CHAPTER XXX

MRS. LLOYD KITTREDGE

The details of the hours that followed remained blurred memories in the

minds of Alice and her rescuer. There was, first, a period of utter blank

when Coquenil, overcome by the violence of his struggle and the agony of

his burns, fell unconscious near the unconscious girl. How long they lay

thus in the dark playground of the fairies, so near the raging fire, yet

safe from it, was never known exactly; nor how long they wandered

afterwards through a strange subterranean region of passages and cross

passages, that widened and narrowed, that ascended and descended, that were

sometimes smooth under foot, but oftener blocked with rough stones and

always black as night. The fairies must have been sorry at their plight,

for, indeed, it was a pitiable one; bruised, blistered, covered with grime

and with little else, they stumbled on aimlessly, cutting their bare feet,

falling often in sheer weakness, and lying for minutes where they fell

before they could summon strength to stumble on. Surely no more pathetic

pair than these two ever braved the mazes of the Paris catacombs!

Perhaps the fairies finally felt that the odds were too great against them,

and somehow led them to safety. At any rate, through the ghastly horror of

darkness and weakness and pain there presently came hope--flickering

torches in the distance, then faint voices and the presence of friends,

some workingmen, occupied with drainage repairs, who produced stimulants

and rough garments and showed them the way to the upper world, to the

blessed sunshine.

Then it was a matter of temporary relief at the nearest pharmacy, of

waiting until Pougeot, summoned by telephone, could arrive with all haste

in an automobile.

An hour later M. Paul and Alice were in clean, cool beds at a private

hospital near the commissary's house, with nurses and doctors bending over

them. And on a chair beside the girl, battered and blackened, sat

Esmeralda, while under the detective's pillow was the scorched but unharmed

diary of De Heidelmann-Bruck!

"Both cases serious," was the head doctor's grave judgment. "The man is

frightfully burned. The girl's injuries are not so bad, but she is

suffering from shock. We'll know more in twenty-four hours." Then, turning

to Pougeot: "Oh, he insists on seeing you alone. Only a minute mind!"

With a thrill of emotion the commissary entered the silent, darkened room

where his friend lay, swathed in bandages and supported on a water bed to

lessen the pain.

"It's all right Paul," said M. Pougeot, "I've just talked with the doctor."

"Thanks, Lucien," answered a weak voice in the white bundle. "I'm going to

pull through--I've got to, but--if anything should go wrong, I want you to

have the main points. Come nearer."

The commissary motioned to the nurse, who withdrew. Then he bent close to

the injured man and listened intently while Coquenil, speaking with an

effort and with frequent pauses, related briefly what had happened.

"God in heaven!" muttered Pougeot. "He'll pay for this!"

"Yes, I--I think he'll pay for it, but--Lucien, do nothing until I am able

to decide things with you. Say nothing to anyone, not even to the doctor.

And don't give our names."

"No, no, I'll see to that."

"The girl mustn't talk, tell her she--_mustn't talk_. And--Lucien?"

"Yes?"

"She may be delirious--_I_ may be delirious, I feel queer--now. You

must--make sure of these--nurses."

"Yes, Paul, I will."

"And--watch the girl! Something has happened to--her mind. She's forgotten

or--_remembered!_ Get the best specialist in Paris and--get Duprat. Do

whatever they advise--no matter what it costs. Everything depends on--her."

"I'll do exactly as you say, old friend," whispered the other. Then, at a

warning signal from the nurse: "Don't worry now. Just rest and get well."

He rose to go. "Until to-morrow, Paul."

The sick man's reply was only a faint murmur, and Pougeot stole softly out

of the room, turning at the door for an anxious glance toward the white

bed.

This was the first of many visits to the hospital by the devoted commissary

and of many anxious hours at that distressed bedside. Before midnight

Coquenil was in raging delirium with a temperature of one hundred and five,

and the next morning, when Pougeot called, the doctor looked grave. They

were in for a siege of brain fever with erysipelas to be fought off, if

possible.

Poor Coquenil! His body was in torture and his mind in greater torture.

Over and over again, those days, he lived through his struggle with the

fire, he rescued Alice, he played with the fairies, he went back after the

doll. Over and over again!

And when the fever fell and his mind grew calm, there followed a period of

nervous exhaustion when his stomach refused to do its work, when his heart,

for nothing at all, would leap into fits of violent beating. Pougeot could

not even see him now, and the doctor would make no promise as to how soon

it would be safe to mention the case to him. Perhaps not for weeks!

For weeks! And, meantime, Lloyd Kittredge had been placed on trial for the

murder of Martinez and the evidence seemed overwhelmingly against him; in

fact, the general opinion was that the young American would be found

guilty.

What should the commissary do?

For a week the trial dragged slowly with various delays and adjournments,

during which time, to Pougeot's delight, Coquenil began to mend rapidly.

The doctor assured the commissary that in a few days he should have a

serious talk with the patient. A few days! Unfortunately, the trial began

to march along during these days--they dispose of murder cases

expeditiously in France--and, to make matters worse, Coquenil suffered a

relapse, so that the doctor was forced to retract his promise.

What should the commissary do?

In this emergency Coquenil himself came unexpectedly to Pougeot's relief;

instead of the apathy or indifference he had shown for days, he suddenly

developed his old keen interest in the case, and one morning insisted on

knowing how things were going and what the prospects were. In vain doctor

and nurse objected and reasoned; the patient only insisted the more

strongly, he wished to have a talk with M. Pougeot at once. And, as the

danger of opposing him was felt to be greater than that of yielding, it

resulted that M. Paul had his way, Pougeot came to his bedside and stayed

an hour--two hours, until the doctor absolutely ordered him away; but,

after luncheon, the detective took the bit in his teeth and told the doctor

plainly that, with or without permission, he was going to do his work. He

had learned things that he should have known long ago and there was not an

hour to lose. A man's life was at stake, and--his stomach, his nerves, his

heart, and his other organs might do what they pleased, he proposed to save

that life.

Before this uncompromising attitude the doctor could only bow gracefully,

and when he was told by Pougeot (in strictest confidence) that this gaunt

and irascible patient, whom he had known as M. Martin, was none other than

the celebrated Paul Coquenil, he comforted himself with the thought that,

after all, a resolute mind can often do wonders with a weak body.

It was a delightful September afternoon, with a brisk snap in the air and

floods of sunshine. Since early morning the streets about the Palais de

Justice had been, blocked with carriages and automobiles, and the courtyard

with clamorous crowds eager to witness the final scene in this celebrated

murder trial. The case would certainly go to the jury before night. The

last pleas would be made, the judge's grave words would be spoken, and

twelve solemn citizens would march out with the fate of this cheerful young

American in their hands. It was well worth seeing, and all Paris that could

get tickets, especially the American Colony, was there to see it. Pussy

Wilmott, in a most fetching gown, with her hair done ravishingly, sat near

the front and never took her eyes off the prisoner.

In spite of all that he had been through and all that he was facing,

Kittredge looked surprisingly well. A little pale, perhaps, but game to the

end, and ready always with his good-natured smile. All the ladies liked

him. He had such nice teeth and such well-kept hands! A murderer with those

kind, jolly eyes? Never in the world! they vowed, and smiled and stared

their encouragement.

A close observer would have noticed, however, that Lloyd's eyes were

anxious as they swept the spread of faces before him; they were searching,

searching for one face that they could not find. Where was Alice? Why had

she sent him no word? Was she ill? Had any harm befallen her? _Where was

Alice?_

So absorbed was Kittredge in these reflections that he scarcely heard the

thundering denunciations hurled at him by the public prosecutor in his

fierce and final demand that blood be the price of blood and that the

extreme penalty of the law be meted out to this young monster of wickedness

and dissimulation.

Nor did Lloyd notice the stir when one of the court attendants made way

through the crush for a distinguished-looking man, evidently a person of

particular importance, who was given a chair on the platform occupied by

the three black-robed judges.

"The Baron de Heidelmann-Bruck!" whispered eager tongues, and straightway

the awe-inspiring name was passed from mouth to mouth. The Baron de

Heidelmann-Bruck! He had dropped in in a dilettante spirit to hear the

spirited debate, and the judges were greatly honored.

Alas for the baron! It was surely some sinister prompting that brought him

here to-day, so coldly complacent as he nodded to the presiding judge, so

quietly indifferent as he glanced at the prisoner through his single

eyeglass. The gods had given Coquenil a spectacular setting for his

triumph!

And now, suddenly, the blow fell. As the prosecuting officer soared along

in his oratorial flight, a note was passed unobtrusively to the presiding

judge, a modest little note folded on itself without even an envelope to

hold it. For several minutes the note lay unnoticed; then the judge, with

careless eye, glanced over it; then he started, frowned, and his quick

rereading showed that a spark of something had flashed from that scrap of

paper.

The presiding judge leaned quickly toward his associate on the right and

whispered earnestly, then toward his associate on the left, and, one after

another, the three magistrates studied this startling communication,

nodding learned heads and lowering judicial eyebrows. The public prosecutor

blazed through his peroration to an inattentive bench.

No sooner had the speaker finished than the clerk of the court announced a

brief recess, during which the judges withdrew for deliberation and the

audience buzzed their wonder. During this interval the Baron de

Heidelmann-Bruck looked frankly bored.

On the return of the three, an announcement was made by the presiding judge

that important new evidence in the case had been received, evidence of so

unusual a character that the judges had unanimously decided to interrupt

proceedings for a public hearing of the evidence in question. It was

further ordered that no one be allowed to leave the courtroom under any

circumstances.

"Call the first witness!" ordered the judge, and amidst the excitement

caused by these ominous words a small door opened and a woman entered

leaning on a guard. She was dressed simply in black and heavily veiled,

but her girlish figure showed that she was young. As she appeared,

Kittredge started violently.

The clerk of the court cleared his throat and called out something in

incomprehensible singsong.

The woman came forward to the witness stand and lifted her veil. As she did

so, three distinct things happened: the audience murmured its admiration at

a vision of strange beauty, Kittredge stared in a daze of joy, and De

Heidelmann-Bruck felt the cold hand of death clutching at his heart.

It was Alice come to her lover's need! Alice risen from the flames! Alice

here for chastening and justice!

"What is your name?" questioned the judge.

"Mary Coogan," was the clear answer.

"Your nationality?"

"I am an American."

"You have lived a long time in France?"

"Yes. I came to France as a little girl."

"How did that happen?"

"My father died and--my mother married a second time."

Her voice broke, but she shot a swift glance at the prisoner and seemed to

gain strength.

"Your mother married a Frenchman?"

"Yes."

"What is the name of the Frenchman whom your mother married?"

The girl hesitated, and then looking straight at the baron, she said: "The

Baron de Heidelmann-Bruck."

There was something in the girl's tone, in her manner, in the fearless

poise of her head, that sent a shiver of apprehension through the audience.

Every man and woman waited breathless for the next question. In their

absorbed interest in the girl they scarcely looked at the aristocratic

visitor.

"Is your mother living?"

"No."

"How did she die?"

Again the witness turned to Kittredge and his eyes made her brave.

"My mother was burned to death--in the Charity Bazaar fire," she answered

in a low voice.

"Were you present at the fire?"

"Yes."

"Were you in danger?"

"Yes."

"State what you remember about the fire."

The girl looked down and answered rapidly: "My mother and I went to the

Charity Bazaar with the Baron de Heidelmann-Bruck. When the fire broke out,

there was a panic and we were held by the crush. There was a window near us

through which some people were climbing. My mother and I got to this window

and would have been able to escape through it, but the Baron de

Heidelmann-Bruck pushed us back and climbed through himself."

"It's a lie!" cried the baron hoarsely, while a murmur of dismay arose from

the courtroom.

"Silence!" warned the clerk.

"And after that?"

The girl shook her head and there came into her face a look of terrible

sadness.

"I don't know what happened after that for a long time. I was very ill

and--for years I did not remember these things."

"You mean that for years you did not remember what you have just

testified?"

"Yes, that is what I mean."

The room was so hushed in expectation that the tension was like physical

pain.

"You did not remember your mother during these years?"

"No."

"Not even her name?"

She shook her head. "I did not remember my own name."

"But now you remember everything?"

"Yes, everything."

"When did you recover your memory?"

"It began to come back a few weeks ago."

"Under what circumstances?"

"Under circumstances like those when--when I lost it."

"How do you mean?"

"I--I--" She turned slowly, as if drawn by some horrible fascination, and

looked at De Heidelmann-Bruck. The baron's face was ghastly white, but by a

supreme effort he kept an outward show of composure.

"Yes?" encouraged the judge.

"I was in another fire," she murmured, still staring at the baron. "I--I

nearly lost my life there."

The witness had reached the end of her strength; she was twisting and

untwisting her white fingers piteously, while the pupils of her eyes

widened and contracted in terror. She staggered as if she would faint or

fall, and the guard was starting toward her when, through the anguished

silence, a clear, confident voice rang out:

"_Alice!_"

It was the prisoner who had spoken, it was the lover who had come to the

rescue and whose loyal cry broke the spell of horror. Instantly the girl

turned to Lloyd with a look of infinite love and gratitude, and before the

outraged clerk of the court had finished his warning to the young American,

Alice had conquered her distress and was ready once more for the ordeal.

"Tell us in your own words," said the judge kindly, "how it was that you

nearly lost your life a second time in a fire."

In a low voice, but steadily, Alice began her story. She spoke briefly of

her humble life with the Bonnetons, of her work at Notre-Dame, of the

occasional visits of her supposed cousin, the wood carver; then she came to

the recent tragic happenings, to her flight from Groener, to the kindness

of M. Pougeot, to the trick of the ring that lured her from the

commissary's home, and finally to the moment when, half dead with fright,

she was thrust into that cruel chamber and left there with M. Coquenil--to

perish.

As she described their desperate struggle for life in that living furnace

and their final miraculous escape, the effect on the audience was

indescribable. Women screamed and fainted, men broke down and wept, even

the judges wiped pitying eyes as Alice told how Paul Coquenil built the

last barricade with fire roaring all about him, and then how he dashed

among leaping flames and, barehanded, all but naked, cleared a way to

safety.

Through the tense silence that followed her recital came the judge's voice:

"And you accuse a certain person of committing this crime?"

"I do," she answered firmly.

"You make this accusation deliberately, realizing the gravity of what you

say?"

"I do."

"Whom do you accuse?"

The audience literally held its breath as the girl paused before replying.

Her hands shut hard at her sides, her body seemed to stiffen and rise, then

she turned formidably with the fires of slumbering vengeance burning in her

wonderful eyes--vengeance for her mother, for her lover, for her rescuer,

for herself--she turned slowly toward the cowering nobleman and said

distinctly: "I accuse the Baron de Heidelmann-Bruck."

So monstrous, so unthinkable was the charge, that the audience sat stupidly

staring at the witness as if they doubted their own ears, and some

whispered that the thing had never happened, the girl was mad.

Then all eyes turned to the accused. He struggled to speak but the words

choked in his throat. If ever a great man was guilty in appearance, the

Baron de Heidelmann-Bruck was that guilty great man!

"I insist on saying--" he burst out finally, but the judge cut him short.

"You will be heard presently, sir. Call the next witness."

The girl withdrew, casting a last fond look at her lover, and the clerk's

voice was heard summoning M. Pougeot.

The commissary appeared forthwith and, with all the authority of his

office, testified in confirmation of Alice's story. There was no possible

doubt that the girl would have perished in the flames but for the heroism

of Paul Coquenil.

Pougeot was followed by Dr. Duprat, who gave evidence as to the return of

Alice's memory. He regarded her case as one of the most remarkable

psychological phenomena that had come under his observation, and he

declared, as an expert, that the girl's statements were absolutely worthy

of belief.

"Call the next witness," directed the judge, and the clerk of the court

sang out:

"_Paul Coquenil!_"

A murmur of sympathy and surprise ran through the room as the small door

opened, just under the painting of justice, and a gaunt, pallid figure

appeared, a tall man, wasted and weakened. He came forward leaning on a

cane and his right hand was bandaged.

"I would like to add, your Honor," said Dr. Duprat, "that M. Coquenil has

risen from a sick bed to come here; in fact, he has come against medical

advice to testify in favor of this young prisoner."

The audience was like a powder mine waiting for a spark. Only a word was

needed to set off their quivering, pent-up enthusiasm.

"What is your name?" asked the judge as the witness took the stand.

"Paul Coquenil," was the quiet answer.

It was the needed word, the spark to fire the train. Paul Coquenil! Never

in modern times had a Paris courtroom witnessed a scene like that which

followed. Pussy Wilmott, who spent her life looking for new sensations, had

one now. And Kittredge manacled in the dock, yet wildly happy! And Alice

outside, almost fainting between hope and fear! And De Heidelmann-Bruck

with his brave eyeglass and groveling soul! They _all_ had new sensations!

As Coquenil spoke, there went up a great cry from the audience, an

irresistible tribute to his splendid bravery. It was spontaneous, it was

hysterical, it was tremendous. Men and women sprang to their feet, shouting

and waving and weeping. The crowd, crushed in the corridor, caught the cry

and passed it along.

"Coquenil! Coquenil!"

The down in the courtyard it sounded, and out into the street, where a

group of students started the old snappy refrain:

"Oh, oh! Il nous faut-o!

Beau, beau! Beau Cocono-o!"

In vain the judge thundered admonitions and the clerk shouted for order.

That white-faced, silent witness leaning on his cane, stood for the moment

to these frantic people as the symbol of what they most admired in a

man--resourcefulness before danger and physical courage and the readiness

to die for a friend. For these three they seldom had a chance to shout and

weep, so they wept and shouted now!

"Coquenil! Coquenil!"

There had been bitter moments in the great detective's life, but this made

up for them; there had been proud, intoxicating moments, but this surpassed

them. Coquenil, too, had a new sensation!

When at length the tumult was stilled and the panting, sobbing audience had

settled back in their seats, the presiding judge, lenient at heart to the

disorder, proceeded gravely with his examination.

"Please state what you know about this case," he said, and again the

audience waited in deathlike stillness.

"There is no need of many words," answered M. Paul; then pointing an

accusing arm at De Heidelmann-Bruck, "I know that this man shot Enrico

Martinez on the night of July 4th, at the Ansonia Hotel."

The audience gave a long-troubled sigh, the nobleman sat rigid on his

chair, the judge went on with his questions.

"You say you _know_ this?" he demanded sharply.

"I know it," declared Coquenil, "I have absolute proof of it--here." He

drew from his inner coat the baron's diary and handed it to the judge.

"What is this?" asked the latter.

"His own confession, written by himself and--Quick!" he cried, and sprang

toward the rich man, but Papa Tignol was there before him. With a bound the

old fox had leaped forward from the audience and reached the accused in

time to seize and stay his hand.

"Excuse me, your Honor," apologized the detective, "the man was going to

kill himself."

"It's false!" screamed the baron. "I was getting my handkerchief."

"Here's the handkerchief," said Tignol, holding up a pistol.

At this there was fresh tumult in the audience, with men cursing and women

shrieking.

The judge turned gravely to De Heidelmann-Bruck. "I have a painful duty to

perform, sir. Take this man out--_under arrest_, and--clear the room."

M. Paul sank weakly into a chair and watched idly while the attendants led

away the unresisting millionaire, watched keenly as the judge opened the

baron's diary and began to read. He noted the magistrate's start of

amazement, the eager turning of pages and the increasingly absorbed

attention.

"Astounding! Incredible!" muttered the judge. "A great achievement! I

congratulate you, M. Coquenil. It's the most brilliant coup I have ever

known. It will stir Paris to the depths and make you a--a hero."

"Thank you, thank you," murmured the sick man.

At this moment an awe-struck attendant came forward to say that the baron

wished a word with M. Paul.

"By all means," consented the judge.

Haltingly, on his cane, Coquenil made his way to an adjoining room where

De Heidelmann-Bruck was waiting under guard.

As he glanced at the baron, M. Paul saw that once more the man had

demonstrated his extraordinary self-control, he was cold and composed as

usual.

"We take our medicine, eh?" said the detective admiringly.

"Yes," answered the prisoner, "we take our medicine."

"But there's a difference," reflected Coquenil. "The other day you said you

were sorry when you left me in that hot cellar. Now you're in a fairly hot

place yourself, baron, and--I'm _not_ sorry."

De Heidelmann-Bruck shrugged his shoulders.

"Any objection to my smoking a cigar?" he asked coolly and reached toward

his coat pocket.

With a quick gesture Coquenil stopped the movement.

"_I don't like smoke_," he said with grim meaning. "If there is anything

you want to say, sir, you had better say it."

"I have only this to say, Coquenil," proceeded the baron, absolutely

unruffled; "we had had our little fight and--I have lost. We both did our

best with the weapons we had for the ends we hoped to achieve. I stood for

wickedness, you stood for virtue, and virtue has triumphed; but, between

ourselves"--he smiled and shrugged his shoulders--"they're both only words

and--it isn't important, anyhow."

He paused while a contemplative, elusive smile played about his mouth.

"The point is, I am going to pay the price that society exacts when this

sort of thing is--found out. I am perfectly willing to pay it, not in the

least afraid to pay it, and, above all, not in the least sorry for

anything. I want you to remember that and repeat it. I have no patience

with cowardly canting talk about remorse. I have never for one moment

regretted anything I have done, and I regret nothing now. Nothing! I have

had five years of the best this world can give--power, fortune, social

position, pleasure, _everything_, and whatever I pay, I'm ahead of the

game, way ahead. If I had it all to do over again and knew that this would

be the end, _I would change nothing_."

"Except that secret door under the stone shelf--you might change that," put

in Coquenil dryly.

"No wonder you feel bitter," mused the baron. "It was you or me, and--_I_

showed no pity. Why should you? I want you to believe, though, that I was

genuine when I said I liked you. I was ready to destroy you, but I liked

you. I like you now, Coquenil, and--this is perhaps our last talk, they

will take me off presently, and--you collect odd souvenirs--here is one--a

little good-by--from an adversary who was--game, anyway. You don't mind

accepting it?"

There was something in the man's voice that Coquenil had never heard there.

Was it a faint touch of sentiment? He took the ring that the baron handed

him, an uncut ruby, and looked at it thoughtfully, wondering if, after all,

there was room in this cold, cruel soul for a tiny spot of tenderness.

"It's a beautiful stone, but--I cannot accept it; we never take gifts from

prisoners and--thank you."

He handed back the ring.

The baron's face darkened; he made an angry gesture as if he would dash the

trinket to the floor. Then he checked himself, and studying the ring sadly,

twisted it about in his fingers.

"Ah, that pride of yours! You've been brilliant, you've been brave, but

never unkind before. It's only a bauble, Coquenil, and----"

De Heidelmann-Bruck stopped suddenly and M. Paul caught a savage gleam in

his eyes; then, swiftly, the baron put the ring to his mouth, and sucking

in his breath, swallowed hard.

The detective sprang forward, but it was too late.

"A doctor--quick!" he called to the guard.

"No use!" murmured the rich man, sinking forward.

Coquenil tried to support him, but the body was too heavy for his bandaged

hand, and the prisoner sank to the floor.

"I--I won the last trick, anyhow," the baron whispered as M. Paul bent over

him.

Coquenil picked up the ring that had fallen from a nerveless hand. He put

it to his nose and sniffed it.

"Prussic acid!" he muttered, and turned away from the last horrors.

Two minutes later, when Dr. Duprat rushed in, the Baron de

Heidelmann-Bruck, unafraid and unrepentant, had gone to his last long

sleep. His face was calm, and even in death his lips seemed set in a

mocking smile of triumph.

* * * * *

And so it all ended, as the baron remarked, with virtue rewarded and right

triumphant over wrong. Only the doctors agreed that many a day must pass

before Coquenil could get back to his work, if, indeed, he ever went back

to it. There were reasons, independent of M. Paul's health, that made this

doubtful, reasons connected with the happiness of the lovers, for, after

all, it was to Coquenil that they owed everything; Kittredge owed him his

liberty and established innocence, Alice (we should say Mary) owed him her

memory, her lover, and her fortune; for, as the sole surviving heir of her

mother, the whole vast inheritance came to her. And, when a sweet young

girl finds herself in such serious debt to a man and at the same time one

of the richest heiresses in the world, she naturally wishes to give some

substantial form to her gratitude, even to the extent of a few odd millions

from her limitless store.

At any rate, Coquenil was henceforth far beyond any need of following his

profession; whatever use he might in the future make of his brilliant

talents would be for the sheer joy of conquest and strictly in the spirit

of art for its own sake.

On the other hand, if at any time he wished to undertake a case, it was

certain that the city of Paris or the government of France would tender him

their commissions on a silver salver, for now, of course, his justification

was complete and, by special arrangement, he was given a sort of roving

commission from headquarters with indefinite leave of absence. Best of all,

he was made chevalier of the Legion of Honor "_for conspicuous public

service_." What a day it was, to be sure, when Madam Coquenil first caught

sight of that precious red badge on her son's coat!

So we leave Paul Coquenil resting and recuperating in the Vosges Mountains,

taking long drives with his mother and planning the rebuilding of their

mountain home.

"You did your work, Paul, and I'm proud of you," the old lady said when she

heard the tragic tale, "but don't forget, my boy, it was the hand of God

that saved you."

"Yes, mother," he said fondly, and added with a mischievous smile, "don't

forget that you had a little to do with it, too."

As for the lovers, there is only this to be said: that they were

ridiculously, indescribably happy. The mystery of Alice's strange dreams

and clairvoyant glimpses (it should be Mary) was in great part accounted

for, so Dr. Duprat declared, by certain psychological abnormalities

connected with her loss of memory; these would quickly disappear, he

thought, with a little care and a certain electrical treatment that he

recommended. Lloyd was positive kisses would do the thing just as well; at

any rate, he proposed to give this theory a complete test.

The young American had one grievance.

"It's playing it low on a fellow," he said, "when he's just squared himself

to hustle for a poor candle seller to change her into a howling

millionaire. I'd like to know how the devil I'm going to be a hero now?"

"Silly boy," she laughed, her radiant eyes burning on him, at which he

threatened to begin the treatment forthwith.

"You darling!" he cried. "My little Alice! Hanged if I can _ever_ call you

anything but Alice!"

She looked up at him archly and nestled close.

"Lloyd, dear, I know a nicer name than Alice."

"Yes?"

"A nicer name than Mary."

"Yes?"

"A nicer name than _any_ name."

"What is it, you little beauty?" he murmured, drawing her closer still and

pressing his lips to hers.

"How can I--tell you--unless you--let me--speak?" she panted.

Then, with wonderful dancing lights in those deep, strange windows of her

soul, she whispered: "The nicest name in the world _for me_ is--_Mrs. Lloyd

Kittredge!_"

THE END

Through the Wall · 第 30 / 30 章