"Good-night, sir," said the old man; "good-night; I wish you well."
A moment later I had entered my bedroom, and having shut the door,
proceeded to give it a careful examination. As far as I could make out,
there was no entrance to the room except by the door, which was shaped
to fit the circular walls. I noticed, however, that there was an
unaccountable draught, and this I at last discovered came from below the
oak wainscoting of the wall. I could not in any way account for the
draught, but it existed to an unpleasant extent. The bed, I further saw,
was somewhat peculiar; it had no castors on the four legs, which were
let down about half an inch into sockets provided for them in the wooden
floor. This discovery excited my suspicions still further. It was
evident that the bed was intended to remain in a particular position. I
saw that it directly faced the little window sunk deep into the thick
wall, so that any one in bed would look directly at the window. I
examined my watch, found that it was past eleven, and placing both the
candles on a tiny table near the bed, I lay down without undressing. I
was on the alert to catch the slightest noise, but the hours dragged on
and nothing occurred. In the house all was silence, and outside the
splashing and churning of the water falling over the wheel came
distinctly to my ears.
I lay awake all night, but as morning dawned fell into an uneasy sleep.
I awoke to see the broad daylight streaming in at the small window.
Making a hasty toilet, I went out for a walk, and presently came in to
breakfast. It had been laid for me in the big kitchen, and the old man
was seated by the hearth.
"Well," said the woman, "I hope you slept comfortable, sir."
I answered in the affirmative, and now perceived that old Bindloss and
his wife were in the humour to be agreeable. They said that if I was
satisfied with the room I might spend another night at the inn. I told
them that I had a great many photographs to take, and would be much
obliged for the permission. As I spoke I looked round for the girl, Liz.
She was nowhere to be seen.
"Where is your grand-daughter?" I asked of the old woman.
"She has gone away for the day," was the reply. "It's too much for Liz
to see strangers. She gets excited, and then the fits come on."
"What sort of fits?"
"I can't tell what they are called, but they're bad, and weaken her,
poor thing! Liz ought never to be excited." Here Bindloss gave his wife
a warning glance; she lowered her eyes, and going across to the range,
began to stir the contents of something in a saucepan.
That afternoon I borrowed some lines from Bindloss, and, taking an old
boat which was moored to the bank of the mill-pond, set off under the
pretence of fishing for pike. The weather was perfect for the time of
year.
Waiting my opportunity, I brought the boat up to land on the bank that
dammed up the stream, and getting out walked along it in the direction
of the mill-wheel, over which the water was now rushing.
As I observed it from this side of the bank, I saw that the tower in
which my room was placed must at one time have been part of the mill
itself, and I further noticed that the masonry was comparatively new,
showing that alterations must have taken place when the house was
abandoned as a mill and was turned into an inn. I clambered down the
side of the wheel, holding on to the beams, which were green and
slippery, and peered through the paddles.
As I was making my examination, a voice suddenly startled me.
"What are you doing down there?"
I looked up; old Bindloss was standing on the bank looking down at me.
He was alone, and his face was contorted with a queer mixture of fear
and passion. I hastily hoisted myself up, and stood beside him.
"What are you poking about down there for?" he said, pushing his ugly
old face into mine as he spoke. "You fool! if you had fallen you would
have been drowned. No one could swim a stroke in that mill-race. And
then there would have been another death, and all the old fuss over
again! Look here, sir, will you have the goodness to get out of the
place? I don't want you here any more."
"I intend to leave to-morrow morning," I answered in a pacifying voice,
"and I am really very much obliged to you for warning me about the
mill."
"You had best not go near it again," he said in a menacing voice, and
then he turned hastily away. I watched him as he climbed up a steep bank
and disappeared from view. He was going in the opposite direction from
the house. Seizing the opportunity of his absence, I once more
approached the mill. Was it possible that Wentworth had been hurled into
it? But had this been the case there would have been signs and marks on
the body. Having reached the wheel, I clambered boldly down. It was now
getting dusk, but I could see that a prolongation of the axle entered
the wall of the tower. The fittings were also in wonderfully good order,
and the bolt that held the great wheel only required to be drawn out to
set it in motion.
That evening during supper I thought very hard. I perceived that
Bindloss was angry, also that he was suspicious and alarmed. I saw
plainly that the only way to really discover what had been done to
Wentworth was to cause the old ruffian to try similar means to get rid
of me. This was a dangerous expedient, but I felt desperate, and my
curiosity as well as interest were keenly aroused. Having finished my
supper, I went into the passage preparatory to going into the kitchen. I
had on felt slippers, and my footfall made no noise. As I approached
the door I heard Bindloss saying to his wife,--
"He's been poking about the mill-wheel; I wish he would make himself
scarce."
"Oh, he can't find out anything," was the reply. "You keep quiet,
Bindloss; he'll be off in the morning."
"That's as maybe," was the answer, and then there came a harsh and very
disagreeable laugh. I waited for a moment, and then entered the kitchen.
Bindloss was alone now; he was bending over the fire, smoking.
"I shall leave early in the morning," I said, "so please have my bill
ready for me." I then seated myself near him, drawing up my chair close
to the blaze. He looked as if he resented this, but said nothing.
"I am very curious about the deaths which occur in this house," I said,
after a pause. "How many did you say there were?"
"That is nothing to you," he answered. "We never wanted you here; you
can go when you please."
"I shall go to-morrow morning, but I wish to say something now."
"And what may that be?"
"I don't believe in that story about the place being haunted."
"Oh, you don't, don't you?" He dropped his pipe, and his glittering eyes
gazed at me with a mixture of anger and ill-concealed alarm.
"No," I paused, then I said slowly and emphatically, "I went back to the
mill even after your warning, and----"
"What?" he cried, starting to his feet.
"Nothing," I answered; "only I don't believe in the ghost."
His face turned not only white but livid. I left him without another
word. I saw that his suspicions had been much strengthened by my words.
This I intended. To induce the ruffian to do his worst was the only way
to wring his secret from him.
My hideous room looked exactly as it had done on the previous evening.
The grotesque pattern on the walls seemed to start out in bold relief.
Some of the ugly lines seemed at that moment, to my imagination, almost
to take human shape, to convert themselves into ogre-like faces, and to
grin at me. Was I too daring? Was it wrong of me to risk my life in this
manner? I was terribly tired, and, curious as it may seem, my greatest
fear at that crucial moment was the dread that I might fall asleep. I
had spent two nights with scarcely any repose, and felt that at any
moment, notwithstanding all my efforts, slumber might visit me. In order
to give Bindloss full opportunity for carrying out his scheme, it was
necessary for me to get into bed, and even to feign sleep. In my present
exhausted condition the pretence of slumber would easily lapse into the
reality. This risk, however, which really was a very grave one, must be
run. Without undressing I got into bed, pulling the bed-clothes well
over me. In my hand I held my revolver. I deliberately put out the
candles, and then lay motionless, waiting for events. The house was
quiet as the grave--there was not a stir, and gradually my nerves,
excited as they were, began to calm down. As I had fully expected,
overpowering sleepiness seized me, and, notwithstanding every effort, I
found myself drifting away into the land of dreams. I began to wish that
whatever apparition was to appear would do so at once and get it over.
Gradually but surely I seemed to pass from all memory of my present
world, and to live in a strange and terrible phantasmagoria. In that
state I slept, in that state also I dreamt, and dreamt horribly.
I thought that I was dancing a waltz with an enormously tall woman. She
towered above me, clasping me in her arms, and began to whirl me round
and round at a giddy speed. I could hear the crashing music of a distant
band. Faster and faster, round and round some great empty hall was I
whirled. I knew that I was losing my senses, and screamed to her to stop
and let me go. Suddenly there was a terrible crash close to me. Good
God! I found myself awake, but--I was still moving. Where was I? Where
was I going? I leapt up on the bed, only to reel and fall heavily
backwards upon the floor. What was the matter? Why was I sliding,
sliding? Had I suddenly gone mad, or was I still suffering from some
hideous nightmare? I tried to move, to stagger to my feet. Then by slow
degrees my senses began to return, and I knew where I was. I was in the
circular room, the room where Wentworth had died; but what was happening
to me I could not divine. I only knew that I was being whirled round and
round at a velocity that was every moment increasing. By the moonlight
that struggled in through the window I saw that the floor and the bed
upon it was revolving, but the table was lying on its side, and its fall
must have awakened me.
I could not see any other furniture in the room. By what mysterious
manner had it been removed? Making a great effort, I crawled to the
centre of this awful chamber, and, seizing the foot of the bed,
struggled to my feet. Here I knew there would be less motion, and I
could just manage to see the outline of the door. I had taken the
precaution to slip the revolver into my pocket, and I still felt that
if human agency appeared, I had a chance of selling my life dearly; but
surely the horror I was passing through was invented by no living man!
As the floor of the room revolved in the direction of the door I made a
dash for it, but was carried swiftly past, and again fell heavily. When
I came round again I made a frantic effort to cling to one of the steps,
but in vain; the head of the bedstead caught me as it flew round, and
tore my arms away. In another moment I believe I should have gone raving
mad with terror. My head felt as if it would burst; I found it
impossible to think consecutively. The only idea which really possessed
me was a mad wish to escape from this hideous place. I struggled to the
bedstead, and dragging the legs from their sockets, pulled it into the
middle of the room away from the wall. With this out of the way, I
managed at last to reach the door in safety.
[Illustration: "I flung myself upon him."
A Master of Mysteries.--Page 47]
The moment my hand grasped the handle I leapt upon the little step and
tried to wrench the door open. It was locked, locked from without; it
defied my every effort. I had only just standing room for my feet. Below
me the floor of the room was still racing round with terrible speed. I
dared scarcely look at it, for the giddiness in my head increased each
moment. The next instant a soft footstep was distinctly audible, and I
saw a gleam of light through a chink of the door. I heard a hand
fumbling at the lock, the door was slowly opened outwards, and I saw the
face of Bindloss.
For a moment he did not perceive me, for I was crouching down on the
step, and the next instant with all my force I flung myself upon him. He
uttered a yell of terror. The lantern he carried dropped and went out,
but I had gripped him round the neck with my fingers, driving them deep
down into his lean, sinewy throat. With frantic speed I pulled him along
the passage up to a window, through which the moonlight was shining.
Here I released my hold of his throat, but immediately covered him with
my revolver.
"Down on your knees, or you are a dead man!" I cried. "Confess
everything, or I shoot you through the heart."
His courage had evidently forsaken him; he began to whimper and cry
bitterly.
"Spare my life," he screamed. "I will tell everything, only spare my
life."
"Be quick about it," I said; "I am in no humour to be merciful. Out with
the truth."
I was listening anxiously for the wife's step, but except for the low
hum of machinery and the splashing of the water I heard nothing.
"Speak," I said, giving the old man a shake. His lips trembled, his
words came out falteringly.
"It was Wentworth's doing," he panted.
"Wentworth? Not the murdered man?" I cried.
"No, no, his cousin. The ruffian who has been the curse of my life.
Owing to that last death he inherits the property. He is the real owner
of the mill, and he invented the revolving floor. There were deaths--oh
yes, oh yes. It was so easy, and I wanted the money. The police never
suspected, nor did the doctors. Wentworth was bitter hard on me, and I
got into his power." Here he choked and sobbed. "I am a miserable old
man, sir," he gasped.
"So you killed your victims for the sake of money?" I said, grasping him
by the shoulder.
"Yes," he said, "yes. The bailiff had twenty pounds all in gold; no one
ever knew. I took it and was able to satisfy Wentworth for a bit."
"And what about Archibald Wentworth?"
"That was _his_ doing, and I was to be paid."
"And now finally you wanted to get rid of me?"
"Yes; for you suspected."
As I spoke I perceived by the ghastly light of the moon another door
near. I opened it and saw that it was the entrance to a small dark
lumber room. I pushed the old man in, turned the key in the lock, and
ran downstairs. The wife was still unaccountably absent. I opened the
front door, and trembling, exhausted, drenched in perspiration, found
myself in the open air. Every nerve was shaken. At that terrible moment
I was not in the least master of myself. My one desire was to fly from
the hideous place. I had just reached the little gate when a hand, light
as a feather, touched my arm. I looked up; the girl Liz stood before me.
"You are saved," she said; "thank God! I tried all I could to stop the
wheel. See, I am drenched to the skin; I could not manage it. But at
least I locked Grannie up. She's in the kitchen, sound asleep. She drank
a lot of gin."
"Where were you all day yesterday?" I asked.
"Locked up in a room in the further tower, but I managed to squeeze
through the window, although it half killed me. I knew if you stayed
that they would try it on to-night. Thank God you are saved."
"Well, don't keep me now," I said; "I have been saved as by a miracle.
You are a good girl; I am much obliged to you. You must tell me another
time how you manage to live through all these horrors."
"Ain't I all but mad?" was her pathetic reply. "Oh, my God, what I
suffer!" She pressed her hand to her face; the look in her eyes was
terrible. But I could not wait now to talk to her further. I hastily
left the place.
How I reached Harkhurst I can never tell, but early in the morning I
found myself there. I went straight to Dr. Stanmore's house, and having
got him up, I communicated my story. He and I together immediately
visited the superintendent of police. Having told my exciting tale, we
took a trap and all three returned to the Castle Inn. We were back there
before eight o'clock on the following morning. But as the police officer
expected, the place was empty. Bindloss had been rescued from the dark
closet, and he and his wife and the girl Liz had all flown. The doctor,
the police officer, and I, all went up to the circular room. We then
descended to the basement, and after a careful examination we discovered
a low door, through which we crept; we then found ourselves in a dark
vault, which was full of machinery. By the light of a lantern we
examined it. Here we saw an explanation of the whole trick. The shaft of
the mill-wheel which was let through the wall of the tower was
_continuous as the axle of a vertical cogged wheel_, and by a
multiplication action turned a large horizontal wheel into which a
vertical shaft descended. This shaft was let into the centre of four
crossbeams, supporting the floor of the room in which I had slept. All
round the circular edge of the floor was a steel rim which turned in a
circular socket. It needed but a touch to set this hideous apparatus in
motion.
The police immediately started in pursuit of Bindloss, and I returned to
London. That evening Edgcombe and I visited Dr. Miles Gordon.
Hard-headed old physician that he was, he was literally aghast when I
told him my story. He explained to me that a man placed in the position
in which I was when the floor began to move would by means of
centrifugal force suffer from enormous congestion of the brain. In fact,
the revolving floor would induce an artificial condition of apoplexy. If
the victim were drugged or even only sleeping heavily, and the floor
began to move slowly, insensibility would almost immediately be induced,
which would soon pass into coma and death, and a post-mortem examination
some hours afterwards would show no cause for death, as the brain would
appear perfectly healthy, the blood having again left it.
From the presence of Dr. Miles Gordon, Edgcombe and I went to Scotland
Yard, and the whole affair was put into the hands of the London
detective force. With the clue which I had almost sacrificed my life to
furnish, they quickly did the rest. Wentworth was arrested, and under
pressure was induced to make a full confession, but old Bindloss had
already told me the gist of the story. Wentworth's father had owned the
mill, had got into trouble with the law, and changed his name. In fact,
he had spent five years in penal servitude. He then went to Australia
and made money. He died when his son was a young man. This youth
inherited all the father's vices. He came home, visited the mill, and,
being of a mechanical turn of mind, invented the revolving floor. He
changed the mill into an inn, put Bindloss, one of his "pals," into
possession with the full intention of murdering unwary travellers from
time to time for their money.
The police, however, wanted him for a forged bill, and he thought it
best to fly. Bindloss was left in full possession. Worried by Wentworth,
who had him in his power for a grave crime committed years ago, he
himself on two occasions murdered a victim in the circular room.
Meanwhile several unexpected deaths had taken place in the older branch
of the Wentworth family, and Archibald Wentworth alone stood between his
cousin and the great estates. Wentworth came home, and with the aid of
Bindloss got Archibald into his power. The young artist slept in the
fatal room, and his death was the result. At this moment Wentworth and
Bindloss are committed for trial at the Old Bailey, and there is no
doubt what the result will be.
The ghost mystery in connection with the Castle Inn has, of course, been
explained away for ever.