The whole of Covent Garden is classic ground, from its association

with the wits of Dryden's time, when Bow Street and Tavistock Street

were in turn regarded as the Bond Street of the fashionable world.

Edmund Waller, William Wycherley, and Henry Fielding, each lived in

Bow Street. In Russell Street stood the three great coffee-houses of

the seventeenth and eighteenth centuries--Wills', Button's, and Tom's.

Wills' stood at No. 21, at the corner of Russell Street and Bow Street;

here Pepys stopped one February evening on his way to fetch his wife,

and heard much "witty and pleasant discourse"; here Dryden had his

special arm-chair, in winter by the fire, and in summer on the balcony,

and was always ready to arbitrate in any literary dispute. It is said

that Pope, before he was twelve years old, persuaded his friends to

bring him here, so that he might gaze upon the aged Dryden, the hero of

his childish imagination. Dr. Johnson, Addison, Steele, and Smollett

were all regular visitors. Button's, which stood on the south side of

Russell Street, and Tom's at No. 17, were equally popular, and the

Bedford Coffee-house "under the piazza in Covent Garden" was another

favourite resort.

It was in Russell Street, in the bookshop of Thomas Davies, the actor,

that Boswell had his eagerly desired first meeting with Dr. Johnson,

which he describes as follows:--

"At last, on Monday, the 16th of May, when I was sitting in

Mr. Davies' back parlour, after having drunk tea with him and

Mrs. Davies, Johnson came unexpectedly into the shop, and Mr.

Davies having perceived him through the glass door in the room

in which we were sitting advancing towards us, he announced

his awful approach to me somewhat in the manner of an actor

in the part of Horatio, when he addresses Hamlet on the

appearance of his father's ghost: 'Look, my lord, he comes.'"

In St. Paul's, Covent Garden, were buried Samuel Butler, author

of _Hudibras_, Mrs. Centlivre, Thomas Southerne, John Wolcot, and

Wycherley, but when the church was burned down in 1786 all trace of

their graves disappeared.

One other literary memory before we leave the Strand; it is connected

with what was once No. 30, Hungerford Stairs (now part of Villiers

Street), where stood Warren's blacking factory, in which the child

Dickens passed days of miserable drudgery, labelling pots of blacking

for a few shillings a week. He describes it in _David Copperfield_,

under the name of "Murdstone and Grimsby's warehouse, down in

Blackfriars." It was "a crazy old house, with a wharf of its own,

abutting on the water when the tide was in, and on the mud when the

tide was out, and literally overrun with rats."

Pall Mall, the centre of club-land, in the eighteenth century was

the "ordinary residence of all strangers," probably on account of

its proximity to the fashionable chocolate and coffee-houses (the

forerunners of the clubs), which, as Defoe wrote, "were all so close

together that in an hour you could see the company at them all." In

Pall Mall itself were the "Smyrna," the "King's Arms," and the "Star

and Garter." At the "King's Arms" the Kit Cat Club met when it had

quitted its quarters in Shire Lane, and at the "Star and Garter" the

"Brothers" were presided over by Swift. The "Tully's Head," a bookshop

kept by the wonderful Robert Dodsley, footman, poet, dramatist, and

publisher, was another favourite lounging place of the times.

In Charing Cross were the "Rummer," at No. 45, kept by the uncle of

Matthew Prior; Lockett's, two doors off; the "Turk's Head," next door

to No. 17; and the British Coffee-house, which stood on the site now

occupied by the offices of the London County Council.

In St. James's Street the great coffee and chocolate-houses positively

elbowed each other up and down, just as the clubs which succeeded them

do in the present day. The "Thatched House," where the Literary Club,

founded by Dr. Johnson, held its meetings under the presidency of Swift

and his contemporaries; the "St. James's," where Addison "appeared

on Sunday nights," and "Swift was a notable figure," for "those who

frequented the place had been astonished day after day, by the entry

of a clergyman, unknown to any there, who laid his hat on the table,

and strode up and down the room with rapid steps, heeding no one, and

absorbed in his own thoughts. His strange manner earned him, unknown as

he was to all, the name of the "mad parson""; White's, to which Colley

Cibber was the only English actor ever admitted; and the "Cocoa Tree,"

nicknamed the "Wits' Coffee-house," which, in Gibbon's time, afforded

"every evening a sight truly English. Twenty or thirty, perhaps, of the

finest men in the kingdom, in point of fashion and fortune, supping at

little tables covered with a napkin, in the middle of a coffee-room,

upon a bit of cold meat or a sandwich and drinking a glass of punch."

Lord Byron was the most romantic literary figure connected with St.

James's Street. His first home in London, after his youthful days, was

at No. 8, where he went to live after the publication of his _English

Bards and Scotch Reviewers_. From this house the proud and gloomy young

man set forth to take his seat in the House of Lords as a peer of the

realm. Moore wrote:

"In a state more alone and unfriended, perhaps, than any youth

of his high station had ever before been reduced to on such

an occasion--not having a single individual of his own class,

either to take him by the hand as friend, or acknowledge him

as an acquaintance."

But this state of affairs was not to endure. On February 29th, 1812,

_Childe Harold_ appeared.

"The effect was electric; his fame had not to wait for any

of the ordinary gradations, but seemed to spring up like the

palace of a fairy tale--in a night.... From morning till

night flattering testimonies of his success reached him; the

highest in the land besieged his door, and he who had been so

friendless found himself the idol of London society."

Perhaps we cannot do better than end these literary associations of

club-land with a few words about a man who in his time was one of its

most brilliant figures--Theodore Hook. When he was released from the

King's Bench prison, with his debt to the Crown still hanging over him,

"he took a large and handsome house in Cleveland Row. Here he

gave dinners on an extensive scale, and became a member of all

the best clubs, particularly frequenting those where high play

was the rule. His visiting book included all that was loftiest

and gayest and in every sense most distinguished in London

society. The editor of _John Bull_, the fashionable novelist,

the wittiest and most vivid talker of the time, his presence

was not only everywhere welcome but everywhere coveted and

clamoured for. But the whirl of extravagant dissipation

emptied his pocket, fevered his brain, and shortened the

precious hours in which alone his subsistence could be gained."

In the height of his social triumphs there always hung inexorably over

him the Damocles sword of debt. When at last he gave way under the

strain, and went into comparative retirement at Fulham, the number of

dinners at the Athenæum Club, where he had always had a particular

table kept for him near the door (nicknamed Temperance Corner), fell

off by upwards of three hundred per annum.

* * * * *

These are a few out of the many literary memories that we may encounter

in an afternoon's stroll from the Borough to St. James's, along one of

the great city's busiest highways; others, indeed, there are, meeting

us at every corner, but space forbids our dwelling upon them, and

regretfully we must pass them by.

CROSBY HALL

BY THE EDITOR

Few old mansions in the city of London could rival the ancient

dwelling-place of the brave old knight, Sir John Crosby. Its

architectural beauties and historical associations endeared it to all

lovers of old London, and many a groan was heard when its fate was

doomed, and the decree went forth that it was to be numbered among the

departed glories of the city. Unhappily, the hand of the destroyer

could not be stayed, and the earnest hope had to be abandoned that

many a generation of Londoners might be permitted to see this relic

of ancient civic life, and to realise from this example the kind of

dwelling-place wherein the city merchants of olden days made their

homes, and the salient features of mediæval domestic architecture.

Shorn of its former magnificence, reduced to a fraction of its original

size, it retained evidences of its ancient state and grandeur, and

every stone and timber told of its departed glories, and of the great

events of which Crosby Hall had been the scene. It has been associated

with many a name that shines forth in the annals of English history,

and imagination could again people the desolate hall with a gay company

of courtiers and conspirators, of knights and dames, of city merchants

gorgeous in their liveries of "scarlet and green," or "murrey and

plunket," when pomp and pageantry, tragedy and death, dark councils

and mirth, and gaiety and revellings followed each other through the

portals of the mansion in one long and varied procession. It will be

our pleasure to recall some of these scenes which were enacted long

ago, and to tell of the royal, noble, and important personages who made

this house their home.

Many people who live in our great overgrown modern London--who dwell

in the West End, and never wander further east than Drury Lane Theatre

or St. Pancras Station--have never seen Crosby Hall, and know not

where it stood. If you go along Cheapside and to the end of Cornhill,

and then turn to the left, up Bishopsgate, the old house stood on the

right hand side; or you may approach along Holborn and London Wall.

Alas! the pilgrimage is no longer possible. Bishopsgate is historic

ground. The name is derived from the ancient gate of the city that

was built, according to Stow, by some Bishop of London, "though now

unknown when or by whom, for ease of passengers toward the east, and by

north, as into Norfolk, Suffolk, Cambridgeshire, &c." Some authorities

name Bishop Erkenwald, son of King Offa, as the first builder of

Bishopsgate, and state that Bishop William, the Norman, repaired the

gate in the time of his namesake, the Conqueror. Henry III. confirmed

to the German merchants of the Hanse certain liberties and privileges,

which were also confirmed by Edward I. in the tenth year of his reign,

when it was discovered that the merchants were bound to repair the

gate. Thereupon Gerald Marbod, alderman of the Hanse, and other Hanse

merchants, granted 210 marks sterling to the Mayor and citizens, and

covenanted that they and their successors should from time to time

repair the gate. In 1479, in the reign of Edward IV., it was entirely

rebuilt by these merchants, and was a fine structure adorned with the

effigies of two bishops, probably those named above, and with two

other figures supposed to represent King Alfred and Alred, Earl of

Mercia, to whom Alfred entrusted the care of the gate. This repair

was probably necessary on account of the assault of the bastard

Falconbridge on this and other gates of the city, who shot arrows and

guns into London, fired the suburbs, and burnt more than three-score

houses. The gate has been frequently repaired and rebuilt, its last

appearance being very modern, with a bishop's mitre on the key-stone

of the arch, and surmounted by the city arms with guarding griffins.

London "improvements" have banished the gate, as they have so many

other interesting features of the city.

The neighbourhood is interesting. Foremost among the attractions of

Bishopsgate Street is the beautiful church of St. Helen, formerly the

church of the Nunnery of St. Helen, the Westminster of the city, where

lie so many illustrious merchants and knights and dames, and amongst

them the founder of Crosby Hall and other owners of the mansion. The

church is closely associated with the hall. There in that fine house

they lived. There in the church hard by their bodies sleep, and their

gorgeous tombs and inscriptions tell the story of their deeds. St.

Helen's Church was one of the few which escaped destruction at the

Great Fire of London. There was an early Saxon church here, but the

earliest parts of the existing building date back to the thirteenth

century. There are some blocked-up lancet windows of the transept, a

staircase doorway in the south-east corner, another doorway which led

from the nun's choir into the convent, and a lancet window. There is a

Renaissance porch, the work of Inigo Jones, erected in 1663. The main

part of the structure is Decorated and Perpendicular, the fifteenth

century work being due to the builder of Crosby Hall, who left 500

marks for its restoration and improvement. The whole church possesses

many interesting features, of which want of space prevents a full

description.

[Illustration: CROSBY HALL.]

Sir John Crosby determined to seek a site for his house close to this

church and the Nunnery of St. Helen, and in 1466 obtained a lease from

Alice Ashford, prioress of the Nunnery, of some lands and tenements

for a period of ninety-nine years for the yearly rent of £11 6s. 8d.

Doubtless many good citizens of London in the present day would like to

make so good a bargain.

Sir John Crosby, whose honoured name is preserved to this day by

the noble house which he built, was a worthy and eminent citizen of

London--one of the men who laid the foundations of English trade and

commercial pre-eminence. He attained to great wealth, and his actions

and his bequests prove that he was a very worthy man. Some idle story

stated that, like the famous Dick Whittington, he was of humble origin

and unknown parentage. Stow says: "I hold it a fable said of him,

to be named Crosby, from his being found by a cross." A very pretty

conceit! He was discovered, when an infant, or having attained the age

of boyhood, sleeping on the steps of the market cross at Cheapside

or Charing; and the sympathetic folk who found him there named him

Cross-by! Our ancestors, like ourselves, loved a romance, a nice

cheerful story of a poor boy attaining to rank and opulence, marrying

his master's daughter and doing brave deeds for his King and country.

The notable career of Sir Richard Whittington, thrice Lord Mayor of

London, was so embellished with romantic incident. He was no poor

man's son who begged his way to London, accompanied by his favourite

cat. Was he not the youngest son of Sir William Whittington, the owner

of Pauntley Manor in Gloucestershire, and of Solers Hope, Hereford?

and was not his famous cat the name of his ship which brought him

wealth and affluence? Or shall we accept the story of the sale of the

cat to the King of Barbary? So the legend of the foundling Crosby is

equally a fable, woven by the skilful imaginations of our Elizabethan

forefathers. Sir John came of goodly parentage. There was a Johan de

Crosbie, King's Clerk in Chancery, in the time of Edward II.; a Sir

John Crosbie, Knight, and Alderman of London, in the reign of Edward

III.; and a John Crosby, Esquire, and servant of King Henry IV., who

gave to him the wardship of Joan, daughter and sole heir of John

Jordaine, Fishmonger--_i.e._, a member of the Worshipful Company of

Fishmongers of the City of London. This John Crosby was, according to

Stow, either the father or grandfather of the builder of Crosby Hall.

The family held the manor and advowson of the church of

Hanworth-on-the-Thames, not far from Hampton Court. This manor was

owned by the Sir John Crosbie who lived in the time of King Edward

III., and after his death it was placed in the hands of a certain

Thomas Rigby for safe custody until John Crosbie, the son and heir

of the knight, should have grown up to man's estate and attained his

majority. This estate seems afterwards to have passed into the hands of

King Henry VIII., who, on account of its pleasant situation, delighted

in it above any other of his houses.

The father of the founder of the Hall was a friend of Henry Lord

Scrope, of Masham, the unfortunate nobleman who was beheaded at

Southampton for complicity in a plot against the life of Henry V. He

bequeathed to his friend, John Crosbie, "a woollen gown without furs

and one hundred shillings."

_Bene natus_, _bene vestitus_, and doubtless _modice doctus_, the

qualifications of an All Souls' Fellow, John Crosby began his career,

embarking in trade and commerce, and undertaking the duties of a

worthy citizen of London. The palmy days of commercial enterprise

inaugurated by King Henry VII. had not yet set in. Before his time

the trade between England and the Continent was much more in the

hands of foreigners than of English merchants. English trading ships

going abroad to sell English goods and bring back cargoes of foreign

commodities were few in number. The English merchant usually stayed

at home, and sold his wares to the strangers who came each year to

London and the other trading ports, or bartered them for the produce of

other lands, with which their ships were freighted. The German Hanse

merchants, the Flemish traders, the Lombards, and many others, enjoyed

great privileges in their commerce with England. But, in spite of this,

men like Crosby were able to amass wealth and make large profits. Sir

John's dealings extended far into other countries, and he had important

connections with the Friscobaldi of Florence, who with the Medici were

the great bankers and engrossers of the commerce of Europe.

Of the great merchants who laid the foundations of our English commerce

we often know little more than their names, the offices they held,

with a meagre catalogue of their most philanthropic labours and their

wills. It is possible, however, to gather a little more information

concerning the owner of Crosby Place. The records at Guildhall tell

us that in 1466, the seventh year of Edward IV., John Crosby, Grocer,

was elected with three others a Member of Parliament. He was also

elected in the same year one of the auditors of the City and Bridge

House. In 1468 we find him elected Alderman of Broad Street Ward, and

two years later Sheriff of London. He took a prominent part in the old

city life of London, and was a prominent member of two of the old City

Companies, the Grocers and the Woolmen. Of the former he twice served

the office of warden, and preserved a strong affection for his company,

bequeathing to it by his will considerable gifts. The honourable and

important post of Mayor of the Staple at Calais was also conferred upon

him.

He seems to have been a brave and valiant man, as well as a successful

trader and good citizen. During his time the safety of the City of

London was endangered owing to the attack of Thomas Nevil, the bastard

Lord Falconbridge, to which reference has already been made. Stow

tells the story graphically. This filibusterer came with his rebel

company and a great navy of ships near to the Tower--

"Whereupon the mayor and aldermen fortified all along the

Thames side, from Baynard's Castle to the Tower, with armed

men, guns and other instruments of war, to resist the invasion

of the mariners, whereby the Thames side was safely preserved

and kept by the aldermen and other citizens that assembled

thither in great numbers. Whereupon the rebels, being denied

passage through the city that way, set upon Aeldgate,

Bishopsgate, Criplegate, Aeldersgate, London Bridge, and along

the river of Thames, shooting arrows and guns into the city,

fired the suburbs, and burnt more than three score houses.

And farther, on Sunday, the eleventh of May, five thousand of

them assaulting Aeldgate, won the bulwarks, and entered the

city; but the portclose being let down, such as had entered

were slain, and Robert Basset, portcullis alderman of Aeldgate

ward, with the recorder, commanded in the name of God to

draw up the portclose; which being done, they issued out,

and with sharp shot and fierce fight, put their enemies back

so far as St. Bottolph's Church, by which time Earl Rivers,

and lieutenant of the Tower, was come with a fresh company,

which joining together discomfited the rebels, and put them to

flight, whom the said Rober, Basset with the other citizens

chased to the Mile's End, and from thence, some to Poplar,

some to Stratford, slew many, and took many of them prisoners.

In which space the Bastard, having assayed other places on the

water side, and little prevailed, fled toward his ships."

In this determined defence of the city against a formidable attack,

John Crosbie took a leading part, bravely contending against the forces

of the foe and fighting fiercely. Twelve aldermen with the recorder

were knighted in the field by King Edward IV., and amongst those so

honoured were the Lord Mayor of London, William Taylor, and John

Crosby. Our hero was no carpet knight, no poor-spirited tradesman and

man of peace. Like many other famous citizens of his age, he could don

his armour and fight for his King and country, and proved himself a

gallant leader of a citizen army, the best sort of army in the world.

He was a devoted adherent of the House of York, and a favourite of

Edward IV., who sent him on an important embassage to the Duke of

Burgundy, who had married Elizabeth of York, the King's sister. The

secret object of the mission was an alliance against Francis I. of

France. The embassy was also sent to the Duke of Brittany with the same

object, and also to secure the persons of the Earls of Richmond and

Pembroke, who had taken refuge in France, and there felt themselves

secure. The future Richard III. was nearly persuaded to return to

England; his foot was almost on the ship's deck, when, fortunately for

him, his voyage was prevented. If he had continued his journey he would

never have worn a crown, as he would have lacked a head whereon to

place it.

Sir John Crosby not long before his death began to build the beautiful

house in Bishopsgate "in the place of certain tenements, with their

appurtenances let to him by Alice Ashfield, Prioress of St. Helen's....

This house he built of stone and timber, very large and beautiful,

and the highest at that time in London," as Stow records. The whole

structure was known as Crosby Place, and rivalled the dimensions of a

palace. All that remained of this magnificent building was the Hall,

together with the Council Room and an ante-room, forming two sides

of a quadrangle. It was built of stone, and measured 54 feet by 27

feet, and was 40 feet in height. The Hall was lighted by a series of

eight Perpendicular windows on one side and six on the other, and by

a beautifully-constructed octagonal bay window. It had a fine roof

of exquisite workmanship richly ornamented, and a wide chimney. Much

of the original stone pavement had vanished. The Council Chamber was

nearly as large as the hall, being only 14 feet less in length.

Crosby Hall has been the scene of many notable historic scenes. In the

play of "Edward IV." by Heywood, Sir John Crosby figures as Lord Mayor

of London, a position which he never occupied, and the King dines with

him and the Alderman after the defeat of the rebel Falconbridge at

Crosby Hall. He had just received the honour of knighthood, and thus

muses:--

"Ay, marry, Crosby! this befits thee well.

But some will marvel that, with scarlet gown,

I wear a gilded rapier by my side."

It is quite possible that the King thus dined with his favourite, but

there is no historical account that confirms the poet's play. The

builder did not long enjoy his beautiful house, and died in 1475,

leaving a second wife and a daughter by his first wife, whom he seemed

to have loved with a more ardent affection than his second spouse. Soon

after his death the man whom he tried to trap in France, Richard, Duke

of Gloucester, came to reside here, and made it the scene of endless

plots and conspiracies against his luckless nephews and his many

enemies. Crosby Place is frequently alluded to by Shakespeare in his

play, "Richard the Third." Gloucester tells Catesby to report to him at

Crosby Place the treacherous murder of the Princes in the Tower, and he

bids the Lady Anne to "presently repair to Crosby Place."

[Illustration: ST. PAUL'S CATHEDRAL, WITH LORD MAYOR'S SHOW ON THE

WATER.

_Engraved by Pugh, 1804._]

Memorials of Old London. Volume 2 (of 2) · 第 14 / 20 段