TWENTY YEARS AFTER.

In the middle of one of the busiest crossings in Chicago, there stands a

big man in a blue uniform. His eyes are blue, and there are wrinkles in

the corners of them, the marks of many smiles.

On his head is a blue cap, and under the edge of the cap you catch a

glimpse of dark hair. There are bands of gold braid on his sleeve, and

on his breast is a large silver star.

He is King of the Crossing. When he blows his whistle, all the

street-cars and automobiles and carriages--even if it were the carriage

of the Mayor himself--stop stock-still. Then he waves his white-gloved

hands and the stream of people pours across the street.

If there is a very small boy among them, the King of the Crossing

sometimes lays a big hand on his shoulder and goes with him to the curb.

And he has been known to carry a small girl across on his shoulder and

set her safely down on the other side.

When the people are all across, he goes back to the middle of the street

once more, and blows twice on his little whistle.

Then all the wheels that have been standing as still as if they had gone

to sleep suddenly wake up, and go rolling down the street, while those

that have just been turning stop and wait while the big man helps more

people over the crossing the other way.

All day long the King of the Crossing stands there, blowing his whistle,

waving his white-gloved hands, and turning the stream of people up first

one street, then the other.

Everybody minds him. If everybody didn't, they might get run over and

wake up in a hospital. Oh, he must be minded, the King of the Crossing,

or nobody would be safe!

When the long day is over, he looks up the street and sees another big

man coming. This man wears a blue uniform, too, and a silver star, and

when the hands on the big clock at the corner point to five, he steps

into the place of the King of the Crossing and reigns in his stead.

Then the King jumps on to the platform of a passing street-car, and by

and by, when it has gone several miles, he jumps off again, and walks up

the street to a little house that's as neat as neat can be.

It stands back from the street in a little green yard. The house is

painted white, and the front door is green. But he doesn't go to the

front door. He goes round by the sidewalk to the kitchen door, and

there he doesn't even knock.

He opens the door and walks right in. Through the open door comes the

smell of something good cooking, and he sees a plump woman with blue

eyes that have smile wrinkles in the corners, just like his own, and

crinkly dark hair, just like his own, too, bending over the stove. She

is just tasting the something that smells so good, with a spoon.

When she sees the big man in the door she tastes so quickly that she

burns her tongue! But she can use it just the same even if it is

burned.

She runs to the big man and says, "And is that yourself, now, Larry

darling? Sure, I'm that glad to see you, I've scalded myself with the

soup!"

The big man has just time to say, "Sure, Eileen, you were always a great

one for burning yourself. Do you remember that day at Grannie

Malone's"--when out into the kitchen tumble a little Larry and a little

Eileen, and a Baby. They have heard his voice, and they fall upon the

King of the Crossing as if he weren't a King at all--but just a plain

ordinary Uncle.

They take off his cap and rumple his hair. They get into his pockets

and find some peppermints there. And the Baby even tries to get the

silver star off his breast to put into her mouth.

"Look at that now," cries Uncle Larry. "Get along with you! Is it

trying to take me off the Force, you are? Sure, that star was never

intended by the City for you to cut your teeth on."

"She'll poison herself with the things she's always after putting in her

mouth," cries the Mother. She seizes the Baby and sets her in a safe

corner by herself, gives her a spoon and says, "There now--you can be

cutting your teeth on that."

And when the children have quite worn Uncle Larry out, he sits upon the

floor, where they have him by this time, and runs his fingers through

his hair, which is standing straight up, and says to the Mother, "Sure,

Eileen, when you and I were children on the old sod, we were never such

spalpeens as the likes of these! They have me destroyed entirely, and

me the biggest policeman on the Force! Is it American they are, or

Irish, I want to know?"

"It's Irish-American we are," shouts little Larry.

"And with the heft of both countries in your fists," groans big Larry.

And then the Mother, who has been laying the table, meanwhile,

interferes. "Come off of your poor Uncle," she says, "and be eating

your soup, like gentlemen and ladies. It's getting cold on you waiting

for you to finish your antics. Your poor Uncle Larry won't come near

you at all, and you all the time punishing him like that."

And then the Baby, still sucking her spoon, is lifted into her high

chair. A chair is placed for Uncle Larry, and they all eat their soup

around the kitchen table, just as the very last rays of the summer sun

make long streaks of light across the kitchen floor.

"Where's Dennis?" says Uncle Larry, while the children are quiet for a

moment.

"Oh, it's Himself is so late that I feed the children and put them to

bed before he gets home at all," says the Mother. "It's little he sees

of them except of a Sunday."

"It's likely he'll live the longer for that," says Uncle Larry. He

looks reproachfully at the children and rubs his head.

And then--"Mother, tell us, what kind of a boy was Uncle Larry when you

and he were Twins and lived in Ireland," says little Eileen.

"The best in the width of the world," says her Mother promptly.

"Weren't you, Larry? Speak up and tell them now."

And Uncle Larry laughs and says, "Sure, I was too good entirely! It

wouldn't be modest to tell you the truth about myself."

"Tell us about Mother, then," says little Eileen. "Was she the best in

the width of the world, too?"

"Sure, I'll never be telling tales on my only twin sister," says Uncle

Larry, "beyond telling you that there was many another in green old

Ireland just like her, whatever kind she was. But I can't stay here

wearing out my tongue! Look out the window! The chickens have gone to

roost, and the sun is down. So get along with you to your beds."

When he had gone, and the children were in bed, and the house quiet, the

Mother sat down by the light in the kitchen with a basket of mending

beside her.

And while she darned and mended and waited for Himself to come home, she

remembered and remembered about when she was little Eileen, herself, and

the King of the Crossing was just her twin brother Larry.

And this book is what she remembered.

The Irish Twins · 第 38 / 41 题