CHAPTER III.

‘AND VOLATILE, AS AY WAS HIS USAGE.’

Another brilliant summer day, a cloudless blue sky, a world steeped in

sunshine. On the broad gravelled space in front of the palace-railings

the heat and glare would have been too much for a salamander, and even

Daphne, who belonged to the salamander species in so much as she had

an infinite capacity for enjoying sunshine, blinked a little as she

crossed the shelterless promenade, under her big tussore parasol, a

delightfully cool-looking figure, in a plain white muslin gown, and a

muslin shepherdess hat.

Poor Miss Toby’s chronic headache had been a little worse this

morning. Heroically had she striven to fulfil her duty, albeit to lift

her leaden head from the pillow was absolute agony. She sat at the

breakfast-table, white, ghastly, uncomplaining, pouring out coffee, at

the very odour of which her bilious soul sickened. Vainly did Daphne

entreat her to go back to bed, and to leave her charges to take care of

themselves, as they had done yesterday.

‘We won’t go to the forest any more till you are able to go with us,’

said Daphne, dimly conscious that her behaviour in that woodland region

had been open to blame. ‘We can just go quietly to the palace, and

stroll through the rooms with the few tourists who are likely to be

there to-day. The Fontainebleau season has hardly begun, don’t you

know, and we may have nobody but the guide, and of course he must be a

respectable person.’

‘My dear, I was sent here to take care of you both, and I must do my

duty,’ answered Miss Toby with a sickly smile. ‘Yesterday my temples

throbbed so that I could hardly move, but I am a little better to-day,

and I shall put on my bonnet and come with you.’

She rose, staggered a few paces towards the adjacent chamber, and

reeled like a landsman at sea. Then she sank into the nearest chair,

and breathed a weary sigh.

‘It’s no use, Toby darling,’ cried Daphne, bending over her with

tenderest sympathy. To be tender, sweet, and sympathetic in little

outward ways, tones of voice, smiles, and looks, was one of Daphne’s

dangerous gifts. ‘My dearest Toby, why struggle against the

inevitable?’ she urged. ‘It is simply one of your regular bilious

attacks. All you have to do is to lie quietly in a dark room and sleep

it off, just as you have so often done before. To-morrow you will be as

well as I am.’

‘Then why not wait till to-morrow for seeing the palace,’ said Miss

Toby faintly, ‘and amuse yourselves at home, for once in a way? You

really ought to study a little, Daphne. Madame will be horrified if she

finds you have done no work all this time.’

‘But I do work of an evening—sometimes, dearest,’ expostulated Daphne;

‘and I’m sure you would not like us to be half suffocated all day in

this stifling little salon, poring over horrid books. We should be

having the fever next, and then how would you account to Madame for

your stewardship?’

‘Don’t be irreverent, Daphne,’ said Miss Toby, who thought that any use

of scriptural phrases out of church was a kind of blasphemy. ‘I think

you would really be better indoors upon such a day as this; but I feel

too languid to argue the point. What would you like best, Martha?’

Miss Dibb, who employed every odd scrap of spare time in the

development of her _magnum opus_ in crochet-work, looked up with a

glance of indifference, and was about to declare her willingness to

stay indoors for ever, so that the crochet counterpane might flourish

and wax wide, when a stealthy frown from Daphne checked her.

‘Daphne would rather see the palace to-day, I know,’ she replied

meekly, ‘and I think,’ with a nervous glance at her schoolfellow, who

was scowling savagely, ‘I think I would rather go too.’

‘Well,’ sighed Miss Toby, ‘I have made an effort, but I feel that I

could not endure the glare out of doors. You must go alone. Be sure you

are both very quiet, if there are tourists about. Don’t giggle, or look

round at people, or make fun of their gowns and bonnets, as you are too

fond of doing. It is horribly unladylike. And if any stranger should

try to get into conversation with you—of course only a low-bred person

would do such a thing—pray remember that your own self-respect would

counsel you to be dumb.’

‘Can you suppose we would speak to anyone?’ exclaimed Daphne, as she

tripped away to her little bedroom, next door to Miss Toby’s. It was

the queerest little room, with a narrow, white-muslin-curtained bed

in a recess, and a marvellous piece of furniture which was washstand,

chest of drawers, and dressing-table all in one. A fly-spotted glass,

inclining from the wall above this _multum in parvo_, was Daphne’s only

mirror.

Here she put on her muslin hat, with a bouquet of blue cornflowers

perched coquettishly on the brim, making a patch of bright cool colour

that refreshed the eye. Never had she looked prettier than this

midsummer morning. Even the fly-spotted clouded old glass told her as

much as that.

‘If—if he were to be doing the _château_ to-day,’ she thought,

tremulous with excitement, ‘how strange it would be. But that’s not

likely. He is not of the common class of tourists, who all follow the

same beaten track. I daresay he will idle away the afternoon in the

woods, just as he did yesterday.’

‘Martha, shall we go to the forest to-day, and leave the _château_ to

be done to-morrow with Toby?’ Daphne asked, when she and her companion

were crossing the wide parade-ground, where the soldiers trotted by

with a great noise and clatter early in the morning, with a fanfare of

trumpets and an occasional roll of a drum. ‘It might seem kinder to

poor dear Toby, don’t you know.’

‘I think it would be very wrong, Daphne,’ answered the serious Martha.

‘We told Miss Toby we were going to the palace, and we are bound to go

straight there and nowhere else. Besides, I want to see the pictures

and statues and things, and I am sick to death of that forest.’

‘After one day! Oh, Martha, what an unromantic soul you must have. I

could live and die there, if I had pleasant company. I have always

envied Rosalind and Celia.’

‘They must have been very glad when they got home,’ said Martha.

Out of the blinding whiteness of the open street they went in at a gate

to a gravelled quadrangle, where the sun seemed to burn with yet more

fiery heat. Even Daphne felt breathless, but it was a pleasant feeling,

the delight of absolute summer, which comes so seldom in the changeful

year. Then they went under an archway, and into the inner quadrangle,

with the white palace on all sides of them. It wanted some minutes of

eleven, and they were shown into a cool official-looking room, where

they were to wait till the striking of the hour. The room was panelled,

painted white, a room of Louis the Fourteenth’s time most likely; what

little furniture there was being quaint and rococo, but not old. The

blinds were down, the shutters half-closed, and the room was in deep

shadow.

‘How nice!’ gasped Martha, who had been panting like a fish out of

water all the way.

‘It is like coming into a grotto,’ said Daphne, sinking into a chair.

‘It is not half so nice as the forest,’ said a voice in the

semi-darkness.

Daphne gave a visible start. She had mused upon the possibility of

meeting her acquaintance of yesterday, and had decided that the thing

was unlikely. Yet her spirits had been buoyed by a lurking idea that he

might crop up somehow before the day was done. But to find him here at

the very beginning of things was startling.

‘Did you know that we were coming here to-day?’ she faltered.

‘Hadn’t the slightest idea; but I wanted to see the place myself,’ he

answered coolly.

Daphne blushed rosy-red, deeply ashamed of her foolish, impulsive

speech. The stranger had been sitting in that cool shade for the last

ten minutes, and his eyes had grown accustomed to the obscurity. He saw

the blush, he saw the bright expressive face under the muslin hat, the

slim figure in the white frock, every line sharply accentuated against

a gray background, the slender hand in a long Swedish glove. She looked

more womanly in her white gown and hat—and yet more childlike—than she

had looked yesterday in blue and scarlet.

They sat for about five minutes in profound silence. Daphne, usually

loquacious, felt as if she could not have spoken for the world. Martha

was by nature stolid and inclined to dumbness. The stranger was

watching Daphne’s face in a lazy reverie, thinking that his hurried

sketch of yesterday was not half so lovely as the original, and yet it

had seemed to him almost the prettiest head he had ever painted.

‘The provoking minx has hardly one good feature,’ he thought. ‘It is

an utterly unpaintable beauty—a beauty of colour, life, and movement.

Photograph her asleep, and she would be as plain as a pike-staff. How

different from——’

He gave a faint sigh, and was startled from his musing by the door

opening with a bang and an official calling out, ‘This way, ladies and

gentlemen.’

They crossed the blazing courtyard in the wake of a brisk little

gentleman in uniform, who led them up a flight of stone steps, and

into a stony hall. Thence to the chapel, and then to an upper story,

and over polished floors through long suites of rooms, everyone made

more or less sacred by historical memories. Here was the table on which

Napoleon the Great signed his abdication, while his Old Guard waited

in the quadrangle below. Daphne looked first at the table and then out

of the window, almost as if she expected to see that faithful soldiery

drawn up in the stony courtyard—grim bearded men who had fought and

conquered on so many a field, victors of Lodi and Arcola, Austerlitz

and Jena, Friedland and Wagram, and who knew now that all was over and

their leader’s star had gone down.

Then to rooms hallowed by noble Marie Antoinette, lovely alike in

felicity and in ruin. Smaller, prettier, more home-like rooms came

next, where the Citizen King and his gentle wife tasted the sweetness

of calm domestic joys; a tranquil gracious family circle; to be

transferred, with but a brief interval of stormy weather, to the

quiet reaches of the Thames, in Horace Walpole’s beloved ‘County of

Twits.’ Then back to the age of tournaments and tented fields; and, lo!

they were in the rooms which courtly Francis built and adorned, and

glorified by his august presence. Here, amidst glitter of gold and glow

of colour, the great King—Charles the Fifth’s rival and victor—lived

and loved, and shed sunshine upon an adoring court. Here from many a

canvas, fresh as if painted yesterday, looked the faces of the past.

Names fraught with romantic memories sanctify every nook and corner

of the palace. Everywhere appears the cypher of Diana of Poitiers

linked with that of her royal lover, Henry the Second. Catherine de

Médicis must have looked upon those interlaced initials many a time in

the period of her probation, looked, and held her peace, and schooled

herself to patience, waiting till Fortune’s wheel should turn and bring

her day of power. Here in this long, lofty chamber, sunlit, beautiful,

the fated Monaldeschi’s life-blood stained the polished floor.

‘To say the least of it, the act was an impertinence on Queen

Christina’s part, seeing that she was only a visitor at Fontainebleau,’

said the stranger languidly. ‘Don’t you think so, Poppæa?’

Daphne required to have the whole story told her; that particular event

not having impressed itself on her mind.

‘I have read all through Bonnechose’s history of France, and half way

from the beginning again,’ she explained. ‘But when one sits droning

history in a row of droning girls, even a murder doesn’t make much

impression upon one. It’s all put in the same dull, dry way. This year

there was a great scarcity of corn. The poor in the provinces suffered

extreme privations. Queen Christina, of Sweden, while on a visit at

Fontainebleau, ordered the execution of her counsellor Monaldeschi.

There was also a plague at Marseilles. The Dauphin died suddenly in the

fifteenth year of his age. The king held a Bed of Justice for the first

time since he ascended the throne. That is the kind of thing, you know.’

‘I can conceive that so bald a calendar would scarcely take a firm grip

upon one’s memory,’ assented the stranger. ‘Details are apt to impress

the mind more than events.’

After this came the rooms which the Pope occupied during his

captivity—rooms that had double and treble memories; here a

nuptial-chamber, there a room all a-glitter with gilding—a room

that had sheltered Charles the Fifth, and afterwards fair, and not

altogether fortunate, Anne of Austria. Daphne felt as if her brain

would hardly hold so much history. She felt a kind of relief when they

came to a theatre, where plays had been acted before Napoleon the Third

and his lovely empress in days that seemed to belong to her own life.

‘I think I was born then,’ she said naïvely.

There had been no other visitors—no tourists of high or low degree. The

two girls and the unknown had had the palace to themselves, and the

guide, mollified by a five-franc piece slipped into his hand by the

gentleman, had allowed them to make their circuit at a somewhat more

leisurely pace than that brisk trot on which he usually insisted.

Yet for all this it was still early when they came down the double

flight of steps and found themselves once again in the quadrangle, the

Court of Farewells, so called from the day when the great emperor bade

adieu to pomp and power, and passed like a splendid apparition from the

scene he had glorified. The sun had lost none of his fervour—nay, had

ascended to his topmost heaven, and was pouring down his rays upon the

baking earth.

‘Let us go to the gardens and feed the carp,’ said Nero, and it was

an infinite relief, were it only for the refreshment of the eye, to

find themselves under green leaves and by the margin of a lovely lake,

statues of white marble gleaming yonder at the end of verdant arcades,

fountains plashing. Here under the trees a delicious coolness and

stillness contrasted with the glare of light on the open space yonder,

where an old woman sat at a stall, set out with cakes and sweetmeats,

ready to supply food for the carp-feeders.

‘Yes: let us feed the carp,’ cried Daphne, running out into this

sunlit space, her white gown looking like some saintly raiment in the

supernatural light of a transfiguration. ‘That will be lovely! I have

heard of them. They are intensely old, are they not—older than the

palace itself?’

‘They are said to have been here when Henry and Diana walked in yonder

alleys,’ replied Nero. ‘I believe they were here when the Roman legions

conquered Gaul. One thing seems as likely as the other, doesn’t it,

Poppæa?’

‘I don’t know about that: but I like to think they are intensely old,’

answered Daphne, leaning on the iron railing, and looking down at the

fish, which were already competing for her favours, feeling assured she

meant to feed them.

The old woman got up from her stool, and came over to ask if the young

lady would like some bread for the carp.

‘Yes, please—a lot,’ cried Daphne, and she began to fumble in her

pocket for the little purse with its three or four francs and

half-francs.

The stranger tossed a franc to the woman before Daphne’s hand could

get to the bottom of her pocket, and the bread was forthcoming—a

large hunch off a long loaf. Daphne began eagerly to feed the fish.

They were capital fun, disputing vehemently for her bounty, huge

gray creatures which looked centuries old—savage, artful, vicious

exceedingly. She gave them each a name. One she called Francis, another

Henry, another Diana, another Catherine. She was as pleased and amused

as a child, now throwing her bit of bread as far as her arm could fling

it, and laughing merrily at the eager rush of competitors, now luring

them close to the rails, and smiling down at the gray snouts yawning

for their prey.

‘Do you think they would eat me if I were to tumble in among them?’

asked Daphne. ‘Greedy creatures! They seem ravenous enough for

anything. There! they have devoured all my bread.’

‘Shall I buy you some more?’

‘Please, no. This kind of thing might go on for ever. They are

insatiable. You would be ruined.’

‘Shall we go under the trees?’

‘If you like. But don’t you think this sunshine delicious? It is so

nice to bask. I think I am rather like a cat in my enjoyment of the

sun.’

‘Your friend seems to have had enough of it,’ said Nero, glancing

towards a sheltered bench to which Miss Dibb had discreetly withdrawn

herself.

‘Martha! I had almost forgotten her existence. The carp are so

absorbing.’

‘Let us stay in the sunshine. We can rejoin your friend presently. She

has taken out her needlework, and seems to be enjoying herself.’

‘Another strip of her everlasting counterpane,’ said Daphne. ‘That

girl’s persevering industry is maddening. It makes one feel so

abominably idle. Would you be very shocked to know that I detest

needlework?’

‘I should as soon expect a butterfly to be fond of needlework as you,’

answered Nero. ‘Let me see your hand.’

She had taken off her glove to feed the carp, and her hand lay upon

the iron rail, dazzlingly white in the sunshine; Nero took it up in

his, so gently, so reverently, that she could not resent the action. He

took it as a priest or physician might have taken it: altogether with a

professional or scientific air.

‘Do you know that I am a student of chiromancy?’ he asked.

‘How should I, when I don’t know anything about you? And I don’t even

know what chiromancy is.’

‘The science of reading fate and character from the configuration of

the hand.’

‘Why, that is what gipsies pretend to do,’ cried Daphne. ‘You surely

cannot believe in such nonsense.’

‘I don’t know that my belief goes very far; but I have found the study

full of interest, and more than once I have stumbled upon curious

truths.’

‘So do the most ignorant gipsy fortune-tellers,’ retorted Daphne.

‘People who are always guessing must sometimes guess right. But you may

tell my fortune all the same, please; it will be more amusing than the

carp.’

‘If you approach the subject in such an irreverent spirit, I don’t

think I will have anything to say to you. Remember, I have gone into

this question thoroughly, from a scientific point of view.’

‘I am sure you are wonderfully clever,’ said Daphne; and then, in a

coaxing voice, with a lovely look from the sparkling gray eyes, she

pleaded: ‘Pray tell my fortune. I shall be wretched if you refuse.’

‘And I should be wretched if I were to disoblige you. Your left hand,

please, and be serious, for it is a very solemn ordeal.’

She gave him her left hand. He turned the soft rosy childish palm to

the sunlight, and pored over it as intently as if it had been some

manuscript treatise of Albertus Magnus, written in cypher, to be

understood only by the hierophant in science.

‘You are of a fitful temper,’ he said, ‘and do not make many friends.

Yet you are capable of loving intensely—one or two persons perhaps,

not more; indeed, I think only one at a time, for your nature is

concentrative rather than diffuse.’

He spoke slowly and deliberately—coldly indifferent as an antique

oracle—with his eyes upon her hand all the time. He took no note of the

changes in her expressive face, which would have told him that he had

hit the truth.

‘You are apt to be dissatisfied with life.’

‘Oh, indeed I am,’ she cried, with a weary sigh; ‘there are times when

I do so hate my life and all things belonging to me—except just one

person—that I would change places with any peasant-girl trudging home

from market.’

‘You are romantic, variable. You do not care for beaten paths, and have

a hankering for the wild and strange. You love the sea better than the

land, the night better than the day.’

‘You are a wizard,’ cried Daphne, remembering her wild delight in the

dancing waves as she stood on the deck of the Channel steamer, her

intense love of the winding river at home—the deep, rapid stream—and of

fresh salt breezes, and a free ocean life; remembering, too, how her

soul had thrilled with rapture in the shadowy courtyard last night,

when her shuttlecock flew up towards the moon. ‘You have a wonderful

knack of finding out things,’ she said. ‘Go on, please.’

He had dropped her hand suddenly, and was looking up at her with

intense earnestness.

‘Please go on,’ she repeated impatiently.

‘I have done. There is no more to be told.’

‘Nonsense. I know you are keeping back something; I can see it in your

face. There is something unpleasant—or something strange—I could see it

in the way you looked at me just now. I insist upon knowing everything.’

‘Insist! I am only a fortune-teller so far as it pleases me. Do you

think if a man’s hand told me that he was destined to be hanged, I

should make him uneasy by saying so?’

‘But my case is not so bad as that?’

‘No; not quite so bad as that,’ he answered lightly, trying to smile.

The whole thing seemed more or less a joke; but there are some natures

so sensitive that they tremble at the lightest touch; and Daphne felt

uncomfortable.

‘Do tell me what it was,’ she urged earnestly.

‘My dear child, I have no more to tell you. The hand shows character

rather than fate. Your character is as yet but half developed. If you

want a warning, I would say to you: Beware of the strength of your own

nature. In that lies your greatest danger. Life is easiest to those

who can take it lightly—who can bend their backs to any burden, and be

grateful for every ray of sunshine.’

‘Yes,’ she answered contemptuously; ‘for the drudges. But please tell

me the rest. I know you read something in these queer little lines and

wrinkles,’ scrutinising her pink palm as she spoke, ‘something strange

and startling—for you were startled. You can’t deny that.’

‘I am not going to admit or deny anything,’ said Nero, with a quiet

firmness that conquered her, resolute as she was when her own pleasure

or inclination was in question. ‘The oracle has spoken. Make the most

you can of his wisdom.’

‘You have told me nothing,’ she said, pouting, but submissive.

‘And now let us go out of this bakery, under the trees yonder, where

your friend looks so happy with her crochet-work.’

‘I think we ought to go home,’ hesitated Daphne, not in the least as if

she meant it.

‘Home! nonsense. It isn’t one o’clock yet; and you don’t dine at one,

do you?’

‘We dine at six,’ replied Daphne with dignity, ‘but we sometimes lunch

at half-past one.’

‘Your luncheon isn’t a very formidable affair, is it—hardly worth going

home for?’

‘It will keep,’ said Daphne. ‘If there is anything more to be seen,

Martha and I may as well stop and see it.’

‘There are the gardens, beyond measure lovely on such a day as this;

and there is the famous vinery; and, I think, if we could find a very

retired spot out of the ken of yonder beardless patrol, I might smuggle

in the materials for another picnic.’

‘That would be too delightful,’ cried Daphne, clapping her hands in

childish glee, forgetful of fate and clairvoyance.

They strolled slowly through the blinding heat towards that cool grove

where patient Martha sat weaving her web, as inflexible in her stolid

industry as if she had been one of the fatal sisters.

‘What have you been doing all this time, Daphne?’ she asked, lifting up

her eyes as they approached.

‘Feeding the carp. You have no idea what fun they are.’

‘I wonder you are not afraid of a sunstroke.’

‘I am never afraid of anything, and I love the sun. Come, Martha, roll

up that everlasting crochet, and come for a ramble. We are going to

explore the gardens, and by-and-by Mr. Nero is going to get us some

lunch.’

Martha looked at the unknown doubtfully, yet not without favour. She

was a good, conscientious girl: but she was fond of her meals, and

a luncheon in the cool shade of these lovely groves would be very

agreeable. She fancied, too, that the stranger would be a good caterer.

He was much more carefully dressed to-day, in a gray travelling suit.

Everything about him looked fresh and bright, and suggestive of easy

circumstances. She began to think that Daphne was right, and that he

was no Bohemian artist, living from hand to mouth, but a gentleman

of position, and that it would not be so very awkward to meet him in

Regent street, when she should be shopping with mamma and Jane.

They strolled along the leafy aisle on the margin of the blue bright

lake, faintly stirred by lightest zephyrs. They admired the marble

figures of nymph and dryad, which Martha thought would have looked

better if they had been more elaborately clad. They wasted half an

hour in happy idleness, enjoying the air, the cool umbrage of lime

and chestnut, the glory of the distant light yonder on green sward or

blue placid lake, enjoying Nature as she should be enjoyed, in perfect

carelessness of mind and heart—as Horace enjoyed his Sabine wood,

singing his idle praise of Lalage as he wandered, empty of care.

They found at last an utterly secluded spot, where no eye of military

or civil authority could reach them.

‘Now, if you two young ladies will only be patient, and amuse

yourselves here for a quarter of an hour or so, I will see what can be

done in the smuggling line,’ said the unknown.

‘I could stay here for a week,’ said Daphne, establishing herself

comfortably on the velvet turf, while Martha pulled out her work-bag

and resumed her crochet-hook. ‘Take your time, Mr. Nero. I am going to

sleep.’

She threw off her muslin hat, and laid her cheek upon the soft mossy

bank, letting her pale golden hair fall like a veil over her neck and

shoulders. They were in the heart of a green _bosquet_, far from the

palace, far from the beaten track of tourists. Nero stopped at a curve

in the path to look back at the recumbent figure, the sunny falling

hair, the exquisite tint of cheek and chin and lips, just touched by

the sun-ray glinting through a break in the foliage. He stood for a few

momenta admiring this living picture, and then walked slowly down the

avenue.

‘A curious idle way of wasting a day,’ he mused; ‘but when a man has

nothing particular to do with his days he may as well waste them

one way as another. How lovely the child is in her imperfection! a

faulty beauty—a faulty nature—but full of fascination. I must write a

description of her in my next letter to my dear one. How interested she

would feel in this childish, undisciplined character.’

But somehow when his next letter to the lady of his love came to be

written he was in a lazy mood, and did not mention Daphne. The subject,

to be interesting, required to be treated in detail, and he did not

feel himself equal to the task.

‘Isn’t he nice?’ asked Daphne, when the unknown had departed.

‘He is very gentlemanlike,’ assented Martha, ‘but still I feel we are

doing wrong in encouraging him.’

‘Encouraging him!’ echoed her schoolfellow. ‘You talk as if he were a

stray cur that had followed us.’

‘You perfectly well know what I mean, Daphne. It cannot be right to get

acquainted with a strange gentleman as we have done. I wouldn’t have

mamma or Jane know of it for the world.’

‘Then don’t tell them,’ said Daphne, yawning listlessly, and opening

her rosy palm for a nondescript green insect to crawl over it.

‘But it seems such a want of candour,’ objected Martha.

‘Then tell them, and defy them. But whatever you do, don’t be fussy,

you dear good-natured old Martha; for of all things fussiness is the

most detestable in hot weather. As for Mr. Nero, he will be off and

away across the Jura before to-morrow night, I daresay, and he will

forget us, and we shall forget him, and the thing will be all over and

done with. I wish he would bring us our luncheon. I’m hungry.’

‘I feel rather faint,’ admitted Martha, who thought it ungenteel to

confess absolute hunger. ‘That bread we get for breakfast is all

sponginess. Shall you tell your sister about Mr. Nero?’

‘That depends. I may, perhaps, if I should be hard up for something to

say to her.’

‘Don’t you think she would be angry?’

‘She never is angry. She is all sweetness and goodness, and belief

in other people. I have spent very little of my life with her, or I

should be ever so much better than I am. I should have grown up like

her perhaps—or just a little like her, for I’m afraid the clay is

different—if my father would have let me be brought up at home.’

‘And he wouldn’t?’ asked Martha.

She had heard her friend’s history very often, or as much of it as

Daphne cared to tell, but she was always interested in the subject,

and encouraged her schoolfellow’s egotism. Daphne’s people belonged

to a world which Miss Dibb could never hope to enter; though perhaps

Daphne’s father, Sir Vernon Lawford, had no larger income than Mr.

Dibb, whose furniture and general surroundings were the best and most

gorgeous that money could buy.

‘No. When I was a little thing I was sent to a lady at Brighton,

who kept a select school for little things; because my father could

not bear a small child about the house. When I grew too tall for my

frocks, and was all stocking and long hair, I was transferred to a

very superior establishment at Cheltenham, because my father could not

be worried by the spectacle of an awkward growing girl. When I grew

still taller, and was almost a young woman, I was packed off to Madame

Tolmache to be finished; and I am to be finished early next year, I

believe, and then I am to go home, and my father will have to endure

me.’

‘How nice for you to go home for good! And your home is very beautiful,

is it not?’ asked Martha, who had heard it described a hundred times.

‘It is a lovely house in Warwickshire, all amongst meadows and winding

streams—a long, low, white house, don’t you know, with no end of

verandahs and balconies. I have been there very little, as you may

imagine, but I love the dear old place all the same.’

‘I don’t think I should like to live so far in the country,’ said

Martha: ‘Clapham is so much nicer.’

‘_Connais pas_,’ said Daphne indifferently.

The unknown came sauntering back along the leafy arcade, but not

alone; an individual quite as fashionably clad, and of appearance as

gentlemanlike, walked a pace or two behind him.

‘Well, young ladies, I have succeeded splendidly as a smuggler; but

I thought two could bring more than one, so I engaged an ally. Now,

Dickson, produce the Cliquot.’

The individual addressed as Dickson took a gold-topped pint bottle out

of each side-pocket. He then, from some crafty lurking-place, drew

forth a crockery encased pie, some knives and forks, and a couple

of napkins, while Nero emptied his own pockets, and spread their

contents on the turf. He had brought some wonderful cherries—riper and

sweeter-looking than French fruit usually is—several small white paper

packages which suggested confectionery, a tumbler, and half-a-dozen

rolls, which he had artfully disposed in his various pockets.

‘We must have looked rather bulky,’ he said; ‘but I suppose the

custodians of the place were too sleepy to take any notice of us. The

nippers, Dickson? Yes! Thoughtful man! You can come back in an hour for

the bottles and the pie-dish.’

Dickson bowed respectfully and retired.

‘Is that your valet?’ asked Daphne.

‘He has the misfortune to fill that thankless office.’

Daphne burst out laughing.

‘And you travel with your own servant?’ she exclaimed. ‘It is too

absurd! Do you know that yesterday I took you for a poor strolling

artist, and I felt that it would be an act of charity to give you

half-a-guinea for that sketch?’

‘You would not have obtained it from me for a thousand half-guineas.

No; I do not belong to the hard-up section of humanity. Perhaps many

a penniless scamp is a better and happier man than I; but, although

poverty is the school for heroes, I have never regretted that it was

not my lot to be a pupil in that particular academy. And now, young

ladies, fall to, if you please. Here is a Perigord pie, which I am

assured is the best that Strasbourg can produce, and here are a few

pretty tiny kickshaws in the way of pastry; and here, to wash these

trifles down, is a bottle of the Widow Cliquot’s champagne.’

‘I don’t know that I ever tasted champagne in my life.’

‘How odd!’ cried Martha. ‘What, not at juvenile parties?’

‘I have never been at any juvenile parties.’

‘We have it often at home,’ said Martha, with a swelling consciousness

of belonging to wealthy people. ‘At picnics, and whenever there is

company to luncheon. The grown-ups have it every evening at dinner, if

they like. Papa takes a particular pride in his champagne.’

They grouped themselves upon the grass, hidden from all the outside

world by rich summer foliage, much more alone than they had been

yesterday in the heart of the forest. Honest Martha Dibb, who had

been sorely affronted at the free-and-easiness of yesterday’s simple

meal, offered no objection to the luxurious feast of to-day. A man

who travelled with his valet could not be altogether an objectionable

person. The whole thing was unconventional—slightly incorrect, even—but

there was no longer any fear that they were making friends with a

vagabond, who might turn up in after life and ask for small loans.

‘He is evidently a gentleman,’ thought Martha, quite overcome by the

gentility of the valet. ‘I daresay papa and mamma would be glad to know

him.’

Her spirits enlivened by the champagne, Miss Dibb became talkative.

‘Do you know Clapham Common?’ she asked the stranger.

‘I have heard of such a place. I believe I have driven past it

occasionally on my way to Epsom,’ he answered listlessly, with his

eyes on Daphne, who was seated in a lazy attitude, her back supported

by the trunk of a lime-tree, her head resting against the brown bark,

which made a sombre background for her yellow hair, her arms hanging

loose at her sides in perfect restfulness, her face and attitude alike

expressing a dreamy softness, as of one for whom the present hour is

enough, and all time and life beyond it no more than a vague dream. She

had just touched the brim of the champagne glass with her lips and that

was all. She had pronounced the Perigord pie the nastiest thing that

she had ever tasted; and she had lunched luxuriously upon pastry and

cherries.

‘I live on Clapham Common, when I am at home,’ said Martha. ‘Papa has

bought a large house, with a Corinthian portico, and we have ever so

many hot-houses. Papa takes particular pride in his grapes and pines.

Are you fond of pines?’

‘Not particularly,’ answered Nero, stifling a yawn. ‘And where do you

live when you are at home, my pretty Poppæa?’ he asked, smiling at

Daphne, who had lifted one languid arm to convey a ripe red cherry to

lips that were as fresh and rosy as the fruit.

‘In Oxford Street,’ answered Daphne coolly.

Miss Dibb’s eyebrows went up in horrified wonder; she gave a little

gasp, as who should say, ‘This is too much!’ but did not venture a

contradiction.

‘In Oxford Street? Why, that is quite a business thoroughfare. Is your

father in trade?’

‘Yes. He keeps an Italian warehouse.’

Martha became red as a turkey-cock. This was a liberty which she felt

she ought to resent at once; but, sooth to say, the matter-of-fact

Martha had a wholesome awe of her friend. Daphne was very sweet; Daphne

and she were sworn allies: but Daphne had a sharp tongue, and could let

fly little shafts of speech, half playful, half satiric, that pierced

her friend to the quick.

‘I hope there is nothing that I need be ashamed of in my father’s

trade,’ she said gravely.

‘Of course not,’ faltered the stranger. ‘Trade is a most honourable

employment of capital and intelligence. I have the greatest respect for

the trading classes—but——’

‘But you seemed surprised when I told you my father’s position.’

‘Yes; I confess that I was surprised. You don’t look like a tradesman’s

daughter, somehow. If you had told me that your father was a painter,

or a poet, or an actor even, I should have thought it the most natural

thing in the world. You look as if you were allied to the arts.’

‘Is that a polite way of saying that I don’t look quite respectable?’

‘I am not going to tell you what I mean. You would say I was paying you

compliments, and I believe you have tabooed all compliments. I may be

ruder than Petruchio—didn’t you tell me so in the forest yesterday?—but

any attempt at playing Sir Charles Grandison will be resented.’

‘I certainly like you best when you are rude,’ answered Daphne.

She was not as animated as she had been yesterday during their homeward

walk. The heat and the supreme stillness of the spot invited silence

and repose. She was, perhaps, a little tired by the exploration of

the _château_. She sat under the drooping branches of the lime, whose

blossoms sweetened all the air, half in light, half in shadow: while

Martha, who had eaten a hearty luncheon, and consumed nearly a pint

of Cliquot, plodded on with her crochet-work, and tried to keep the

unknown in conversation.

She asked him if he had seen this, and that, and the other—operas,

theatres, horticultural fêtes—labouring hard to make him understand

that her people were in the very best society—as if opera-boxes and

horticultural fêtes meant society! and succeeded only in boring him

outrageously.

He would have been content to sit in dreamy silence watching Daphne

eat her cherries. Such an occupation seemed best suited to the sultry

summer silence, the perfumed atmosphere.

But Martha thought silence must mean dulness.

‘We are dreadfully quiet to-day,’ she said. ‘We must do something to

get the steam up. Shall we have some riddles? I know lots of good ones

that I didn’t ask you yesterday.’

‘Please don’t,’ cried Nero; ‘I am not equal to it. I think a single

conundrum would crush me. Let us sit and dream.

“How sweet it were, hearing the downward stream,

With half-shut eyes ever to seem

Falling asleep in a half-dream!

To dream and dream, like yonder amber light,

Which will not leave the myrrh-bush on the height.”’

Martha looked round inquiringly. She did not see either myrrh-bush or

height in the landscape. They were in a level bit of the park, shut in

by trees.

‘Is that poetry?’ she asked.

‘Well, it’s the nearest approach to it that the last half-century has

produced,’ replied the unknown, and then he went on quoting:

‘“But propt on beds of amaranth and moly,

How sweet (while warm airs lull us blowing lowly),

With half-dropt eyelids still,

Beneath a heaven dark and holy,

To watch the long bright river drawing slowly

His waters from the purple hill.”

Poppæa, I wish you and I were queen and king of a Lotos Island, and

could idle away our lives in perpetual summer.’

‘We should soon grow tired of it,’ answered Daphne. ‘I am like the

little boy in the French story-book. I delight in all the seasons. And

I daresay you skate, hunt, and do all manner of things that couldn’t be

done in summer.’

‘True, my astute empress. But when one is setting under lime-boughs on

such a day as this, eternal summer seems your only idea of happiness.’

He gave himself up to idle musing. Yes; he was surprised, disappointed

even, at the notion of this bright-haired nymph’s parentage. There was

no discredit in being a tradesman’s daughter. He was very far from

feeling a contempt for commerce. There were reasons in his own history

why he should have considerable respect for successful trade. But for

this girl he had imagined a different pedigree. She had a high-bred

air—even in her reckless unconventionally—which accorded ill with

his idea of a prosperous tradesman’s daughter. There was a poetry in

her every look and movement, a wild untutored grace, which was the

strangest of all flowers to have blossomed in a parlour behind a London

shop. Reared in the smoke and grime of Oxford Street! Brought up amidst

ever present considerations of pounds, shillings, and pence! The girl

and her surroundings were so incongruous that the mere idea of them

worried him.

‘And by-and-by she will marry some bloated butcher or pompous

coach-builder, and spend all her days among the newly rich,’ he

thought. ‘She will grow into the fat wife of a fat alderman, and

overdress and overeat herself, and live a life of prosperous vulgarity.’

The notion was painful to him, and he was obliged to remind himself

that there was very little likelihood of his ever seeing this girl

again, so that the natural commonplaceness of her fate could make very

little difference to him.

‘Better to be vulgarly prosperous and live to be a great-grandmother

than to fulfil the prophecy written on her hand,’ he said to himself.

‘What does it matter? Let us enjoy to-day, and let the long line of

to-morrows rest in the shadow that wraps the unknown future. To-morrow

I shall be on my way to Geneva, panting and stifling in a padded

railway-carriage, with oily Frenchmen, who will insist upon having the

windows up through the heat and dust of the long summer day, and I

shall look back with envy to this delicious afternoon.’

They sat under the limes for a couple of hours, talking a little now

and then in a desultory way; Martha trying her hardest to impress the

unknown with the grandeurs and splendours of Lebanon Lodge, Clapham

Common; Daphne saying very little, content to sit in the shade and

dream. Then having taken their fill of rest and shadow, they ventured

out into the sun, and went to see the famous grapery, and then Martha

looked at her watch and protested that they must go home to tea. Miss

Toby would be expecting them.

Nero went with them to the gates of the palace, and would fain have

gone further, but Daphne begged him to leave them there.

‘You would only frighten our poor governess,’ she said. ‘She would

think it quite a terrible thing for us to have made your acquaintance.

Please go back to your hotel at once.’

‘If you command me to do so, I must obey,’ said Nero politely.

He shook hands with them for the first time, gravely lifted his hat,

and walked across to his hotel. It was on the opposite side of the

way, a big white house, with a garden in front of it, and a fountain

playing. The two girls stood in the shadow watching him.

‘He is really very nice,’ said Martha. ‘I think mamma would like to

have him at one of her dinner-parties. But he did not tell us anything

about himself, did he?’

Daphne did not hear her. There was hardly room in that girlish brain

for all the thoughts that were crowding into it.

Asphodel · 第 3 / 34 章