CHAPTER XVIII.

SAN MIGUEL DE TUCUMÁN.

San Miguel de Tucumán, the studious and calm town, whose broad streets

were ordinarily almost deserted, and whose squares resembled the

cloisters of an immense convent, had suddenly changed its aspect. It

might have been called a vast barrack, so many soldiers of all kinds

encumbered it. The quiet life of its inhabitants had been changed into

feverish existence, full of noise and excitement. Men, women, children,

and soldiers, mingled pell-mell at the corner of each street, and in

every square, were calling out and talking in emulation of each other,

gesticulating with that vivacity and animation peculiar to southern

races; brandishing banners with the colours of the nation, and dragging

about in all the busy streets, and close to the houses, boxes and

cohetes, that supreme manifestation of joy in Spanish America.

A fête without cohetes or crackers, without fireworks, making noise and

smoke, is a failure in these countries. The quantity of powder which is

consumed in this way attains fabulous proportions.

We are pleased to render this justice to the Hispano-Americans--that

they have no pretentiousness in their fireworks, and that they let them

off artlessly, to their great contentment, as well by day under the

most brilliant sun, as by night in the midst of darkness. We have even

remarked that they prefer, by a refinement, no doubt, of extravagant

selfish enjoyment, to let them off by daylight under the noses of the

gaping crowd, that escapes half-burnt, howling and cursing at the

mischievous wags, who laugh convulsively at the good turn which they

have done for their admirers.

On this day, as the travellers learned on their passage, the

inhabitants of San Miguel were celebrating a great victory gained by a

chief of the Buenos Airean Montoneros over the Spaniards.

In the old Spanish colonies, and in general throughout America--that

of the south as well as that of the north--it is not well to take too

literally these bulletins of victory, which for the most part are only

skirmishes of no importance, when there are neither killed nor wounded;

and which even frequently conceal defeats or shameful retreats.

For some years Europeans have been informed as to the character of

these dwellers beyond the sea; their boasting and throwing the hatchet

have passed into a proverb. Everyone knows that the puff is of American

origin; that the most magnificent flocks of canards reach us at a

single flight from the other side of the Atlantic; and that, although

many come from the Spanish republics, the most numerous start in

countless troops from all the ports of the United States of America,

which have justly acquired such a superiority for the rearing of these

interesting birds, that henceforth no one will venture to dispute with

them the palm of the puff, the public announcement, and the official

lie.

An entire house had been placed at the disposal of M. Dubois by the

new republican power. The governor of the province and the general

commanding the troops camped round the town, warned of his arrival,

waited for him at the door of the house, at the head of a numerous and

brilliant staff.

The painter grasped the hand of his companion, allowing him to enjoy in

his own way the honours which they heaped upon him; and, curious, true

artist as he was, he put an album under his arm, glided through the

crowd assembled in the Plaza Mayor, and wandered about, his nose in the

air and his hands in his pocket, in quest of studies to paint or types

to sketch; preferring to look out for novelty, than to submit to the

wearisomeness of an official reception.

However, he had left his horses and his attendants with those of M.

Dubois, who had only consented to his temporary departure after having

made him promise not to choose any other dwelling than his own during

all the time he might be pleased to stay at San Miguel.

The artist wore the complete costume of the inhabitants of the country,

and had nothing which could attract attention; so it was easy for

him to move about among the groups without being incommoded by the

impertinent curiosity of the gaping idlers, for whom, especially at

this time, a stranger--a European particularly--was an extraordinary

being, who they imagined belonged to a different species to themselves,

and towards whom they manifested more pity than goodwill. The greater

part at the present day believe that Europeans are heretics, half men

and half demons, and damned from the moment of their birth.

Nothing, in our opinion, is so agreeable as to walk about thus, without

occupation of any sort, wandering through the crowd, isolated amidst

the multitude; allowing oneself carelessly to follow out the caprices

of the moment; mingling sometimes indirectly in the general joy,

then resuming the course of one's thoughts, and again becoming alone

in the midst of the crowd; only attaching oneself by an invisible

chain--incessantly breaking, and again joined by chance--to events

which, as an immense kaleidoscope, defile before one's eyes; at once

an actor and a spectator, indifferent or interested to everything that

strikes the eye, elbowing and skimming everything without being oneself

mixed up in the facts which are transpiring.

The young man, happy as a scholar during the vacation at being so

agreeably rid of his serious companion, thus wandered about, admiring

the public monuments, the squares, the promenades; gazing at the women

who passed near him, with a light and gentle tread; carelessly smoking

his cigarette, walking right on without knowing where he was going, and

caring very little, seeing that he was on the lookout for novelty.

He thus reached, scarcely knowing how, the Alameda or promenade of

the town, a charming garden with thick foliage, adorned with clusters

of pomegranate and orange trees in flower, the delicious perfume from

which embalmed the atmosphere. By a singular chance the Alameda was

deserted; all the population had been carried away into the centre of

the town, and for one day had abandoned this delicious promenade.

The painter congratulated himself on the solitude in which he found

himself, after the noise and uproar with which he had been so long

mingled, and which began to oppress his temples, and to cause him to

feel a kind of moral lassitude.

He cast his eye round for a bench, which he soon discovered,

half-concealed in a bower of orange trees, and sat down with an

unspeakable sense of pleasure.

It was about five o'clock in the evening. The breeze had risen, and

was refreshing the heated atmosphere; the sun, nearly level with the

ground, immeasurably lengthened the shadow of the trees; a number of

birds concealed in the foliage were singing with all their might, and

millions of insects with transparent wings were humming and flying

around the flowers, the sweets of which they were gathering.

The sounds of the fête only came as a far-off echo, and almost

inaudible to this solitude, which breathed the most complete calm.

Carried away in spite of himself by all that surrounded him, and

submitting to the enervating influence of the perfume exhaled by the

flowers, the young man allowed himself to fall back, crossed his arms

over his chest, and, half closing his eyes, he fell into a sweet

reverie, which soon absorbed his whole being, and made him completely

forget reality, to be borne away into the fantastic land of dreams.

How long had he been subjected to this delicious somnolence, without

name in our language? He could not have answered his own question; when

suddenly he gained consciousness with a rude gesture of ill humour,

listening and casting around him a look of discontent.

The sound of conversation had reached him.

However, it would have been in vain for him to try and pierce the

darkness, for night had come; he could see no one. He was still alone

in the bower, into the recess of which he had withdrawn.

He redoubled his attention; then he discovered that the voices that he

had heard were those of two men who had stopped at a few paces behind

him, and that the cluster of orange trees, in the midst of which he was

alone, precluded his seeing them.

These two men, whoever they might be, appeared to wish not to be heard,

for they spoke in a low voice, though with some animation. Unhappily,

the Frenchman was so near them that, in spite of himself, and do what

he might to prevent it, he heard all they said.

"The devil take these fellows," murmured the young man to himself; "to

think of coming to talk politics here! I was so comfortable. What shall

I do with myself now?"

But as he heard what his neighbours said, and even their lightest

movements, the latter probably would have heard him if he had

endeavoured to leave the place. Force compelled him, then, though he

grumbled at it, to maintain his hiding place, and to continue to hear

the conversation of the two men--a conversation by no means calculated

to reassure him, and which from time to time assumed a very disquieting

character for a third party, called to be, spite of himself, a

confidant.

We have mentioned what horror the painter had for politics: the reader

will easily understand what was his anxiety on hearing such things as

those we are about to relate.

"This news is certain!" said one of the interlocutors.

"I have it from an eyewitness," answered the other.

"¡Caramba!" said the first, slightly raising his voice, "So we may soon

hope to see the general in these parts!"

The painter trembled. He seemed to recognise that voice, without being

able to recall where he had previously heard it.

"So the insurgents have been defeated?" continued the same speaker.

"Utterly defeated, Captain. I repeat it, at the battle of Villuma,

General Pezuela pursued them more than six leagues, hard pressing them

with the sword."

"Bravo! And what is he doing now?"

"Carsi! He is marching, doubling the rations, in order to arrive the

quicker; unhappily, as far as we can see, he will not be able to be

here for two months."

"That is very late."

"Yes; but that allows you to prepare your batteries."

"That is true; nevertheless, the mission with which the general charges

me is full of difficulties. The insurgents are numerous round the town,

and they keep a good guard; if it were a question of carrying away two

or three, or even ten deputies, perhaps I could answer for success;

but consider, my dear count, that it is nothing less than causing the

disappearance of sixty or eighty persons."

"I do not understand you."

"That is natural," continued the captain; "only arrived today in the

town, and not having yet gone out, except with me, you are unacquainted

with what is passing."

"Entirely so," pursued the other, to whom had been given the title of

count.

"Here are the circumstances in a few words. The insurgents wish to

strike a decided blow. With this design they have convoked here at

Tucumán a congress composed of deputies from each revolted district.

This congress has for its object the proclaiming of the independence of

Buenos Aires, and of all the Banda Oriental."

"¡Sangre de Dios! Are you sure of that?" cried the Count astounded.

"So sure that I know it by one of my cousins, who is himself one of

these deputies, and who has no secret from us."

"¡Cuerpo de Cristo! This is dreadful! The general will be furious when

I inform him of it."

"I am convinced of it; but what is to be done?"

"To prevent it by all means."

"It is impossible; means fail us completely. I can only dispose of a

hundred men, with whom I can attempt nothing, so much the more as we

are playing an unlucky game at this moment. The population is running

frantic at the success of the chief of the Montoneros, Zeno Cabral,

has gained two days ago over the royal troops, commanded by Colonel

Azevedo."

"This success is somewhat apocryphal, my dear Captain. I give you my

word of honour; it merely consists of an unimportant skirmish between

foragers."

"I admit it; it is even certain that it is so; but no one in the town

will believe it; so that the check must be considered real."

"Well, what matters? Let us leave these people in their error, and take

advantage of it by acting. Now that they think themselves invincible,

and that they amuse themselves by wasting their powder in fireworks, we

can perhaps try a bold attack on the town."

"Your idea is not bad; I even avow that it rather pleases me; but it

has to be matured. It would be necessary to adroitly remove the troops

camped in the environs, and to profit by their absence to attempt a

surprise."

"Then nothing would be easier than to seize upon the deputies."

"Do not let us go too fast; let us first see what are the forces we

have at our disposal for this expedition, which cannot but be very

perilous, and which offers--I do not deceive you--very little chance of

success."

"Well, let us discuss the matter; I am quite agreeable."

The painter, becoming more and more ill at ease through these

confidences, which assumed rather a grave aspect for him, and

wishing at all hazards to escape from the perplexing position in

which he found himself--for he instinctively understood that it was

a conversation between conspirators, and that he risked his life if

he were discovered--took a resolution which appeared to him to be an

inspiration from Heaven. Not wishing to continue to be a third party to

secrets of such importance, he resolved to discover himself. He did not

conceal from himself that the first moments would be very dangerous for

him to get through, when the two men knew that their conversation had

been heard throughout; but he preferred rather to risk this uncertain

chance of saving his life than to remain any longer in the awkward

position.

Émile was foolishly bold, and scarcely ever thought of danger; on the

contrary, he rushed headlong into it--the reader has already discovered

this for himself; but this time, contrary to his habits, he used some

little prudence before revealing his presence to the unknown speakers.

He gently cocked his pistols, which he held in his hand under his

poncho, ready to make use of them if need be: then rising from the

bench on which up to that moment he had remained sitting--

"¡Hola caballeros!" said he, in a voice not loud enough to be heard by

any other persons than those to whom he addressed himself. "Take care!

There are ears which hear you."

The two men uttered an exclamation of surprise and terror; then there

was a trampling sound in the shrubbery, and they appeared in front of

the young man, each holding a sabre in one hand and a pistol in the

other, their countenances distorted by rage and fright.

But they suddenly stopped.

The young man stood motionless before them, his pistols in his grasp.

"Halt, and let us talk it over," said he coolly.

This scene had something strange and startling about it. In this little

enclosure of orange trees in flower--in the silver rays of the moon, in

the midst of a profound calm, in the bosom of that calm nature on which

the imposing silence of a night impressed a stamp of majesty--these

three men, thus placed face to face, measuring each other with their

glances and ready for attack, formed a most striking contrast with what

surrounded them.

"Talk over the matter!" said the count. "Of what use would that be?"

"To prevent killing one another like brutes without knowing why,"

answered the painter.

"A traitor merits death."

"I agree with you; but I am not a traitor, since I make myself known

to you, when it would have been easy to remain silent until I had

discovered all your secrets."

This observation--very reasonable for that matter--appeared to produce

a certain impression on the two men.

"Then, why these arms?" continued the count, in a tone evidently

mollified.

"To avoid what would have happened had I not taken the precaution to

furnish myself with them."

"You are not a spy upon us, then?"

"By no means; in fact, I was here a good while before you. The sound

of your conversation awakened me from a light slumber into which I had

fallen, and not caring to be, against your will, a confidant in your

secrets, I have decided to warn you."

"Who can prove it?" sternly pursued the count.

"I presume, caballero," answered the young man, "that you allow

yourself to doubt my words?"

"Who, then, are you, Señor, that you ought to be thus believed at the

first words?"

"I!" said the young man, laughing; "Not much compared with you--a poor

French painter, but honest, thank God, to the fingers' ends."

"Ah! I know him," cried the second stranger, who till that moment had

remained silent. "I know him now. Put up your sabre and drop your

pistol, my dear count. Arms are not wanted here."

"I will do so willingly, if that is your advice, Captain," answered the

count, with hesitation. "However, it appears to me that in so serious a

position--"

"Down with your arms! I tell you," interrupted the captain, who had

already put aside his own. "I will answer, body for body, as to this

cavalier."

"Be it so," said the count; "but prudence--"

"What? Since this caballero gives you his word, and this word is

corroborated by my own, that is sufficient, it appears to me," pursued

the captain.

The young man, seeing that his adversaries had apparently no longer any

hostile intentions, quietly uncocked his pistols, and, replacing them

in his girdle, he turned towards him who had so unexpectedly come to

his aid--

"I thank you, Señor," said he, "for the good opinion that you have of

me. Although your voice is not unknown to me, I shall be, nevertheless,

happy if you will be good enough to refresh my memory, by informing me,

if you can, where I have had the honour of meeting you before."

"Vive Dios, Señor. Don Émile," he resumed in a tone of good humour,

"you have a short memory."

"How do you know my name?"

"And you know mine, unless you have forgotten it--which would not

astonish me after what I see!"

"I am really astonished, Señor; but I cannot the least in the world

recall where we have already seen one another."

"Come, since it is absolutely necessary that I tell you my name once

more, I will do so. I am Don Lucio Ortega."

"The Spanish captain!" cried he.

"And whom you so dexterously disarmed. The very same, caballero."

"Oh! How could I forget that meeting, which has left me so charming a

souvenir?" he said, holding out his hand.

"So this gentleman is a friend of yours?" pursued the count.

"Yes, my dear count; and one of the most intimate."

"Pardon me for saying it, but you know what would be the consequences

of indiscretion."

"They would be terrible. Continue."

"And you think yourself still in a position to answer for the

discretion of this caballero?"

"As much as for my own, I repeat."

"Good; act in your own way, then," he continued.

"Listen," said the captain; "I can understand how you, who do not know

this gentleman, may entertain secret anxiety; we are not engaged in

child's play at this moment, we are risking our lives in a desperate

undertaking; each of us has a right to demand of his companion a strict

account of his conduct."

"Just so; it appears to me it ought to be so."

"Very well. This account I am going to give you. In spite of himself,

and without having wished to do so, Don Émile has discovered secrets

of the greatest importance. These secrets, I am convinced, he will

keep at the bottom of his heart; but the certainty that I have you do

not share: this is your right, and I have nothing to object to in it;

but, with the design of merely reassuring you, I will take all the

precautions, with respect to my friend, that you can demand. Of course,

these precautions will have in them nothing to wound the honour or

self-respect of Don Émile, whom I hold above all as my friend."

"I will act with the captain," briskly answered the young man; "and I

place myself completely at your disposal as to anything you are pleased

to exact from me. I humbly confess that politics cause me a shudder,

and that I most sincerely regret to be so unfortunately discovered

here, when it would have been so easy for me to have been elsewhere,

where, without doubt, I should have been much better off."

The gravity of the Count was not proof against this speech, uttered

with such despairing artlessness. He burst into laughter.

"You are a charming companion," said he; "and, although our connection

has commenced under such hostile auspices, I hope it will be lasting:

that soon you will become one of our friends, and I shall be one of

yours."

"That will be a great honour for me, Monsieur le Comte," he answered,

bowing.

"Now that you have placed one foot on our secrets, it is necessary that

you enter into them entirely."

"Is it, then, absolutely necessary?"

"Decidedly so."

"It is curious how for the last few days fate has been pleased to

pursue me and obstinately to make me a man of politics, when I should

be so happy merely to paint pictures--I, who have only come to America

for that purpose. It has been a splendid idea, certainly, and I have

well chosen my time."

"In the first place, it is necessary for you to make your decision."

"I know it well, and that is just the reason why I am enraged; but

as soon as I shall be able to act otherwise, I shall not hesitate a

moment, I promise you."

"Until a new order, it is indispensable that you remain with us--that

you be in some sort our prisoner; but, reassure yourself, your

captivity shall not be hard; we will make it, or at least we will try

to make it, as agreeable to you as possible."

"So you are going to deprive me of my freewill?" said the painter with

a tragi-comic air.

"It must be so for the present."

"Hum! Well, I consent to it--the devil take politics! What occasion had

I to come to San Miguel to accompany that old Dubois?"

The two men started at that name.

"You know the Duc de Mantone?" they exclaimed.

"Ah, ha! You know whom I mean, it appears?"

"The Duc de Mantone, formerly a member of the Convention, a senator

under the Emperor Napoleon, who has come to America under the name of

Louis Dubois?" said the count.

"That is he. Why, then, did he urge me so strongly not to give him his

title?"

"Because he hoped not to be recognised. He comes here, hunted by the

Bourbons for having voted the death of Louis XVI., to seek a refuge in

this country, and to lend the insurgents the aid of his experience in

conducting the revolution."

"The fact is that he ought to know a great deal about this affair,"

said the painter, laughing.

"But what were you saying about him? Was he really at San Miguel?"

"I myself aided him to enter the town today."

"You?"

"Parbleu! He is a fellow countryman: and, look you, Captain, we were

together when I had the honour of meeting you."

"What! That tall old man with such a haughty look and such imposing

features, who sat so firmly on horseback near you?"

"The very same."

"Oh, if I had known it!" cried the captain.

"What would you have done, then?"

"I should have captured him, ¡vive Dios!"

"Then it is fortunate that you did not know him, for probably there

would have been a skirmish."

The captain took no notice of this remark.

"Come," said he.

"Where shall you conduct me?"

"To Cabildo."

"To Cabildo! What for?"

"The governor gives a grand ball there today; we shall spend some

little time there."

"I fear that this conceals some political manoeuvre."

"Perhaps."

"Provided that I do not find myself further mixed up in it, spite of

myself--"

"I will try to leave you ignorant of what may transpire."

"I shall be very grateful to you for it. Well, à la grâce de Dieu!"

The three men, quite reconciled, left the little inclosure, set out

from Alameda, and took the road to Cabildo, conversing in a friendly

way.

The streets were illuminated, and the population were diverting

themselves more than ever in letting off fireworks.

The Guide of the Desert · 第 18 / 20 章