CONCLUSION

|AESCITIS quâ horâ fur veniet" (Ye know not in what hour the despoiler

cometh) were the words of an inscription carved on the capstone of

a church porch in the fifteenth century by a monkish stonecutter,

overlooking a smiling valley in Picardy. That valley is now a waste

place; its once populous and peaceful villages are in ruins; its

fruitful orchards are gone; its murmuring streams have overflown their

banks, choked with the debris of war. No church towers are visible, nor

are there any forests left in the blasted expanse of shell-torn earth.

The joy felt by the people of this ravaged land over the retreat of

the invader, is turned to bitterness by the sight of so much wanton

destruction, for they realize that this once peaceful smiling land, the

richest region of France, is now a great desert waste strewn with ruins

of the priceless records of her glorious achievements in the world of

art. And this loss of these irreplaceable monuments is especially bitter

to a people so attuned to beauty. With a contemptuous disregard for

the accumulated animosity of the whole world, the Imperial high command

seems bent upon leaving its hall mark upon the evacuated country.

Acknowledging its inability to hold Rheims any longer, it retires its

great guns to a locality from which it sends hundreds of shells crashing

into that hapless town, and these are mainly aimed at the ruins of the

great Cathedral. "The ruin even of ruins," cries a correspondent of the

_Tribune_; adding, "In so many of the military transactions of the Hun

you may perceive the hatred of humanity that actuates him, his longing

to glut upon some personal victim the passion for destruction that is in

his soul."

Philip Gibbs, perhaps the fairest and most moderate of war

correspondents, in describing the retreat of March, 1917, deals with

the aspect of the country beyond the tract of shell craters, the smashed

barns and country houses and churches, the tattered tree trunks, and

great belts of barbed wire: "Behind the trenches are two towns and

villages in which they had their 'rest billets,' and it is in these

places that one sees the spirit and temper of the men whom the British

are fighting.

"All through this war I have tried to be fair and just to the Germans,

to give them credit for their courage and to pity them because the

terror of war has branded them as it has branded the British.

"But during these last days I have been sickened and saddened by the

things I have seen, because they reveal cruelty which is beyond the

inevitable villainy of war. They have spared nothing on the way of their

retreat. They have destroyed every village in their abandonment with

systematic and detailed destruction. Not only in (the towns of) Bapaume

and Péronne have they blown up or burned all the houses which were

untouched by shell-fire, but in scores of villages they laid waste the

cottages of poor peasants, and all their little farms, and all their

orchards. At Bethonvillers, to name only one village out of many, I saw

how each house was marked with a white cross before it was gutted with

fire. The Cross of Christ was used to mark the work of the devil, for

truly this has been the devil's work.

"Even if we grant that the destruction of houses in the wake of retreat

is the recognized cruelty of war, there are other things which I have

seen which are not pardonable, even of that damnable code of morality.

In Baupaume and Péronne, in Roye and Neslé and Lian-court, and all these

places over a wide area the German soldiers not only blew out the fronts

of houses, but with picks and axes smashed mirrors and furniture and

even picture frames.... There is nothing left in these towns. Family

portraits have been kicked into the débris of the gutters. The black

bonnets of old women who lived in these houses lie in the rubbish heaps,

and by some strange pitiful freak these are almost the only signs left

of the inhabitants who lived here before the soldiers wrecked their

houses.

"The ruins of houses are pitiful to see when done deliberately even when

shell-fire spared them in the war-zone, but worse than that is the ruin

of women and children and living flesh.

"I saw that ruin to-day in Roye and Neslé. At first I was rejoiced to

see how the inhabitants were liberated after being so long in hostile

lines.... The women's faces were dead faces, shallow and mask-like and

branded with the memories of great agonies. The children were white and

thin, so thin that the cheek bones protruded, and many of them seemed to

be idiot children. Hunger and fear had been with them too long."

This is the reverse of the pictures I found, during those calm and

beautiful summer days of 1910, in that sunny and prosperous land.

Pictures framed with quaint customs; the simple pleasures of fête

days enjoyed by a happy and prosperous peasantry, all unmindful of the

terrible days so soon to come upon them. "Nescitis qua horâ fur veniet."

How prophetic the warning words of that old monk inscribed upon the

capstone of that little church overlooking the green plains of Picardy!

And now what is left in place of the gray old churches, the quiet

monasteries, the fruitful farms and flocks and the dense forests? Where

now shall we look for the gleaming white walls of the turreted châteaux,

the precious mossy towers of mediaeval ruined castles; the somnolent

quaint towns with wandering streets filled with timbered, carved and

strangely gabled houses of half forgotten periods; the sleepy deserted

market places over which towered architectural treasures of town halls

famed throughout the world.

Where shall the artist seek the matchless châteaux gardens, which took

centuries in the making? Where seek the still reaches of silent canals

crossed here and there by arched stone bridges, all shaded by great

trees casting cool shadows in midday, or the vast dim interiors of

cathedrals marked with the skill of many ages,--filled with the aroma of

incense, and the inspiration of centuries of prayer?

"The old order changeth, giving place to new."

But at least one may be thankful now to have been privileged to know and

to have seen these wonderful and beautiful remains of that "old order."

And this feeling of gratitude tempers somewhat one's fury at the result

of this invasion and destruction. But one would not have these sacred

remains disturbed; there must be no attempt at restoration of these

matchless monuments, at the hands of well-meaning municipalities.

Rheims, Arras, Soissons, Lâon, must be left mainly as they now lie

prostrate, lasting memorials for future ages.

Leave to Dame Nature the task of draping them with green clinging

vines, and embossings of velvet moss. So let them remain in their solemn

majesty, monuments to the failure of an imperial order unhampered by the

love of mankind or the fear of God.

Vanished Halls and Cathedrals of France · 第 53 / 54 题