Mildly he permitted the withdrawal of her hand and its replacement upon

his brow. But in a moment Sally, perhaps growing more daring, exchanged

her right hand for her left; and this meant approaching Gaga more

closely, and the partial encirclement of his head with her arm. She was

quite near him, as Gaga must have known; but he did not dare to put his

arm round her, as he might easily have done. Sally, so experienced,

guessed at his temptation, at his fear, and relished both. She was also

aware of a singular tenderness towards him, a protective, superior

wisdom that made Gaga seem to be a child in his trepidation. To her an

embrace meant so much less than it meant to him, and she knew quite well

that a flirtatious man would have recognised the game that was in

progress and risked a rebuff because of the successive return. Sally was

still so far from deliberately exploiting Gaga that she did not feel

impatient at his slowness. She savoured it, appreciating the fact that

he shrank, knowing that when she wanted him to do anything she could

always manage Gaga with the lightest touch. And that was why, in a

moment, she allowed herself contact with his shoulder. Gaga's arm

mechanically rose, and was about her waist, quite unpossessively. His

face was moved with a conflict of emotions. Sally recognised temptation

and self-consciousness, and also with amusement, a sense of his own

incomparable daring.

"You _are_ a devil, aren't you!" she whispered. Instantly she knew that

she had made a mistake. His arm relaxed. It was only when she drew his

aching head to her breast that she recovered her mastery of him. It was

the only mistake she had made, and it was at that time the last, for she

learnt at once that he was sensitive to ridicule. She had stepped too

far, and had thereby, for a moment, endangered her sport. She was

smiling again, but she had breathed quickly, at the knowledge of danger.

"How's the head?" she asked. "My hand's getting hot."

"Very bad," answered Gaga, dreading her withdrawal.

"Let me get a wet handkerchief."

"No, no. Don't move. I.... I don't want you to move."

Unconsciously, Sally gave a little sigh. It was all so easy, so much a

question of his being content with whatever she gave, that the adventure

was fading. It was ceasing to amuse her.

"That's enough," she said. "Now I'm going home." She did not move, and

Gaga's clasp tightened.

"No," he murmured entreatingly. "Not yet."

"_Must_ go." She took her hand away from his forehead, lingeringly. Gaga

held her to him with rigidity. "Let me go." He took no notice, and

Sally's hand rested gently upon his shoulder. At last: "Well?" said she.

"Don't go."

There was the slightest struggle, and Sally was free. Gaga's face was

quite red. She stood looking down at him, on her lips that same

quizzical smile. Gaga could not bear it. He rose quickly, and at her

flight followed breathlessly. She was again lightly imprisoned, her head

to his breast, and his arms giving small convulsive pressures as he

sought to retain her. She could tell his physical weakness, and his

feeble, excited desire for her, and she felt his face pressed to her

hair. Again Gaga kissed Sally, but she continued to withhold her lips,

so that he approached no nearer than her cheek.

"You ... you _must_ know I love you," breathed Gaga.

"Do I?" asked Sally, coolly. "I don't. Why should I?"

"Can't you tell?" He was speaking directly into her ear, so that she

felt his breath. "I love you ... like this!" He held her with all his

strength, and gave her cheek a fevered, gnawing kiss. "D'you see, Sally?

I love you."

"How's your headache?" asked Sally.

"I ... oh, Sally. Better ... better. But Sally! I love you. Don't you

love me a little? Sally!" There was a long silence. Consideringly, Sally

looked down, faintly excited, but unemotional. He vainly sought to

achieve a mutual kiss; but she kept her head turned away. Strange! Her

brain was perfectly clear! She was aware of every contact with him, knew

his every wish; and was unmoved. How different it was from when she was

with Toby! Gaga's voice resumed: "I think you ... love me a little,

Sally, my dear, my angel."

"Angel! Good lord!" ejaculated Sally. She put her hands to his breast,

forcing him a little away. "D'you think I'm an angel?"

"Yes!" came defiantly from Gaga.

"You're mad!" cried Sally, with contempt. "You don't know what you're

talking about. And even if you _are_ in love with me, as you say, what

does it mean? You'd soon get tired of me. You'd begin to think I

_wasn't_ an angel. What's the good of it all?"

Gaga looked astounded.

"But if _you_ love _me_," he stammered.

Sally's face was darkened. She had tears in her eyes, and her mouth was

thin and hard. There was altogether a hardness in her expression that

terrified Gaga.

"Even if I did," she said in a grim voice.

"But we could be married," he urged.

Married! Sally's heart gave a jump. Her cheeks were suffused. Married!

She could hardly conceal her amazement. He had flown right past her

expectation by that single word. Sally was aghast, forced to exercise

all her self-control to prevent him from seeing how staggered she was.

"Married!" she said, deprecatingly. "What would you want to marry a girl

like me for?" But as she spoke she no longer meant the words which had

been conceived in honesty. A storm of temptation was upon her. Married

to Gaga! Why, _nothing_ could stop her! Married to him, she would be

unassailable. It was not to be believed.

"Because I love you. Sally, do say 'yes.'" He was beseeching. His grey

face was flushed, his lips eagerly parted, his eyes radiant. Gaga seemed

transfigured. And his embrace was strengthened each instant by his

vehement desire for her.

"You love me?" Sally's voice had become thick and stupid as she

struggled to maintain her clearness of judgment in face of this

overwhelming proposal.

"Say 'yes,'" urged Gaga. "Say 'yes.' It would be so wonderful. Sally,

I've never ... never been in love before. I've ... never wanted a girl

like this. You're so...."

"What am I?" Sally's voice was tender, lingering. The tears came again

to her eyes, so touched was she by his earnestness and his gentleness,

so puzzled by the unforeseen situation.

"So lovely," Gaga breathed. His lips came nearer, and she did not

withdraw. He kissed her mouth at last, and again; and at her response

the kiss became long and possessive. "You lovely girl," he went on.

"We'll be married ... and ... and so happy."

"I don't know," cried Sally. "I don't know."

"Dear!" he begged.

"I'm not sure. Perhaps you'll be sorry to-morrow that you asked me. Will

you? Sorry? Such things _have_ been known to happen." Her voice was

quite hard, because her temptation was so great.

"I'll never change. I love you."

"I wonder." Sally shook her head. "I'll tell you to-morrow." She was

still dubious, suspicious.

"Let me get a license."

Sally's heart jumped again. He had once more surprised her, and she had

supposed herself altogether beyond surprise. A license! Her quick glance

could fathom no deceit, no inconceivable sportiveness in Gaga.

"Oh! You _are_ in a hurry!" she exclaimed, delayingly. "Frightened you

_will_ change."

"I'm frightened of losing you."

Sally laughed a little, held up her face, and kissed him. Still she was

puzzled.

"To-morrow. But you'll be sorry by then. I won't promise."

She found it not unpleasant to be loved in this fervid, nervous fashion.

It amused her. But she was curiously unmoved, and when he had put her

into her omnibus Sally breathed almost with relief. Strange to feel that

relief after parting from the man you might be going to marry! Sally

jerked her head. She remembered suddenly that Miss Summers had said

earlier in the day. "_You'll_ think twice before you marry for just

love, and nothing else," Miss Summers had said. "You're right, my dear,"

thought Sally. And then there came galloping into her memory a

recollection that made Sally blanch. "It's not the first man who makes

the best husband," Miss Summers had said. Not the first man! The reason

for Sally's fear was explained. She had known all along why she was

afraid and had pressed back the knowledge from her attention, so that it

should not interfere with her actions. The first man was Toby; and it

was of Toby that she was afraid--of Toby and his love for her; and, more

than all, of her strangely smouldering love for Toby.

xix

What had she been doing to forget Toby? Had she forgotten him at all?

Somehow Toby had a little faded from her mind in these days, because he

was on a voyage longer than usual, and she had not heard from him. Toby,

her lover! Only when she had been a little frightened or distressed had

she longed for his protective arms. Otherwise he had slipped into a sure

place in her self-knowledge. He was the man she loved, strong and rough,

the first to capture her heart, and until now the only man to hold her

imagination. At the thought of deserting him Sally shrank. She belonged

to Toby. Toby belonged to her. She had been going to marry him. If she

had not loved Toby she would ruthlessly have shouldered him aside; but

she could not do that, because he was her lover. And she was afraid. If

once she betrayed him, Toby might kill her. She became terrified at the

idea. Men killed their girls for jealousy's sake. She had often read in

the papers of what were called "love tragedies."

Sally did not want to die. She wanted to rise to power, to riches. And

Gaga offered her the way to attain her ambition. Married to him she

could have all, or almost all, she wanted. If she refused him she might

lose everything. She might lose her place with Madame Gala, she

might.... How harassed she was! It was such a temptation! Gaga, with

money, and everything that he could offer; and Toby, with love that she

craved, and years of waiting, and a poky house, and his opposition to

all she might want to do upon her own account. She had a vision of his

lowering face, his savage mouth. She remembered all her joys in his

arms. A shudder shook Sally at thought of his vengefulness, his fierce

strength. And then, when she was married to Gaga, she would be mistress

of so much that she desired. It was a desperate problem. The more she

thought of it, the more tormented Sally became.

She was still in active distress when she reached home; and her headache

of the morning had returned. Bright colour showed in her pale cheeks,

and her eyes were brilliant with excitement. She was at high tension.

The first sight of their room, and her mother's squalid figure, produced

a violent effect upon Sally's thoughts. Anything to escape from this!

Anything! But what of Toby? His strong hands could crush the life out of

her. His jealousy would be so unmeasured.... He would kill Gaga. He

would kill her. Sally was carried to an extreme pitch of fear. Life was

so precious to her. And she loved Toby.

Did she still love him? Did he still love her? They were both older;

separation had made each of them less dependent upon the other than they

had been at first, and even although her love was jubilant when Toby

returned on leave she was no longer the rapturous girl of even a year

before. Long and long Sally remained torn between her two desires. She

did not sleep at all, but lay turning from side to side and longing for

oblivion or the daylight. She had never been so confronted with great

temptation and great fear. Her head ached more and more. She could not

cry, or sleep, or forget. She lay with open eyes, watching the window

for the dawn. And when the morning broke she was still undetermined.

The choice was too difficult.

Breakfast was uneatable; her journey to work was a dream. She shrank

from going into the workroom, from seeing Gaga. All her confidence had

disappeared. She was a bewildered little girl--not eighteen, but a child

still without sense of direction. At one minute Toby seemed the only

choice to make, but principally because she was afraid of what he might

do if she married Gaga; and when she forgot her fear she no longer

hesitated between love and ambition. She argued that she no longer loved

Toby. She never once considered her feeling for Gaga. She hardly thought

of him, or of what marriage to him might mean. Her eye was all to the

consequences. It was so throughout, whether she thought of Toby or his

new rival. All her thoughts were anticipations.

As she sat at work she began to lose fear of Toby. She felt she could

always manage him, explain to him. She pretended that they would be

friends; though the thought of Toby married to another girl gave her a

sharp horror. If she married, it was different. She did not imagine what

Toby might feel--only what he might do. She was thus the complete

egoist. Not Toby's happiness or unhappiness was implicated; but only her

own dominant desire. If she had still been unsatisfied in her love for

Toby, she might have valued him more; but she knew all that he could

teach her of love, and already her strong eagerness for him was becoming

old and accustomed. The one restraint she had was fear of what he might

do; and that fear was beginning to decline in face of stronger impulses

towards the opportunity which marriage with Gaga would produce. And just

in this crucial stage of her reflections came a most striking fresh

influence. It was brought by Miss Summers, who returned from the

telephone with a solemn expression upon her face.

"Sally," she said. "Come here." When Sally approached her, Miss Summers

pretended to give some instructions; but in reality, under her breath,

she murmured: "Sally, don't tell the other girls; but Madam's worse this

morning. Her temperature's 103." Her warning frown emphasised the

meaning of the words. It made Sally's heart begin to beat fast. Madam

... Madam....

With her head low, Sally bent over her work. But that frown had brought

decision to her mind. She would marry Gaga. It was so important that she

should not miss this chance that she would marry him at once. She _must_

do so. It was essential. What if he had grown frightened?

That was her new spur of fear. Toby was forgotten. She was on fire for

the marriage. It had now become the only conclusion to her doubts. She

must take the earliest opportunity of seeing Gaga, of conveying her

acceptance, of making sure of him. Her fingers trembled, so important

did time now seem to Sally. Her one anxiety was lest she should have to

kindle his eagerness anew. Troubled but resolute, she tried in vain to

work. Every sound made her start. All her attention was distracted from

the sewing and concentrated upon the possibility of an interview with

Gaga. Yet a shyness made her afraid to leave her place and go into

Madam's room. The other girls would notice. What if they did? They would

soon know that they could not treat her with anything but humility. She

would have untold power over them. Sally almost recoiled from the

knowledge of what power she would wield in the business once she was

Gaga's wife. It seemed to her incredible. Her mind strayed to Miss

Summers, Miss Rapson, the jealous Rose.... How would they like it? What

would they do? Sally imagined the news reaching them, imagined their

fear of her, their jealousy, their cutting remarks about herself. And

she laughed, knowing that she would be out of reach of any of the harm

that they might wish her.

While she was thus contemplating a development, the door of Gaga's room

opened, and he came quickly into the workroom. Sally's heart seemed to

stop beating. She felt sick with dread. He wore a flower in his

buttonhole. His first glance was for Sally, as her own lightning

scrutiny showed. He was white, but he smiled. His eagerness of inquiry

was manifest. Sally could not help smiling in return, although she was

trembling, and knew that he too must be trembling. She gave the faintest

possible nod, and saw the colour start to his cheek. Gaga was checked

for an instant in his progress. His smile broadened, his head was thrown

back. At that moment he looked almost like a determined man, so vividly

did Sally's nod cause a new ichor of confidence to run in his veins.

xx

On a bright morning about ten days later, Sally lay in bed watching her

mother prepare the breakfast upon their oil stove. Although the year was

in its last months it was still warm and sunny, and Mrs. Minto clambered

about the room half-dressed, with her grey hair hanging behind in ragged

tails. With her bodice off she looked more than ever meagre, her thin

face sharper and greyer than of old, and her movements more uncertain.

As Sally watched her mother she realised that the unsightly walls and

battered furniture were just of a piece with the creeping figure. What

she did not understand was that Mrs. Minto was so used to the furniture,

which she had known during the whole of her married life, that she did

not recognise its dilapidation. But Sally had no time for thought of her

mother. She was excited. Her tongue came out between her teeth, and she

looked at the ceiling. At last, in a laconic voice, she said:

"Ma!" Mrs. Minto glanced wearily at her. Sally considered her speech

with a further smile, so that Mrs. Minto became irritated, and went on

with her preparations in a rather indignant way. "Ma," resumed Sally,

relishingly, "I shan't be home to-night."

Mrs. Minto started. She became instantly alert.

"Oh yes you will, my girl," she cried sternly. "None o' that!"

"Yes, I shan't be home to-night," repeated Sally. "Nor to-morrow night,

either."

Mrs. Minto left her work and came to the bedside. She was like a

snarling bitch, savage over her threatened young.

"Sally!" she exclaimed, in a rough voice. "What you doing! What d'you

mean? Of course you'll be home. You're not going to play any tricks with

me, my gel."

"I shan't be coming home," continued Sally. "Not ever. I'm getting

married to-day."

Mrs. Minto sat down upon the bed.

"Married!" she screamed. "Married! Why, who you going to marry! What

d'you mean? Silly girl, trying to frighten me!"

"Don't get excited, ma. I'm going to look after you. The fact is, I'm

... well, _you'll_ be all right. Nothing to worry about."

"Who _is_ he?" demanded Mrs. Minto. "Who _is_ he?" She was desperately

agitated. "Sally, I'm your mother.... Oh, you bad girl! You been

hiding.... I knew you was hiding something. I knew where them fast

frocks was leading you!"

Sally was enjoying the scene. But she suddenly checked herself.

"Ma, I'm marrying a rich man. I'm marrying Madam's son."

"Madam's _son_!"

"Yes." She was complacent. "Those fast frocks lead to the registry

office."

"Reg.... Not in church? It's.... Sally!"

"What I say," cried Sally.

"A rich man!"

"Mr. Bertram. And what's more he loves me. And you won't have to do any

more charing. Only sit here and gorge yourself on the police news, like

a lady, and...."

"Married!" gasped Mrs. Minto. She gave a foolish giggling laugh, and the

tears ran down her cheeks. "Is it _true_, Sally?"

Sally held up her left hand, brought it blazing from under the

bedclothes. Mrs. Minto seized the hand, squeezed it hard, and pored over

the brilliants.

"Well!" she exclaimed. Then she shook her head, and wiped the tears from

her cheeks. A great sobriety appeared in her expression. Anxiety was her

dominating concern. "D'you love him, Sally? You ought to have told me. I

ought to have seen him. He hasn't asked for you. He ought to have come

and asked your mother."

"Madam's ill. I told him I'd tell you. You got to give your consent,

'cause I'm so young. He's got no time to get away. I'm very fond of him,

and he thinks I'm...." Sally hoisted her shoulders. She had spoken very

deliberately.

"You said he was soppy."

Sally turned a cold eye upon her mother.

"You got too good a memory," she remarked. "What I've said to you....

Well, I knew you'd worry about him, and think I was going to get into

trouble, and.... Anyway, we're getting married this morning, and going

for our honeymoon this afternoon."

"Where you going?"

"In the country. Penterby. It's on the river, near the sea. You get to

the sea in no time. Ga-- Bertram-- Bert says it's lovely. Quiet, and ...

you know, you can get about."

"Married! I can't believe it!"

"I'll show you my certificate, when I get it. Don't you believe me?"

Mrs. Minto sat quite still upon the bed for a minute, her face intensely

pale. She seemed unable to say anything more. Then, very slowly indeed,

she recovered the power of motion, and rose wearily to her feet. She did

not look at Sally, but kept her eyes away. She stood upright, and took

two or three steps. But as she paused again her emotion became

overwhelming, and she clutched feebly at the bedrail. With her head

resting upon both thin arms she began to cry aloud--great turbulent sobs

which shook her whole body.

"My baby! My baby!" she wailed noisily. "Oh, what shall I do! My baby!"

Sally's lips quivered. She tried to smile. Slowly she crept out of bed,

and put her arms round her mother.

"Sh! Sh!" she whispered. "Ma! Ma! You're making me blubber, too. You old

fool! It's not a funeral!"

Strange emotion shook Sally as well as her mother. But they were

different. A thoughtful pucker came between her brows, and she had a

smile that was almost contemptuous.

"Ma!" she repeated, as the sobs remained vehement. "Shut up, ma! Oh,

what an old image! Talk about a noise! Anybody'd think it was _you_ who

was getting married!"

She had recovered her own nerve. She could not see the future; but her

head was cool, and she stared over her mother's shoulder at the sunlight

bleaching the outer grime of the neighbouring roofs. In her thin

nightgown she looked like a child, and her face was so impish that she

seemed to regard her marriage as one more in a long series of good

jokes. Her eyes were wide open, and her lips smiling.

BOOK THREE: CONSEQUENCES

i

The Merricks--Sally and Bertram--went for their honeymoon to Penterby, a

little South of England town near the sea but not actually upon the

coast. The honeymoon was to be a short one, the barest weekend, and so

they could not go far from London; and for some reason Gaga could not

stand the sea itself. Strong air made him ill, and even sight of rolling

waves made him feel sick. Sally, still elated and not as yet very

confident or assertive, immediately agreed when he suggested this

country town; but she had no real notion of what was in store for her.

She was all half-amused trepidation. The scuffled marriage-ceremony,

after which the registrar's clerk hurried to call for her for the first

time by her new name, was fun to her. It meant nothing: "I, Sarah,

Margaret Minto, call on these present...." It was all a part of a game,

a rather exciting game; and Gaga was no more to her after the ceremony

than he had been before it. He was a tall agitated grey creature, very

tremulous and muffled in his speech, and nothing like a husband. What

_was_ a husband? How did one feel towards a husband? All Sally knew was

that her husband was a stranger. He was one man out of millions of men,

no more and no less than the others. The thought that she was binding

herself to him for life did not trouble her. It did not enter her head.

Nevertheless, she felt triumph at her wedding ring, and clutched Gaga's

arm as they came out of the register office with their two

casually-acquired witnesses. They were instantly alone, and walking

along the street together in the autumn sunshine, married and excited,

but merely two strangers on their way to lunch. And yet that was not

quite all, because when they were seated at lunch Sally felt the

slightest sensation of flurry at Gaga's possessive stare. She returned

it boldly, quite unembarrassed; but across her mind flitted a knowledge

which came there of its own accord. He was a weak man, weak in his

possessiveness as he had been weak in his stammering; and the

possessiveness (which in a strong man might have excited her) gave Sally

an uncomfortable sense that Gaga might bother her. She had never

realised this. She saw in this instant that he would be jealous,

exacting, amorous. She did not love him, and the amorousness of the

unloved is a bore. Sally knew she could always deal with Gaga; but she

did not want a profusion of excited caresses from him. It was this

realisation that gave her a jerk of dismay. It was not that she shrank

from him. It was that with her cold little brain she imagined him in a

fever about her, fretful, tantalised by her coolness, rebuffed, sulky,

ineffably tedious.... As she knew all this her eyes darkened. It was all

very well to play with Gaga; but he was now her husband, and that meant

an association so constant that in future, so far from tempting him, she

would forever be engaged in battles with his exasperating, petty claims

to her person and her attention. He would not ever be able to understand

her wish to be alone, or to be self-engrossed. Febrile himself, he would

be dumfounded at her reserve, which he would take for hostility.

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