THE UNGUARDED FIRES
The public knew well that Ingolby had solved his biggest business
problem, because three offices of three railways--one big and two small--
suddenly became merged under his control. At which there was rejoicing
at Lebanon, followed by dismay and indignation at Manitou, for one of the
smaller merged railways had its offices there, and it was now removed to
Lebanon; while several of the staff, having proved cantankerous, were
promptly retired. As they were French Canadians, their retirement became
a public matter in Manitou and begot fresh quarrel between the rival
towns.
Ingolby had made a tactical mistake in at once removing the office of the
merged railway from Manitou, and he saw it quickly. It was not possible
to put the matter right at once, however.
There had already been collision between his own railway-men and the
rivermen from Manitou, whom Felix Marchand had bribed to cause trouble:
two Manitou men had been seriously hurt, and feeling ran high. Ingolby's
eyes opened wide when he saw Marchand's ugly game. He loathed the
dissolute fellow, but he realized now that his foe was a factor to be
reckoned with, for Marchand had plenty of money as well as a bad nature.
He saw he was in for a big fight with Manitou, and he had to think it
out.
So this time he went pigeon-shooting.
He got his pigeons, and the slaughter did him good. As though in keeping
with the situation, he shot on both sides of the Sagalac with great good
luck, and in the late afternoon sent his Indian lad on ahead to Lebanon
with the day's spoil, while he loitered through the woods, a gun slung in
the hollow of his arm. He had walked many miles, but there was still a
spring to his step and he hummed an air with his shoulders thrown back
and his hat on the back of his head. He had had his shooting, he had
done his thinking, and he was pleased with himself. He had shaped his
homeward course so that it would bring him near to Gabriel Druse's house.
He had seen Fleda only twice since the episode at Carillon, and met her
only once, and that was but for a moment at a Fete for the hospital at
Manitou, and with other people present--people who lay in wait for crumbs
of gossip.
Since the running of the Rapids, Fleda had filled a larger place in the
eyes of Manitou and Lebanon. She had appealed to the Western mind: she
had done a brave physical thing. Wherever she went she was made
conscious of a new attitude towards herself, a more understanding
feeling. At the Fete when she and Ingolby met face to face, people had
immediately drawn round them curious and excited. These could not
understand why the two talked so little, and had such an every-day manner
with each other. Only old Mother Thibadeau, who had a heart that sees,
caught a look in Fleda's eyes, a warm deepening of colour, a sudden
embarrassment, which she knew how to interpret.
"See now, monseigneur," she said to Monseigneur Lourde, nodding towards
Fleda and Ingolby, "there would be work here soon for you or Father
Bidette if they were not two heretics."
"Is she a heretic, then, madame?" asked the old white-headed priest, his
eyes quizzically following Fleda.
She is not a Catholic, and she must be a heretic, that's certain," was
the reply.
"I'm not so sure," mused the priest. Smiling, he raised his hat as he
caught Fleda's eyes. He made as if to go towards her, but something in
her look held him back. He realized that Fleda did not wish to speak
with him, and that she was even hurrying away from her father, who
lumbered through the crowd as though unconscious of them all.
Presently Monseigneur Lourde saw Fleda leave the Fete and take the road
towards home. There was a sense of excitement in her motions, and he
also had seen that tremulous, embarrassed look in her eyes. It puzzled
him. He did not connect it wholly with Ingolby as Madame Thibadeau had
done. He had lived so long among primitive people that he was more
accustomed to study faces than find the truth from words, and he had
always been conscious that this girl, educated and even intellectual, was
at heart as primitive as the wildest daughter of the tepees of the North.
There was also in her something of that mystery which belongs to the
universal itinerary--that cosmopolitan something which is the native
human.
"She has far to go," the priest said to himself as he turned to greet
Ingolby with a smile, bright and shy, but gravely reproachful, too.
This happened on the day before the collision between the railway-men and
the river-drivers, and the old priest already knew what trouble was
afoot.
There was little Felix Marchand did which was hidden from him. He made
his way to Ingolby to warn him.
As Ingolby now walked in the woods towards Gabriel Druse's house, he
recalled one striking phrase used by the aged priest in reference to the
closing of the railway offices.
"When you strike your camp, put out the fires," was the aphorism.
Ingolby stopped humming to himself as the words came to his memory again.
Bending his head in thought for a moment, he stood still, cogitating.
"The dear old fellow was right," he said presently aloud with uplifted
head. "I struck camp, but I didn't put out the fires. There's a lot of
that in life."
That is what had happened also to Gabriel Druse and his daughter.
They had struck camp, but had not put out the camp-fires. That which
had been done by the River Starzke came again in its appointed time.
The untended, unguarded fire may spread devastation and ruin, following
with angry freedom the marching feet of those who builded it.
"Yes, you've got to put out your fires when you quit the bivouac,"
continued Ingolby aloud, as he gazed ahead of him through the opening
greenery, beyond which lay Gabriel Druse's home. Where he was the woods
were thick, and here and there on either side it was almost impenetrable.
Few people ever came through this wood. It belonged in greater part to
Gabriel Druse, and in lesser part to the Hudson's Bay Company and the
Government; and as the land was not valuable till it was cleared, and
there was plenty of prairie land to be had, from which neither stick nor
stump must be removed, these woods were very lonely. Occasionally a
trapper or a sportsman wandered through them, but just here where Ingolby
was none ever loitered. It was too thick for game, there was no roadway
leading anywhere, but only an overgrown path, used in the old days by
Indians. It was this path which Ingolby trod with eager steps.
Presently, as he stood still at sight of a ground-hog making for its
hiding-place, he saw a shadow fall across the light breaking through the
trees some distance in front of him. It was Fleda. She had not seen
him, and she came hurrying towards where he was with head bent, a
brightly-ribboned hat swinging in her fingers. She seemed part of the
woods, its wild simplicity, its depth, its colour-already Autumn was
crimsoning the leaves, touching them with amber tints, making the
woodland warm and kind. She wore a dress of golden brown which matched
her hair, and at her throat was a black velvet ribbon with a brooch of
antique paste which flashed the light like diamonds, but more softly.
Suddenly, as she came on, she stopped and raised her head in a listening
attitude, her eyes opening wide as if listening, too--it was as though
she heard with them as well; alive to catch sounds which evaded capture.
She was like some creature of an ancient wood with its own secret and
immemorial history which the world could never know. There was that in
her face which did not belong to civilization or to that fighting world
of which Ingolby was so eager a factor. All the generations of the wood
and road, the combe and the river, the quarry and the secluded boscage
were in her look. There was that about her which was at once elusive and
primevally real.
She was not of those who would be lost in the dust of futility. Whatever
she was, she was an independent atom in the mass of the world's breeding.
Perhaps it was consciousness of the dynamic quality in the girl, her
nearness to naked nature, which made Madame Bulteel say that she would
"have a history."
If she got twisted as she came wayfaring, if her mind became possessed of
a false passion or purpose which she thought a true one, then tragedy
would await her. Yet in this quiet wood so near to the centuries that
were before Adam was, she looked like a spirit of comedy listening till
the Spirit of the Wood should break the silence.
Ingolby felt his blood beat faster. He had a feeling that he was looking
at a wood-nymph who might flash out of his vision as a mere fantasy of
the mind. There shot through him the strangest feeling that if she were
his, he would be linked with something alien to the world of which he
was.
Yet, recalling the day at Carillon when her cheek lay on his shoulder and
her warm breast was pressed unresistingly against him, as he lifted her
from his boat, he knew that he would have to make the hardest fight of
his life if he meant not to have more of her than this brief
acquaintance, so touched by sensation and romance. He was, maybe,
somewhat sensational; his career had, even in its present restricted
compass, been spectacular; but romance, with its reveries and its
moonshinings, its impulses and its blind adventures, had not been any
part of his existence.
Hers were not the first red lips which, voluntarily or involuntarily, had
invited him; nor hers the first eyes which had sparkled to his glances;
and this triumphant Titian head of hers was not the only one he had seen.
When he had taken her hand at the Hospital Fete, her fingers, long and
warm and fine, had folded round his own with a singular confidence, an
involuntary enclosing friendliness; and now as he watched her listening
--did she hear something?--he saw her hand stretch out as though
commanding silence, the "hush!" of an alluring gesture.
This assuredly was not the girl who had run the Carillon Rapids, for that
adventuress was full of a vital force like a man's, and this girl had the
evanishing charm of a dryad.
Suddenly a change passed over her. She was as one who had listened and
had caught the note of song for which she waited; but her face clouded,
and the rapt look gave way to an immediate distress. The fantasy of the
wood-nymph underwent translation in Ingolby's mind; she was now like a
mortal, who, having been transformed, at immortal dictate was returning
to mortal state again.
To heighten the illusion, he thought he heard faint singing in the depths
of the wood. He put his hands to his ears for a moment, and took them
away again to make sure that it was really singing and not his
imagination; and when he saw Fleda's face again, there was fresh evidence
that his senses had not deceived him. After all, it was not strange that
some one should be singing in that deepest wood beyond.
Now Fleda moved forward towards where he stood, quickening her footsteps
as though remembering something she must do. He stepped out into the
path and came to meet her. She heard his footsteps, saw him, and stood
still abruptly.
She did not make a sound, but a hand went to her bosom quickly, as though
to quiet her heart or to steady herself. He had broken suddenly upon her
intent thoughts, he had startled her as she had been seldom startled, for
all her childhood training had been towards self-possession before
surprise and danger.
"This is not your side of the Sagalac," she said with a half-smile,
regaining composure.
"That is in dispute," he answered gaily. "I want to belong to both sides
of the Sagalac, I want both sides to belong to each other so that either
side shall not be my side or your side, or--"
"Or Monsieur Felix Marchand's side," she interrupted meaningly.
"Oh, he's on the outside!" snapped the fighter, with a hardening mouth.
She did not reply at once, but put her hat on, and tied the ribbons
loosely under her chin, looking thoughtfully into the distance.
"Is that the Western slang for saying he belongs nowhere?" she asked.
"Nowhere here," he answered with a grim twist to the corner of his mouth,
his eyes half-closing with sulky meaning. "Won't you sit down?" he
added quickly, in a more sprightly tone, for he saw she was about to move
on. He motioned towards a log lying beside the path and kicked some
branches out of the way.
After slight hesitation she sat down, burying her shoes in the fallen
leaves.
"You don't like Felix Marchand?" she remarked presently.
"No. Do you?"
She met his eyes squarely--so squarely that his own rather lost their
courage, and he blinked more quickly than is needed with a healthy eye.
He had been audacious, but he had not surprised the garrison.
"I have no deep reason for liking or disliking him, and you have," she
answered firmly; yet her colour rose slightly, and he thought he had
never seen skin that looked so like velvet-creamy, pink velvet.
"You seemed to think differently at Carillon not long ago," he returned.
"That was an accident," she answered calmly. "He was drunk, and that is
for forgetting--always."
"Always! Have you seen many men drunk?" he asked quickly. He did not
mean to be quizzical, but his voice sounded so, and she detected it.
"Yes, many," she answered with a little ring of defiance in her tone--
"many, often."
"Where?" he queried recklessly.
"In Lebanon," she retorted. "In Lebanon--your side."
How different she seemed from a few moments ago when she stood listening
like a nymph for the song of the Spirit of the Wood! Now she was gay,
buoyant, with a chamois-like alertness and a beaming vigour.
"Now I know what 'blind drunk' means," he replied musingly. "In Manitou
when men get drunk, the people get astigmatism and can't see the
tangledfooted stagger."
"It means that the pines of Manitou are straighter than the cedars of
Lebanon," she remarked.
"And the pines of Manitou have needles," he rejoined, meaning to give her
the victory.
"Is my tongue as sharp as that?" she asked, amusement in her eyes.
"So sharp I can feel the point when I can't see it," he retorted.
"I'm glad of that," she replied with an affectation of conceit. "Of
course if you live in Lebanon you need surgery to make you feel a point."
"I give in--you have me," he remarked.
"You give in to Manitou?" she asked provokingly. "Certainly not--only
to you. I said, 'You have me.'"
"Ah, you give in to that which won't hurt you--"
"Wouldn't you hurt me?" he asked in a softening tone.
"You only play with words," she answered with sudden gravity. "Hurt you?
I owe you what I can not pay back. I owe you my life; but as nothing can
be given in exchange for a life, I cannot pay you."
"But like may be given for like," he rejoined in a tone suddenly full of
meaning.
"Again you are playing with words--and with me," she answered brusquely,
and a little light of anger dawned in her eyes. Did he think that he
could say a thing of that sort to her--when he pleased? Did he think
that because he had done her a great service, he could say casually what
belonged only to the sacred moments of existence? She looked at him with
rising indignation, but there suddenly came to her the conviction that he
had not spoken with affronting gallantry, but that for him the moment had
a gravity not to be marred by the place or the circumstance.
"I beg your pardon if I spoke hastily," he answered presently. "Yet
there's many a true word spoken in jest."
There was a moment's silence. She realized that he was drawn to her, and
that the attraction was not alone due to his having saved her at
Carillon; that he was not taking advantage of the thing which must ever
be a bond between them, whatever came of life. When she had seen him at
the Hospital Fete, a feeling had rushed over her that he had got nearer
to her than any man had ever done. Then--even then, she felt the thing
which all lovers, actual, or in the making, feel--that they must do
something for the being who to them is more than all else and all others.
She was not in love with Ingolby. How could she be in love with this man
she had seen but a few times--this Gorgio. Why was it that even as they
talked together now, she felt the real, true distance between them--of
race, of origin, of history, of life, of circumstance? The hut in the
wood where Gabriel Druse had carried Jethro Fawe was not three hundred
yards away.
She sighed, stirred, and a wild look came in her eyes--a look of
rebellion or of protest. Presently she recovered herself. She was a
creature of sudden moods.
"What is it you want to do with Manitou and Lebanon?" she asked after a
pause in which the thoughts of both had travelled far.
"You really wish to know--you don't know?" he asked with sudden
intensity.
She regarded him frankly, smiled, then she laughed outright, showing her
teeth very white and regular and handsome. The boyish eagerness of his
look, the whimsical twist of his mouth, which always showed when he was
keenly roused--as though everything that really meant anything was part
of a comet-like comedy--had caused her merriment. All the hidden things
in his face seemed to open out into a swift shrewdness and dry candour
when he was in his mood of "laying all the cards upon the table."
"I don't know," she answered quietly. "I have heard things, but I should
like to learn the truth from you. What are your plans?"
Her eyes were burning with inquiry. She was suddenly brought to the
gateways of a new world. Plans--what had she or her people to do with
plans! What Romany ever constructed anything? What did the building of
a city or a country mean to a Romany 'chal' or a Romany 'chi', they who
lived from field to field, from common to moor, from barn to city wall.
A Romany tent or a Romany camp, with its families, was the whole
territory of their enterprise, designs and patriotism. They saw the
thousand places where cities could be made, and built their fires on the
sites of them, and camped a day, and were gone, leaving them waiting and
barren as before. They travelled through the new lands in America from
the fringe of the Arctic to Patagonia, but they raised no roof-tree; they
tilled no acre, opened no market, set up no tabernacle: they had neither
home nor country.
Fleda was the heir of all this, the product of generations of such
vagabondage. Had the last few years given her the civic sense, the home
sense? From the influence of the Englishwoman, who had made her forsake
the Romany life, had there come habits of mind in tune with the women of
the Sagalac, who were helping to build so much more than their homes?
Since the incident of the Carillon Rapids she had changed, but what the
change meant was yet in her unopened Book of Revelations. Yet something
stirred in her which she had never felt before. She had come of a race
of wayfarers, but the spirit of the builders touched her now.
"What are my plans?" Ingolby drew along breath of satisfaction. "Well,
just here where we are will be seen a great thing. There's the Yukon and
all its gold; there's the Peace River country and all its unploughed
wheat-fields; there's the whole valley of the Sagalac, which alone can
maintain twenty millions of people; there's the East and the British
people overseas who must have bread; there's China and Japan going to
give up rice, and eat the wheaten loaf; there's the U. S. A. with its
hundred millions of people--it'll be that in a few years--and its
exhausted wheat-fields; and here, right here, is the bread-basket for all
the hungry peoples; and Manitou and Lebanon are the centre of it. They
will be the distributing centre. I want to see the base laid right. I'm
not going to stay here till it all happens, but I want to plan it all so
that it will happen, then I'll go on and do a bigger thing somewhere
else. These two towns have got to come together; they must play one big
game. I want to lay the wires for it. That's why I've got capitalists
to start paper-works, engineering works, a foundry, and a sash-door-and-
blind factory--just the beginning. That's why I've put two factories on
one side of the river and two on the other."
"Was it really you who started those factories?" she asked
incredulously.
"Of course! It was part of my plans. I wasn't foolish enough to build
and run them myself. I looked for the right people that had the money
and the brains, and I let them sweat--let them sweat it out. I'm not a
manufacturer; I'm an inventor and a builder. I built the bridge over the
river; and--"
She nodded. "Yes, the bridge is good; but they say you are a schemer,"
she added suggestively.
"Certainly. But if I have schemes which'll do good, I ought to be
supported. I don't mind what they call me, so long as they don't call me
too late for dinner."
They both laughed. It was seldom he talked like this, and never had he
talked to such a listener before. "The merging of the three railways was
a good scheme, and I was the schemer," he continued. "It might mean
monopoly, but it won't work out that way. It will simply concentrate
energy and: save elbow-grease. It will set free capital and capacity for
other things."
"They say there will be fewer men at work, not only in the offices but on
the whole railway system, and they don't like that in Manitou--ah, no,
they don't!" she urged.
"They're right in a sense," he answered. "But the men will be employed
at other things, which won't represent waste and capital overlapping.
Overlapping capital hits everybody in the end. But who says all that?
Who raises the cry of 'wolf' in Manitou?"
"A good many people say it now," she answered, "but I think Felix
Marchand said it first. He is against you, and he is dangerous."
He shrugged a shoulder. "Oh, if any fool said it, it would be the same!"
he answered. "That's a fire easily lighted; though it sometimes burns
long and hard." He frowned, and a fighting look came into his face.
"Then you know all that is working against you in Manitou--working harder
than ever before?"
"I think I do, but I probably don't know all. Have you any special news
about it?"
"Felix Marchand is spending money among the men. They are going on
strike on your railways and in the mills."
"What mills--in Manitou?" he asked abruptly. "In both towns."
He laughed harshly. "That's a tall order," he said sharply. "Both
towns--I don't think so, not yet."
"A sympathetic strike is what he calls it," she rejoined.
"Yes, a row over some imagined grievance on the railway, and all the
men in all the factories to strike--that's the new game of the modern
labour agitator! Marchand has been travelling in France," he added
disdainfully, "but he has brought his goods to the wrong shop. What do
the priests--what does Monseigneur Lourde say to it all?"
"I am not a Catholic," she replied gravely. "I've heard, though, that
Monseigneur is trying to stop the trouble. But--" She paused.
"Yes--but?" he asked. "What were you going to say?"
"But there are many roughs in Manitou, and Felix Marchand makes friends
with them. I don't think the priests will be able to help much in the
end, and if it is to be Manitou against Lebanon, you can't expect a great
deal."
"I never expect more than I get--generally less," he answered grimly;
and he moved the gun about on his knees restlessly, fingering the lock
and the trigger softly.
"I am sure Felix Marchand means you harm," she persisted.
"Personal harm?"
"Yes."
He laughed sarcastically again. "We are not in Bulgaria or Sicily," he
rejoined, his jaw hardening; "and I can take care of myself. What makes
you say he means personal harm? Have you heard anything?"
"No, nothing, but I feel it is so. That day at the Hospital Fete he
looked at you in a way that told me. I think such instincts are given
to some people and some races. You read books--I read people. I wanted
to warn you, and I do so. This has been lucky in a way, this meeting.
Please don't treat what I've said lightly. Your plans are in danger and
you also." Was the psychic and fortune-telling instinct of the Romany
alive in her and working involuntarily, doing that faithfully which her
people did so faithlessly? The darkness which comes from intense feeling
had gathered underneath her eyes, and gave them a look of pensiveness not
in keeping with the glow of her perfect health, the velvet of her cheek.
"Would you mind telling me where you got your information?" he asked
presently.
"My father heard here and there, and I, also, and some I got from old
Madame Thibadeau, who is a friend of mine. I talk with her more than
with any one else in Manitou. First she taught me how to crochet, but
she teaches me many other things, too."
"I know the old girl by sight. She is a character. She would know a
lot, that woman."
He paused, seemed about to speak, hesitated, then after a moment hastily
said: "A minute ago you spoke of having the instinct of your race, or
something like that. What is your race? Is it Irish, or--do you mind my
asking? Your English is perfect, but there is something--something--"
She turned away her head, a flush spreading over her face. She was
unprepared for the question. No one had ever asked it directly of her
since they had come to Manitou. Whatever speculation there had been, she
had never been obliged to tell any one of what race she was. She spoke
English with no perceptible accent, as she spoke Spanish, Italian,
French, Hungarian and Greek; and there was nothing in her speech marking
her as different from the ordinary Western woman. Certainly she would
have been considered pure English among the polyglot population of
Manitou.
What must she say? What was it her duty to say? She was living the life
of a British woman, she was as much a Gorgio in her daily existence as
this man be side her. Manitou was as much home--nay, it was a thousand
times more home--than the shifting habitat of the days when they wandered
from the Caspians to John o' Groat's.
For years all traces of the past had been removed as completely as though
the tide had washed over them; for years it had been so, until the
fateful day when she ran the Carillon Rapids. That day saw her whole
horizon alter; that day saw this man beside her enter on the stage of her
life. And on that very day, also, came Jethro Fawe out of the Past and
demanded her return.
That had been a day of Destiny. The old, panting, unrealized,
tempestuous longing was gone. She was as one who saw danger and faced
it, who had a fight to make and would make it.
What would happen if she told this man that she was a Gipsy--the daughter
of a Gipsy ruler, which was no more than being head of a clan of the
world's transients, the leader of the world's nomads. Money--her father
had that, at least--much money; got in ways that could not bear the light
at times, yet, as the world counts things, not dishonestly; for more than
one great minister in a notable country in Europe had commissioned him,
more than one ruler and crowned head had used him when "there was trouble
in the Balkans," or the "sick man of Europe" was worse, or the Russian
Bear came prowling. His service had ever been secret service, when he
lived the life of the caravan and the open highway. He had no stable
place among the men of all nations, and yet secret rites and mysteries
and a language which was known from Bokhara to Wandsworth, and from
Waikiki to Valparaiso, gave him dignity of a kind, clothed him with
importance.
Yet she wanted to tell this man beside her the whole truth, and see what
he would do. Would he turn his face away in disgust? What had she a
right to tell? She knew well that her father would wish her to keep to
that secrecy which so far had sheltered them--at least until Jethro
Fawe's coming.
At last she turned and looked him in the eyes, the flush gone from her
face.
"I'm not Irish--do I look Irish?" she asked quietly, though her heart
was beating unevenly.
"You look more Irish than anything else, except, maybe, Slav or
Hungarian--or Gipsy," he said admiringly and unwittingly.
"I have Gipsy blood in me," she answered slowly, "but no Irish or
Hungarian blood."
"Gipsy--is that so?" he said spontaneously, as she watched him so
intently that the pulses throbbed at her temples.
A short time ago Fleda might have announced her origin defiantly, now her
courage failed her. She did not wish him to be prejudiced against her.
"Well, well," he added, "I only just guessed at it, because there's
something unusual and strong in you, not because your eyes are so dark
and your hair so brown."
"Not because of my 'wild beauty'--I thought you were going to say that,"
she added ironically and a little defiantly. "I got some verses by post
the other day from one of your friends in Lebanon--a stock-rider I think
he was, and they said I had a 'wild beauty' and a 'savage sweetness.'"
He laughed, yet he suddenly saw her sensitive vigilance, and by instinct
he felt that she was watching for some sign of shock or disdain on his
part; yet in truth he cared no more whether she had Gipsy blood in her
than he would have done if she had said she was a daughter of the Czar.
"Men do write that kind of thing," he added cheerfully, "but it's quite
harmless. There was a disease at college we called adjectivitis. Your
poet friend had it. He could have left out the 'wild' and 'savage' and
he'd have been pleasant, and truthful too--no, I apologize."
He had seen her face darken under the compliment, and he hastened to put
it right.
"I loved a Gipsy once," he added whimsically to divert attention from his
mistake, and with so genuine a sympathy in his voice that she was
disarmed. "I was ten and she was fifty at least. Oh, a wonderful woman!
I had a boy friend, a fat, happy, little joker he was; his name was
Charley Long. Well, this woman was his aunt. When she moved through the
town people looked twice. She was tall and splendidly made, and her
manner--oh, as if she owned the place. She did own a lot--she had more
money than any one else thereabouts, anyhow. It was the tallest kind of
a holiday when Charley and I walked out to the big white house-golly, but
it was white--to visit her! We didn't eat much the day before we went to
see her; and we didn't eat much the day after, either. She used to feed
us--I wish I could eat like that now! I can see her brown eyes following
us about, full of fire, but soft and kind, too. She had a great temper,
they said, but everybody liked her, and some loved her. She'd had one
girl, but she died of consumption, got camping out in bad weather. Aunt
Cynthy--that was what we called her, her name being Cynthia--never got
over her girl's death. She blamed herself for it. She had had those
fits of going back to the open-for weeks at a time. The girl oughtn't to
have been taken to camp out. She was never strong, and it was the wrong
place and the wrong time of year--all right in August and all wrong in
October.
"Well, always after her girl's death Aunt Cynthy was as I knew her,
being good to us youngsters as no one else ever was, or could be.
Her tea-table was a sight; and the rest of the meals were banquets.
The first time I ever ate hedgehog was at her place. A little while ago,
just before you came, I thought of her. A hedgehog crossed the path
here, and it brought those days back to me--Charley Long and Aunt Cynthy
and all. Yes, the first time I ever ate hedgehog; was in Aunt Cynthy's
house. Hi-yi, as old Tekewani says, but it was good!"
"What is the Romany word for hedgehog?" Fleda asked in a low tone.
"Hotchewitchi," he replied instantly. "That's right, isn't it?"
"Yes, it is right," she answered, and her eyes had a far-away look, but
there was a kind of trouble at her mouth.
"Do you speak Romany?" she added a little breathlessly.
"No, no. I only picked up words I heard Aunt Cynthy use now and then when
she was in the mood."
"What was the history of Aunt Cynthy?"
"I only know what Charley Long told me. Aunt Cynthy was the daughter
of a Gipsy--they say the only Gipsy in that part of the country at the
time--who used to buy and sell horses, and travel in a big van as
comfortable as a house. The old man suddenly died on the farm of
Charley's uncle. In a month the uncle married the girl. She brought him
thirty thousand dollars."
Fleda knew that this man who had fired her spirit for the first time had
told his childhood story to show her the view he took of her origin; but
she did not like him less for that, though she seemed to feel a chasm
between them still. The new things moving in her were like breezes that
stir the trees, not like the wind turning the windmill which grinds the
corn. She had scarcely yet begun to grind the corn of life.
She did not know where she was going, what she would find, or where the
new trail would lead her. The Past dogged her footsteps, hung round her
like the folds of a garment. Even as she rejected it, it asserted its
power, troubled her, angered her, humiliated her, called to her.
She was glad of this meeting with Ingolby. It had helped her. She had
set out to do a thing she dreaded, and it was easier now than it would
have been if they had not met. She had been on her way to the Hut in the
Wood, and now the dread of the visit to Jethro Fawe had diminished.
The last voice she would hear before she entered Jethro Fawe's prison
was that of the man who represented to her, however vaguely, the life
which must be her future--the settled life, the life of Society and not
of the Saracen.
After he had told his boyhood story they sat in silence for a moment or
two, then she rose, and, turning to him, was about to speak. At that
instant there came distinctly through the wood a faint, trilling sound.
Her face paled a little, and the words died upon her lips. Ingolby,
having turned his head as though to listen, did not see the change in her
face, and she quickly regained her self-control.
"I heard that sound before," he said, "and I thought from your look you
heard it, too. It's funny. It is singing, isn't it?"
"Yes, it's singing," she answered.
"Who is it--some of the heathen from the Reservation?"
"Yes, some of the heathen," she answered.
"Has Tekewani got a lodge about here?"
"He had one here in the old days."
"And his people go to it still-was that where you were going when I broke
in on you?"
"Yes, I was going there. I am a heathen, also, you know."
"Well, I'll be a heathen, too, if you'll show me how; if you think I'd
pass for one. I've done a lot of heathen things in my time."
She gave him her hand to say good-bye. "Mayn't I go with you?" he
asked.
"'I must finish my journey alone,'" she answered slowly, repeating a line
from the first English book she had ever read.
"That's English enough," he responded with a laugh. "Well, if I mustn't
go with you I mustn't, but my respects to Robinson Crusoe." He slung the
gun into the hollow of his arm. "I'd like much to go with you," he
urged.
"Not to-day," she answered firmly.
Again the voice came through the woods, a little louder now.
"It sounds like a call," he remarked.
"It is a call," she answered--"the call of the heathen."
An instant after she had gone on, with a look half-smiling, half-
forbidding, thrown over her shoulder at him.
"I've a notion to follow her," he said eagerly, and he took a step in her
direction.
Suddenly she turned and came back to him. "Your plans are in danger--
don't forget Felix Marchand," she said, and then turned from him again.
"Oh, I'll not forget," he answered, and waved his cap after her. "No,
I'll not forget monsieur," he added sharply, and he stepped out with a
light of battle in his eyes.