "God alone

has such a position that existence is necessary, if possible. But

since there can be nothing opposed to the possibility of a being

without limit,--a being therefore without negations and without

contradiction,--this is sufficient to prove _a priori_ the existence

of God." In short, God being pure affirmation, pure self-identity,

the idea of his Being cannot include contradiction, and hence is

possible,--and since possible, necessary. Of this conception of God as

the purely self-identical, without negation, we shall have something to

say in the next chapter.

The cosmological proof is, as we have already seen, that every cause in

the world being at the same time an effect, it cannot be the sufficient

reason of anything. The whole series is contingent, and requires a

ground not prior to, but beyond, the series. The only _sufficient_

reason of anything is that which is also the sufficient reason of

itself,--absolute being. The teleological argument Leibniz invariably,

I believe, presents in connection with the idea of pre-established

harmony. "If the substances of experience," runs the argument,

"had not received their being, both active and passive, from one

universal supreme cause, they would be independent of one another,

and hence would not exhibit that order, harmony, and beauty which

we notice in nature. This argument possesses only moral certainty

which becomes demonstrative by the new kind of harmony which I have

introduced,--pre-established harmony. Since each substance expresses in

its own way that which occurs beyond it, and can have no influence on

other particular beings, it is necessary that each substance, before

developing these phenomena from the depth of its own being, must have

received this nature (this internal ground of external phenomena) from

a universal cause from whom all beings depend, and which effects that

one be perfectly in accord with and corresponding to every other. This

cannot occur except through a being of infinite knowledge and power."

Having determined the existence of God, Leibniz states his

attributes. These may be reduced to three. He is perfect in power, in

wisdom, and in goodness. "Perfection is nothing other than the whole of

positive reality separated from the limits and bounds of things. Where

there are no limits, as in God, perfection is absolutely infinite." "In

God exists _power_, which is the source of all _knowledge_,--which

comprehends the realm of ideas, down to its minutest detail,--and

_will_, which directs all creations and changes according to the

principle of the best." Or as he expands it at another time: "The

supreme cause must be intelligent, for the existing world being

contingent, and an infinity of other worlds being equally possible,

it is necessary that the cause of the world take into consideration

all these possible worlds in order to decide upon one. Now this

relation of a substance to simple ideas must be the relation of

understanding to its ideas, while deciding upon one is the act of will

in choosing. Finally it is the power of this substance which executes

the volition. Power has its end in being; wisdom, or understanding,

in truth; and will in good. Thus the cause must be absolutely perfect

in power, wisdom, and goodness. His understanding is the source of

essences, and his will the origin of existences."

This brings us to the relation of God to the world, or to an

account of the creating activity of God. This may be considered to

be metaphysically, logically, or morally necessary. To say that it is

metaphysically necessary is to say that it is the result of the divine

essence, that it would imply a contradiction of the very being of God

for the world not to be and not to be as it is. In short, the world

becomes a mere emanation of power, since, as we have just learned,

power and being are correlative. But this leaves out of account the

divine understanding. Not all possible worlds emanate from God's

being, but there is recognition of them and of their relations to one

another. Were the world to proceed from the divine understanding alone,

however, it would be logically necessary,--that is, it would bear

the same relation to his understanding that necessary truths do. Its

opposite would imply contradiction, not indeed of the being of God,

but of his understanding. But the will of God plays the all-important

part of choosing among the alternative worlds presented by reason,

each of which is _logically_ possible. One of these worlds, although

standing on the same intellectual plane as the others, is _morally_

better,--that is, it involves greater happiness and perfection to the

creatures constituting it. God is guided then by the idea of the better

(and this is the best possible) world. His will is not arbitrary in

creating: it does not work by a _fiat_ of brute power. But neither

is it fatalistic: it does not work by compulsory necessity. It is

both free and necessary; free, for it is guided by naught excepting

God's own recognition of an end; necessary, for God, being God, cannot

_morally_ act otherwise than by the principle of the better,--and this

in contingent matters is the best. Hence the optimism of Leibniz, to

which here no further allusion can be made.

Since the best is precisely God himself, it is evident that the created

world will have, _as far as possible_, his perfections. It would thus

be possible to deduce from this conception of God and his relation to

the world all those characteristics of the Leibnizian monadology which

we formerly arrived at analytically. God is individual, but with an

infinite comprehensiveness. Each substance repeats these properties

of the supreme substance. There is an infinity of such substances, in

order that the world may as perfectly as possible mirror the infinity

of God. Each, so far as in it lies, reflects the activity of God;

for activity is the very essence of perfection. And thus we might go

through with the entire list of the properties of the monad.

To complete the present discussion, however, it is enough to notice

that intelligence and will must be found in every creature, and

that thus we account for the "appetition" and the "perception" that

characterize even the lowest monad. The scale of monads, however,

would not be as complete as possible unless there were beings in

whom appetition became volition, and perception, self-conscious

intelligence. Such monads will stand in quite other relation to God

than the blind impulse-governed substances. "Spirits," says Leibniz,

"are capable of entering into community with God, and God is related

to them not only as an inventor to his machine (as he is to other

creatures) but as a prince to his subjects, or, better, as a father

to his children. This society of spirits constitutes the city of

God,--the most perfect state under the most perfect monarch. This city

of God, this truly cosmopolitan monarchy, is a moral world within

the natural. Among all the works of God it is the most sublime and

divine. In it consists the true glory of God, for there would be no

glory of God unless his greatness and goodness were known and admired

by spirits; and in his relation to this society, God for the first

time reveals his goodness, while he manifests everywhere his power and

wisdom. And as previously we demonstrated a perfect harmony between

the two realms of nature,--those of efficient and final causes,--so

must we here declare harmony between the physical realm of nature and

the moral realm of grace,--that is, between God as the architect of

the mechanical world-structure, and God as the monarch of the world

of spirits." God fulfils his creation, in other words, in a realm

of spirits, and fulfils it because here there are beings who do not

merely reflect him but who enter into relations of companionship with

him, forming a community. This community of spirits with one another

and with God is the moral world, and we are thus brought again to the

ethics of Leibniz.

It has been frequently pointed out that Leibniz was the first to give

ethics the form which it has since kept in German philosophy,--the

division into _Natur-recht_ and _Natur-moral_. These terms are

difficult to give in English, but the latter corresponds to what is

ordinarily called "moral philosophy," while the former is political

philosophy so far as that has an ethical bearing. Or the latter may be

said to treat of the moral ideal and of the moral motive and of duty in

themselves, while the former deals with the social, the public, and in

a certain sense the external, aspects of morality.

Puffendorf undoubtedly suggested this division to Leibniz by

his classification of duties as external and internal,--the first

comprehending natural and civil law, the second moral theology. But

Puffendorf confined the former to purely external acts, excluding

motives and intentions, and the latter to divine revelation. Both are

"positive," and in some sort arbitrary,--one resting merely on the fact

that certain institutions obtain, the other on the fact that God has

made certain declarations. To Leibniz, on the other hand, the will of

God is in no sense the source of moral truths. The will of God does

not create truth, but carries into effect the eternal truths of the

divine understanding. Moral truths are like those of mathematics. And

again, there is no such thing as purely external morality: it always

contains an inner content, of which the external act is only the

manifestation. Leibniz may thus be said to have made two discoveries,

or rather re-discoveries: one, that there is a science of morals,

independent of law, custom, and positive right; the other, that the

basis of both "natural" and "positive" morals is not the mere will of

God, but is reason with its content of eternal truths.

In morals the end is happiness, the means wisdom. Happiness is defined,

not as an occurrence, but as a condition, or state of being. "It is

the condition of permanent joy. This does not mean that the joy is

actually felt every moment, but that one is in the condition to enjoy

whenever he thinks of it, and that, in the interval, joyfulness arises

from his activity and being." Pleasure, however, is not a state, but

a feeling. It is the feeling of perfection, whether in ourselves or

in anything else. It does not follow that we perceive intellectually

either in what the perfection of the pleasant thing consists or in

what way it develops perfection within us. It is enough that it be

realized in feeling, so as to give us pleasure. Perfection is defined

"as increase of being. As sickness is, as it were, a lowering and a

falling off from health, so perfection is something which mounts above

health. It manifests itself in power to act; for all substance consists

in a certain power, and the greater the power the higher and freer the

substance. But power increases in the degree that the many manifests

itself from one and in one, while the one rules many from itself and

transforms them into self. But unity in plurality is nothing else than

harmony; and from this comes order or proportion, from which proceeds

beauty, and beauty awakens love. Thus it becomes evident how happiness,

pleasure, love, perfection, substance, power, freedom, harmony,

proportion, and beauty are bound up in one another."

From this condensed sketch, taken from Leibniz himself, the main

features of his ethical doctrine clearly appear. When we were studying

freedom we saw that it was not so much a starting-point of the will

as its goal and ideal. We saw also that true freedom is dependent upon

knowledge, upon recognition of the eternal and universal. What we have

here is a statement of that doctrine in terms of feeling and of will

instead of knowledge. The end of man is stated to be happiness, but

the notion of happiness is developed in such a way that it is seen to

be equivalent to the Aristotelian notion of self-realization; "it is

development of substance, and substance is activity." It is the union

of one and the many; and the one, according to the invariable doctrine

of Leibniz, is the spiritual element, and the many is the real content

which gives meaning to this rational unity. Happiness thus means

perfection, and perfection a completely universalized individual. The

motive toward the moral life is elsewhere stated to be love; and love

is defined as interest in perfection, and hence culminates in love

of God, the only absolute perfection. It also has its source in God,

as the origin of perfection; so that Leibniz says, Whoso loves God,

loves all.

Natural right, as distinguished from morals, is based upon the

notion of justice, this being the outward manifestation of wisdom, or

knowledge,--appreciation of the relation of actions to happiness. The

definitions given by Leibniz are as follows: Just and unjust are what

are useful or harmful to the public,--that is, to the community of

spirits. This community includes first God, then humanity, then the

state. These are so subordinated that, in cases of collision of duty,

God, the universe of relations, comes before the profit of humanity,

and this before the state. At another time Leibniz defines justice

as social virtue, and says that there are as many kinds of "right"

as there are kinds of natural communities in which happiness is an

end of action. A natural community is defined as one which rests

upon desire and the power of satisfying it, and includes three

varieties,--domestic, civil, and ecclesiastic. "Right" is defined

as that which sustains and develops any natural community. It is, in

other words, the will for happiness united with insight into what makes

happiness.

Corresponding to the three forms of the social organism (as we should

now call the "natural community"), are the three kinds of _jus_,--_jus

strictum_, equity, and piety. Each of these has its corresponding

prescript. That of _jus strictum_ is to injure no one; of equity,

to render to each his own; and of piety, to make the ethical law the

law of conduct. _Jus strictum_ includes the right of war and peace. The

right of peace exists between individuals till one breaks it. The right

of war exists between men and things. The victory of person over thing

is _property_. Things thus come to possess the right of the person to

whom they belong as against every other person; that is, in the right

of the person to himself as against the attacks of another (the right

to peace) is included a right to his property. _Jus strictum_ is,

of course, in all cases, enforceable by civil law and the compulsory

force which accompanies it. Equity, however, reaches beyond this to

obligation in cases where there is no right of compulsion. Its law

is, Be of aid to all, but to each according to his merits and his

claims. Finally comes piety. The other two stages are limited. The

lowest is negative, it wards off harm; the second aims after happiness,

but only within the limits of earthly existence. That we should

ourselves bear misery, even the greatest, for the sake of others,

and should subject the whole of this existence to something higher,

cannot be proved excepting as we regard the society, or community,

of our spirits with God. Justice with relation to God comprehends all

virtues. Everything that is, is from God; and hence the law of all

conduct is to use everything according to its place in the idea of God,

according to its function in the universal harmony. It thus not only

complements the other two kinds of justice but is the source of their

inner ethical worth. "Strict justice" may conflict with equity. But God

effects that what is of use to the public well-being--that is, to the

universe and to humanity--shall be of use also to the individual. Thus

from the standpoint of God the moral is advantageous, and the immoral

hurtful. Kant's indebtedness to Leibniz will at once appear to one

initiated into the philosophy of the former.

Leibniz never worked out either his ethics or his political philosophy

in detail; but it is evident that they both take their origin and

find their scope in the fact of man's relationship to God, that they

are both, in fact, accounts of the methods of realizing a universal

but not a merely formal harmony. For harmony is not, with Leibniz,

an external arrangement, but is the very soul of being. Perfect

harmony, or adaptation to the universe of relations, is the end of the

individual, and man is informed of his progress toward this end by an

inner sentiment of pleasure.

It may be added that Leibniz's æsthetic theory, so far as developed,

rests upon the same basis as his ethical,--namely, upon membership

in the "city of God," or community of spiritual beings. This is

implied, indeed, in a passage already quoted, where he states the

close connection of beauty with harmony and perfection. The feeling

of beauty is the recognition in feeling of an order, proportion, and

harmony which are not yet intellectually descried. Leibniz illustrates

by music, the dance, and architecture. This feeling of the harmonious

also becomes an impulse to produce. As perception of beauty may be

regarded as unexplained, or confused, perception of truth, so creation

of beauty may be considered as undeveloped will. It is action on its

way to perfect freedom, for freedom is simply activity with explicit

recognition of harmony.

We cannot do better than quote the conclusion of the matter from

Leibniz's "Principles of Nature and of Grace," although, in part,

it repeats what we have already learned. "There is something more

in the rational soul, or spirit, than there is in the monad or even

in the simple soul. Spirit is not only a mirror of the universe of

creatures, but is also an image of the divine being. Spirit not only

has a perception of the works of God, but is also capable of producing

something which resembles them, though on a small scale. To say nothing

of dreams, in which we invent without trouble and without volition

things upon which we must reflect a long time in order to discover in

our waking state,--to say nothing of this, our soul is architectonic in

voluntary actions; and, in discovering the sciences in accordance with

which God has regulated all things (_pondere_, _mensura_, _numero_), it

imitates in its department and in its own world of activity that which

God does in the macrocosm. This is the reason why spirits, entering

through reason and eternal truths into a kind of society with God,

are members of the city of God,--that is, of the most perfect state,

formed and governed by the best of monarchs, in which there is no crime

without punishment, and no good action without reward, and where there

is as much of virtue and of happiness as may possibly exist. And this

occurs not through a disturbance of nature, as if God's dealing with

souls were in violation of mechanical laws, but by the very order of

natural things, on account of the eternal, pre-established harmony

between the kingdoms of nature and grace, between God as monarch and

God as architect, since nature leads up to grace, and grace makes

nature perfect in making use of it."

No better sentences could be found with which to conclude this analysis

of Leibniz. They resound not only with the grandeur and wide scope

characteristic of his thought, but they contain his essential idea,

his pre-eminent "note,"--that of the harmony of the natural and the

supernatural, the mechanical and the organic. The mechanical is to

Leibniz what the word signifies; it is the _instrumental_, and this

in the full meaning of the term. Nature is instrumental in that it

performs a function, realizes a purpose, and instrumental in the sense

that without it spirit, the organic, is an empty dream. The spiritual,

on the other hand, is the meaning, the _idea_ of nature. It perfects

it, in that it makes it instrumental to itself, and thus renders it not

the passive panorama of _mere_ material force, but the manifestation of

living spirit.

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