CHAPTER I

Produced by Al Haines

CHARRED WOOD

BY

MYLES MUREDACH

"_O, Designer Infinite, must Thou

then Char the wood before Thou

canst limn with it?_"

ILLUSTRATED BY

J. CLINTON SHEPHERD

GROSSET & DUNLAP

PUBLISHERS --- NEW YORK

Made in the United States of America

Copyright, 1917

by

The Reilly & Britten Co.

Published October 17, 1917

Reprinted December 10, 1917

Reprinted October 11, 1918.

Charred Wood

CONTENTS

I THE LADY OF THE TREE

II MONSIGNORE

III UNDER SUSPICION

IV KILLIMAGA

V WITH EMPTY HANDS

VI WHO IS RUTH?

VII BITTER BREAD

VIII FATHER MURRAY OF SIHASSET

IX THE BISHOP'S CONFESSION

X AT THE MYSTERY TREE

XI THIN ICE

XII HIS EXCELLENCY SUGGESTS

XIII THE ABDUCTION

XIV THE INEXPLICABLE

XV "I AM NOT THE DUCHESS!"

XVI HIS EXCELLENCY IS WORRIED

XVII THE OPEN DOOR

XVIII SAUNDERS SCORES

XIX CAPITULATION

XX THE "DUCHESS" ABDICATES

XXI THE BECKONING HAND

XXII RUTH'S CONFESSION

XXIII CHARRED WOOD

LIST OF ILLUSTRATIONS

On Killimaga's Cliff. . . . . _Frontispiece_

Something white swished quickly past him and he stared,

bewildered . . . She had stepped out of nowhere.

Saunders looked long and earnestly at his face. "He's the man!" he

announced.

"God rest her," Father Murray said after what seemed an age to Mark;

"it is not Ruth!"

[Transcriber's note: The Frontispiece and the "Something white..."

illustration were missing from the book.]

Charred Wood

CHAPTER I

THE LADY OF THE TREE

The man lay in the tall grass. Behind him the wall of the Killimaga

estate, from its beginning some fifty yards to his left, stretched away

to his right for over a thousand feet. Along the road which ran almost

parallel with the wall was the remnant of what had once been a great

woods; yearly the county authorities determined to cut away its thick

undergrowth--and yearly left it alone. On the left the road was bare

for some distance along the bluff; then, bending, it again sought the

shelter of the trees and meandered along until it lost itself in the

main street of Sihasset, a village large enough to support three banks

and, after a fashion, eight small churches. In front, had the lounger

cared to look, he would have seen the huge rocks topping the bluff

against which the ocean dashed itself into angry foam. But the man

didn't care to look--for in the little clearing between the wall of

Killimaga and the bluff road was peace too profound to be wantonly

disturbed by motion. And so he lay there lazily smoking his cigar, his

long length concealed by the tall grass.

Hearing a slight click behind him and to his right, the man slowly,

even languidly, turned his head to peer through the grass. But his

energy was unrewarded, for he saw nothing he had not seen before--a

long wall, its rough stones half hidden by creeping vines, at its base

a rank growth of shrubs and wild hedge; behind it, in the near

distance, the towers of a house that, in another land, perched amid

jutting crags, would have inspired visions of far-off days of romance.

Even in its New England setting the great house held a rugged charm,

heightened by the big trees which gave it a setting of rich green.

Some of the trees had daringly advanced almost to the wall itself,

while one--a veritable giant--had seemingly been caught while just

stepping through.

With a bored sigh, as if even so slight an effort were too great, the

smoker settled himself more comfortably and resumed his indolent

musing. Then he heard the sound again. This time he did not trouble

to look around. Something white swished quickly past him and he

stared, bewildered. It was a woman, young, if her figure were to be

trusted. His cigar dropped in the grass, and there he let it lie. His

gaze never left her as she walked on; and he could scarcely be blamed,

for he was still under thirty-five and feminine early twenties has an

interest to masculine full youth. He had never seen anyone quite so

charming. And so he watched the lady as she walked to the edge of the

bluff overlooking the sea, and turned to the left to go along the

pathway toward the village.

Five hundred yards away she was met by a tall man wearing a long black

coat. Was it the priest he had noticed that morning at the door of the

Catholic church in the village? Yes, there was no doubt about that; it

was the priest. He had just lifted his hat to the lady and was now

turning to walk back with her by the way he had come. They evidently

knew each other well; and the man watching them almost laughed at

himself when he realized that he was slightly piqued at the clergyman's

daring to know her while he did not. He watched the pair until they

disappeared around the bend of the bluff path. Then he settled back to

look for his cigar. But he did not find it, for other matters quickly

absorbed his attention.

From out a clump of bushes on his left, where they evidently had been

hiding, two men appeared. He recognized them both. One was a book

agent who was stopping at the hotel in the village; the other was the

local constable. The book agent had a paper in his hand.

"That her?" he asked.

"Yaas, sir!"--the constable was surely a native New Englander--"I seed

her face plain."

"I didn't," said the agent, with annoyance. "I have never seen her

without that confounded veil. This is the first time she's had it

thrown back. But the description is right? Look at it."

He showed the paper to the constable, tapping it as he read.

"'Brown hair, blue eyes'--did you see her eyes?"

"I sure did," answered the constable; "and they wuz blue."

"All right, then. 'Blue eyes, regular features'--how about that?"

"Reg'lar enough," said the constable. "She'd no pug nose, I kin tell

ya that."

"'Regular features,' then, is right. 'Five feet four inches

tall'--that's right. 'Small hands and feet'--that's right. 'About

twenty-three years old; good figure.'"

"She sure hez all them," vouchsafed the wearer of the star. "I knowed

her right away, and I've seed her often. She's been in Sihasset well

nigh on a month."

"But where--" the agent turned to look at the unbroken wall--"where in

thunder did she come from?"

The constable, pushing back his helmet, scratched his head.

"Damfino," he said. "That's the rub. There's no gate on this side of

Killimaga."

"Killimaga?"

"A rich old Irishman built it and put a wall around it, too. We folks

of Sihasset don't like that; it shuts off the view of the house and

lawn. Lawn's what makes things purty. He wuz a queer old mug--wanted

to shut hisself up."

"But how did she get out?" insisted the agent, coming back to the issue.

"Search me," offered the constable. He looked toward the top of the

wall. "Clumb the fence, mebbe."

"With her dress looking as it does?"

"There's no other way. I dunno."

The agent was puzzled. "I want a closer inspection of that wall.

We'll walk along this side."

Both agent and constable started off, keeping well behind the wild

hedge along the wall so that they might not be seen from the bluff road.

The man lying in the grass was more puzzled than the agent. Why a book

agent and a constable should be so anxious about a lady who was--well,

just charming--but who had herself stepped out of nowhere to join a

priest in his walk, was a problem for some study. He got up and walked

to the wall. Then he laughed. Close examination showed him marks in

the giant tree, the vertical cuts being cleverly covered by the bark,

while the horizontal ones had creepers festooned over them. A door was

well concealed. But the tree? It was large, yet there could not be

room in it for more than one person, who would have to stand upright

and in a most uncomfortable position. The man himself had been before

it over an hour. How long had the lady been in the tree? He forgot

his lost cigar in trying to figure the problem out.

Mark Griffin had never liked problems. That was one reason why he

found himself now located in a stuffy New England inn just at the end

of the summer season when all the "boarders" had gone except himself

and the book agent.

Griffin himself, though the younger son of an Irish peer, had been born

in England. The home ties were not strong and when his brother

succeeded to the title and estates in Ireland Mark, who had inherited a

fortune from his mother, went to live with his powerful English

relatives. For a while he thought of going into the army, but he knew

he was a dunce in mathematics, so he soon gave up the idea. He tried

Oxford, but failed there for the same reason. Then he just drifted.

Now, still on the sunny side of thirty-five, he was knocking about,

sick of things, just existing, and fearfully bored. He had dropped

into Sihasset through sheer curiosity--just to see a typical New

England summer resort where the Yankee type had not yet entirely

disappeared. Now that the season was over he simply did not care to

pull out for New York and continue his trip to--nowhere. He was

"seeing" America. It might take months and it might take years. He

did not care. Then England again by way of Japan and Siberia--perhaps.

He never wanted to lose sight of that "perhaps," which was, after all,

his only guarantee of independence.

Siberia suited Mark Griffin's present mood, which was to be alone. He

had never married, never even been in love, at least, not since

boyhood. Of course, that had been mere puppy love. Still, it was

something to look back to and sigh over. He liked to think that he

could still feel a sort of consoling sadness at the thought of it. He,

a timid, dreaming boy, had loved a timid, dreaming girl. Her brother

broke up the romance by taunting Mark who, with boyish bashfulness,

avoided her after that. Then her parents moved to London and Mark was

sent to school. After school he had traveled. For the last ten years

England had been merely a place to think of as home. He had been in

India, and South America, and Canada--up on the Yukon. He would have

stayed there, but somebody suggested that he might be a remittance man.

Ye gods! a remittance man with ten thousand pounds a year! And who

could have had much more, for Mark Griffin was a master with his pen.

His imagination glowed, and his travels had fanned it into flame.

Every day he wrote, but burned the product next morning. What was the

use? He had plenty to live on. Why write another man out of a job?

And who could be a writer with an income of ten thousand pounds a year?

But, just the same, it added to Mark Griffin's self-hatred to think

that it was the income that made him useless. Yet he had only one real

failure checked against him--the one at Oxford. But he knew--and he

did not deceive himself--why there had been no others. He had never

tried.

But there was one thing in Mark's favor, too. In spite of his

wandering, in spite of the men and women of all kinds he had met, he

was clean. There was a something in the memory of his mother--and in

the memory, too, of that puppy love of his--that had made him a fighter

against himself.

"The great courage that is worth while before God," his mother used to

say, "is the courage to run away from the temptation to be unclean. It

is the only time you have the right to be a coward. That sort of

cowardice is _true courage_."

Besides her sweet face, that advice was the great shining memory he had

of his mother, and when he began to wander and meet temptations, he

found himself treasuring it as his best and dearest memory of her.

True, he had missed her religion--had lost what little he had had of

it--but he had kept her talisman to a clean life.

His lack of religion worried him, though he had really never known much

about his family's form of it. For that his mother's death, early

boarding school, and his father's worse than indifference, were

responsible. But as he grew older he felt vaguely that he had missed

something the quality of which he had but tasted through the one

admonition of his mother that he had treasured. His nature was full of

reverence. His soul burned to respond to the call of faith, but

something rebelled. He had read everything, and was humble enough to

acknowledge that he knew little. He had given up the struggle to

believe. Nothing seemed satisfactory. It worried him to think that he

had reached such a conclusion, but he was consoled by the thought that

many men had been of his way of thinking. He hoped this would prove

excuse enough, but found it was not excuse enough for him. Here he

was, rich, noble, with the English scales of caste off his eyes, doing

nothing, indolent, loving only a memory, indifferent but still seeing a

saving something of his mother and his child love in every woman to

whom he spoke.

Now something else, yet something not so very different, had suddenly

stepped into his life, and he knew it. The something was dressed in

white and had stepped out of a tree. It was almost laughable. This

woman had come into his dreams. The very sight of her attracted

him--or was it the manner of her coming? She was just like an ideal he

had often made for himself. Few men meet even the one who looks like

the ideal, but he had seen the reality--coming out of a tree. He kept

on wondering how long she had been there. He himself had been dreaming

in front of the tree an hour before he saw her. Had she seen him

before she came out? She had given no sign; but if she had seen him,

she had trusted him with a secret. Mark looked at the tree. It was

half embedded in the wall. Then he understood. The tree masked a

secret entrance to Killimaga.

He was still smiling over his discovery when he heard the voices of the

agent and constable. They were coming back, so he dropped into his

hiding place in the tall grass.

"Well, Brown," the agent was saying, "I am going to tackle her. I've

got to see that face. It's the only way! If I saw it once, I'd know

for sure from the photograph they sent me."

"Ye'd better not," advised the constable. "She might be a-scared

before--"

"But I've got to be sure," interrupted the agent.

"Aw, ye're sure enough, ain't ye? There's the photygraft, and I seed

her."

"But she slipped me in Boston, and I nearly lost the trail. I can't

take chances on this job--it's too important--and I've got to report

something pretty soon. That damn veil! She always has it on."

"Yep, she had it when she come down here, too, and when she tuk the

house. All right, see her if ye can! Ye're the jedge. She's coming

around the bend of the road now." The constable was peering out from

his hiding place among the bushes.

"Is the priest with her?" asked the agent.

"He's gone back to the village. She didn't go that far--she seldom

does. But he goes to see her; and she goes to his church on Sundays."

"I wonder if he knows anything?"

"Trust that gent to know most everything, I guess." The constable was

very positive. "Father Murray's nobody's fool," he added, "and she

won't talk to nobody else. I'll bet a yearlin' heifer he's on; but

nobody could drag nothing out of him."

"I know that," said the agent. "I've been up there a dozen times, and

I've talked with him by the hour--but always about books; I couldn't

get him to talk about anything else. Here she is! Go on back."

The constable disappeared behind the bushes, and his companion stood

out in the little clearing to wait.

The woman saw him; Mark, watching from the long grass, thought she

hesitated. Then she dropped her veil and came on. The agent stepped

forward, and the woman seemed distressed. What the agent intended to

do Mark could not guess, but he made up his mind at once as to what he

would do himself. He arose and, just as the agent met the lady, Mark's

arm went through his and he--not of his own volition--turned to face

the ocean.

"Hello, Saunders!" Mark said heartily. "Who'd expect to see you here,

with no one near to buy rare editions?"

Saunders looked at him with annoyance, but Mark was friendly. He

slipped his arm out of the agent's and slapped him on the shoulder.

"Look out at that sea, you old money-grabber. There's a sight for your

soul. Did you ever think of the beauty of it? Such a day!--no wonder

you're loafing. Oh! I beg your pardon, Madam. I am in your way."

Keeping Saunders' back to the lady, Mark stepped aside to let her pass.

Saunders could not even look back, as she walked quickly behind them.

The agent stammered a reply to Mark's unwelcome greeting before he

turned. But it was too late, for Mark heard the click that told him

that the tree had closed. He looked for the constable, to see if he

had been watching her and had discovered the secret door; but the

constable was leisurely walking toward the village.

Charred Wood · 第 1 / 23 章