RECEIPTS, ETC.

There are plenty of receipts for the composition of flint or crystal

glass, but no mixture that we know can secure a uniform shade in each

pot. The component parts of glass are well known, and the mixer's sure

guide is to watch the effect of heat on each pot, for he soon finds the

mixture that gives good color in one pot will in another in the same

furnace prove bad. If he possesses sufficient knowledge of the chemical

causes, he can correct the evil.

Among the valuable receipts for rich colors is the following, for

RUBY GLASS, which takes lead both in cost and richness:--

Take one ounce of pure gold; dissolve in a glass vessel two ounces pure

sal ammoniac acid, and five ounces of pure nitric acid, which will take

six to seven days; drop in at a time say one twentieth part of the

gold. When the first piece is dissolved, drop in another twentieth

portion of the gold, and so on until the ounce of gold is all

dissolved. This will require twenty-four hours. Evaporate the solution

to dryness. Then prepare in a glass vessel six ounces pure nitric acid,

two ounces muriatic acid, and one ounce of highest proof alcohol; mix

them well together, and drop in pure grained tin a bit at a time,

_but beware of the fumes_. Stir it well with a glass rod; dilute

the solution with eighty times its bulk of distilled water; then take

the prepared gold, dissolved in a quart of distilled water, and pour it

steadily into the solution of tin as above prepared, stirring all the

while. Let it settle twenty-four to thirty hours; pour off the water,

leave the settlings, pour in two thirds of a quart of water. Stir it

thoroughly; let it settle thirty hours; pour off as before, and filter

the precipitate through filtering paper. The result is the purple of

Crassus. The ounce of gold thus prepared must be well incorporated with

the following batch: say thirty-two pounds fine silex, thirty-six

pounds oxide of lead, sixteen pounds refined nitre; melt the same in a

clean pot, one little used, and smooth inside; when filled in, put the

stopper to the pot loose, leaving it slightly open; leave it five or

six hours, or time to settle, then a back stopper can be put up. In the

usual time it will be ready to be worked out in solid, egg-shaped

balls, and exposed to the air to be partially cooled; they are then to

be placed in the leer under a strong fire, which will in two or three

hours turn them to a red color; then the pans may be drawn slowly to

anneal the balls.

It is well known to mixers that colored glass is derived from metallic

oxides. To obtain the proper color depends on the purity and strength

of the metallic oxides. The following receipts have with success been

used:--

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