CHAPTER V

"I have never seen anything like this," Isobel said softly. I looked up

from the writing-pad on my knee, and she met my glance with a smile of

contrition.

"Ah," she said. "I forgot that I must not talk. Indeed, I did not mean

to, but--look!"

I followed her eyes.

"Well," I said, "tell me what you see."

"There are so many beautiful things," she murmured. "Do you see how

thick and green the grass is in the meadows there? How the quaker

grasses glimmer?--you call them so, do you not?--and how those yellow

cowslips shine like gold? What a world of colour it all seems. London is

so grey and cold, and here--look at the sea, and the sky, with all those

dear little fleecy white clouds, and the pink and white of all those

wild roses wound in and out of the hedges. Oh, Arnold, it is all

beautiful!"

"Even without a motor-car!" I remarked.

She looked at me a little resentfully.

"Motoring is very delightful," she said, "although you do not like it.

Of course, it would be nice if Arthur were here!"

She looked away from me seawards, and I found myself studying her

expression with an interest which had something more in it than mere

curiosity. At odd times lately I had fancied that I could see it coming.

To-day, for the first time, I was sure. The smooth transparency of

childhood, the unrestrained but almost animal play of features and eyes,

reproducing with photographic accuracy every small emotion and

joy--these things were passing away. Even before her time the child was

seeking knowledge. As she sat there, with her steadfast eyes fixed upon

the smooth blue line where sea and sky met, who could tell what thoughts

were passing in her mind? Not I, not Mabane, nor any of us into whose

care she had come. Only I knew that she saw new things, that the rush of

a more complex and stronger life was already troubling her, the sweet

pangs of its birth were already tugging at her heartstrings. My pencil

rested idly in my fingers, my eyes, like hers, sought that distant line,

beyond which lies ever the world of one's own creation. What did she see

there, I wondered? Never again should I be able to ask with the full

certainty of knowing all that was in her mind. The time had come for

delicate reserves, the time when the child of yesterday, with the first

faint notes of a new and wonderful song stealing into her heart, must

fence her new modesty around with many sweet elusions and barriers,

fairy creations to be swept aside later on in one glad moment--by the

one chosen person. There was a coldness in my heart when I realized that

the time had come even for the child who had tripped so lightly into our

lives so short a time ago, to pass away from us into that other and more

complex world. It was the decree of sex, nature's immutable law,

sundering playfellows, severing friendships, driving its unwilling

victims into opposite corners of the world, with all the pitilessness of

natural law. Nevertheless, the thought of these things as I looked at

Isobel made me sad. She was young indeed for these days to come, for the

shadows to steal into her eyes, and the song of trouble to grow in her

heart.

"Tell me," I asked softly, "what you see beyond that blue line."

"I can tell you more easily," she said, glancing down with a faint smile

at my empty pages, "what I see by my side--a very lazy man. And," she

continued, crumpling a little ball of heather in her fingers and

throwing it with unerring aim at Allan, "another one over there!"

"My picture," Allan protested, "is finished."

"Nonsense!" she exclaimed, preparing to rise, but he waved her back.

"In my mind," he added. "Don't misunderstand me. The casual and ignorant

observer glancing just now at my canvas might come to the same

conclusion as you--a conclusion, by-the-bye, entirely erroneous. I will

admit that my canvas is unspoilt. Nevertheless, my picture is painted."

She looked across at him reproachfully.

"Allan, how dare you!" she exclaimed. "Only Arnold has the right to be

subtle. I have always regarded you as a straightforward and honest

person. Don't disappoint me."

"St. Andrew forbid it!" Allan declared. "My meaning is painfully simple.

I build up my picture first in my mind. Its transmission to canvas is

purely mechanical. Here goes!"

He took up his palette, and in a few moments was hard at work. Isobel

pointed downwards to my writing-pad.

"Can you too match Allan's excuse?" she asked. "Is your story already

written?"

I shook my head.

"I have been watching you," I answered. "Besides, for a perfectly lazy

person, are you not rather a hard task-mistress? Consider that this is

our first day of summer--the first time we have seen the sun make

diamonds on the sea, the first west wind which has come to us with the

scent of cowslips and wild roses. I claim the right to be lazy if I want

to be."

She smiled.

"The poet," she murmured, "finds these things inspiring."

"The poet," I answered, "is an ordinary creature. Nowadays he eats

mutton-chops, plays golf, and has a banking account. The real man of

feeling, Isobel, is the man who knows how to be idle. Believe me, there

is a certain vulgarity in seeking to make a stock-in-trade of these

delicious moments."

"That is not fair," she protested. "How should we all live if none of

you did any work?"

"For your age, Isobel," I declared seriously, "you are very nearly a

practical person. You make me more than ever anxious for an answer to my

last question. What were you thinking of just now?"

Her eyes seemed to drift away from mine. A touch of her new seriousness

returned. She pointed to that thin blue line.

"Beyond there," she said, "is to-morrow, and all the to-morrows to come.

One sees a very little way."

"Our limitations," I answered, "are life's lesson to us. If to-morrow is

hidden, so much the more reason that we should live to-day."

"Without thought for the morrow?"

"Without care for it," I answered. "Are we not Bohemians, and is it not

our text?"

She shook her head.

"It is not yours," she answered slowly. "I am sure of that."

I looked at her quickly.

"What do you mean?"

"Just what I say," she answered gravely. "Men and women to whom the

present is sufficient surely cannot achieve very much in life. All the

time they must concentrate powers which need expansion. I think that it

must be those who try to climb the walls, those even who tear their

fingers and their hearts in the great struggle for freedom, who can make

themselves capable of great things, even if escape is impossible. But I

do not think that escape is so impossible after all, is it? There have

been men, and women too, who have lived in all times, to whom there have

been no to-morrows or any yesterdays. Only it seems rather hard that

life for those who seek it must always be a battle!"

I did not answer her for several minutes. It was true, then, that the

old days had passed away. Isobel, the child whom we had known and loved

so well, had disappeared. It was Isobel the incomprehensible who was

taking her place. What might the change not mean for us?...

Later we walked back over an open heath yellow with gorse, and faintly

pink with the promise of the heather to come. Isobel carried her hat in

her hand. She walked with her head thrown back, and a smile playing

every now and then upon her lips. She was so completely absorbed that I

found myself every now and then watching her, half expecting, I believe,

to find some physical change to accord with that other more mysterious

evolution. She walked with all the grace of long limbs and unfettered

clothing. Her figure, though perfectly graceful, and with that same

peculiar distinction which had first attracted me, was as yet wholly

immature. But in the face itself there were signs of a coming change.

Wherein it might lie I could not tell, but it was there, an intangible

and wholly elusive thing. I think that a certain fear of it and what it

might mean oppressed me with the sense of coming trouble. I was more

fully conscious then than ever before of the moral responsibility of our

peculiar charge.

We crossed a straight dusty road, cleaving the rolling moor like a belt

of ribbon. Isobel looked thoughtfully along it.

"I wonder," she said, "when Arthur will come down!"

The folly of a man is a thing sometimes outside his own power of

control. A second before I had been wondering of whom and what she had

been thinking.

"Not just yet, I'm afraid," Allan answered, stopping to light his pipe.

"It is not easy for him to get backwards and forwards, and I believe

that he is by way of being rather busy just now."

"What a nuisance!" Isobel declared, looking behind her regretfully. "The

roads about here seem so good."

"The roads are good, but the heath is better," Allan answered. "I will

race you for half a pound of chocolates to that clump of pines!"

"You are such a slow starter," she laughed, bounding away before he had

time to drop his easel. "Make it a pound!"

I picked up Allan's easel and strolled away after them. Was it the

motoring, I wondered, which had prompted her half-wistful question, or

had I been wise too late? Arthur had been very confident. So much that

he had said had carried with it a certain ring of truth. Youth and the

temperament of youth were surely irresistible. Like calls to like across

the garden of spring flowers with a cry which no interloper can still,

no wanderer of later years can stifle. Somehow it seemed to me just then

that the sun had ceased to shine, and a touch of winter after all was

lingering in the western breeze....

They disappeared round the pine plantation, Isobel leading by a few

yards, her skirts blowing in the wind, running still with superb and

untired grace. I climbed a bank to gain a better view of the finish, and

became suddenly aware that I was not the only interested spectator of

their struggle. About a hundred yards to my left a man was standing on

the top of the same bank, a pair of field-glasses glued to his eyes,

watching intently the spot where they might be expected to reappear. The

sight of him took me by surprise. A few moments ago I could have sworn

that there was not a human being within a mile of us. There was only one

explanation of his appearance. He must have been concealed in the dry

mossy ditch at the foot of the bank. It was possible, of course, that he

might have been like us, a casual way-farer, and yet the suddenness of

his appearance, the intentness of his watch, both had their effect upon

me. I moved a few yards towards him, with what object I perhaps scarcely

knew. A dry twig snapped beneath my feet. He became suddenly aware of my

approach. Then, indeed, my suspicions took definite shape, for without a

moment's hesitation the man turned and strode away in the opposite

direction.

I shouted to him. He took no notice. I shouted again, and he only

increased his pace. I watched him disappear, and I no longer had any

doubts at all. He was not in the least like a tramp, and his flight

could bear but one interpretation. Isobel was not safe even here. We had

been followed from London--we were being watched every hour. For the

first time I began seriously to doubt what the end of these things might

be.

The Master Mummer · 第 5 / 14 章