CHAPTER IV

A ROYAL WEDDING

The train which carried Princess Ena across France toward her unknown

Destiny approached the Spanish frontier at dawn. On the platform of the

first station within the borders of Spain paced the awaiting

bridegroom,--eager, impatient, anxious. He smoked cigarette after

cigarette as the minutes went by, pausing ever and anon to peer into the

gloom which still lingered of the passing night as if to catch the first

sight of the coming train. When at last it arrived and the Princess had

alighted, her very first act was one which made an appeal to the Spanish

people. Turning almost directly from the group of ministers, generals

and courtiers who were there to greet her, she stepped toward the Mayor

of the little village who was surrounded by a group of peasant

delegates, and extending her hand for him to kiss, she graciously

accepted the bouquet which he handed to her. This man was a field

labourer--a peasant--and his comrades were all of the soil. Thus the

first homage which she received and acknowledged was that which came

directly from the people.

The evening of the day of her arrival at Madrid she seized a splendid

opportunity. In the town of Badajoz, the capital of the Province of

Estremadura, was a man condemned to death and whose sentence was to have

been carried out the day following the arrival of the bride-elect. On

the evening of her arrival in Spain, the people of the town,

representatives of all classes, telegraphed to the Princess an earnest

petition beseeching her to exercise her influence with the King for him

to exercise his prerogative of Royal clemency and pardon the condemned

man. The Princess went immediately to the King and told him that almost

the first message she had received upon her arrival in Spain was this

petition asking her to save the life of a man. This wedding present, she

said, would please her more than any gift she might receive. King

Alfonso instantly granted her request and the Royal pardon was

despatched by telegraph, arriving at Badajoz less than one hour before

the sentence was to have been carried out. Upon receipt of the news, all

the bells of the town were set ringing and there was a scene of

extraordinary demonstration; the whole community gathering in the

streets crying: “Long live Queen Victoria Eugenie.”

Thursday the 31st of May, 1906, had been appointed for the wedding. The

day broke bright and clear in Madrid, a glorious sun tempered by a

cooling breeze shone throughout the day and with not a cloud in the sky.

The King arrived at the Palace of the Pardo just outside of Madrid where

the Princess and her suite had remained during the few days preceding

the wedding, in a motor car at 6.30 in the morning; he appeared in the

uniform of an Admiral. The first act of the day was an attendance at

Mass in company with his bride-elect. Shortly after 8 o’clock the couple

were driven in an electric brougham straight to the Ministry of Marine

where the Princess donned her bridal robes. In this she was assisted by

ladies-in-waiting, who had come in her suite from London, the last touch

being added by Queen Maria Cristina who placed upon the head of the

Princess the bridal veil. This veil was of Alençon lace and was the very

one worn by herself at the time of her marriage to King Alfonso XII.

This veil is being carefully preserved by Queen Victoria, who says that

at the marriage of her first daughter she hopes to place it upon her

head.

In Spain it is customary for the bridegroom to present his bride with

her wedding gown; this is a universal custom common in all ranks of

society. Don Alfonso, aided by his Royal Mother, had had prepared one of

the most elaborate and exquisitely embroidered gowns ever seen at the

Spanish Court Forty of the most expert Spanish women were engaged for

fifty-six days in making this wonderful creation. Or, to put it another

way, one woman, working constantly every day of the year, Sundays

excepted, would have required almost precisely seven years to the task!

The material was of the richest white satin and cloth of silver, cut in

the style of dress known as Louis XVI. The dress

[Illustration: “To the Marquis of Villalobar.]

was bordered with dull silver, slightly burnished and shaded at

intervals and trimmed with exquisite rose-point lace, which was

festooned over a background of cloth of silver. The lace flounce was

eighteen inches in width and the whole gown was relieved with loops of

orange blossoms.

The wedding took place in the Church of San Jeronimo, which is on the

far side of the city from the Royal Palace. The church is not large, but

there are no large churches in Madrid, Madrid being one of the most

modern of all continental capitals, and big churches of the cathedral

order are mostly relics of the Middle Ages. The selection of St.

Jeronimo for the event was made in order that the bridal procession

should of necessity pass across practically the entire city, thus

affording the largest number of people an opportunity to view the

spectacle.

The marriage service conformed to every last detail with the etiquette

and rites of the Roman Catholic Church in Spain. The Archbishop of

Toledo, Cardinal Sancha, was assisted by Dr. Brindle, Bishop of

Nottingham, who had come from England especially for this occasion.

The bridal procession advanced very slowly, receiving the homage of the

distinguished congregation section by section, the Spanish legislators,

the courtiers, Ambassadors, the Special Missions, and the foreign

Princes saluting in turn. Preceded by a crucifix, while the band

continued playing the National Anthem, the King and his bride advanced

and took their places before the altar. After kneeling for a short

period, King Alfonso rose, and passing behind the Princess approached

his mother, who was on the bride’s left, and knelt and kissed her hand.

Queen Cristina, bending over, affectionately embraced her son who

thereupon returned to his _prie-dieu_ before the altar. Following the

bridegroom’s example Princess Victoria Eugenie descended the altar steps

and passed down the nave to where her mother stood beside the Duchess of

Saxe-Coburg and Gotha, and warmly embraced her. The Princess then

returned to the altar and the religious ceremony began.

Cardinal Sancha, arrayed in his Pontifical robes and having on either

side the assisting bishops, gave his archiepiscopal crozier to the

Master of Ceremonies, and addressed King Alfonso and his bride as

follows:

“High and Mighty Senor Don Alfonso XIII, of Bourbon and Austria,

Catholic King of Spain, I demand of your Majesty, as I also demand of

your Royal Highness Victoria Eugenie Julia Ena Maria Cristina, Princess

of Battenberg, to say if you know of any impediment against the

celebration of this marriage, or against the validity or legality; That

is to say, if there exists between your Majesty and your Royal Highness

any impediment either of consanguinity, affinity, or spiritual

relationship; if you have made a vow of chastity or of religion; and,

finally, if there is any other impediment, your Majesty and your Royal

Highness shall declare it. And the same I demand of all those here

present. For the second and the third time I require that if there exist

any impediment whatsoever you shall freely make it known.”

Having concluded these questions, the Cardinal paused for a while, and

then, turning to the Princess, said:

“Victoria Eugenie Julia Ena Maria Cristina, Princess of Battenberg, does

your Royal Highness desire to have Don Alfonso XIII, of Bourbon and

Austria, Catholic King of Spain, for your lawful spouse and husband by

words _de presente_, as is ordained by the Holy Catholic Apostolic and

Roman Church?”

This was a very solemn moment, and not a whisper broke the almost

painful silence. All eyes were turned toward the Princess who replied,

in a clear voice:

“Yes, I do desire him.” (Si, quiero.)

His Eminence then said:

“Does your Royal Highness consent to be the lawful spouse and wife of

the high and mighty Señor Don Alfonso XIII, of Bourbon and Austria,

Catholic King of Spain?”

Looking at His Majesty, Princess Victoria Eugenie replied, in clear

tones:

“Yes, I consent.” (Si, otorgo.)

Continuing, Cardinal Sancha asked:

“Does your Royal Highness accept the said Señor Don Alfonso XIII, of

Bourbon and Austria, King of Spain, for your lawful spouse and

husband?”

With even stronger emphasis, the Princess replied:

“Yes, I accept him.” (Si, recibo.)

Cardinal Sancha thereupon asked the three questions, in identical terms

of King Alfonso. His Majesty, with his eyes fixed upon his bride, and in

a strong and clear voice, which was distinctly heard in every part of

the church, answered to the several questions, “I desire,” “I consent,”

and “I accept.”

At this moment, Princess Ena betrayed emotion and glanced toward the

place where her mother sat. Queen Maria Cristina was scarcely able to

restrain her tears and looked alternately from the King to his bride and

from the bride to her son. King Alfonso, who was perfectly calm, gave

his hand to the Princess according to the directions of the Master of

the Ceremonies, and while the Royal couple had their hands joined,

Cardinal Sancha took his archiepiscopal staff and said:

“And I, on the part of Almighty God and of the Holy Apostles, Peter and

Paul, and of the Holy Mother Church, do join in matrimony your Majesty,

Don Alfonso XIII, of Bourbon and Austria, Catholic King of Spain, to

your Royal Highness, Victoria Eugenie Julia Ena Maria Cristina, Princess

of Battenberg, and I confirm this Sacrament of matrimony in the name of

the Father, and of the Son, and of the Holy Ghost.--AMEN.”

Then the Bridal Mass began, the King and Queen kneeling, and as the

swell of music filled the church and died away, a faintly tinkling bell

announced the Elevation of the Host. All knelt with heads bowed low--the

most impressive moment of great silence broken only by the clinking of

swords and the hum of distant voices outside the church. Mass over, the

Royal bride and bridegroom proceeded to the daïs. A little lower down

the Queen-Mother, in her beautiful robes and splendid jewels, stood

beside her Chair of State, while kneeling on either side were the

heralds, in their gorgeous uniforms. Princess Victoria Eugenie, now

Queen of Spain, lovely, young, dignified and looking “every inch a

Queen,” standing beside the youthful and most charming King-Bridegroom,

whose face was beaming with proud happiness, all made a picture,

touching, beautiful and never to be forgotten by any of those present.

Then came a most picturesque and ideal scene. The newly-married Royal

pair proceeded arm-in-arm to the spot nearby where formerly a grand old

monastery had stood, and where there still remains a ruined cloister,

and here the register was signed, the King having chosen this spot a few

days before the wedding. One corner of the cloister had been screened

off with magnificent tapestries of world-wide renown, on which were

depicted scenes from Don Quixote; on a wide table, covered with crimson

cloth, stood the necessary implements--a silver inkstand, pens, and the

books in which the signatures were to be entered. The procession of

Royal personages who followed the bride and bridegroom in pairs through

the quaint old cloister was led by the Prince of Wales, who conducted

the Queen-Mother; then came the Archduke Francis Ferdinand of Austria

with the Princess of Wales, followed by the other Royalties in order of

rank.

On the return of the procession to the church, the assemblage dispersed

according to Spanish Court etiquette, in order of precedence, commencing

with the lowest, each couple advancing to the daïs, where they bowed and

curtsied to the King and Queen, who were seated in their Chairs of

State. The Prince and Princess of Wales were the last of the Royal

guests to go. The Queen-Mother then rose, and, advancing to the front of

the daïs, made a reverence to her son and his bride, both of whom rose

simultaneously and returned the salutation. Last of all the Royal

personages, the King and Queen passed down the nave under the baldaquin

and the gorgeous scene melted away.

Just before midday, the sound of saluting cannon announced to all that

the King and Queen had left the church, and the procession started for

the palace in the following order:

THE BRONZE LANDAU

The Kings of Arms.

STATE CARRIAGE

Miss Cochrane

Lord and Lady William Cecil

Gentlemen-in-Waiting on Her Majesty the Queen.

STATE CARRIAGE

Her Majesty Queen Maria Cristina’s

Mistress of the Robes

The First Huntsman

Gentlemen-of-the-Chamber-in-Waiting on

His Majesty the King.

SEMI-GALA CARRIAGE

Mistress of the Robes of the Palace

Grand Chamberlain of Queen Maria Cristina.

STATE CARRIAGE

Superior Chief of the Palace

Grand Chamberlain of their Majesties

Commandant-General of the Halberdiers.

SEMI-GALA CARRIAGE

Princes Leopold and Maurice of Battenberg

STATE CARRIAGE

Princess Marie of Battenberg

(Princess of Erbach-Schönberg)

Prince Alexander of Teck

Prince Alexander of Battenberg.

CARRIAGE

The Infante Don Alfonso of Orleans

Princes Rainer and Philip of Bourbon.

SEMI-GALA CARRIAGE

The Infantas Doña Paz and Doña Eulalia.

STATE CARRIAGE

The Infantas Doña Maria Teresa and Doña

Maria Isabel

The Infante Don Fernando of Bavaria and Prince

Gennaro of Bourbon.

GALA CARRIAGE

Princess Frederica of Hanover

Princess Alexander of Teck.

COACH OF THE DUCAL CROWN

The Duchess of Saxe-Coburg

Princess Beatrice of Saxe-Coburg

Prince Henry of Prussia.

THE AMARANTH COACH

Prince Eugene of Sweden

Crown Prince of Monaco

Princes Louis Ferdinand and Alfonso of Bavaria.

THE CIPHER COACH

The Duke and Duchess of Genoa

Prince Albert of Prussia

Prince Andrew of Greece.

THE TORTOISE-SHELL COACH

Archduke Francis Ferdinand of Austria

Crown Prince of Portugal

Prince Albert of Belgium

The Grand Duke Vladimir of Russia.

GALA CARRIAGE

The Prince and Princess of Wales.

THE MAHOGANY COACH

Her Majesty the Queen, Doña Maria Cristina

Princess Henry of Battenberg

The Infante Don Carlos

The Infante Don Alfonso (Heir-presumptive).

THE COACH OF GOLD PANELS

(Unoccupied)

THE CROWN COACH

Their Majesties the KING and QUEEN.

The spectacle along the route of the return journey was one of

indescribable rejoicing and excitement. The Pageant was magnificent, and

the procession took nearly an hour to pass. The batteries of artillery

thundered out a royal salute, trumpets blared, the bells of the churches

pealed forth, and the populace raised a mighty roar of acclamation.

Coach after coach passed along the route--each to be greeted with cheers

by the delighted crowds. The beautiful “mahogany coach,” in which were

seated Queen Cristina, Princess Henry of Battenberg, Don Carlos, and his

son Don Alfonso, came in for a specially warm greeting. That containing

the Prince and Princess of Wales was also received with shouts of

welcome. At last came that which most of all the multitude had assembled

to see, and to greet with demonstrations of the greatest enthusiasm--the

coach of the Royal Crown drawn by eight superb horses, with nodding

white plumes, and containing the Royal couple. That the young King and

his beautiful bride were immensely popular there could be no doubt. One

had only to hear the hearty and repeated cries of “Viva el Rey!” “Viva

la Reina!” to know that the young couple had won the hearts of the

people and all Spain was rejoicing at their wedding.

Royal Romances of To-day · 第 4 / 13 章