"I think we had better go, Charles," said she, leading the way into the

library and closing the door after us. Old Prosper with the wonderful

eyes, and who was deaf, was with his master.

CHAPTER TWENTY-FOUR

THE PRIEST AND FAUN

On another day, while alone with old Prosper and Nance, he turned to her

and said:

"Nance, did I ever tell you about the Priest and the Faun, whom I found

in my blessed attic at the top of my secret stairway?... Yes?"

"Are you feeling quite strong enough, Monsieur Jacques?" was her gentle

answer.

"Better than I shall ever feel again," came the reply.

"I should like to hear about them," she said.

"When I found them," he began, "the Priest was seated upon a stool. His

head was bowed, about his neck was the rosary, the crucifix of which he

held in his hand. Upon his face was sorrow, a great pity, infinite

patience, gentleness. His features though rugged were softened and

refined by the strength and compassion of his heart.

"His brother, the Faun, stood facing him. He was closely enough like the

Priest for their relationship to be seen at once. Yet he who stood was a

trifle larger of body, with features bearing a wild and inhuman cast of

countenance. His small bright eyes glistened in astonishment mingled

with anger. The wide, large-lipped mouth was twisted into a leer of

contempt. The small pointed ears twitched nervously. In his hand there

was the branch of an oak all clustered with leaves and acorns.

"'So you would remain here,' said the Faun in a preternatural, highly

pitched voice which had the sound of the wind in the tree-tops, 'and

count your weary beads?... You--you would do good to man,'" he smiled.

"'I would, my brother,' came the reply in a quiet, even tone, yet

compassionate withal.

"'Ah! Out with you,' fairly shouted the Faun, 'you are no brother of

mine! I--I,' he laughed shrilly, 'am brother to the trees, to the

hills, to the river, to the old god Pan, but never--

"'Ah,' he cried, changing his tone to one of gentle pleading not unlike

a summer's breeze on the river, 'come! Come with me where the wild thyme

grows, where the rhododendron climbs the mountainside with sinuous

grace, where the lusty trout leap out of their clear course from sheer

joy of living! Come with me to the dingle where my cousin the gipsy

camps o' night. Where their maidens frolic in enticing nakedness in the

streams and the old crones chant their witches' songs. Come where men

are brave and strong and virile like my sire, the oak. Come where the

berries shall stain your mouth with gladness; the frolicsome squirrel

shall call you comrade; the fairies and elves, even the goblins of hell,

shall dance about you in moonlit revels; the great-limbed satyrs shall

teach you their bacchanalian bouts; while with amorous-breasted dryads

you will discover the delectable madness of passion.... You shall roam

the wide earth--free, alive, with love and an open heart! Come!'

"At this the priest stood, and anger lit his face. The resemblance

between them was now more marked.

"'Come with me, brother to Pan,' cried he. 'Come into the house of the

poor, the broken of spirit, the conquered, the beaten, the hopeless who

have fallen in the battle! Come into the house of death, of shame, of

ignominy. Come into the hovels of wretched, diseased hearts and leprous

souls! Come where children are born into crime, and the breasts of

mothers secrete the poisonous milk of lust! Come where all of the misery

of hell reigns, brutalizing, dwarfing, killing the souls of men. Come

and let your slender Faun's fingers bring hope and health and

opportunity.... Come?'

"Thus they struggled, the Faun and the Priest, threatening, pleading,

defying. Sometime the Faun fled to his greenwood; often the Priest to

his people. Rarely, as if they would effect a compromise, did they go

together: the Priest gladly to the hills; the Faun with terror into

town. And to-day they yet wrangle.

"I have wondered in my heart, Nance, which one of them would win."

"It is when they go together, first to the dingle, then to the street,

that I like them best. That comes nearest to the way of solution," she

said, with a smile as comprehending as it was sympathetic.

"The Priest must come to nature; the Faun, at least occasionally, to

town. May not old Pan with his pipes be the brother of the Man with the

heart of God?" she asked.

"I have given a great deal of time to living, Nance, and little enough

to thinking, but I feel that you speak the truth."

* * * * *

An hour later Monsieur l'Abbe, dreaming of France with her sunny fields,

her morning roads, and happy village streets, discovered a boy fishing

by a merry little stream.

"Do you live here?" questioned Monsieur Picot, indicating the town near

by.

"Yes," returned the boy, "I live when I am here," meaning the river and

the hills, "but I stay in the town. I know it is natural to live in the

fields.... Was it not queer that the good God should make that which is

right so different from that which is natural?"

"But the good God did not, my son," replied the priest.

"Are you sure, sir? My master thinks He did."

"Your master is wrong, my lad.... Tell me, your face seems familiar to

me," said the Abbe, "have I ever seen you before?"

"You have," replied the boy; "I am your soul."

And Monsieur l'Abbe smiled in his sleep.

CHAPTER TWENTY-FIVE

MONSIEUR L'ABBE PICOT GOES UPON A JOURNEY

As Monsieur l'Abbe Picot's illness grew and he became largely

unconscious as to what was going on about him, the more closely Nance

confined herself to nursing. Because of many urgent calls I was forced

to be away from them more than I liked, but old Doctor Longstreet spent

many hours of each day reading in the library, adjoining the bedroom, in

case he should be needed. But dear little Nance, whose face became thin

and whose eyes grew large with watching, scarcely left her patient.

Then there came the day when old Prosper went across the river in a

small skiff to a neighboring city a few miles away, returning two hours

later with the parish priest. He was an old man of delicate frame, with

the thoughtful, patient cast of countenance of the student. After the

confession, upon his return to the library, his face wore a very gentle

and peaceful expression. I have wondered at the strange words he must

have heard. He came from a charge whose sins were doubtless exceedingly

commonplace. Was there any rare and startling tale stirring his heart?

What were the struggles and experiences of the soul of this adventurous

brother of St. Francis of Assisi? If there was anything to startle, it

could be guessed only from the preoccupied manner in which he sat

looking into the fire with eyes which, when you caught them, were

brimming with wonder and with tears. The three of us, though no words

were then or ever spoken, shared with profound sympathy a common sorrow,

which we alone fully understood.

"I shall remain with you," he said. We nodded our approval, his being

the only words spoken.

All night long we kept a prayerful vigil beside the troubled bed of

Monsieur l'Abbe. For hours I leaned above him in the darkened room, lit

only by the firelight, giving him what assistance and relief lay in my

power. Nance, at the east window, gazed out into the impenetrable

darkness. For hours at a time she stood and looked as into space and

without so much as moving. Now and then she came to my side and raised

questioning eyes to my face. Upon shaking my head she would return to

her place, like a sentinel upon duty. At last, when the gray dawn shone

ghastly and ugly over the snow-covered landscape, my patient appeared to

grow easier and from a restless suffering night he sank into a very

gentle sleep. I closed the curtains about his bed and, stealing softly

across the floor, stood beside Nance.

The day was breaking. Together we stood and watched the sky turn from

its sickly pallor of many weeks' duration into wonderful shades of gold

and then to glorious crimson. All of the east was streaked with red.

Together we watched the winter's sun peep over the edge of the world and

restore the hope of the land with a smile. Together we stood and

watched and waited while the Master painted. Unconscious of anything but

the present need of the heart, forgetful of anything which now lay

eternally behind, I tenderly placed my arm about her, and Nance, with

the sob of a grief-stricken child, laid her weary head upon my breast.

The sunlight from over the hills and the river burst into the room like

an irresponsible, happy youth and flooded it with light.

"I shall need you very much now, dear," she said simply. Suddenly from

the bed we heard him call:

"My children!"

We hastened to his side and drew the curtains.

"The sun!" exclaimed he. "I own the sun," he smiled at me.

Then for a moment he caressed it and seemed to drink in its life and

beauty as it shone in lusty splendor upon his counterpane.

"Will you place some pillows behind me?" he requested.

"Now, that will do. Thank you, my dear-a," he smiled feebly at Nance,

who had deftly arranged him so that he half-way sat up.

"Ah, my little jade, I'm off for the long, white highway.... My

children, yours is the old home--

"Do not interrupt me!" he exclaimed. "I must speak now, for they are

waiting, for me.... The old house, the old Prosper, the books, and my

pleasant ghosts--I shall leave them and yet take them, that being a

special privilege allowed choice spirits--all, all yours, my dears....

As for me," here he smiled in an old familiar whimsical way, "I'm off

for Paradise!"

Nance fell sobbing to her knees and buried her face in her hands.

"What," he cried, with unnatural strength, accompanied by flights of

fantasy, "have you not heard me say, many's the time, that when I should

come to die--"

He stopped long enough to place a hand upon the head of the kneeling

girl.

"Ah, Nance, the word must not hurt you.... When I should come to die,"

he continued, "I hoped to find myself, on passing, in a certain little

house in the Rue St. Jacques, with Rogue and Columbine waiting at the

door while the good angel would be saying, 'Monsieur Picot, my

compliments.... Here, my dear Monsieur, there are no poor, no sick, no

broken-hearted. There is nothing at all to be done--no task for the

little Abbe of the Church of the Street. Take your blessed caravan and

follow _le long trimard_ of your heart's desire.... I--I, eternal

Wayfarer, am Death, and this--this is Paradise.'

"Au revoir, my son.... Au revoir, my daughter.... I'm off--off for

France!" Here he seemed to gather a moment's strength.... He attempted

to sing:

"'Will you buy any tape,

Any lace for----for----'

"I'm off, my dear-a, for Picardy, for beautiful Amiens, Rouen, to black

Rennes, for dear old Paris, for the road from Lille to Dunkerque."

Here his voice grew faint and it was with an effort he whispered:

"Sometimes, my dear-a, come here to the green and watch for me as of

old.... Who knows? Who knows, my children? Perhaps I shall be gone

forever and a day.... Perhaps," and he rose from his pillows,

"perhaps--au revoir--

"Rogue, you sacre pig of a zebra, home.... Home!"

And Monsieur l'Abbe Jacques Picot had gone upon his journey.

The Golden Road(#35509) · 第 8 / 8 段