THE SOCIAL VALUE OF THE COLLEGE-BRED[1]

Of what use is a college training? We who have had it seldom hear the

question raised; we might be a little nonplussed to answer it offhand.

A certain amount of meditation has brought me to this as the pithiest

reply which I myself can give: The best claim that a college education

can possibly make on your respect, the best thing it can aspire to

accomplish for you, is this: that it should _help you to know a good

man when you see him_. This is as true of women's as of men's

colleges; but that it is neither a joke nor a one-sided abstraction I

shall now endeavor to show.

What talk do we commonly hear about the contrast between college

education and the education which business or technical or professional

schools confer? The college education is called higher because it is

supposed to be so general and so disinterested. At the "schools" you

get a relatively narrow practical skill, you are told, whereas the

"colleges" give you the more liberal culture, the broader outlook, the

historical perspective, the philosophic atmosphere, or something which

phrases of that sort try to express. You are made into an efficient

instrument for doing a definite thing, you hear, at the schools; but,

apart from that, you may remain a crude and smoky kind of petroleum,

incapable of spreading light. The universities and colleges, on the

other hand, although they may leave you less efficient for this or that

practical task, suffuse your whole mentality with something more

important than skill. They redeem you, make you well-bred; they make

"good company" of you mentally. If they find you with a naturally

boorish or caddish mind, they cannot leave you so, as a technical

school may leave you. This, at least, is pretended; this is what we

hear among college-trained people when they compare their education

with every other sort. Now, exactly how much does this signify?

It is certain, to begin with, that the narrowest trade or professional

training does something more for a man than to make a skilful practical

tool of him--it makes him also a judge of other men's skill. Whether

his trade be pleading at the bar or surgery or plastering or plumbing,

it develops a critical sense in him for that sort of occupation. He

understands the difference between second-rate and first-rate work in

his whole branch of industry; he gets to know a good job in his own

line as soon as he sees it; and getting to know this in his own line,

he gets a faint sense of what good work may mean anyhow, that may, if

circumstances favor, spread into his judgments elsewhere. Sound work,

clean work, finished work: feeble work, slack work, sham work--these

words express an identical contrast in many different departments of

activity. In so far forth, then, even the humblest manual trade may

beget in one a certain small degree of power to judge of good work

generally.

Now, what is supposed to be the line of us who have the higher college

training? Is there any broader line--since our education claims

primarily not to be "narrow"--in which we also are made good judges

between what is first-rate and what is second-rate only? What is

especially taught in the colleges has long been known by the name of

the "humanities," and these are often identified with Greek and Latin.

But it is only as literatures, not as languages, that Greek and Latin

have any general humanity-value; so that in a broad sense the

humanities mean literature primarily, and in a still broader sense the

study of masterpieces in almost any field of human endeavor.

Literature keeps the primacy; for it not only _consists_ of

masterpieces, but is largely _about_ masterpieces, being little more

than an appreciative chronicle of human master-strokes, so far as it

takes the form of criticism and history. You can give humanistic value

to almost anything by teaching it historically. Geology, economics,

mechanics, are humanities when taught with reference to the successive

achievements of the geniuses to which these sciences owe their being.

Not taught thus literature remains grammar, art a catalogue, history a

list of dates, and natural science a sheet of formulas and weights and

measures.

The sifting of human creations!--nothing less than this is what we

ought to mean by the humanities. Essentially this means biography;

what our colleges should teach is, therefore, biographical history,

that not of politics merely, but of anything and everything so far as

human efforts and conquests are factors that have played their part.

Studying in this way, we learn what types of activity have stood the

test of time; we acquire standards of the excellent and durable. All

our arts and sciences and institutions are but so many quests of

perfection on the part of men; and when we see how diverse the types of

excellence may be, how various the tests, how flexible the adaptations,

we gain a richer sense of what the terms "better" and "worse" may

signify in general. Our critical sensibilities grow both more acute

and less fanatical. We sympathize with men's mistakes even in the act

of penetrating them; we feel the pathos of lost causes and misguided

epochs even while we applaud what overcame them.

Such words are vague and such ideas are inadequate, but their meaning

is unmistakable. What the colleges--teaching humanities by examples

which may be special, but which must be typical and pregnant--should at

least try to give us, is a general sense of what, under various

disguises, _superiority_ has always signified and may still signify.

The feeling for a good human job anywhere, the admiration of the really

admirable, the disesteem of what is cheap and trashy and

impermanent,--this is what we call the critical sense, the sense for

ideal values. It is the better part of what men know as wisdom. Some

of us are wise in this way naturally and by genius; some of us never

become so. But to have spent one's youth at college, in contact with

the choice and rare and precious, and yet still to be a blind prig or

vulgarian, unable to scent out human excellence or to divine it amid

its accidents, to know it only when ticketed and labelled and forced on

us by others, this indeed should be accounted the very calamity and

shipwreck of a higher education.

The sense for human superiority ought, then, to be considered our line,

as boring subways is the engineer's line and the surgeon's is

appendicitis. Our colleges ought to have lit up in us a lasting relish

for the better kind of man, a loss of appetite for mediocrities, and a

disgust for cheap jacks. We ought to smell, as it were, the difference

of quality in men and their proposals when we enter the world of

affairs about us. Expertness in this might well atone for some of our

awkwardness at accounts, for some of our ignorance of dynamos. The

best claim we can make for the higher education, the best single phrase

in which we can tell what it ought to do for us, is, then, exactly what

I said: it should enable us to _know a good man when we see him_.

That the phrase is anything but an empty epigram follows from the fact

that if you ask in what line it is most important that a democracy like

ours should have its sons and daughters skilful, you see that it is

this line more than any other. "The people in their wisdom"--this is

the kind of wisdom most needed by the people. Democracy is on its

trial, and no one knows how it will stand the ordeal. Abounding about

us are pessimistic prophets. Fickleness and violence used to be, but

are no longer, the vices which they charge to democracy. What its

critics now affirm is that its preferences are inveterately for the

inferior. So it was in the beginning, they say, and so it will be

world without end. Vulgarity enthroned and institutionalized, elbowing

everything superior from the highway, this, they tell us, is our

irremediable destiny; and the picture-papers of the European continent

are already drawing Uncle Sam with the hog instead of the eagle for his

heraldic emblem. The privileged aristocracies of the foretime, with

all their iniquities, did at least preserve some taste for higher human

quality, and honor certain forms of refinement by their enduring

traditions. But when democracy is sovereign, its doubters say,

nobility will form a sort of invisible church, and sincerity and

refinement, stripped of honor, precedence, and favor, will have to

vegetate on sufferance in private corners. They will have no general

influence. They will be harmless eccentricities.

Now, who can be absolutely certain that this may not be the career of

democracy? Nothing future is quite secure; states enough have inwardly

rotted; and democracy as a whole may undergo self-poisoning. But, on

the other hand, democracy is a kind of religion, and we are bound not

to admit its failure. Faiths and Utopias are the noblest exercise of

human reason, and no one with a spark of reason in him will sit down

fatalistically before the croaker's picture. The best of us are filled

with the contrary vision of a democracy stumbling through every error

till its institutions glow with justice and its customs shine with

beauty. Our better men _shall_ show the way and we _shall_ follow

them; so we are brought round again to the mission of the higher

education in helping us to know the better kind of man whenever we see

him.

The notion that a people can run itself and its affairs anonymously is

now well known to be the silliest of absurdities. Mankind does nothing

save through initiatives on the part of inventors, great or small, and

imitation by the rest of us--these are the sole factors active in human

progress. Individuals of genius show the way, and set the patterns,

which common people then adopt and follow. _The rivalry of the

patterns is the history of the world_. Our democratic problem thus is

statable in ultra-simple terms: Who are the kind of men from whom our

majorities shall take their cue? Whom shall they treat as rightful

leaders? We and our leaders are the _x_ and the _y_ of the equation

here; all other historic circumstances, be they economical, political,

or intellectual, are only the background of occasion on which the

living drama works itself out between us.

In this very simple way does the value of our educated class define

itself: we more than others should be able to divine the worthier and

better leaders. The terms here are monstrously simplified, of course,

but such a bird's-eye view lets us immediately take our bearings. In

our democracy, where everything else is so shifting, we alumni and

alumnae of the colleges are the only permanent presence that

corresponds to the aristocracy in older countries. We have continuous

traditions, as they have; our motto, too, is _noblesse oblige_; and,

unlike them, we stand for ideal interests solely, for we have no

corporate selfishness and wield no powers of corruption. We ought to

have our own class-consciousness. "_Les Intellectuels!_" What prouder

club-name could there be than this one, used ironically by the party of

"redblood," the party of every stupid prejudice and passion, during the

anti-Dreyfus craze, to satirize the men in France who still retained

some critical sense and judgment! Critical sense, it has to be

confessed, is not an exciting term, hardly a banner to carry in

processions. Affections for old habit, currents of self-interest, and

gales of passion are the forces that keep the human ship moving; and

the pressure of the judicious pilot's hand upon the tiller is a

relatively insignificant energy. But the affections, passions, and

interests are shifting, successive, and distraught; they blow in

alternation while the pilot's hand is steadfast. He knows the compass,

and, with all the leeways he is obliged to tack toward, he always makes

some headway. A small force, if it never lets up, will accumulate

effects more considerable than those of much greater forces if these

work inconsistently. The ceaseless whisper of the more permanent

ideals, the steady tug of truth and justice, give them but time, _must_

warp the world in their direction.

This bird's-eye view of the general steering function of the

college-bred amid the driftings of democracy ought to help us to a

wider vision of what our colleges themselves should aim at. If we are

to be the yeast-cake for democracy's dough, if we are to make it rise

with culture's preferences, we must see to it that culture spreads

broad sails. We must shake the old double reefs out of the canvas into

the wind and sunshine, and let in every modern subject, sure that any

subject will prove humanistic, if its setting be kept only wide enough.

Stevenson says somewhere to his reader: "You think you are just making

this bargain, but you are really laying down a link in the policy of

mankind." Well, your technical school should enable you to make your

bargain splendidly; but your college should show you just the place of

that kind of bargain--a pretty poor place, possibly--in the whole

policy of mankind. That is the kind of liberal outlook, of

perspective, of atmosphere, which should surround every subject as a

college deals with it.

We of the colleges must eradicate a curious notion which numbers of

good people have about such ancient seats of learning as Harvard. To

many ignorant outsiders, the name suggests little more than a kind of

sterilized conceit and incapacity for being pleased. In Edith Wyatt's

exquisite book of Chicago sketches called "Every One his Own Way" there

is a couple who stand for culture in the sense of exclusiveness,

Richard Elliot and his feminine counterpart--feeble caricatures of

mankind, unable to know any good thing when they see it, incapable of

enjoyment unless a printed label gives them leave. Possibly this type

of culture may exist near Cambridge and Boston. There may be specimens

there, for priggishness is just like painter's colic or any other

trade-disease. But every good college makes its students immune

against this malady, of which the microbe haunts the neighborhood of

printed pages. It does so by its general tone being too hearty for the

microbe's life. Real culture lives by sympathies and admirations, not

by dislikes and disdains; under all misleading wrappings it pounces

unerringly upon the human core. If a college, through the inferior

human influences that have grown regnant there, fails to catch the

robuster tone, its failure is colossal, for its social function stops:

democracy gives it a wide berth, turns toward it a deaf ear.

"Tone," to be sure, is a terribly vague word to use, but there is no

other, and this whole meditation is over questions of tone. By their

tone are all things human either lost or saved. If democracy is to be

saved it must catch the higher, healthier tone. If we are to impress

it with our preferences, we ourselves must use the proper tone, which

we, in turn, must have caught from our own teachers. It all reverts in

the end to the action of innumerable imitative individuals upon each

other and to the question of whose tone has the highest spreading

power. As a class, we college graduates should look to it that _ours_

has spreading power. It ought to have the highest spreading power.

In our essential function of indicating the better men, we now have

formidable competitors outside. _McClure's Magazine_, the _American

Magazine_, _Collier's Weekly_, and, in its fashion, the _World's Work_,

constitute together a real popular university along this very line. It

would be a pity if any future historian were to have to write words

like these: "By the middle of the twentieth century the higher

institutions of learning had lost all influence over public opinion in

the United States. But the mission of raising the tone of democracy,

which they had proved themselves so lamentably unfitted to exert, was

assumed with rare enthusiasm and prosecuted with extraordinary skill

and success by a new educational power; and for the clarification of

their human sympathies and elevation of their human preferences, the

people at large acquired the habit of resorting exclusively to the

guidance of certain private literary adventures, commonly designated in

the market by the affectionate name of ten-cent magazines."

Must not we of the colleges see to it that no historian shall ever say

anything like this? Vague as the phrase of knowing a good man when you

see him may be, diffuse and indefinite as one must leave its

application, is there any other formula that describes so well the

result at which our institutions ought to aim? If they do that, they

do the best thing conceivable. If they fail to do it, they fail in

very deed. It surely is a fine synthetic formula. If our faculties

and graduates could once collectively come to realize it as the great

underlying purpose toward which they have always been more or less

obscurely groping, a great clearness would be shed over many of their

problems; and, as for their influence in the midst of our social

system, it would embark upon a new career of strength.

[1] Address delivered at a meeting of the Association of American

Alumnae at Radcliffe College, November 7, 1907, and first published in

_McClure's Magazine_ for February, 1908.

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