Things have happened--but that is neither here nor there. What I

urgently require is a servant--a nice, fat Mussulman _khitmatgar_,

who is not above doing bearer's work on occasion. Such a man I would

go down to Southampton or Tilbury to meet, would usher tenderly into

a first-class carriage (I always go third myself), and wrap in the

warmest of flannel. He should be "_Jenab_" and I would be "_O Tum_."

When he died, as he assuredly would in this weather, I would bury him

in my best back garden and write mortuary verses for publication in the

_Koh-i-Nur_, or whatever vernacular paper he might read. I want, in

short, a servant; and this is why I am writing to you.

The English, who, by the way, are unmitigated barbarians, maintain

cotton-print housemaids to do work which is the manifest portion of a

man. Besides which, no properly constructed person cares to see a white

woman waiting upon his needs, filling coal-scuttles (these are very

mysterious beasts) and tidying rooms. The young homebred Englishman

does not object, and one of the most tantalising sights in the world

is that of the young man of the house--the son newly introduced to

shaving-water and great on the subject of maintaining authority--it is

tantalising, I say, to see this young cub hectoring a miserable little

slavey for not having lighted a fire or put his slippers in their

proper place. The next time a big, bold man from the frontier comes

home I shall hire him to kick a few young gentlemen of my acquaintance

all round their own drawing-rooms while I lecture on my theory that

this sort of thing accounts for the perceptible lack of chivalry in

the modern Englishman. Now, if you or I or anybody else raved over and

lectured at Kadir Baksh, or Ram Singh, or Jagesa on the necessity of

obeying orders and the beauty of reverencing our noble selves, our men

would laugh; or if the lecture struck them as too long-winded would ask

us if our livers were out of order and recommend _dawai_. The housemaid

must stand with her eyes on the ground while the young whelp sticks

his hands under the tail of his dressing-gown and explains her duty to

her. This makes me ill and sick--sick for Kadir Baksh, who rose from

the earth when I called him, who knew the sequence of my papers and

the ordering of my paltry garments, and, I verily believed, loved me

not altogether for the sake of lucre. He said he would come with me to

_Belait_ because, "though the sahib says he will never return to India,

yet I know, and all the other _nauker log_ know, that return is his

fate."

Being a fool, I left Kadir Baksh behind, and now I am alone with

housemaids, who will under no circumstances sleep on the mat outside

the door. Even as I write, one of these persons is cleaning up my room.

Kadir Baksh would have done his work without noise. She tramps and

scuffles; and, what is much worse, snuffles horribly. Kadir Baksh would

have saluted me cheerfully and began some sort of a yarn of the "It

hath reached me, O Auspicious King!" order, and perhaps we should have

debated over the worthlessness of Dunni, the _sais_, or the chances of

a little cold-weather expedition, or the wisdom of retaining a fresh

_chaprassi_--some intimate friend of Kadir Baksh. But now I have no

horses and no _chaprassis_, and this smutty-faced girl glares at me

across the room as though she expected I was going to eat her.

She must have a soul of her own--a life of her own--and perhaps a few

amusements. I can't get at these things. She says: "Ho, yuss," and

"Ho, no," and if I hadn't heard her chattering to the lift-boy on the

stairs I should think that her education stopped at these two phrases.

Now, I knew all about Kadir Baksh, his hopes and his savings--his

experiences in the past, and the health of the little ones. He was a

man--a human man remarkably like myself, and he knew that as well as

I. A housemaid is of course not a man, but she might at least be a

woman. My wanderings about this amazing heathen city have brought me

into contact with very many English _mem sahibs_ who seem to be eaten

up with the fear of letting their servants get "above their position,"

or "presume," or do something which would shake the foundations of the

four-mile cab radius. They seem to carry on a sort of cat-and-mouse war

when the husband is at office and they have nothing much to do. Later,

at places where their friends assemble, they recount the campaign, and

the other women purr approvingly and say: "You did quite right, my

dear. It is evident that she forgets her place."

All this is edifying to the stranger, and gives him a great idea of

the dignity that has to be bolstered and buttressed, eight hours of

the twenty-four, against the incendiary attacks of an eighteen-pound

including-beer-money sleeps-in-a-garret-at-the-top-of-the-house

servant-girl. There is a fine-crusted, slave-holding instinct in the

hearts of a good many deep-bosomed matrons--a "throw back" to the

times when we trafficked in black ivory. At tea-tables and places

where they eat muffins it is called dignity. Now, your Kadir Baksh or

my Kadir Baksh, who is a downtrodden and oppressed heathen (the young

gentlemen who bullyrag white women assure me that we are in the habit

of kicking our dependents and beating them with umbrellas daily),

would ask for his _chits_, and probably say something sarcastic ere he

drifted out of the compound gate, if you nagged or worried his noble

self. He does not know much about the meaner forms of dignity, but

he is entirely sound on the subject of _izzat_; and the fact of his

cracking an azure and Oriental jest with you in the privacy of your

dressing-room, or seeing you at your incoherent worst when you have an

attack of fever, does not in the least affect his general deportment in

public, where he knows that the honour of his sahib is his own honour,

and dons a new _kummerbund_ on the strength of it.

I have tried to deal with those housemaids in every possible way.

To sling a blunt "Annie" or "Mary" or "Jane" at a girl whose only

fault is that she is a heavy-handed incompetent, strikes me as rather

an insult, seeing that the girl may have a brother, and that if you

had a sister who was a servant you would object to her being howled

at upstairs and downstairs by her given name. But only ladies' maids

are entitled to their surnames. They are not nice people as a caste,

and they regard the housemaids as the _chamar_ regards the _mehter_.

Consequently, I have to call these girls by their Christian names, and

cock my feet up on a chair when they are cleaning the grate, and pass

them in the halls in the morning as though they didn't exist. Now, the

morning salutation of your Kadir Baksh or my Kadir is a performance

which Turveydrop might envy. These persons don't understand a nod; they

think it as bad as a wink, I believe. Respect and courtesy are lost

upon them, and I suppose I must gather my dressing-gown into a tail and

swear at them in the bloodless voice affected by the British female

who--have I mentioned this?--is a highly composite heathen when she

comes in contact with her sister clay downstairs.

The softer methods lay one open to harder suspicions. Not long

ago there was trouble among my shirts. I fancied buttons grew on

neck-bands. Kadir Baksh and the _durzie_ encouraged me in the belief.

When the lead-coloured linen (they cannot wash, by the way, in this

stronghold of infidels) shed its buttons I cast about for a means

of renewal. There was a housemaid, and she was not very ugly, and

I thought she could sew. I knew I could not. Therefore I strove to

ingratiate myself with her, believing that a little interest, combined

with a little capital, would fix those buttons more firmly than

anything else. Subsequently, and after an interval--the buttons were

dropping like autumn leaves--I kissed her. The buttons were attached at

once. So, unluckily, was the housemaid, for I gathered that she looked

forward to a lifetime of shirt-sewing in an official capacity, and my

Revenue Board contemplated no additional establishment. My shirts are

buttonsome, but my character is blasted. Oh, I wish I had Kadir Baksh!

This is only the first instalment of my troubles. The heathen in these

parts do not understand me; so if you will allow I will come to you for

sympathy from time to time. I am a child of calamity.

FOOTNOTES:

[Footnote 29: "Turnovers," Vol. VIII.]

THE NEW DISPENSATION--II[30]

Writing of Kadir Baksh so wrought up my feelings that I could not rest

till I had at least made an attempt to get a _budli_ of some sort.

The black man is essential to my comfort. I fancied I might in this

city of barbarism catch a brokendown native strayed from his home and

friends, who would be my friend and humble pardner--the sort of man, y'

know, who would sleep on a rug somewhere near my chambers (I have forty

things to tell you about chambers, but they come later), and generally

look after my things. In the intervals of labour I would talk to him in

his own tongue, and we would go abroad together and explore London.

Do you know the Albert Docks? The British-India steamers go thence

to the sunshine. They sometimes leave a lascar or two on the wharf,

and, in fact, the general tone of the population thereabouts is brown

and umber. I was in no case to be particular. Anything dusky would do

for me, so long as it could talk Hindustani and sew buttons. I went

to the docks and walked about generally among the railway lines and

packing-cases, till I found a man selling tooth-combs, which is not a

paying trade. He was ragged even to furriness, and very unwashed. But

he came from the East. "What are you?" I said, and the look of the

missionary that steals over me in moments of agitation deluded that

tooth-comb man into answering, "Sar, I am native ki-li-sti-an," but he

put five more syllables into the last word.

There is no Christianity in the docks worth a tooth-comb. "I don't want

your beliefs. I want your _jat_," said I.

"I am Tamil," said he, "and my name is Ramasawmy."

It was an awful thing to lower oneself to the level of a Colonel of

the Madras Army, and come down to being tended by a Ramasawmy; but

beggars cannot be choosers. I pointed out to him that the tooth-comb

trade was a thing lightly to be dropped and taken up. He might injure

his health by a washing, but he could not much hurt his prospects by

coming along with me and trying his hand at bearer's work. "Could he

work?" Oh, yes, he didn't mind work. He had been a servant in his time.

Several servants, in fact.

"Could he wash himself?"

"Ye-es," he might do that if I gave him a coat--a thick

coat--afterwards, and especially took care of the tooth-combs, for they

were his little all.

"Had he any character of any kind?"

He thought for a minute and then said cheerfully: "Not a little dam."

Thereat I loved him, because a man who can speak the truth in minor

matters may be trusted with important things, such as shirts.

We went home together till we struck a public bath, mercifully divided

into three classes. I got him to go into the third without much

difficulty. When he came out he was in the way of cleanliness, and

before he had time to expostulate I ran him into the second. Into the

first he would not go till I had bought him a cheap ulster. He came

out almost clean. That cost me three shillings altogether. The ulster

was half a sovereign, and some other clothes were thirty shillings.

Even these things could not hide from me that he looked an unusually

villainous creature.

At the chambers the trouble began. The people in charge had race

prejudices very strongly, and I had to point out that he was a

civilised native Christian anxious to improve his English--it was

fluent but unchastened--before they would give him some sort of a crib

to lie down in. The housemaids called him the Camel. I introduced him

as "the Tamil," but they knew nothing of the ethnological sub-divisions

of India. They called him "that there beastly camel," and I saw by the

light in his eye he understood only too well.

Coming up the staircase he confided to me his views about the

housemaids. He had lived at the docks too long. I said they weren't. He

said they were.

Then I showed him his duties, and he stood long in thought before

the wardrobe. He evidently knew more than a little of the work, but

whenever he came to a more than unusually dilapidated garment, he said:

"No good for you, _I_ take"; and he took. Then he put all the buttons

on in the smoking of a pipe, and asked if there was anything else. I

weakly said "No." He said: "Good-bye," and faded out of the house. The

housekeeper of the chambers said he would never return.

But he did. At three in the morning home he came, and, naturally,

possessing no latch-key, rang the bell. A policeman interfered, taking

him for a burglar, and I was roused by the racket. I explained he was

my servant, and the policeman said: "He do swear wonderful. 'Tain't

any language. I know most of it, but some I've heard at Poplar." Then

I dragged the Camel upstairs. He was quite sober, and said he had

been waiting at the docks. He must wait at the docks every time a

British-India steamer came in. A lascar on the _Rewah_ had stabbed him

in the side three voyages ago, and he was waiting for his man. "Maybe

he have died," he said; "but if he have not died I catch him and cut

his liver out." Then he curled himself up on the mat, and slept as

noiselessly as a child.

Next morning he inspected the humble breakfast bloater, which did not

meet with his approval, for he instantly cut it in two pieces, fried

it with butter, dusted it with pepper, and miraculously made of it a

dish fit for a king. When the shock-headed boy came to take away the

breakfast things, he counted every piece of crockery into his quaking

hand and said: "If you break one dam thing I cut your dam liver out and

fly _him_ with butter." Consequently, the housemaids said they were not

going to clean the rooms as long as the Camel abode within. The Camel

put his head out of the door and said they need not. He cleaned the

rooms with his own hand and without noise, filled my pipe, made the

bed, filled a pipe for himself, and sat down on the hearth-rug while

I worked. When thought carried him away to the lascar of the _Rewah_,

he would brandish the poker or take out his knife and whet it on the

brickwork of the grate. It was a soothing sound to work to. At one

o'clock he said that the _Chyebassa_ would be in, and he must go. He

demanded no money, saw that my tiffin was served, and fled. He returned

at six o'clock singing a hymn. A lascar on the _Chyebassa_ had told

him that the _Rewah_ was due in four days, and that his friend was not

dead, but ripe for the knife. That night he got very drunk while I was

out, and frightened the housemaids. All the chambers were in an uproar,

but he crawled out of the skylight on the roof, and sat there till I

came home.

In the dawn he was very penitent. He had misarranged his drink: the

original intention being to sleep it off on my hearth-rug, but a

housemaid had invited a friend up to the chambers to look at him, and

the whispered comments and giggles made him angry. All next day he was

restless but attentive. He urged me to fly to foreign shores, and take

him with me. When other inducements failed, he reiterated that he was a

"native ki-lis-ti-an," and whetted his knife more furiously than ever.

"You do not like this place. _I_ do not like this place. Let us travel

_dam_ quick. Let us go on the sea. _I_ cook blotters." I told him this

was impossible, but that if he stayed in my service we might later go

abroad and enjoy ourselves.

But he would not rest and sleep on the rug and tend my shirts. On the

morning of the _Rewah's_ arrival he went away, and from his absence I

fancied he had fallen into the hands of the law. But at midnight he

came back, weak and husky.

"Have got him," said he simply, and dragged his ulster down from the

wall, wrapping it very tightly round him. "Now I go 'way."

He went into the bedroom, and began counting over the tale of the

week's wash, the boots, and so forth. "All right," he called into the

other room. Then came in to say good-bye, walking slowly.

"What's your name, marshter?" said he. I told him. He bowed and

descended the staircase painfully. I had not paid him a penny, and

since he did not ask for it, counted on his returning at least for

wages.

It was not till next morning that I found big dark drops on most of my

clean shirts, and the housemaid complained of a trail of blood all down

the staircase.

"The Camel" had received payment in full from other hands than mine.

FOOTNOTES:

[Footnote 30: "Turnovers," Vol. VIII.]

THE LAST OF THE STORIES[31]

_Wherefore I perceive that there is nothing better than that a man

should rejoice in his own works; for that is his portion._

--_Ecc._ iii, 22.

"Kench with a long hand, lazy one," I said to the punkah coolie. "But

I am tired," said the coolie. "Then go to Jehannum and get another man

to pull," I replied, which was rude and, when you come to think of it,

unnecessary.

"Happy thought--go to Jehannum!" said a voice at my elbow. I turned

and saw, seated on the edge of my bed, a large and luminous Devil.

"I'm not afraid," I said. "You're an illusion bred by too much tobacco

and not enough sleep. If I look at you steadily for a minute you will

disappear. You are an _ignis fatuus_."

"Fatuous yourself!" answered the Devil blandly. "Do you mean to say

you don't know _me_?" He shrivelled up to the size of a blob of

sediment on the end of a pen, and I recognised my old friend the Devil

of Discontent, who lived in the bottom of the inkpot, but emerges

half a day after each story has been printed with a host of useless

suggestions for its betterment.

"Oh, it's you, is it?" I said. "You're not due till next week. Get back

to your inkpot."

"Hush!" said the Devil. "I have an idea."

"Too late, as usual. I know your ways."

"No. It's a perfectly practicable one. Your swearing at the coolie

suggested it. Did you ever hear of a man called Dante--charmin' fellow,

friend o' mine?"

"'Dante once prepared to paint a picture,'" I quoted.

"Yes. I inspired that notion--but never mind. Are you willing to play

Dante to my Virgil? I can't guarantee a nine-circle Inferno, any more

than _you_ can turn out a cantoed epic, but there's absolutely no risk

and--it will run to three columns at least."

"But what sort of Hell do you own?" I said. "I fancied your operations

were mostly above ground. You have no jurisdiction over the dead."

"Sainted Leopardi!" rapped the Devil, resuming natural size. "Is

_that_ all you know? I'm proprietor of one of the largest Hells in

existence--the Limbo of Lost Endeavor, where the souls of all the

Characters go."

"Characters? What Characters?"

"All the characters that are drawn in books, painted in novels,

sketched in magazine articles, thumb-nailed in _feuilletons_ or in

any way created by anybody and everybody who has had the fortune or

misfortune to put his or her writings into print."

"That sounds like a quotation from a prospectus. What do you herd

Characters for? Aren't there enough souls in the Universe?"

"Who possess souls and who do not? For aught you can prove, man may be

soulless and the creatures he writes about immortal. Anyhow, about a

hundred years after printing became an established nuisance, the loose

Characters used to blow about interplanetary space in legions which

interfered with traffic. So they were collected, and their charge

became mine by right. Would you care to see them? _Your own are there._"

"That decides me. But _is_ it hotter than Northern India?"

"On my Devildom, no. Put your arms round my neck and sit tight. I'm

going to dive!"

He plunged from the bed headfirst into the floor. There was a smell of

jail-_durrie_ and damp earth; and then fell the black darkness of night.

* * * * *

We stood before a door in a topless wall, from the further side of

which came faintly the roar of infernal fires.

"But you said there was no danger!" I cried in an extremity of terror.

"No more there is," said the Devil. "That's only the Furnace of First

Edition. Will you go on? No other human being has set foot here in the

flesh. Let me bring the door to your notice. Pretty design, isn't it? A

joke of the Master's."

I shuddered, for the door was nothing more than a coffin, the backboard

knocked out, set on end in the thickness of the wall. As I hesitated,

the silence of space was cut by a sharp, shrill whistle, like that of

a live shell, which rapidly grew louder and louder. "Get away from the

door," said the Devil of Discontent quickly. "Here's a soul coming to

its place." I took refuge under the broad vans of the Devil's wings.

The whistle rose to an ear-splitting shriek and a naked soul flashed

past me.

"Always the same," said the Devil quietly. "These little writers

are _so_ anxious to reach their reward. H'm, I don't think he likes

_his'n_, though." A yell of despair reached my ears and I shuddered

afresh. "Who was he?" I asked. "Hack-writer for a pornographic firm in

Belgium, exporting to London, you'll understand presently--and now

we'll go in," said the Devil. "I must apologise for that creature's

rudeness. He should have stopped at the distance-signal for line-clear.

You can hear the souls whistling there now."

"Are they the souls of men?" I whispered.

"Yes--writer-men. That's why they are so shrill and querulous. Welcome

to the Limbo of Lost Endeavour!"

They passed into a domed hall, more vast than visions could embrace,

crowded to its limit by men, women and children. Round the eye of the

dome ran, a flickering fire, that terrible quotation from Job: "Oh,

that mine enemy had written a book!"

"Neat, isn't it?" said the Devil, following my glance. "Another joke

of the Master's. Man of _Us_, y' know. In the old days we used to put

the Characters into a disused circle of Dante's Inferno, but they grew

overcrowded. So Balzac and Théophile Gautier were commissioned to write

up this building. It took them three years to complete, and is one of

the finest under earth. Don't attempt to describe it unless you are

_quite_ sure you are equal to Balzac and Gautier in collaboration. Look

at the crowds and tell me what you think of them."

I looked long and earnestly, and saw that many of the multitude were

cripples. They walked on their heels or their toes, or with a list to

the right or left. A few of them possessed odd eyes and parti-coloured

hair; more threw themselves into absurd and impossible attitudes; and

every fourth woman seemed to be weeping.

"Who are these?" I said.

"Mainly the population of three-volume novels that never reach the

six-shilling stage. See that beautiful girl with one grey eye and one

brown, and the black and yellow hair? Let her be an awful warning to

you how you correct your proofs. She was created by a careless writer a

month ago, and he changed all colours in the second volume. So she came

here as you see her. There will be trouble when she meets her author.

He can't alter her now, and she says she'll accept no apology."

"But when will she meet her author?"

"Not in _my_ department. Do you notice a general air of expectancy

among all the Characters? They are waiting for their authors. Look!

That explains the system better than I can."

A lovely maiden, at whose feet I would willingly have fallen and

worshipped, detached herself from the crowd and hastened to the door

through which I had just come. There was a prolonged whistle without,

a soul dashed through the coffin and fell upon her neck. The girl with

the parti-coloured hair eyed the couple enviously as they departed arm

in arm to the other side of the hall.

"That man," said the Devil, "wrote one magazine story, of twenty-four

pages, ten years ago when he was desperately in love with a flesh and

blood woman. He put all his heart into the work, and created the girl

you have just seen. The flesh and blood woman married some one else and

died--it's a way they have--but the man has this girl for his very

own, and she will everlastingly grow sweeter."

"Then the Characters are independent?"

"Slightly! Have you never known one of your Characters--even yours--get

beyond control as soon as they are made?"

"That's true. Where are those two happy creatures going?"

"To the Levels. You've heard of authors finding their levels? We keep

all the Levels here. As each writer enters, he picks up his Characters,

or they pick _him_ up, as the case may be, and to the Levels he goes."

Abaft the Funnel · 第 12 / 13 段