NOTES

"Bishop Blougram's Apology" is made over the wine after dinner to

defend himself from the criticisms of a doubting young literary man,

who despises him because he considers that he cannot be true to his

convictions in conforming to the doctrines of the Catholic Church.

He builds up his defence from the proposition that the problem of

life is not to conceive ideals which cannot be realized, but to find

what is and make it as fair as possible. The bishop admits his

unbelief, but being free to choose either belief or unbelief, since

neither can be proved wholly true, chooses belief as his guiding

principle, because he finds it the best for making his own life and

that of others happy and comfortable in this world. Once having

chosen faith on this ground, the more absolute the form of faith,

the more potent the results; besides, the bishop has that desire of

domination in his nature, which the authorization of the Church

makes safer for him. To Gigadibs' objection that were his nature

nobler, he would not count this success, he replies he is as God

made him, and can but make the best of himself as he is. To the

objection that he addresses himself to grosser estimators than he

ought, he replies that all the world is interested in the fact that

a man of his sense and learning, too, still believes at this late

hour. He points out the impossibility of his following an ideal

like Napoleon's, for, conceding the merest chance that doubt may be

wrong, and judgment to follow this life, he would not dare to

slaughter men as Napoleon had for such slight ends. As for

Shakespeare's ideal, he can't write plays like his if he wanted to,

but he has realized things in his life which Shakespeare only

imagined, and which he presumes Shakespeare would not have scorned

to have realized in his life, judging from his fulfilled ambition to

be a gentleman of property at Stratford. He admits, however, that

enthusiasm in belief, such as Luther's, would be far preferable to

his own way of living, and after this, enthusiasm in unbelief, which

he might have if it were not for that plaguy chance that doubt may

be wrong. Gigadibs interposes that the risk is as great for cool

indifference as for bold doubt. Blougram disputes that point by

declaring that doubts prove faith, and that man's free will

preferring to have faith true to having doubt true tips the balance

in favor of faith, and shows that man's instinct or aspiration is

toward belief; that unquestioning belief, such as that of the Past,

has no moral effect on man, but faith which knows itself through

doubt is a moral spur. Thus the arguments from expediency,

instinct, and consciousness, all bear on the side of faith, and

convince the bishop that it is safer to keep his faith intact from

his doubts. He then proves that Gigadibs, with all his assumption

of superiority in his frankness of unbelief, is in about the same

position as himself, since the moral law which he follows has no

surer foundation than the religious law the bishop follows, both

founded upon instinct. The bishop closes as he began, with the

consciousness that rewards for his way of living are of a

substantial nature, while Gigadibs has nothing to show for his

frankness, and does not hesitate to say that Gigadibs will consider

his conversation with the bishop the greatest honor ever conferred

upon him. The poet adds some lines, somewhat apologetic for the

bishop, intimating that his arguments were suited to the calibre of

his critic, and that with a profounder critic he would have made a

more serious defence. Speaking of a review of this poem by Cardinal

Wiseman (1801-1865), Browning says in a letter to a friend, printed

in <Poet-lore>, May, 1896: "The most curious notice I ever had was

from Cardinal Wiseman on <Blougram>--<i.e.>, himself. It was in the

<Rambler>, a Catholic journal of those days, and certified to be his

by Father Prout, who said nobody else would have dared put it in."

This review praises the poem for its "fertility of illustration and

felicity of argument," and says that "though utterly mistaken in the

very groundwork of religion, though starting from the most unworthy

notions of the work of a Catholic bishop, and defending a

self-indulgence every honest man must feel to be disgraceful, [it]

is yet in its way triumphant."

6. Brother Pugin: (1810-1852), an eminent English architect, who,

becoming a Roman Catholic, designed many structures for that Church.

34. Corpus Christi Day: Thursday after Trinity Sunday, when the

Feast of the Sacrament of the Altar is celebrated.

Men and Women · 第 46 / 66 题