But she hesitated. "I'm not sure I ought ..."

"Why not?"

"It's none of my affair--"

"But surely you must see ... Listen: I'll tell you about it." He

narrated succinctly the intrusion of the mysterious bandbox into his

ken, that morning. "Now, a note was promised; it must have miscarried.

Surely, there can be no harm in your telling me. Besides, I've a right

to know."

"Possibly ... but I'm not sure I've a right to tell. Why should I be a

spoil-sport?"

"You mean," he said thoughtfully--"you think it's some sort of a

practical joke?"

"What do you think?"

"_Hmm-mm_," said Staff. And then, "I don't like to be made fun of," he

asserted, a trace sulkily.

"You are certainly a dangerously original man," said Miss

Searle--"almost abnormal."

"The most unkindest slam of all," he murmured.

He made himself look deeply hurt. The girl laughed softly. He thought it

rather remarkable that they should enjoy so sympathetic a sense of

humour on such short acquaintance....

"But you forgive me?"

"Oh, yes," he said generously; "only, of course, I couldn't help feeling

it a bit--coming from _you_."

"From me?" Miss Searle sat up in her deck-chair and turned to him. "Mr.

Staff! you're not flirting with me?"

"Heaven forfend!" he cried, so sincerely that both laughed.

"Because," said she, sinking back, "I must warn you that Mrs. Ilkington

has been talking ..."

"Oh," he groaned from his heart--"damn that woman!"

There was an instant of silence; then he stole a contrite look at her

immobile profile and started to get up.

"I--Miss Searle," he stammered--"I beg your pardon ..."

"Don't go," she said quietly; "that is, unless you want to. My silence

was simply sympathetic."

He sat back. "Thank you," he said with gratitude; and for some seconds

considered the case of Mrs. Ilkington, not charitably but with murder in

his bosom. "Do you mean," he resumed presently, "she has--ah--connected

my name with--"

"Yes," nodded the girl.

"'Something lingering in boiling oil,'" he mused aloud, presently....

"What staggers me is how she found out; I was under the impression that

only the persons most concerned knew about it."

"Then it's true? You are engaged to marry Miss Landis? Or is that an

impertinent question?" Without pause the girl answered herself: "Of

course it is; only I couldn't help asking. Please forget I spoke--"

"Oh, I don't mind," he said wearily; "now that Mrs. Ilkington has begun

to distribute handbills. Only ... I don't know that there's a regular,

hard-and-fast engagement: just an understanding."

"Thank you," said Miss Searle. "I promise not to speak of it again." She

hesitated an instant, then added: "To you or anybody else."

"You see," he went on after a little, "I've been working on a play for

Miss Landis, under agreement with Jules Max, her manager. They want to

use it to open Max's newest Broadway theatre late this autumn. That's

why I came across--to find a place in London to bury myself in and work

undisturbed. It means a good deal to me--to all of us--this play.... But

what I'm getting at is this: Alison--Miss Landis--didn't leave the

States this summer; Mrs. Ilkington (she told me at dinner) left New York

before I did. So how in Heaven's name--?"

"I had known nothing of Mrs. Ilkington at all," said Miss Searle

cautiously, "until we met in Paris last month."

He was conscious of the hint of uneasiness in her manner, but inclined

to assign it to the wrong cause.

"I trust I haven't bored you, Miss Searle--talking about myself."

"Oh, no; indeed no. You see--" she laughed--"I quite understand; I keep

a temperament of my own--if you should happen to wonder why Mrs.

Ilkington interests herself in me. I'm supposed to have a voice and to

be in training for grand opera."

"Not really?"

And again she laughed. "I'm afraid there isn't any cure for me at this

late date," she protested; "I've gone so far I must go farther. But I

know what you mean. People who sing _are_ difficult. However ..." She

stirred restlessly in her chair, then sat up.

"What is that light over there?" she asked. "Do you know?"

Staff's gaze sought the indicated direction. "Roches Point, I imagine;

we're about due at Queenstown ..."

"As late as that?" The girl moved as if to rise. Staff jumped up and

offered her a hand. In a moment she was standing beside him. "I must go

below," said she. "Good night."

"You won't tell me who it was in Lucille's, yesterday?" he harked back

pleadingly.

She shook her head gaily as she turned forward to the main companionway

entrance: "No; you must find out for yourself."

"But perhaps it isn't a practical joke?"

"Then--_perhaps_--I shall tell you all--sometime."

He paused by the raised door-sill as she stepped within the

superstructure. "Why not stop up and see the tender come off?" he

suggested. "It might be interesting."

She flashed him a look of gay malice. "If we're to believe Mrs.

Ilkington, you're apt to find it more interesting than I. Good night."

"Oh--good night!" he muttered, disturbed; and turned away to the rail.

His troubled vision ranged far to the slowly shifting shore lights. The

big steamship had come very close inshore--as witness the retarded speed

with which she crept toward her anchorage--but still the lights, for all

their singular brightness, seemed distant, incalculably far away; the

gulf of blackness that set them apart exaggerated all distances tenfold.

The cluster of sparks flanked by green and red that marked the hovering

tender appeared to float at an infinite remove, invisibly buoyed upon

the bosom of a fathomless void of night.

Out of this wind-swept waste of impenetrable darkness was to come the

answer to these many questions that perplexed him--perhaps. Something at

least would come to influence him; or else Mrs. Ilkington's promise had

been mere _blague_.... Then what?

Afterwards he assured himself that his stupidity had been unparalleled

inconceivable. And indeed there seems to be some colour of excuse for

this drastic stricture, self-inflicted though it were.

Below him, on the main deck, a squad of deckhands superintended by a

petty officer was rigging out the companion-ladder.

Very suddenly--it seemed, because of the immense quiet that for all its

teeming life enveloped the ship upon the cessation of the engine's

song--the vessel hesitated and then no longer moved. From forward came

the clank of chains as the anchor cables were paid out. Supple to wind

and tide, the Autocratic swung in a wide arc, until the lights of the

tender disappeared from Staff's field of vision.

Before long, however, they swam silently again into sight; then slowly,

cautiously, by almost imperceptible stages the gap closed up until the

tender ranged alongside and made fast to her gigantic sister.

Almost at once the incoming passengers began to mount the

companion-ladder.

Staff promptly abandoned his place at the rail and ran down to the

main-deck. As he approached the doorway opening adjacent to the

companion-ladder he heard a woman's laugh out on the deck: a laugh

which, once heard, was never to be forgotten: clear, sweet, strong,

musical as a peal of fairy bells.

He stopped short; and so did his breath for an instant; and so, he

fancied, did his heart. This, then, was what Mrs. Ilkington had hinted

at! But one woman in all the world could laugh like that ...

Almost at once she appeared, breaking through the cluster of passengers

on the deck and into the lighted interior with a swinging, vigorous

manner suggestive of intense vitality and strength. She paused, glancing

back over her shoulder, waiting for somebody: a magnificent creature,

splendidly handsome, wonderfully graceful, beautiful beyond compare.

"Alison!" Staff breathed hoarsely, dumfounded.

Though his exclamation could by no means have carried to her ears, she

seemed to be instantly sensitive to the vibrations of his emotion. She

swung round, raking her surroundings with a bright, curious glance, and

saw him. Her smile deepened adorably, her eyes brightened, she moved

impulsively toward him with outflung hands.

"Why," she cried--"Why, Staff! Such a surprise!"

Nothing could have been more natural, spontaneous and unaffected. In an

instant his every doubt and misgiving was erased--blotted out and as if

it had never been. He caught and held her hands, for the moment

speechless. But his eyes were all too eloquent: under their steadfast

sincerity her own gaze wavered, shifted and fell. She coloured

consummately, then with a gentle but determined manner disengaged her

hands.

"Don't," she said in the low, intimate voice she knew so well how and

when to employ--"don't! People are looking ..." And then with a

bewildering shift, resuming her former spirit: "Of all things wonderful,

Staff--to meet you here!"

She was acting--masking with her admirable art some emotion secret from

him. He knew this--felt it intuitively, though he did not understand;

and the knowledge affected him poignantly. What place had dissimulation

in their understanding? Why need she affect what she did not feel--with

him?

Distressed, bewildered, he met evasion with native straightforwardness.

"I'm stunned," he told her, holding her eyes with a grave, direct gaze;

"I'm afraid I don't understand.... How does this happen?"

"Why, of course," she said, maintaining her artificial elation--"I

infer--you've finished the play and are hurrying home. So--we meet, dear

boy. Isn't it delightful?"

"But you're here, on this side--?"

"Oh, just a flying trip. Max wanted me to see Bisson's new piece at the

Porte St. Martin. I decided to go at the last moment--caught the

Mauretania on eight hours' notice--stayed only three days in

Paris--booked back on this tub by telegraph--travelled all day to catch

it by this wretched, roundabout route. And--and there you are, my dear."

She concluded with a gesture charmingly ingenuous and disarming; but

Staff shook his head impatiently.

"You came over--you passed through London twice--you stayed three days

in Paris, Alison--and never let me know?"

"Obviously." She lifted her shoulders an inch, with a light laugh.

"Haven't I just said as much?... You see, I didn't want to disturb you:

it means so much to--you and me, Staff--the play."

The Bandbox · 第 42 / 89 题