BROOME.

William Broome was born in Cheshire, as is said, of very mean parents.

Of the place of his birth, or the first part of his life, I have not

been able to gain any intelligence. He was educated upon the foundation

at Eton, and was captain of the school a whole year, without any

vacancy, by which he might have obtained a scholarship at King's

college. Being, by this delay, such as is said to have happened very

rarely, superannuated, he was sent to St. John's college, by the

contributions of his friends, where he obtained a small exhibition.

At his college he lived for some time in the same chamber with the

well-known Ford, by whom I have formerly heard him described as a

contracted scholar and a mere versifier, unacquainted with life, and

unskilful in conversation. His addiction to metre was then such, that

his companions familiarly called him poet. When he had opportunities of

mingling with mankind, he cleared himself, as Ford likewise owned, from

great part of his scholastick rust.

He appeared early in the world as a translator of the Iliads into prose,

in conjunction with Ozell and Oldisworth. How their several parts were

distributed is not known. This is the translation of which Ozell boasted

as superiour, in Toland's opinion, to that of Pope: it has long since

vanished, and is now in no danger from the criticks.

He was introduced to Mr. Pope, who was then visiting sir John Cotton, at

Madingley, near Cambridge, and gained so much of his esteem, that he was

employed, I believe, to make extracts from Eustathius for the notes to

the translation of the Iliad; and, in the volumes of poetry published by

Lintot, commonly called Pope's Miscellanies, many of his early pieces

were inserted.

Pope and Broome were to be yet more closely connected. When the success

of the Iliad gave encouragement to a version of the Odyssey, Pope,

weary of the toil, called Fenton and Broome to his assistance; and,

taking only half the work upon himself, divided the other half between

his partners, giving four books to Fenton, and eight to Broome. Fenton's

books I have enumerated in his life; to the lot of Broome fell the

second, sixth, eighth, eleventh, twelfth, sixteenth, eighteenth, and

twenty-third, together with the burden of writing all the notes.

As this translation is a very important event in poetical history, the

reader has a right to know upon what grounds I establish my narration.

That the version was not wholly Pope's, was always known: he had

mentioned the assistance of two friends in his proposals, and, at the

end of the work, some account is given by Broome of their different

parts, which, however, mentions only five books as written by the

coadjutors; the fourth and twentieth by Fenton; the sixth, the eleventh,

and the eighteenth, by himself; though Pope, in an advertisement

prefixed afterwards to a new volume of his works, claimed only twelve. A

natural curiosity after the real conduct of so great an undertaking,

incited me once to inquire of Dr. Warburton, who told me, in his warm

language, that he thought the relation given in the note "a lie;" but

that he was not able to ascertain the several shares. The intelligence

which Dr. Warburton could not afford me, I obtained from Mr. Langton, to

whom Mr. Spence had imparted it.

The price at which Pope purchased this assistance was three hundred

pounds paid to Fenton, and five hundred to Broome, with as many copies

as he wanted for his friends, which amounted to one hundred more. The

payment made to Fenton I know not but by hearsay; Broome's is very

distinctly told by Pope, in the notes to the Dunciad.

It is evident, that, according to Pope's own estimate, Broome was

unkindly treated. If four books could merit three hundred pounds, eight,

and all the notes, equivalent, at least, to four, had certainly a right

to more than six.

Broome probably considered himself as injured, and there was, for some

time, more than coldness between him and his employer. He always spoke

of Pope as too much a lover of money; and Pope pursued him with avowed

hostility; for he not only named him disrespectfully in the Dunciad, but

quoted him more than once in the Bathos, as a proficient in the Art of

Sinking; and in his enumeration of the different kinds of poets

distinguished for the profound, he reckons Broome among "the parrots who

repeat another's words in such a hoarse odd tone as makes them seem

their own." I have been told that they were afterwards reconciled; but I

am afraid their peace was without friendship.

He afterwards published a Miscellany of Poems, which is inserted, with

corrections, in the late compilation.

He never rose to a very high dignity in the church. He was some time

rector of Sturston, in Suffolk, where he married a wealthy widow; and

afterwards, when the king visited Cambridge, 1728, became doctor of

laws. He was, in August, 1728, presented by the crown to the rectory of

Pulham, in Norfolk, which he held with Oakley Magna, in Suffolk, given

him by the lord Cornwallis, to whom he was chaplain, and who added the

vicarage of Eye, in Suffolk; he then resigned Pulham, and retained the

other two.

Towards the close of his life he grew again poetical, and amused himself

with translating Odes of Anacreon, which he published in the Gentleman's

Magazine, under the name of Chester.

He died at Bath, November 16,1745, and was buried in the abbey church.

Of Broome, though it cannot be said that he was a great poet, it would

be unjust to deny that he was an excellent versifier; his lines are

smooth and sonorous, and his diction is select and elegant. His rhymes

are sometimes unsuitable; in his Melancholy, he makes _breath_ rhyme to

_birth_ in one place, and to _earth_ in another. Those faults occur but

seldom; and he had such power of words and numbers as fitted him for

translation; but, in his original works, recollection seems to have been

his business more than invention. His imitations are so apparent, that

it is part of his reader's employment to recall the verses of some

former poet. Sometimes he copies the most popular writers, for he seems

scarcely to endeavour at concealment; and sometimes he picks up

fragments in obscure corners. His lines to Fenton,

Serene, the sting of pain thy thoughts beguile,

And make afflictions objects of a smile,

brought to my mind some lines on the death of queen Mary, written by

Barnes, of whom I should not have expected to find an imitator;

But thou, O muse! whose sweet nepenthean tongue

Can charm the pangs of death with deathless song,

Canst _stinging plagues_ with easy _thoughts beguile_,

_Make_ pains and tortures _objects of a smile_.

To detect his imitations were tedious and useless. What he takes he

seldom makes worse; and he cannot be justly thought a mean man, whom

Pope chose for an associate, and whose coöperation was considered by

Pope's enemies as so important, that he was attacked by Henley with this

ludicrous distich:

Pope came off clean with Homer; but they say

Broome went before, and kindly swept the way[107].

-----

[Footnote 107: Henley's joke was borrowed. In a copy of verses, entitled

the Time Poets, preserved in a miscellany called Choice Drollery, 1656,

are these lines:

Sent by Ben Jonson, as some authors say,

Broom went before, and kindly swept the way.

J. B.]

The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 08 The Lives of the Poets, Volume II · 第 27 / 67 题