CHAPTER III

UNDER SUSPICION

That night, tossing in bed, Mark Griffin found the lady of the tree

occupying the center of his thoughts. He had to acknowledge to himself

the simple truth, that she interested him more than any other woman he

had ever seen; and he had a vague idea that he had met her before--but

where? He was wise enough to know where such interest would ultimately

lead him. The more he worried about it, the more a cause for worry it

became. The very idea was foolish. He had seen her twice, had spoken

to her once. Yes, she was charming; but he had known others almost as

charming and he had not even been interested. Now he might go

deeper--and what of the risks?

Saunders was certainly shadowing the woman. The town constable was

constantly with him, seemingly ready to make an arrest the moment the

detective was sure of his ground. It was easy to figure that out.

Worse than all, the woman was afraid--or why the veil? Why the secret

door through a tree? Why her embarrassment when she faced the danger

of having the detective see her face?

On the other hand, she was a friend of the priest, and Mark had formed

a very favorable opinion of Father Murray. Then she had referred to

the incident on the bluff road very openly and without embarrassment

These things were in her favor, but--well, the rest looked bad. Above

all was the danger of falling in love with her.

Mark thought of his people in England and of his brother the Irish

peer. He knew their prejudices. What would they say if the heir

presumptive to the barony came home with an American wife? Yet why

should he care?

The worry about Saunders came back. He was undoubtedly a detective,

and surely detectives did not without cause shadow ladies of good

social standing? Mark knew there was something wrong. He knew there

was danger to himself, to his heart, and to his peace; so he decided

that he had better go away at once. Then the face he had seen as she

stepped past him out of the tree rose up, and he heard again the voice

that had in it so much gratitude when she thanked him for his little

service.

"Damn it, man," he said to himself, "you can't be a coward! She needs

help; stay to give it." That was Mark's first and last struggle over

his long-delayed moving problem.

He met Saunders at breakfast the next morning. The detective must have

been thinking, too, for his glance at Mark held a trifle of suspicion.

Mark was too old a student of human nature to miss the significance of

the look, and Saunders was too young at his business entirely to

conceal his own feelings. He tried--but too late--and was foolish

enough to think he had not betrayed himself.

Mark made up his mind to profit by the suspicion.

"Good morning, Saunders. You are thinking of the lady in the veil?"

But Saunders was already back in his shell. He looked puzzled. "Veil?

Lady? Oh, yes. Sure I am. It would be very ungallant to forget her.

She's too pretty."

"How do you know? You didn't see her face."

"I was just guessing. We Yankees are good at guessing. Don't you

English concede that?"

"Guessing and wooden nutmegs," said Mark, "both go with the Yankee

character."

"Guessing, wooden nutmegs, and a little taste of Brandywine thrown in

for flavor."

"Very unkind of you to throw our defeats in our teeth--and especially

into mine; for you know that I am half Irish, and we Irish helped you."

Saunders laughed as they approached the desk together.

"Letter for you, Mr. Griffin," said the clerk, throwing a square

envelope on the desk.

Saunders just glanced at it before Mark himself saw that the letter was

without a stamp; it had come by messenger. The detective turned his

back to hide a smile, then walked to the reading table and picked up a

paper.

Mark opened his letter. It was from the lady of the tree--only a few

lines--an invitation to tea that afternoon at the house behind the

great wall. Twice he read it over.

"Dear Mr. Griffin: Monsignore is coming to tea at four o'clock to-day.

Won't you come with him? He likes you--that I know--and he always

looks lonesome when he comes alone, with only two women to talk to.

Sincerely,

Ruth Atheson."

That was all. The letter went into Mark's pocket as he saw Saunders

looking over the top of his paper.

"Getting acquainted in Sihasset pretty quickly, eh?" ventured the

detective.

"Yes," replied Mark, "bad pays get acquainted fast." The reply was

obviously inadequate, but Mark wanted the detective to know. Saunders

took the bait, hook and all.

"Sihasset's getting up in the world," he commented. "Square, tinted

envelopes for bills were just coming in at New York two weeks ago."

Both gentlemen were evidently quite pleased with themselves. Saunders

took the cigar Mark offered, and they sat talking over first editions

until ten.

"Going out?" Saunders asked, as Mark threw away his cigar and rose.

Something in his tone made Mark think he wanted him to go. Why?

"Just for a little while. Want to go?"

"No, I'm going to write letters. I'll go out later."

Mark understood. Saunders suspected him to be an accomplice of the

woman and intended to search his room. Mark thought quickly.

Immediate action was necessary; there were important papers in his

room, and he didn't care to have his identity known just now. Then he

smiled cheerfully, for his whole plan of action was suddenly clear.

Not only would he guard his papers, but he'd keep the detective

guessing--guessing _hard_. He walked to the desk and addressed the

clerk:

"Has any of the town banks a safety deposit vault for the public?"

"Yes, sir. The National has one and its terms are very reasonable."

Mark went to his room, and carefully gathered every scrap of paper.

The useless went into the old stove which had stood all summer waiting

the winter's need; the others he carefully placed in his pocket. Then

he went out. At the bank he rented a box and left the papers he didn't

want Saunders to see. He felt satisfied that nothing Saunders found

would relieve him of suspicion. The burning of the papers would make

the detective all the more certain that Mark ought to be watched. That

would help Miss Atheson by keeping the detective on the wrong scent.

At noon Mark went to his room to wash before lunch. Saunders had not

been very clever. There was a tell-tale smudge on the stove--a smudge

made by a hand that had blackened itself by diving down into the ashes

to search among the burned papers. Mark knew that Saunders had lost no

time in searching his room, and he was happy to be still under

suspicion.

But Mark was not so happy in contemplating the rest of the situation.

He was getting deeper into a game he knew nothing about. What was the

reason for the suspicion against the girl? Could she be a thief--or

worse? Mark had heard of pretty criminals before, and he knew that

beauty without is no guarantee of virtue within. But he had resolved

to go through with the adventure, and he would not change his mind. He

argued, too, that it was not entirely the beauty of Ruth Atheson that

interested him. There was an indefinable "something else." Anyhow,

innocent or guilty, he made up his mind to stand by her.

At lunch he met Saunders again and found him overly friendly, even

anxious to talk. The detective opened the conversation.

"Going to see the Padre again?"

"I have an engagement with him this afternoon. I rather like the

Padre!"

"Sure you do," said the detective. "Everybody does. The Padre's a

wonder, and the last man one might expect to find in a little parish

like this."

Mark wanted to learn more on that score.

"True enough," he said. "In the Anglican Church they would make such a

man a bishop, or at least a dean."

"Well, they didn't do that with the Padre." The detective shook his

head as if to express his regret that something of the kind had not

been done. "He was the right hand man of the old Bishop of the

diocese; but the new Bishop had to have new counselors. That's one way

of the world that the church fellows have gotten into. Some say that

it broke the Padre's heart, but he doesn't look it. Must have hurt him

a little, though. Human nature is human nature--and after all he did

for the Church, too."

"Did he do so much?" questioned Mark.

"Sure he did! You saw the Cathedral, didn't you, when you passed

through the city? Well, the Padre built that, and the big college,

too, the one you see from the train. He was president of the college.

He was the life and soul of the Catholic Church in this section."

"Why was he dropped?"

"Search me," offered the detective. "No one knows that except the

Bishop, I guess. Padre came here six months ago. Some of the young

priests used to come to see him, but seldom any of the older ones. I

got all I know from one of those young chaps--the one I told you I met

on the train. He almost cried over the affair."

"It's sad enough to make any friend cry over it," said Mark; "but

somehow it makes the man seem bigger to me."

"True." Saunders was clearly the Padre's admirer. "They say he had

the best pulpit in London before he went over to the Catholics--big

salary, and all that. Then he had to begin all over again as a layman.

Went to school, by gosh!--dead game! But when they made him a priest

he jumped right to the front. His last money went into the college he

built. He has only five hundred a year to live on now. You know,

Griffin, if it wasn't for the rotten way the Church treated him, I

honestly believe the Padre could put some religion into me. He's a

power here already. Look at the way he makes that girl at Killimaga

work."

It seemed to Mark that the detective was beginning to fence again.

"She's a stranger, isn't she?" he asked.

The detective half closed his eyes. "How do you know?"

"You told me so."

Saunders blew a thoughtful smoke ring.

"I guess I did. You know, of course, Killimaga was rented to her about

the time Padre came here. The old Irishman who built it, died, and his

family went over to your country to buy a title for their only

daughter. The girl up there must be a rich one to rent such an estate;

and, Griffin, that old Irishman had taste, believe me. His gardens are

a wonder. Ever see them?"

"No."

"Try to; they're worth while. This girl spends her money and herself

on the Padre's charities. He directs, and she does things for the mill

people. By gad, Griffin, they just love her! I passed her just now

going into O'Leary's. The old man was crushed at the mill, and died

yesterday. It's dollars to doughnuts she takes care of that family all

winter. Where she gets the money is beyond me."

"You Americans are all rich," said Mark. "You English think we are,

but you only see the gang that goes over to the other side every

summer. There's one Atheson family in America worth millions, but I

know that crowd; she doesn't belong to it. I don't know what Atheson

family she does belong to. She's a mystery, with her Killimaga and her

money and her veil."

"Why," said Mark, "every woman wears a veil--the sun, you know."

"Yes; the sun, and the rain, and the shade, and _every_ kind of

weather!"

The detective's face was betraying him again. But the luncheon was

over, and Mark would not be probed. He had made up his mind to go

early to the rectory, so he left Saunders with a parting shot:

"You'd better go on with the book sales. You've loafed all day.

That's bad business policy for a Yankee. What would your wooden nutmeg

ancestors say to that?"

Saunders grinned.

"They wouldn't like it," he answered. "They're not like ancestors who

wouldn't have been able to sell even a real nutmeg."

Mark acknowledged that in repartee Saunders scored, then went out to

make his way toward the rectory. As he passed the First National Bank

he saw the constable talking to the cashier.

Charred Wood · 第 3 / 23 章