_In Westminster Abbey._
JACOBVS CRAGGS,
REGI MAGNÆ BRITANNIAE A SECRETIS
ET CONSILIIS SANCTIORIBVS
PRINCIPIS PARITER AC POPVLI AMOR ET DELICIÆ
VIXIT TITVLIS ET INVIDIA MAJOR,
ANNOS HEV PAVCOS, XXXV.
OB. FEB. XVI. MDCCXX.
Statesman, yet friend to truth! of soul sincere,
In action faithful, and in honour clear!
Who broke no promise, serv'd no private end,
Who gain'd no title, and who lost no friend;
Ennobled by himself, by all approv'd,
Prais'd, wept, and honour'd, by the muse he lov'd.
The lines on Craggs were not originally intended for an epitaph; and,
therefore, some faults are to be imputed to the violence with which they
are torn from the poem that first contained them. We may, however,
observe some defects. There is a redundancy of words in the first
couplet: it is superfluous to tell of him, who was _sincere, true_, and
_faithful_, that he was _in honour clear_.
There seems to be an opposition intended in the fourth line, which is
not very obvious: where is the relation between the two positions, that
he _gained no title_ and _lost no friend_?
It may be proper here to remark the absurdity of joining, in the same
inscription, Latin and English, or verse and prose. If either language
be preferable to the other, let that only be used; for no reason can be
given why part of the information should be given in one tongue, and
part in another, on a tomb, more than in any other place, or any other
occasion; and to tell all that can be conveniently told in verse, and
then to call in the help of prose, has always the appearance of a very
artless expedient, or of an attempt unaccomplished. Such an epitaph
resembles the conversation of a foreigner, who tells part of his meaning
by words, and conveys part by signs.