"Ah, my little jade," said he, with an obvious note of sympa

E-text prepared by D Alexander, Juliet Sutherland, Josephine Paolucci, and

the Online Distributed Proofreading Team (http://www.pgdp.net)

Note: Project Gutenberg also has an HTML version of this

file which includes the original illustrations.

See 35509-h.htm or 35509-h.zip:

(https://www.gutenberg.org/cache/epub/35509/pg35509-images.html)

or

(https://www.gutenberg.org/files/35509/35509-h.zip)

THE GOLDEN ROAD

There is night and day, brother, both sweet things; sun,

moon, and stars, brother, all sweet things; there's likewise

a wind on the heath.

--GEORGE BORROW.

[Illustration:

"_Good-night, dear Jean Francois," said she with gaiety._

"_May your dreams be of your beloved roads of Picardy."

She threw him an elfish kiss from her finger-tips and

hastened into her airy improvised bedroom._]

THE GOLDEN ROAD

by

FRANK WALLER ALLEN

Author of "Back to Arcady"

With Illustrations and Decorations by George Hood

[Illustration]

New York

Wessels & Bissell Co.

1910

Copyright, 1910, by

Wessels & Bissell Co.

October

Entered at Stationers' Hall

All rights reserved

Premier Press

New York

CONTENTS

CHAPTER PAGE

I THE HAPPY PEDLER COMES TO TOWN 3

II THE JADE AND THE INQUISITION 13

III JEAN FRANCOIS' VAST POSSESSIONS 23

IV THE MISADVENTURE OF A CIRCUS 35

V TIMID CONQUEST COMES TO TOWN 48

VI THE JADE, A NONENTITY, BECOMES THE ILLUSTRIOUS NANCE 57

VII A PEDLER'S PACK OF DREAMS 68

VIII MONSIEUR L'ABBE PICOT OF THE BRAVE, OUTLANDISH HEART 74

IX THE CHILD IS FATHER TO THE MAN 86

X ON THE MORNING ROAD 97

XI THE SATISFACTORY EXPLANATION OF NANCE 107

XII A HEBE OF THE HIGHWAY 117

XIII THE NIGHT IN THE GREENWOOD 129

XIV VICARIOUS VAGABONDS 136

XV "IF I WERE MONSIEUR L'ABBE PICOT" 146

XVI HEBE'S FAREWELL TO PAN 155

XVII THE DAY OF FAITH 163

XVIII THE DAY OF DOUBT 171

XIX THE DAY OF LOST CONFIDENCE 176

XX MONSIEUR L'ABBE AT HOME 185

XXI "LITTLE ST. JACQUES OF THE STREET" 194

XXII MONSIEUR L'ABBE LIES ILL 201

XXIII "I WOULD TALK WITH SOME OLD LOVER'S GHOST, WHO

LIVED BEFORE THE GOD OF LOVE WAS BORN" 210

XXIV THE PRIEST AND FAUN 216

XXV MONSIEUR L'ABBE PICOT GOES UPON A JOURNEY 222

ILLUSTRATIONS

_She threw him an elfish kiss from her finger-tips and hastened

into her airy improvised bedroom._ (Page 135.) Frontispiece

_The Boy ceased his sobbing. After a while, looking up with a

tearful, smiling face, he announced, as if to the Voice that

had called him_: "_Now I must go to work._" Facing page 92

_A solitary man, standing on the hilltop, turned slowly from

mountain to valley, from sky to field, seeming to eat and

think and breathe--to make a part of him by some paganish

transubstantiation--the very day itself._ Facing page 98

PART FIRST

"'T WAS PAN HIMSELF HAD WANDERED HERE,

A-STROLLING THROUGH THE SORDID CITY,

AND PIPING TO THE CIVIC EAR

THE PRELUDE OF SOME PASTORAL DITTY!

THE DEMIGOD HAD CROSSED THE SEAS--

FROM HAUNTS OF SHEPHERD, NYMPH, AND SATYR,

AND SYRACUSAN TIMES--TO THESE

FAR SHORES...."

--_Edmund Clarence Stedman._

THE GOLDEN ROAD

CHAPTER ONE

THE HAPPY PEDLER COMES TO TOWN

At the close of a glad day in early June, Nance and I stood watching a

horse and van, driven by a stranger of captivating appearance, turn from

the down-river turnpike and halt on a grassy knoll overlooking the Ohio.

The cart, which was a large two-wheeled affair with little cupboard-like

boxes beneath, and a short pair of stairs for mounting stored on the top

among a medley of old umbrellas, bore an adventurous, foreign aspect. At

least we had seen nothing before so wonderful. Its wheels were low and

broad-tired; the shafts were thick and heavy with a prop suspended from

each of them, that the weight might be balanced when not supported by

the ragged brown mare now pulling it. The body, held rather high above

the axle by a pair of big, bowed springs, was completely closed upon

all sides like a circus wagon, though, more than anything else, this

queer craft seemed a sort of private Noah's ark. The entrance was in the

rear and, as we afterward discovered, could be reached by mounting a

wheel, hauling the steps from the roof, and attaching them to small

sockets in the door-sill. This amazing and spectacular vehicle was

painted a brilliant yellow.

The man idling beside this magnificent equipage was the most picturesque

being I have ever seen. He was of medium height with broad, muscular

shoulders, sturdy legs like one used to walking much in the open, and a

general ease and grace of movement, as if each motion were made to

music, indicating a perfect health of body. His features were large and

generous with penetrating quizzical gray eyes, a nose slightly Roman,

and a wide mouth which seemed continuously to be struggling to suppress

a smile. He wore a short bushy beard that needed brushing. His hair was

red, heavy, unkempt, and a trifle long, completely covering his ears.

On his feet were stout, heavy-soled, laced boots. Thrust into their tops

were well-worn corduroy trousers. His shirt was of dark blue woolen

material, open at the neck, showing a corded, hairy chest. He wore no

hat.

Upon arriving at the knoll the master of the van sat hastily upon the

ground and, as if gravel had been eating into his heels, quickly removed

his boots. Then he rubbed his feet slowly and sensuously over the soft

cool grass as if it were a specific for drawing fever from blistered

soles. Next, quite as suddenly, he arose and went about the business of

unhitching the mare from the cart. Just as he was leading her from her

burden we, like curious children, drew near and mumbled a bashful good

evening.

"How do you do, my dears," he said, with frank good humor.

"My name," I ventured, "is Charles Reubelt King, and hers is Nance

Gwyn.... This is our common," I added, with the condescending air of the

small proprietor whose vanity was touched because of not having been

consulted concerning its occupancy by the daring incumbent.

"Happy to make your acquaintance, Mr. Charles Screwbelt Ring. Miss Nance

Gwyn, I am distinctly honored.... And I," said he, with an elaborate bow

in which he removed and swept the ground with an imaginary hat, while

one hand pressed his heart, "am Jean Francois, sometimes known as the

Umbrella Man, at others as the Happy Pedler.... I am pedler, poet,

mender of umbrellas." Here he straightened to his full height, all the

time yelling directly at me, "Umbrellas to mend! Umbrellas to mend! No?"

he exclaimed with a comical shrug of his shoulders, and then continued,

"I am philosopher, vagabond, musician,--a very sad gentleman you see,

who am fifth cousin to Master William Shakespeare, and own brother to

Francois Villon, one-time king of the French!" Then, again turning and

addressing himself particularly to me, "I own the road, the river, the

hills, the trees, and all the blue summer sky. The stars are mine, too,

and I turn 'em out to pasture o' nights."

"O, I beg your pardon, Mademoiselle," he cried to Nance, as if he had

forgotten something pertaining to good breeding.

"This lady," here he turned, including in his bow the patient little

brown mare waiting at his elbow for the bridle to be removed, "is my

mare Rogue. She's not a pretty lass, and she lacks a sense of humor.

There are none like her for a pleasant ramble down the road. She loves

her sugar like a child.... Shake hands with Miss Gwyn, my dove," he

added, while Nance timidly touched the extended hoof.

"Also," continuing the presentations, "Mademoiselle Columbine," and he

waved a hand whimsically toward the yellow van. "She is beautiful, now,

isn't she, my dears? And she's sound, serviceable, and optimistic. She

holds my dreams.... What more could you ask? Yes?"

"And last of all," said he, removing with a flourish a little, burned,

villainous briar-root pipe from his mouth, "this is Pierrett. She's a

dirty wench, but sweet and toothsome as parched corn. She is as

philosophical as a fisherman, as independent as a church pillar, and

she's my soul mate! Eh, Pierrett?"

"You see," he said, addressing me to the exclusion of Nance, as he

turned Rogue onto the pasture, "I'm the lone male among all of these

females. A sort of Mormon elder, I am; but, tut, man, it's only a

brotherly kind of relationship which doesn't entail jealousy.... You

see, son, everybody's children are mine--yes, you two's my kiddies--and

I pretty much own the world; only, you see, I don't take it and use it

except for traveling purposes. All I ask," said he, becoming quite

serious, with a far-away expression in his splendid eyes while he

pointed down the long white highway, "is a road to roam,--_le long du

trimard_--a river now and then for variety, the sigh of my music in the

greenwood, a bit of milk and cheese on a village common at night, for I

love the homely gleam of distant lights, and the stars to sing me to

sleep while browsing Rogue twinkles her grass.... Um, ah, doesn't make

you sleepy, son, just to hear about it? Yes?"

"Now, Mr. Charles--"

"Reubelt King," I hastened to correct him, as he hesitated with a merry

twinkle in his eye.

"--Reubelt King, run along and tell me whose house that is way down

yonder on the river."

"The old home of the many pillars?" I questioned. "Monsieur l'abbe

Jacques Picot."

"Father Picot?... The hell--O, I beg your pardon, Rogue, Pierrett,

Columbine, and your young ladyship!... You females are terribly

ubiquitous at times.... No, that's not a cuss-word, Mademoiselle. It

means you women are always lingering around a good, healthy, pleasant,

cussful male like me.

"Where'd I come from? Just down the _chemin_, my dears. And if you were

impolite enough to ask me where I was going, that's where--down the

road.... Where do I live?"

Jean Francois sings:

"Under the greenwood tree,

Who loves to lie with me,

And turn his merry note

Unto the sweet bird's throat,

Come hither, come hither, come hither:

Here shall you see

No enemy

But winter and rough weather.

"Who doth ambition shun,

And loves to live i' the sun,

Seeking the food he eats,

And pleased with what he gets,

Come hither, come hither, come hither:

Here shall he see

No enemy

But winter and rough weather."

"Is that as you like it, my dears?... My cousin has quite a fancy for

the song. He's a sort of _trimardeur_ who once made plays.... He wrote

'em and acted 'em, but, son, I live 'em."

Then, seated upon the grass, he spoke half jestingly, and yet with a

serious note of reminiscence in his voice:

"Sometimes I'm Jacques, that melancholy cuss. Sometimes I'm Puck--merry

Robin Goodfellow. You wouldn't believe it, now, would you? Sometimes,

Touchstone. Often I am Ariel--

"'Where the bee sucks, there suck I:

In the cowslip's bell I lie;

There I crouch when owls do cry.

On the bat's back I do fly

After summer merrily:

Merrily, merrily, shall I live now

Under the blossom that hangs on the bough.'"

"I have been Romeo, but no more for me.... Nance, you red-headed little

jade, how old are you?"

We were preparing to leave. We weren't interested. What did we care

about all of this? Who were Ariel and Puck, anyhow? I could see that

Nance did not like one bit being a "red-headed jade." She was always

very sensitive about the color of her hair and the freckles on her nose.

"Don't go, my kiddies," he suddenly pleaded. "Look-e-here. I'm going to

make a big, crackling fire in a minute. Then we'll have a bucket of

water from the river. I've a kettle and some eggs aboard the

Columbine.... Say, we'll have the one great time of our lives!"

It took no unusual amount of insisting to make us enter into a game like

that with zest. And O, the mysteries of the interior of Mademoiselle

Columbine. O, the stories of caliphs and kings and grand viziers and

robbers and things. And they were friends of his, too. Personal friends!

It was unpleasantly late when we stole away home to scoldings and to

bed. He told us to refer 'em to him, and he'd fix things with the

grown-ups. Our parting glimpse, as we ran across the pasture, was Jean

Francois, seated in the grass within the circle of the glowing light of

the embers, talking to his pipe. Pretty soon, we knew for he told us,

he'd be in bed. He used the stars, he remarked, to button the covers

down, and he'd dip 'em into the river to put them out in the morning.

CHAPTER TWO

THE JADE AND THE INQUISITION

It is time you knew old Doctor Felix Longstreet, Nance Gwyn's Waltonian

grandfather. For short, she frequently designated him as "The G. F." His

chief happiness lay in the hours he stole from his practise to put in

with a rod and minnows on Eagle Creek and in rearing his granddaughter,

both of whose parents were dead, in the most unconventional manner

possible. With him lived a maiden sister, Miss Barbara. Her gods were

convention and propriety. They were the doctor's devils. Truly, Nance

lived "between the devil and the deep blue sea!"

"The world of men," I once heard the old doctor remark, "is divided into

two classes: those who understand that a river has a heart and those who

do not care a tinker's damn if it hasn't." Upon his retiring from the

room a half-hour after this sentence was delivered, Aunt Barbara, after

glancing timidly about to be sure that he had gone, ventured to Nance

and me, engaged in making a small boat upon the portico, the following:

"He is right. Always right, for that matter!" she exclaimed with

vehemence, nervously patting her foot upon the floor. "Now I know of no

one who has so many characteristics in common with a stream as my

brother Felix. He can be as full of peace and happiness and gentle

little ripples to-day, then to-morrow as picturesque with whippy, foamy

whitecaps and occasional squalls as the river he loves."

"Very true, Aunt Barbara," commented Nance with deliberateness, "and I

know he can flow by in the most exasperatingly placid, disinterested

manner possible. Also, should the occasion arise, quickly fill up with

ice!"

It would be unfair, however, not to tell you that a more gentle man or

true never lived than this old river god. Indeed, he is the veritable

reincarnation of Izaak Walton. It is true old Izaak tended his

linen-draper's shop, while Doctor Longstreet tends his pills. It was

Jean Francois who made the remark that the chief difference lay in the

fact that the one coated the body on the outside while the other coats

it on the inside. Our pedler also pointed out, again, that both were

very much alike in loving a friend, a pipe with a bit of philosophy, a

quiet stream, and a favorite rod with which to go a-fishing.

Just how long Doctor Longstreet has practised medicine in Oldmeadow, I

shall not presume to say. It seems to me as if always he has been there;

always smelling delightfully of a mixture of strong tobacco smoke and

carbolic acid; always riding over the countryside, or carrying through

the town a pair of small leather saddle-bags or a fishing pole. Very

frequently both. Nance, who was in a position to know, said that one

side of these cases contained pills and the other angle worms.

At any rate, I know that seemingly a very long time ago, in comparison

with myself, he was born in Virginia. In his youth he was graduated

from the University at Charlottesville, and later from the Jefferson

Medical College. Upon receiving his diploma, entitling him to practise

medicine, he came directly to Oldmeadow. Except for four years spent as

a surgeon in the Confederate army, he has given his life to this old

Kentucky town on the Ohio river. For the present this is enough of him,

save to mention that other than Nance, with the sun-colored hair; the

river, which embraces "goin' a-fishin'"; and General Robert E. Lee, a

name symbolizing all that Virginia and the South mean to him, he loves

the little town, with its old-fashioned customs and traditions, which

has been the background for most of his activities.

* * * * *

The morning following our glorious introduction to the magnificent Jean

Francois I was out early and bound for the commons. I scarcely expected

Nance to be up. I felt that there would be something intimate and

personal, perhaps undefinable, it is true, between this master of the

happy caravan and myself because we were both men. I had made up my mind

that he was a woman-hater. As I hurried along the street my plans were

brutally shattered, for whom should I encounter but the red-headed jade

herself, grinning quite wickedly, even though her hand was tightly

gripped in that of her Aunt Barbara, whose serious features were drawn

together in grim determination.

"I want you, too, Charles Reubelt," said Miss Longstreet curtly, and

with evident disapproval not only in her tone, but in the look with

which she surveyed my full diminutive person.

"Yes, we want you, Charles Reubelt," Nance reiterated in close, but

undetected, imitation of her Aunt Barbara.

Now while this really very charming spinster had no actual command over

me, having quite tangible parents two blocks away, yet I acknowledged an

assumed authority felt by every boy and girl in Oldmeadow. So,

yielding, I fell in behind, marching meekly to Doctor Longstreet's

office.

We entered in single file, Miss Longstreet shoving Nance unceremoniously

before her. I lingered, cap in hand, near the open door.

"Felix," she began, in a voice slightly agitated by the fear of the

unknown result in approaching the old doctor upon any subject, "do you

know where these children were last night?"

"No, my dear Barbara," he replied with irony, looking up from a series

of powders he was proportioning with his jack-knife on a piece of

newspaper; "were they drowned?"

"No, but she might well have been, for all that you look after her!" she

exclaimed, now leaving me out of the arraignment and giving herself

solely to Nance.

After carefully lifting each powder onto a small square piece of paper,

torn from his writing pad, folding them neatly, and placing all of them

in an envelope which he proceeded to seal, then to write directions upon

the back, he again gave his attention to his sister.

"So she has been swimming with Charles Reubelt," he said, in mock

horror.

"For heaven's sake, no, Felix. Don't you dare suggest such a thing to

her.... The way you do talk!"

"What has she been doing then?" he asked, looking severely over the rims

of his spectacles at the offending young lady.

With slow and effective emphasis Aunt Barbara brought her accusation:

"They were out on the common until ten o'clock last night with a tramp,

that's what!" You will notice that again I was included in her remarks.

"With what?... With who?" he exclaimed to Nance.

"With Jean Francois," came the brave reply of the jade.

"Barbara, Barbara," he exclaimed in quick, whispered hisses.

"Yes, my brother," she replied, rising to the seriousness of the

occasion.

"They say that his ears are pointed! That he has legs and feet like a

goat!"

"How shockingly unbecoming," and she gazed reproachfully at the

culprits.

The doctor glared viciously at each of us in turn; blew his nose

resonantly; shook himself like a big Newfoundland, and then, much to

Miss Longstreet's chagrin and our astonishment, burst into hearty

laughter.

"What!" cried he. "So you two are just discovering my friend, Jean

Francois?... Poet, pedler, philosopher, mender of umbrellas, and player

on the pipes," said he, drolly imitating our friend of the night before.

"You knew him all of the time?" I exclaimed.

"Let me see," said the doctor reminiscently; "when did I first discover

the happy pedler?... O, yes, the second year after the Abbe Picot came

to live in Oldmeadow. I remember now. It has been some five or six years

ago.... That's what you youngsters get by going away every summer

instead of remaining at home with your betters."

"Is he a _real_ poet?" ventured Nance, with her accustomed irrelevance.

"Certainly," came the reply. "Hasn't he said so? Besides, he knows his

Shakespeare like a scholar.... Cultivate him."

"Cultivate!" cried the now fully alarmed Aunt Barbara. "Felix, you are

positively indecorous.... Cultivate a tramp?"

"Barbara, my dear, I assure you, he is quite a gentleman. He likes my

pills, he loves the river like a brother, and he knows his Shakespeare.

That is quite enough.... What do you want, my dear unwearied sister--a

frilled shirt-front? I've seen many a one bowing over you in the old

days all togged out in finery who hadn't half so great a heart and half

so genuine a manner.

"Now, Nance," he said, turning from the thoroughly squelched Aunt

Barbara to us, "Jean Francois comes with his happy caravan--a name I

gave his outfit the first time I saw it--every year when May or June is

at her bonniest. Nobody knows just when or where he comes from, and no

one, who loves him, cares. All of a sudden he's here, that's all. He

always camps on the green, where you discovered him last night,

overlooking the river. Sometimes he's here most of the summer. Sometimes

it's just a week, or a month. Then, like he comes, he just goes.

"'It's a fever,' he said to me once in answer to a question as to why he

was off, when I met him on the river road, bound west. 'It's a fever

that you, old Saddle-bags, can't pill or cuss away.... Au revoir,' and

his Columbine moved away.

"Occasionally he returns during the late September days. It is only for

a week or a day, however.... I can always tell that he is coming by the

wild geese flying. He is a migratory bird--this Jean Francois of ours."

If the doctor continued to speak of the pedler to Aunt Barbara, we never

knew it. Nance and I slipped through the door into the June sunshine and

hurried across the village to the common, where camped the master of the

happy caravan.

CHAPTER THREE

JEAN FRANCOIS' VAST POSSESSIONS

Would it make you happy to know that you possessed, as your heart's own,

a long, white, alluring road? A joyous, lovable, intimate road which

leads over the hills through a thousand friendly trees, all sheltered

beneath the wide blue sky. A road of many moods: a gentle road; a brave,

true road; a morning road; a smiling, sunset road; a devil-may-care,

starlit road; a lover's moon-whitened road; a road that goes and goes,

never returns, yet always is homeward bound. Home to the dingle, the

glen, the sheltering greenwood, the chattering little river; the camp of

the gipsy. A road bordered by flower-faced fields with drowsing

villages, now and then, like ancient inns with bread and cheese and

milk.

Such is Jean Francois' great highway. All the morning he spent telling

us of _le long du trimard_, to use an expression frequently upon his

lips. He told us of the men of the road, their dreams, their strange and

adventurous lives. Often he spoke simply of amazing and unlooked-for

deeds of heroism. He sang of nymphs, of dryads with wondrous beauty. He

talked of marvelous, strong-limbed satyrs, of gentle fauns stealing

through the wild-wood. In whispered words, with bated breath, as if he

told of sacred secret things, he described to us the days of his

brother, the great god Pan.

"There are those," said he, "who say that Pan is dead. They are but

blind. Some day, if life is kind, I shall take you to him. When once you

hear the immortal music of his oaten pipes you will have discovered the

passionate note which will lead you, lead you down the road, over the

hills into the far away where youth and the greater love abide, as was

meant from the beginning of the world.... Long live the great Pan,"

cried he.

Then, as if suddenly coming back to this as from another world, his eyes

lost their preternatural expression and became wistful and kind and

merry.

"And what do you think of it all, my children?" said he, with a sweep of

his hand, which was meant to include all the splendid things he had been

telling us. It never seemed to occur to him that he doubtless spoke of

much which was utter mystery so far as we were concerned. But that was

characteristic of the man. He talked to Nance and me in very much the

same manner in which he spoke with Doctor Longstreet.

Nance's reply came as a surprise to me. I was glad her Aunt Barbara was

not numbered among those present. With slow and serious mien she said:

"Some day, Jean Francois, I shall be a gipsy with you."

"Ah, my little jade," said he, with an obvious note of sympathy and

gratitude in his voice, "so you have heard the call of the road?... Yes,

there will come a time when we'll go hand in hand down the traffic

lands. We'll roam forever and a day, forever and away.... You shall help

me cry my wares."

Then, seeing in Nance's face a look which took him at his word, and upon

mine questionings bordering upon alarm, he burst into hearty laughter,

restoring our poise, and cried:

"You must not take too seriously, my dears, the nonsense of the happy

pedler!"

"What of you?" he asked, quickly turning to me. "Have you heard it

too--the call of the road? No?"

As for me, I'm distinctly of the town. So, using a phrase kin to his

own, I replied:

"Oldmeadow belongs to me," and I launched into a boyish panegyric of my

birthplace.

* * * * *

It is a quaint bit of a village, where spectacled old ladies in black

lace caps poke case-knives about the roots of rose-bushes, while elderly

gentlemen with canes hobble over flag-stone sidewalks to their favorite

seats in the spicy, leathery, brown-papery atmosphere of the store. In

some features Oldmeadow seems even older than the river, though I am

assured by cracker-barrel historians that this is not a fact. It has

been here long enough, however, to become a fixed part of the landscape,

which is no more likely to change than the course of the Ohio, or the

shape of the Kentucky hills away to the south. The older folk are

careful not to die until they have faithfully imparted to the younger

people all of their old-fashioned courtesy, gentle virtues, assorted

prejudices, and cures for mumps, measles, and rheumatism.

"Oldmeadow herself--" I began, but Jean Francois interrupted.

"Quite right, son. 'She' is the word. She is distinctly an elderly

maiden lady with old-time beauty; a sort of adorable shyness; a certain

charming primness which sits upon her head like a Sunday bonnet. She

takes a friendly interest in the love affairs of the young if duly

governed by a proper regard for propriety. Her conventional amusements

she defends from the parson with roguish pleasantry. Over the evening

coffee she takes a half-frightened delight in mild gossip.... That's

your aunt Oldmeadow," concluded Jean Francois, with a smile.

Oldmeadow rests--I think you will agree with me that "rests" is the

word--just high enough to be secure from the June rise, and very timidly

peeps, as if she were fully expecting to see some naughty naked little

boys in swimming, through the willows over the banks of the most

beautiful river in the world. The great, lazy Ohio slowly winds into

view from among the hazy hills in the east, lingers for a moment after a

manner most friendly, and then, with assumed indifference, drifts away

to disappear among other hazy hills in the west.... Do you remember how

we used to ask the grown-ups, "Where does the river come from?"... The

river is made very human, and the town, which has no railroad to this

day, is kept in touch with the outside world by the big, white-collared

steamboats which plow their way daily between Louisville and Cincinnati.

When you climb the high banks and get into the village the sidewalks are

of large flat stones, with peppergrass and green old moss growing

between them and about the roots of the gnarled honey-locusts which have

stood for a hundred years along the primitive gutters. The houses are

delightfully old-fashioned and quaint. Some are mere plain white

cottages far back from the streets, where vines cover the latticed

porches. In the lawns circles and crude stars are made for peonies and

sweet williams. Some, however, are more pretentious, being built of

stone or brick, with occasional pillars, colonial in manner, with wide

old arches above the damp, moss-covered slabs of the floor.

"Your village should be very happy," remarked Jean Francois, after my

conclusion. "Does she not have the river to sing to her; the tree-clad

hills for shelter; the good blue sky to smile upon her; grave old homes

with green sunny gardens to lend dignity; and the laughing loves of

youth to keep warm her heart?... There's the village for a road like

mine!"

Oldmeadow possesses three points of greater pride: her hospitality,

which needs no encomium; the "college," of which more anon; and the Old

Mansion of Many Pillars.... It was of this home that Jean Francois now

asked the history. Every child in the village knew it, for, was it not,

with its mystery, its ghosts, its inviting splendor, the heart's desire

of Nance and me ever since, for us, time began?

It stands in an ample yard, amid old pines, locust trees, and lilac

bushes, overlooking the river. It is a great square house of the

colonial type, with low wings to the right and left. The windows are

large, deep-seated, and many-paned. The enhancing feature, however, is

the big, broad portico, the roof of which is supported by noble

Corinthian columns, spotted and green with moss and ivy. This house is

not only the most elegant, inside and out, in Oldmeadow to-day, but in

that time it possessed an atmosphere of aristocratic seclusion,

amounting in the minds of the children and negroes to mystery.

Until recent years it had been the property of an old French refugee of

the ancient regime. His father had fled from the court of Louis XIV to

Louisiana. The son, years later, having gotten into some trouble over a

woman, killing his man, which, so far as we are concerned, is another

story, came into the river valley of Kentucky and at vast expense built

the old mansion as it now stands. To all appearances he had wrought with

the expectations of some one sharing the home with him. It was made for

happiness, love, and children. At first he was a jolly, gay young

fellow, seeking society. After a few years, however, he gradually

withdrew from his companions, became silent, morose, and lived

altogether to himself. His townspeople saw him seldom, his servant

making the necessary trips for supplies. He led the life of a recluse

and a student. The reason for this always remained unknown. It served

for many a fireside topic on winter evenings. Old men spun gossipy

anecdotes concerning it, and the old ladies, romantic tales. Youth built

melodramatic love stories for him, while children made of it the source

of fantasy.

Finally, when he sickened and died, beside his servant, Doctor Felix

Longstreet alone was with him. Unless the doctor knew, and no one dared

question him, the secret of the old Frenchman's life passed with his

soul. It was the physician, in compliance with the last commands of the

dead gentleman, who corresponded with the heir designated by the will.

This was Monsieur Jacques Picot, of Paris, whom he notified of his

inheritance and the conditions attached thereto. These were, briefly:

That he must come to America and occupy the house; that he could neither

sell nor give the property away; that at his demise, however, he could

bequeath the estate to whomever he chose. In case the Abbe Picot would

not accept these conditions, everything was to revert to a more distant

relative, Captain Martin Felon of the French army. It was said the

original owner of the old home made these strange demands because of his

desire to force all of his kith and kin from their native country. He

was an intense American, and had not forgotten that his father had been

a fugitive.

* * * * *

"Ah," cried Jean Francois, nodding his head with a mysterious air, "that

accounts for many things.... Some day I'll take Rogue, Columbine, and

Pierrett, go down among the bayous, and discover why a gentleman of the

old regime lost heart. Then, maybe, I'll tell you about it.

"Meantime, my dears, don't you think it would be pretty fine for you to

grow up and live in this old home as your very own? Yes?... Monsieur

l'Abbe cannot live always, I know. I happen to be slightly acquainted

with him. He is very kindly disposed toward you. There's no telling what

he might do.

"How would it suit you, Nance Gwyn of the sun-colored hair, to one day

be mistress of the mansion?"

"I am not quite certain," said she, for the old home had quite a strong

hold upon the imagination of Nance as well as all the rest of

Oldmeadow's children, "but I think I should take Columbine and you and

the road, first, Jean Francois."

"First?" exclaimed the pedler, with a humorous twinkle in his eye.

"First," came the very certain reply from the jade; "for some day I mean

to have them both."

CHAPTER FOUR

THE MISADVENTURE OF A CIRCUS

After a great deal of pleading, bringing to bear everything with which I

was acquainted in the art of persuasion, I had succeeded in inducing

Jean Francois to leave his happy caravan for a day and to become friends

with our back yard. My family, be it understood, were dining in the

country, leaving the premises to my undisputed control from early

morning until late afternoon. Our pedler came with trepidation. He

scented mischief of a kind which he did not find congenial. He had the

greatest aversion to unexpectedly meeting people whom he did not know or

did not like. Also he demanded room--the wide spaces of the open. To

come about a house, or to enter an enclosure where escape would be

fraught with embarrassment, was to him exceedingly painful. His apparent

panic reminded me strongly of some timid, uncertainly tamed animal

bravely trying to receive the caresses of human beings. Persistence

prevailed, however, and he stole around the house, like someone bent

upon a hopeless task, and seated himself upon the woodpile.

He looked about him with evident disapproval. Then, removing Pierrett

from his mouth, he addressed her with elaborate politeness:

"Say, my sweet hussy, did you ever notice the personality of a crack in

the fence? Have you ever given study to the sins of back yards?...

Yes?... Just the other day I heard the old doctor say that you could

tell the condition of a man's liver by the appearance of his back

yard.... He's right about it."

* * * * *

In general esteem our back yard, if you choose to remember, was second

only to the attic. The crack in the fence was its thorn in the flesh. Of

course the kitchen opened onto it, or rather, it opened onto the

kitchen, for this warm bread-scented producer of tarts is not to be

compared in point of importance with this plot sacredly set apart for

make-believers. Here, however, is a fitting place to state that for an

inn the kitchen suited admirably, and Betty, though black-a-visaged as a

pirate, made a very respectable Mine Host.

The right side was flanked by an impassable high board fence which

Grown-ups, I have since learned, built to hide their back-yard sins from

their neighbors, the Greens, who possessed a similar assortment. To us,

however, it was a stockade erected by no less a personage than our

comrade Daniel Boone, famous for his cigars, and served to protect us

from the Indians who, in reality, were the half-dozen assorted little

Greens, then on the summit of the stone age. These savages weren't at

all neighborly, a thing for which we never ceased to be thankful. The

really splendid part about it was that at any time, without other

warning than a sudden whoop, rocks were likely to be thrown over the

fence at our unsuspecting heads. Though once and a while producing a

scalp wound upon our side, it was altogether a very harmless play, with

just enough excitement to keep it alive. Besides, in the end, all of the

stones the Greenlets ever threw away always found their way back to

their side of the stockade. And what matter to any of us if it caused

the mothers on either side to cease speaking except in company, and the

fathers to have only a mere business bow?

In our back yard was the stable, two parts of which are worthy of

mention. There was the hay-loft, reached by a steep and rickety ladder

through a hole in the floor, a fine old place in which to hide from

visiting dressed-up small boys whose presence was, on general

principles, undesirable. Then there were great billows of hay, with

sweet, breezy odors, on which one might be cast away on a pitchfork raft

for days and days. Above, on the rafters, were drab-colored nests of

mud-daubing martins, which easily became gulls, albatross, or distant

sails, as the moment might demand.

The very best place of all, as you will hereinafter discover, was our

buggy shed. The floor was nothing more than the good, hard earth. Here

and there were little wallowing nests of dust made by some cheerful hen

while engaged in an indolent sun-bath. On one side hung the harness,

which might be pressed into service for circus purposes. Along the

braces lay the monkey-wrench, hammer, nails, and delectable boxes of

fascinating axle grease. The rancid smell of this yellowish-black

article of lubrication is indissolubly associated with heaven-sent

memories of the happiest days. True I never tried it, though I believe

you once did with painful results; I always wanted to spread it on a

white slice of bread and eat it. The axle grease was a cause for sin.

More anon.

In the center stood our phaeton, which served from a coach and four to a

low-raking revenue cutter. Behind it was the jolt wagon--so named

because of a lack of springs. This caused very delightful sensations to

those playing train within, when the vehicle was being driven at a trot

over a rough road. Now one of the privileges to be bought, often at a

high price, from the hired man, was the unalloyed joy of putting great

daubs of grease upon the axles of the aforesaid phaeton and farm wagon.

I have often done without my second piece of chocolate pie, gladly

thrusting it surreptitiously down the throat of this previously

mentioned man of many virtues, just to get to help at this task.

Something second unto it was being allowed to spin the recently attended

wheel before removing the jack from beneath it. All of this that you may

know the charms of axle grease.... O, the memories of that day of many

sins!

Nance, who lived just back of me, with an alley between, had a habit

which was good or bad as it suited my purpose. It was to come through a

gate in her back fence, which mine did not possess, and enter my domain

through a crack in the fence. This entrance, which had been made long

ago by the removal of a board, was a constant source of annoyance to me.

Since her first appearance years ago, the crack had been worn smooth and

glossy by much passing of girl frocks. She insisted upon being played

with and the pity of her possessing neither father, mother, sisters, or

brothers of her own was all that saved the crack being securely nailed.

It was only when she attempted to force dolls upon me that I sternly

rebelled. Of course it was only in the back yard and upon the common

that she was allowed my comradeship. When we were fishing or swimming

she could not come, though she shed many tears and entered various

protests.

Now of all times this was one when a visit from her was not wanted. Jean

Francois acted like she would be welcome, it is true. Just why he so

fancied her was then a mystery to me. I'll leave it to you. I had

prepared for a really wicked, good time all alone with the happy pedler.

In the morning, after playing Indian with the Greens, I hoped we should

be buccaneers in the hay until Aunt Bet began to get dinner. Then we

were to slip into the house and slide down the banisters until time to

eat. The whole afternoon was to be spent greasing the phaeton and the

jolt wagon. There was a new box of axle grease, and a splendid pine

paddle with which to apply it.... Suppose you had all of such a great

day planned and a red-headed little jade, with a very white frock,

taking her welcome for granted, squeezed through the crack of your

fence.... Jean Francois says you can always count upon a woman making

her appearance just when you are off on a particularly masculine jaunt.

Well, the Indians had to be postponed. She had once taken a rather

awkward left-handed part in a battle and had gone bellowing through the

fence, a most unbecoming woman. She wasn't any heroine. The scar, which

her Aunt Barbara feels very sure will disappear, may be found in that

blessed red hair to this day. So politeness forbade warfare. The hay

proved better. It is true I noticed her eyes grow a bit wide with fear

as she arose on the rickety ladder. This was fostered by Jean Francois

following closely behind, playing sailor. We made believe that she was a

respectable merchantman, while I was a pirate, and the pedler the

man-of-war. I swooped down upon her only to be chased and hard put by

the shot and shell of the larger vessel. I feel sure she got the worst

of the fight. Then, in the storm, we covered her with hay until her weak

little protest from somewhere beneath the billows made me uneasy for her

ever again reaching port.

It was the banisters where she surprised all of us.

"I do it all the time at home," she informed us proudly. Just then I

ceased to sympathize with her lack of a mother. I, too, wished for a G.

F. who domineered a maiden aunt.

"You see," said she, "I never walk down stairs unless Aunt Barbara is

around."

Then she illustrated her ability for us, to almost knocking the newel

post from its dignified position at the bottom of the stair. We stood

watching with awe and a trifle of envy. It was an unfortunate thing in

some respects to have parents. Here, however, our joy was interrupted by

a call demanding Nance to report for dinner. She departed, and I was

left to dissipate on an old-fashioned circular baluster. Jean Francois

became a spectator, saying that he drew the line at such amusements.

It was the afternoon which caused the telling of this story. History was

made. We had the jack under the front wheel of the jolt wagon when she

appeared. The umbrella man was unscrewing the nut while I worked the

grease. Her frock was a new one. A trace of recent tears told of the

folly of playing respectable merchantman upon a sea of hay. Here the

wheel was lifted off, placed against the wall, and the glistening axle,

already suffering from over attention, was liberally applied with

lubricant. When we turned to replace the wheel, there was the jade

sitting innocently against the hub. She stepped aside for us, only to

expose a neat black ring printed upon a part of her frock which

prophesied what awaited her within the immediate future. At first she

was inclined to cry. Instead, upon our laughing at her, she became

impudent. As each wheel came off, she promptly sat against it, regularly

increasing the number of rings. Then she insisted on at least putting

one paddle full on an axle. After that she must be allowed to attend one

entire wheel by herself, of course, allowing one of us to remove it.

This we did cheerfully. Were we not interested in getting her just as

black as possible? Had she not grown exceedingly bold and saucy?... Next

she decided to taste the grease. One little finger, on the tip of which

was a bit of black tar, was stuck delicately on her outstretched tongue,

while she made a face for our delectation.

Suddenly she turned upon us with the information that she was a circus.

"A whole circus?" asked Jean Francois derisively.

"A whole circus, and I'm going to perform," she informed us.

She then insisted that Jean Francois and I go away, as she was going to

do her act on the horizontal bar. In fact, she commanded us to leave,

but whatever we chose to do she nevertheless intended to do her trick.

The pedler promptly turned his back and began the imitation of the kind

of music played when the acrobats are out. As for me I stood my ground.

She needed an audience, I insisted. Who ever heard of a circus without

an audience? Then, quite to my astonishment, Nance proceeded to skin the

cat. She sputtered something about getting even at her party--I

remembered this afterward--as she heaved her legs between her hands, and

a multitude of clothes obscured her features. I was somewhat awed by

this bit of prowess. I respected her for it. Still, I, myself, fully

intended, so soon as I became a man, to walk on the ceiling. Also I

found myself wondering if the immortal Jean Francois numbered this among

his accomplishments.

Just then the climax came, in the shape of her Aunt Barbara, who,

silently and suddenly, like death, stood before us.

"Aunt Barbara," she explained as she dropped, a tearful little bundle of

apologies, into the dust, "Aunt Barbara, I didn't want to do it before

Charles. Really, I didn't, but I just couldn't get him to go away.... I

hated to do it, really, but he simply would not leave."

Then to see her hurried through the crack in the fence with a sharp

spank, as she stooped through the opening, almost convinced me that she

was one thing on earth God had made without any purpose.

Jean Francois says there isn't any greater creative force in this world

for pity than a very tearful, snuffy, turned-up, little girl-nose.

CHAPTER FIVE

TIMID CONQUEST COMES TO TOWN

Less than a month following the events clustered about the rise and fall

of the unfortunate circus, a certain tow-headed, freckled-faced boy,

whom I knew once upon a time, long ago, might have been found seated on

the lar-board side of the ferry float, hidden away from his fellow men,

that he might contemplate. I am sure Izaak Walton knew a deal about

boys, and that much of his gentle philosophy was developed into

tangibility because he occasionally consulted them.

Early in the morning Jean Francois and Doctor Longstreet had tramped up

the river seeking a favorite fishing pool. They had invited the boy to

go with them, but even the all-day companionship of his two heroes could

not withdraw him from the problem which now completely occupied his mind

and heart.... Nance was spending her time at home, doubtless enjoying

certain triumphs of the previous night. The fellows couldn't interest

him. The river--his river now--alone seemed adequate. The great stream

lay at his feet, stretching away to the Indiana hills, beautiful, calm,

majestic, yet sympathetic and inviting to confidences. At any rate, so

it seemed to the boy in whose life something new, mysterious, wonderful

was coming to birth.

On the evening previous to this thoughtful dabbling in the water there

had happened in the life of this boy an event. Not such an event as it

might be if you were to find the rainbow's end; more important than if

you were granted three wishes by the queen of fairies. You have been

expecting these rather commonplace happenings all of your life. This

particular event came without the slightest warning or preparation, at

least so far as he knew; like you might wake some morning and find your

wings attached behind your ears instead of on your shoulder-blades,

where you are really expecting to wear them. The boy, it might be said,

was made of marbles and tops and little mud puddles; of rivers and trees

and all out of doors; of Daniel Boone, Simon Kenton, and Kit Carson;

and, of nights by the winter's fireside, of good adventurous books. For

him all of the rest of the world was yet to be created. To him his

mother wasn't a woman; she was just mother. Girls, like flies, were

inevitable nuisances, mostly to be ignored, but occasionally shot at

with a broken bit of rubber band.... He didn't even know that he was

ugly. Yet he had learned early that the boys best suited for "knux,"

fishin', and the like had freckles, snub-noses, and cow-licks. Had not

father often remonstrated with mother at too much washing, insisting

that it was part of a small boy's portion to get dirty and to sniffle?

Hadn't he seen through old Doctor Longstreet's derision when he would

take such evident delight in saying to hovering little motherettes:

"Madame, I congratulate you upon the hideousness of your son. Thank God

for ugly boys--they make men. A pretty boy, madame, is a misprint--the

wrong title under the wrong picture. I congratulate you!... Ah, it

reminds me of the story of--"

Never mind the doctor's story. Sufficient to say it was not about a

pirate or a captain of the guards, or I'd tell it here. One thing: he

was generally right about boys, angle worms, and pills.

The Golden Road(#35509) · 第 1 / 8 段