“And her son hasn’t come home, at midnight! that’s what I call a

ne’er-do-well, a downright scamp! Hildegarde, heaven didn’t give us any

children, and I give thanks for it in my heart; because they aren’t

always honey for parents, and often absinthe rules the roost, as I see

in the case of Mère Georget!”

“Absinthe--absinthe--I don’t hate that! it helps the digestion!”

“Oh! bless my soul! you don’t hate any liquid; but I know that absinthe

is bad for the health; I’ve heard some of the clerks at the office

talking about two talented actors who played at the theatre and who put

an end to themselves with absinthe; without counting several others who

are in a fair way to do the same thing!”

“Bah! that’s all nonsense!”

“Come, Hildegarde, go to bed; I will come in a little while; and if

little Georget isn’t in at the quarter, I will leave him outside; I

can’t waste my oil for anyone who never makes it up to me. Well, you

don’t move; are you fastened to your chair to-night?”

“Go to bed first, Baudoin; I’ll sit up for the young man, and put the

lodge in order.”

“You know very well that I am not in the habit of going to bed before

you. I see your scheme: you will wait until I am asleep and then go to

the cupboard to say a word or two to the bottle!”

“Oh! the idea of my going to the cupboard! It’s much more likely to be

you, for you like brandy too.”

“I like it reasonably, like a man with some self-respect, who doesn’t

choose to make a brute of himself.--Hildegarde, go to bed.”

“I don’t feel sleepy.”

“Hildegarde, we are going to have trouble! Will you go to bed at once?”

“You pester me----”

“Hildegarde, I shall be compelled to resort to severe means. Why, you

certainly are glued to your chair; this isn’t natural, I suspect some

trick. Ah! I see! I’ll bet that the bottle isn’t in the cupboard.”

And Baudoin rose to go to the cupboard, but as his wife was sitting in

front of it and did not move, he pushed her roughly aside, whereupon

she reeled, and almost instantly uttered a cry of distress so

heartrending that her husband feared that he had hurt her. But it was

not Hildegarde who was hurt, it was the bottle under her skirts, which

she had involuntarily upset, and which had broken, overflowing the lodge

with all the liquor which it contained.

“I say! what’s all this?” cried Baudoin, when he found a stream flowing

between his feet; but soon the odor which spread through the room left

him in no doubt as to the identity of the liquid.

“It is brandy; she had the bottle under her skirt; what a vile trick!”

“Yes, and you made me break it! that’s the worst of it, you brute! Such

splendid brandy!”

“Hildegarde, you persist in your debauchery; I am going to give you a

taste of the broomstick.”

“Touch me if you dare! I’ll call the watch! I’ll make a disturbance in

the house!”

Meanwhile Baudoin, who was in the habit of keeping his promises, had

gone to fetch the broomstick. At that moment, the bell at the street

door rang, and this time the woman made haste to open, hoping that it

was somebody who would protect her.

It was Georget, the young messenger of the flower market, who entered

the house, and in another instant the porter’s lodge, just as Baudoin

raised his broomstick over the head of his wife, who ran behind the

young man, crying:

“Oh! monsieur, save an unfortunate woman, whose husband is trying to

murder her!”

“Sapristi! how strong it smells of brandy here!” said Georget, sniffing;

then, leaping upon the broomstick which the concierge held, he seized it

with both hands. But Baudoin held on, he would not let go, and a

struggle began between him and the young messenger, remarkably like the

battles around the flag, which we see in the war plays at the boulevard

theatres; only in this case the flag was a broomstick and the combatants

were not in uniform.

The struggle continued for some time, on nearly even terms; Baudoin was

stronger and little Georget more active. The concierge’s wife paid no

heed to the contestants; she had taken a small sponge, and was using it

to soak up the brandy from the floor; and when it was well saturated,

she put it to her lips.

Suddenly the broomstick broke, each of the contestants fell backward,

and the battle was at an end. Finding himself then on a level with

Madame Baudoin, who was kneeling on the floor with her body bent

forward, still soaking and sucking her sponge, Georget could not

restrain a burst of laughter; and the concierge, who was inclined at

first to belabor his wife with what remained of his broomstick, suddenly

decided to lie down on the floor, and to lap up the brandy with his

tongue as thirsty dogs lap up the water in the gutter.

VI

THE GENTLEMAN OF THE THIRD FLOOR

Georget left Monsieur and Madame Baudoin fighting over the remains of

the brandy with sponge and tongue, and lighted one of the small, thin

candles which are rolled up like small rockets and which are sold for

one or two sous at the grocer’s. Then running quickly up six flights of

stairs, he reached a small door in which the key had been left; poor

people are not suspicious, especially as they have nothing which is

worth the trouble of stealing.

The young messenger walked through a small room, which received no light

except through a little round window, in which room was a cot bed

supplied with a very thin mattress and with an old window curtain which

served as bedclothes. This was Georget’s bedroom; but he did not stop

there. Opening the door at the end of the room, and trying to make no

noise, he entered another much larger one, where there was a little

window. This room, although the walls sloped, was large enough to

contain a bed surrounded by white curtains, an old mahogany bureau, a

white wood table, a small sideboard, several chairs, and on the mantel a

tiny mirror surrounded by a branch of consecrated boxwood. All this was

more than modest, but it was neat and clean; it indicated not

destitution, but poverty.

Georget was walking very softly, concealing his light with his right

hand, when he heard a feeble voice from the bed:

“Is that you, Georget?”

“Yes, mother, it’s I. So you’re not asleep?”

“No, I haven’t been able to go to sleep, I don’t know why.”

“It must be because you are sicker; and you have not been well for

several days, although you didn’t admit it to me.”

“It’s nothing, just the lumbago, it will soon be gone. If you would just

give me something to drink, my dear, for I am very thirsty.”

“Yes, mother, in a minute. Wait until I light your candle and put out

this tallow thing of mine which smells worse than thirty-six lamps.”

After lighting a bit of candle stuck in a bottle, Georget approached his

mother’s bed.

“Come, now you must tell me where your medicine is. But gracious heaven,

how red your face is, mother! and black circles round your eyes! Are you

worse?”

“Why, no, it is the heat of the bed that does that.”

“Give me your hand, and let me feel your pulse. Oh! how hot your hand

is! You are feverish, and very feverish too, I am sure.”

“Nonsense, as if you knew anything about it.”

“Oh! yes I do; you must have pain somewhere.”

“No, I am not in pain.”

“The first thing in the morning I’ll fetch a doctor.”

“I don’t want you to; what’s the use of a doctor, just because one has a

little fever; it will go away all right without him!”

“Where is your drink?”

“I thought I wouldn’t make any; I prefer water, I like it better.”

“Water, when one is feverish! Why, you didn’t do right! If I did such a

thing, you’d scold me and say that I acted like a child, and you would

be right. However, tell me where the sugar is; where do you keep the

sugar, mother?”

“Sugar! I don’t want any; it nauseates me; I prefer clear water.”

“Water without sugar, when one is as burning hot as you are! I never

heard of such a thing! You can’t mean it! Do you want to kill yourself?

I am going to give you some sweetened water, but I must heat it; it’s

better so.”

“Oh, no! no!”

“I say yes; I will take care of you better than you do yourself. Come,

where is the sugar? where is the coal?”

And Georget ran all about the room, fumbling over all the furniture,

opening all the closets, looking in every corner, but he found nothing.

Thereupon a bright light broke upon his mind. He stopped in the middle

of the room, threw his cap on the floor, and cried in a tone of deep

distress:

“Ah! I understand everything now! You didn’t make yourself any drink,

because you had no coal nor charcoal! You don’t want any sugar, because

you haven’t a single particle of it here! Yes, yes, that is it! You are

out of everything! You haven’t any money either, I am sure! and I,

instead of trying to earn some, so that you might have what you need,

why, I do nothing at all! I pass my day loafing, and at night I go to

the theatre with Patatras, who absolutely insisted on treating me. I go

about enjoying myself when my mother is sick, and I come home without a

sou, without a single piece of money; and I haven’t anything to buy her

what might cure her! Ah! I am a wicked son, a good-for-nothing! Forgive

me, mother, forgive me; I won’t do so any more! I will work, I swear to

you that I will work now!”

And the young fellow fell on his knees beside his mother’s bed; and the

poor mother forgot her suffering, and tried only to comfort her son.

“What are you talking about, Georget? You, a good-for-nothing! Why, you

don’t mean that, my boy! Have I ever complained of your conduct?”

“Oh! I know very well that you never complain; you are too good!”

“You have been amusing yourself a little to-day; well, my boy, there’s

no harm in that; you must enjoy yourself while you’re young. Your friend

Chicotin took you to the theatre; the theatre is a decent amusement; it

is much better than going to the wine shop; you don’t make evil

acquaintances there, or destroy your health with unhealthy stuff that

they give you for wine. You haven’t earned anything to-day--that is too

bad, but to-morrow you will work, and you will be happier!”

“To-morrow! to-morrow! but you have had nothing to drink this evening;

you haven’t any sugar; and what will you take to quench your thirst

to-night? cold water, I suppose?”

“I am going to try to sleep; when one is asleep, one doesn’t need to

drink.”

“But when you wake in the morning, what shall I give you? for you have

no money here, nothing at all; isn’t that so, mother?”

“Dear me, yes, my dear; for unfortunately I haven’t been able to work

for a week; my sight has been all blurred!”

“Oh! you work too much, when you ought to rest.”

“Why so, Georget? I am not old enough yet to give up work, I am only

fifty-four! If a body was good for nothing at that age, it would be a

great pity!”

“I know that you’re not old, but still your health isn’t very good, and

then you didn’t use to need to work for your living.”

“Oh! my dear, we must never say such things as that, and sigh over the

past! If one has been happy, so much the better; if one is so no longer,

so much the worse; regrets don’t help and only make our position worse!”

“All this doesn’t give you any nice, hot, sweet drink, and that is what

you must have!”

“Don’t despair, we are not altogether without resources. You know that I

have--your father’s watch; and if it is absolutely necessary, why----”

“What’s that you say! my father’s watch, which you think so much of! the

only thing of his that you have! part with that? No, I won’t have it.

Wait--suppose I should go and stand in front of some theatre?”

“What an idea! They are all over, all closed at this time of night.”

“Never mind; in front of a restaurant, I may still get something to do.”

“I don’t want you to go out; it’s too late.”

“Well then, in the house; pardi! sugar and coal--people lend each other

such things as that. Don’t be impatient, mother, I will come right

back.”

“No, Georget, I don’t want you to ask the neighbors; don’t, I beg you!”

But Georget was not listening to his mother; he had already relighted

his tallow-dip and hurried from the room. When he reached the landing,

the young man stopped, for he was uncertain to whom he should apply for

the loan which he wished to obtain; but he did not hesitate long. He ran

down the stairs three or four at a time, and did not stop until he

reached the ground floor and knocked at the concierge’s lodge, saying to

himself:

“Baudoin and his wife are not unkind; they dispute together, and fight

sometimes, but they haven’t bad hearts; they won’t refuse me. Besides,

it is only a loan, I will return it all.”

But Georget forgot that he had left the concierge and his wife engaged

in an occupation which was likely to plunge them into a profound slumber

ere long. In fact, after sucking and lapping brandy for some time, the

husband and wife had felt such an intense longing to sleep, that they

had hardly strength enough to reach their bed; and as the sleep caused

by intoxication is never light, Monsieur and Madame Baudoin did not hear

the knocking at their door; one might have fired a cannon under their

noses, and they would simply have said: “God bless you!”

Weary of knocking to no purpose, Georget walked away from the lodge,

murmuring:

“Those concierges are regular beer kegs; I shall never succeed in waking

them, and I might as well give it up. Let me see, where can I apply? on

the first floor? The whole floor is occupied by a family of English

people, who hardly understand what you say to them and who don’t look

very pleasant; I should not be well received there, they would not be

able to understand what I said. On the second floor is a very pretty,

very stylish lady, who receives fine gentlemen, but who refuses to open

her door when she has company; her maid told me so the other day,--those

are her orders. On the third,--ah! that is the gentleman that they call

the _Bear_ in the house, because he never talks with anybody, never

receives any visitors, and hardly answers when you speak to him. Much

use there would be in trying to borrow sugar and charcoal of that man!

and still, if I thought that his black man would open the door;--but

no, Pongo sleeps so sound that he never hears his master come home. So

it would be the gentleman himself who would open the door, and he would

shut it in my face without answering me. I don’t even dare to try!--On

the fourth, on one side is an old woman, so timid that she will never

open her door after dusk; on the other, a student; but he has gone into

the country. And at the top, opposite us, no one; the room is to let.

Mon Dieu! whom shall I apply to then, if among all these people I can

see no hope of help for my poor mother, who has a high fever and no

cooling draft to lessen her suffering? Ah! Chicotin was quite right to

say that I am a fool to be in love, that I am too young. Mamzelle

Violette makes me forget my mother, my duty, my work. To think that I

have done nothing to-day! that I came home without a sou when I knew

that my mother was sick! Oh, I am a miserable, heartless villain! I

shall never forgive myself!”

As he said this, Georget went slowly upstairs, stopping frequently

because he was weeping; and he had stopped again, and rested his head

against the wall, to sob at his ease, when a door opened within two

steps of him.

He was then on the landing of the third floor, and it was Monsieur

Malberg who stood before him. When he saw the young messenger, who still

had the look of a mere boy, beating his head against the wall, and

giving free vent to his sobs, the gentleman who was called the Bear, and

who in fact had a rather stern expression and a rather rough voice,

walked toward Georget and asked:

“What are you doing here?”

“Well! monsieur, you see, I am crying, I am unhappy.”

“And why are you crying?”

“Because my mother is sick, and because she has nothing that might help

her; because I didn’t work to-day, and came home to the house without a

sou; because I am a heartless wretch, and I deserve to be beaten!”

“Well, do you think that if you beat your head against the wall that

that will help your mother?”

“Oh! no, monsieur! but when a fellow doesn’t know which way to turn! I

went down and knocked at the concierge’s door; I wanted to borrow a

little sugar and some charcoal of them; but they didn’t answer; I

suppose they sleep too sound!”

“So you live in the house, do you?”

“Yes, monsieur, at the top, under the eaves; I live there with my

mother, who is the widow of my father, Pierre Brunoy, who was a soldier,

a non-commissioned officer, who left the service on account of a wound.

Oh! he was a fine man, was my father! He was a draughts-man, he had lots

of talent, and he used to make designs for ladies who embroider; we were

happy then; but he died. My mother undertook to keep a little smallwares

shop, to earn enough to educate me; but she didn’t succeed, for no one

paid her. Then, as she works very well on linen, she began to work for

people, and I, knowing that I ought to help mother, whose health isn’t

very good, and who has weak eyes, I said to myself: ‘I will be a

messenger, for I could never find a place, although I can read and write

and figure; or else I should have to work without pay for a long while

and I must earn money right away to help mother.’--So I started in as a

messenger; for there isn’t any foolish trade, so I was

told;--and--that’s all, monsieur.”

The gentleman of the third floor listened attentively to Georget, and

when he had finished, said to him:

“Come with me.”

“Where, monsieur?”

“Into my room, of course.”

“What for, monsieur?”

“You will see; come.”

The youth placed his tallow-dip on the floor, and followed the

gentleman; his heart was still heavy, for he didn’t understand how the

person who occupied the handsome apartment on the third floor could need

his services so late. Monsieur Malberg passed through a reception room

very carefully polished, and into a beautiful dining-room. There he

stopped, opened a large sideboard, took out a loaf of sugar, which was

hardly touched, and placed it in Georget’s hand, saying:

“Take this!”

The poor boy looked at him with an almost dazed expression, and

murmured:

“What is this, monsieur?”

“Don’t you see that it is sugar?”

“Sugar, oh, yes! but this great loaf,--who’s all this for?”

“For your mother, of course! Didn’t you tell me that she hadn’t any and

that she was sick?”

“Oh! is it possible, monsieur, that you are so kind as--but this is too

much, monsieur, too much.”

“Hush, and come with me.”

This time Monsieur Malberg went into his kitchen, where Georget followed

him, holding the loaf of sugar in his arms. The gentleman pointed to a

large box without a cover, which stood under the stove, saying:

“Take that box; there’s charcoal in it.”

“Oh! how kind you are, monsieur! How can I thank you for----”

“It isn’t worth while, I don’t like thanks; take this box, I say.”

“Yes, monsieur, but be sure--I will return all this; pray believe me.

Oh! I will work to pay my debt.”

“Very well, very well! By the way, wait; I have some linden leaves here,

and some mallow; perhaps they will be good for your mother, and you

haven’t any in your room, I suppose?”

“No, I think not, monsieur.”

“Well, I’ll give you some then; come.”

Monsieur Malberg returned to his dining-room. Georget still followed

him, holding under one arm the loaf of sugar, and under the other the

box filled with charcoal. The gentleman opened the drawer of a small

piece of furniture, took out several paper bags, looked to see what they

contained, put two of them aside, and was about to give them to Georget,

when he stopped as if a sudden thought had struck him, and left the

dining-room, saying:

“I will return in a moment; what I want isn’t there; wait here.”

The young messenger was careful not to stir; he was so pleased that he

wondered whether he was not the play-thing of a dream; but he for whom

he was waiting soon returned, bringing several small packages of herbs,

saying:

“Here are some things which may be good for your mother,--linden, orange

leaves, mallow and violet; take them all, or rather let me put them in

your pocket, for you have no hand free.”

“Oh, monsieur! excuse me for the trouble I put you to. Mon Dieu! you are

too kind! I will pay you for this, monsieur; for we are not beggars, we

don’t ask alms, and I should be sorry for you to have that idea of us.”

“Very good! Your mother is sick and may need you; don’t leave her alone

any longer.”

“Yes, monsieur, you are right; my poor mother, she will be so happy,

so--so--Thanks, monsieur, oh, thanks a thousand times! Remember that I

am always here day and night, at your service.”

“I will remember; but go.”

And the gentleman pushed Georget before him, so that he soon found

himself on the landing once more. The door of the apartment closed, and

he reascended the staircase as quickly as he could, with his box of

charcoal, his loaf of sugar, and his tallow-dip still lighted.

At last he reached his room; this time he was not afraid of making a

noise when he went in; he was too happy not to wish to tell his mother

about it; but she was not asleep, and she gazed in amazement at her son

when he danced into the room, and placed the loaf of sugar on her bed,

crying:

“There, mother; you shall not drink plain cold water any more! Here is

sugar, here is charcoal, and in my pocket I have half a dozen herbs in

leaves. Ah! what luck! you will be cured right away! I can nurse you

nicely now.”

“What does this mean, my dear? where did you get all these things? You

hadn’t a sou just now. Explain yourself, Georget, I insist.”

“Why, yes, yes, never fear, I am going to tell you the whole story; but

let me light the stove first, and then, while I blow my charcoal, I will

tell you how Providence came to our assistance. Where is the stove? Ah!

there it is. This will light very quickly, I know, although the bellows

isn’t any too good.”

“Did you get all these things in the house, my son?”

“Yes, mother; you see, first of all, I went down to borrow from the

concierge, Monsieur Baudoin; but it wasn’t any use for me to knock at

their door, I couldn’t wake them, they’re worse than deaf people. So

then I was coming up again in very low spirits, indeed, I believe I was

crying, when the door on the third landing opened, and the gentleman who

lives there came out to me. Oh! this thing proves, mother, that people

very often say foolish things, or that it’s very wrong to judge a

person by his appearance. For that gentleman that they call the Bear,

that gentleman that never speaks to anybody, and that everybody makes

stupid jokes about, why, he took me into his room, and gave me all these

things for you, because I told him that you were sick; and he didn’t

even let me thank him!--Ah! you miserable charcoal! you’ve got to burn!

Now I am going to put some water over the fire.”

“But, my dear, this is an enormous loaf of sugar, and it is almost

whole; you ought not to have borrowed so much as this.”

“As if that gentleman would listen to me! He says: ‘Take this!’ and if

you try to remonstrate, he shouts: ‘Hold your tongue!’ and it’s

impossible to prevent him from doing what he wants to.--Ah! my fire is

going at last!”

“But this Monsieur Malberg--for the gentleman of the third floor is

named Malberg--I have never met him; what sort of looking man is he,

Georget? You must have had a good look at him, didn’t you?”

“Oh, yes! mother; why, he’s a man neither young nor old. At first sight,

I am sure that you would take him to be older than he really is, because

when a person never laughs, that makes him look older. He may be

somewhat over fifty years old; his face is not ugly, not by any means,

but his features have a sort of stern expression; his eyes are always

gloomy and melancholy, and there are great wrinkles on his brow; his

eyebrows are heavy, and his hair must have been black, but it’s a

little gray now. When he fixes his great brown eyes on you, it frightens

you; and yet I got used to them, for his expression is neither unkind

nor contemptuous; it’s--I don’t know just how to describe it--it’s sort

of compassionate, or sorrowful; and his voice, which sounds harsh at

first, is much less so when he’s talked to you for some time. You see,

mother, that gentleman isn’t like most people; oh, no! he makes you

respect him, and it comes natural to obey him, and you don’t dare to say

anything.”

“Really, my dear, you make me long to know this gentleman; when I am

able to go out, I shall go to thank him. And did you tell him----”

“Just how we are placed, what we used to be, and what father did. Yes, I

told him everything. Did I do wrong?”

“No, my boy, we have done nothing which we need to be ashamed of or to

conceal.”

“Ah! my water is boiling; now I am going to make you some herb tea,

mother; which would you rather have?”

“Why, tell me first what you have in your pocket.”

The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV) · 第 3 / 16 段