QUEENSTOWN

Immediately he had allowed himself to be persuaded, Staff felt sure he

should not have agreed to change his seat to the table occupied by Mrs.

Ilkington's party, especially if he meant sincerely to try to do any

real work aboard the Autocratic; and it wasn't long after he had taken

his place for the first dinner that he was convinced that he had

blundered beyond remedy or excuse.

The table was round and seated seven, though when the party had

assembled there remained two vacant places. Staff was assigned the chair

on Mrs. Ilkington's right and was sensitive to a not over subtle

implication that his was the seat of honour. He would cheerfully have

exchanged it for a place on the lady's left, which would have afforded a

chance to talk to Miss Searle, to whom he earnestly desired to make an

explanation and such amends as she would permit. But a male person named

Bangs, endowed with impressive self-assurance, altogether too much

good-looks (measured by the standards of the dermatological institute

advertisements) and no excess baggage in the way of intellect, sat on

Mrs. Ilkington's left, with Miss Searle beyond him. The latter had

suffered Staff to be presented to her with (he fancied) considerable

repressed amusement. Not that he blamed her, but ...

His position was rendered unhappy to the verge of being impossible,

however, by the lady on his own right, a Mrs. Thataker: darkly

temperamental and buxom, a divorcee and (she lost no time in telling

him) likewise a playwright. True, none of her plays had ever been

produced; but that was indisputably due to a managerial conspiracy; what

she really needed was a friend at court--some clever man having "the ear

of the manager." (Staff gathered that a truly clever man could warm up a

play and pour it into the ear of the managers like laudanum and

sweet-oil.) With such a man, he was given to understand, Mrs. Thataker

wouldn't mind collaborating; she had manuscripts in her steamer-trunk

which were calculated to prove a number of things ...

And while he was easing away and preparing to run before the wind to

escape any such hideous complication, he was abruptly brought up

all-standing by the information that the colour of the lady's soul was

pink. She knew this to be a fact beyond dispute, because she never

could do her best work save when garbed exclusively in pink. She

enumerated several articles of wearing apparel not customarily discussed

between comparative strangers but which--always provided they were

pink--she held indispensable to the task of dramatic composition.

In his great agony, happening to glance in Miss Searle's direction, he

saw her with head bent and eyelids lowered, lips compressed, colour a

trifle heightened, shoulders suspiciously a-quiver.

Incongruously, the impression obtruded that they were unusually handsome

shoulders.

For that matter, she was an unusually handsome young woman: tall, fair,

with a face featured with faint, exquisite irregularity, brown eyes and

brows in striking contrast to the rich golden colour of her hair;

well-poised and balanced--sure but not too conscious of herself ...

Staff heard himself saying "Beg pardon?" to a third repetition of one of

Mrs. Thataker's gratuitous revelations.

At this he took fright, drew back into his reserve for the remainder of

the meal, and as soon as he decently could, made his excuses and fled to

join Iff in the smoking-room....

He found the little man indulging his two passions; he was drinking

whiskey-and-sodas and playing bridge, both in the most masterly fashion.

Staff watched the game a while and then, the opportunity offering, cut

in. He played till ten o'clock, at which hour, wearied, he yielded his

seat to another, leaving Mr. Iff the victor of six rubbers and twelve

whiskey-and-sodas. As Staff went out on deck the little man cut for the

seventh and ordered the thirteenth. Neither indulgence seemed to have

had any perceptible effect upon him.

Staff strolled forward, drinking in air that seemed the sweeter by

contrast with the reeking room he had just quitted. The wind had

freshened since nightfall; it blew strong and cool, but not keen. And

there was more motion in the seas that sang overside, wrapped in

Cimmerian blackness. The sky had become overcast; there were no stars:

only the 'longshore lights of Ireland twinkled, small, bright,

incredibly distant over the waters. The decks were softly aglow with

electric lights, lending a deeper shade of velvety denseness to the

night beyond the rails.

He hadn't moved far forward when his quick sight picked out the shimmer

of a woman's hair, like spun gold, about amidships in the rank of

deck-chairs. He made sure it was Miss Searle; and it was. She sat alone,

with none near her, her head resting against the back of the chair, her

face turned a trifle forward; so that she was unaware of his approach

until he stopped before her.

"Miss Searle--" he began diffidently.

She looked up quickly and smiled in what he thought a friendly way.

"Good evening," said she; and moved her body slightly in the deck-chair,

turning a little to the left as if expecting him to take the vacant

chair on that hand.

He did so without further encouragement, and abruptly found himself

wholly lacking words wherewith to phrase what he had in mind to say. In

such emergency he resorted to an old, tried and true trick of his and

began to talk on the first subject, unrelated to his dilemma, that

popped into his head.

"Are you a good sailor?" he enquired gravely.

The Bandbox · 第 40 / 89 题