The next day it rained, fitfully at first, at the will of a cold wind
that dragged clouds out of heaven. A gleam of sunshine in the afternoon,
then wild rain driven slantwise by the gusts; and now, at five o'clock,
no wind at all, but a straight, soaking downpour.
The guests at the Cliff Hotel were all indoors. Colonel Hankin and his
wife were reading in a corner of the lounge. Mr. Soutar, the clergyman,
was dozing over a newspaper by an imaginary fire. The other men drifted
continually from the bar to the billiard-room and back again.
Mrs. Tailleur and Lucy were sitting in the veranda, with rugs round
them, watching the rain, and watched by Colonel and Mrs. Hankin.
Jane had gone into the drawing-room to write letters. There was nobody
there but the old lady who sat in the bay of the window, everlastingly
knitting, and Miss Keating isolated on a sofa near the door.
Everybody in the hotel was happy and occupied, except Miss Keating. Her
eyes followed the labour of Miss Lucy's pen, watching for the stroke
that should end it. She had made up her mind that she must speak to her.
Miss Keating was subject to a passion which circumstances were
perpetually frustrating. She desired to be interesting, profoundly,
personally interesting to people. She disliked publicity partly because
it reduced her to mournful insignificance and silence. The few moments
in her life which counted were those private ones when she found
attention surrendered wholly to her service. She hungered for the
unworn, unwearied sympathy of strangers. Her fancy had followed and
fastened on the Lucys, perceiving this exquisitely virgin quality in
them. And now she was suffering from an oppression of the nerves that
urged her to a supreme outpouring.
Miss Lucy seemed absorbed in her correspondence. She felt that Miss
Keating's eyes were upon her, and as she wrote she planned a dexterous
retreat. It would, she knew, be difficult, owing to Miss Keating's
complete occupation of the sofa by the door.
She had made that lady's acquaintance in the morning, having found her
sitting sad and solitary in the lounge. She had then felt that it would
be unkind not to say something to her, and she had spent the greater
part of the morning saying it. Miss Keating had tracked the thin thread
of conversation carefully, as if in search of an unapparent opportunity.
Jane, aware of the watchfulness of her method, had taken fright and left
her. She had had an awful feeling that Miss Keating was about to bestow
a confidence on her; somebody else's confidence, which Miss Keating had
broken badly, she suspected.
Jane had finished her letters. She was addressing the envelopes. Now she
was stamping them. Now she was crossing the room. Miss Keating lowered
her eyes as the moment came which was to bring her into communion with
the Lucys.
Jane had made her way very quietly to the door, and thought to pass
through it unobserved, when Miss Keating seemed to leap up from her sofa
as from an ambush.
"Miss Lucy," she said, and Jane turned at the penetrating sibilants of
her name.
Miss Keating thrust toward her a face of tragic and imminent appeal. A
nervous vibration passed through her and communicated itself to Jane.
"What is it?" Jane paused in the doorway.
"May I speak to you a moment?"
"Certainly."
But Miss Keating did not speak. She stood there, clasping and
unclasping her hands. It struck Jane that she was trying to conceal an
eagerness of which she was more than half ashamed.
"What is it?" she said again.
Miss Keating sighed. "Will you sit down? Here--I think." She glanced
significantly at the old lady who was betraying unmistakable interest in
the scene. There was no place where they could sit beyond her range of
vision. But the sofa was on the far side of it, and Miss Keating's back
protested against observation.
She bent forward, her thin arms stretched out to Jane, her hands locked,
as if she still held tight the confidence she offered.
"Miss Lucy," she said, "you were so kind to me this morning, so kind and
helpful."
"I didn't know it."
"No, you didn't know it." Miss Keating looked down, and she smiled as if
at some pleasant secret of her own. "I think when we are really helping
each other we don't know it. You couldn't realise what it meant to me,
your just coming up and speaking to me that way."
"I'm very glad," said Jane; and thought she meant it.
Miss Keating smiled again. "I wonder," she said, "if I might ask you to
help me again?"
"If I can."
"You look as if you could. I'm in a great difficulty, and I would like
you--if you would--to give me your advice."
"That," said Jane, "is a very dangerous thing to give."
"It wouldn't be in this case. If I might only tell you. There's no one
in the hotel whom I can speak to."
"Surely," said Jane, "there is Mrs. Tailleur, your friend."
"My friend? Yes, she is my friend; that's why I can't say anything to
her. She _is_ the difficulty."
"Indeed," said Jane coldly. Nothing in Miss Keating appealed to the
spirit of adventurous sympathy.
"I have received so much kindness from her. She _is_ kind."
"Evidently," said Jane.
"That makes my position so very delicate--so very disagreeable."
"I should think it would."
Miss Keating felt the antipathy in Miss Lucy's tone. "You _do_ think it
strange of me to come to you when I don't know you?"
"No, no; people are always coming to me. Perhaps because they don't know
me."
"Ah, you see, you make them come."
"Indeed I don't. I try to stop them."
"Are you trying to stop me?"
"Yes; I think I am."
"Don't stop me, please."
"But surely it would be better to consult your own people."
Miss Keating paused. Miss Lucy had suggested the obvious course, which
she had avoided for reasons which were not obvious even to herself.
"My own people?" she murmured pensively. "They are not here."
It was not her fault if Miss Lucy jumped to the conclusion that they
were dead.
"I wonder," she said, "if you see my difficulty?"
"I see it plainly enough. Mrs. Tailleur has been very kind to you, and
you want to leave her. Why?"
"I'm not sure that I ought to stay."
"You must be the best judge of your obligations."
"There are," said Miss Keating, "other things; I don't know that I'm a
good judge of _them_. You see, I was brought up very carefully."
"Were you?"
"Yes. I'm not sure that it's wise to be as careful as all that--to keep
young girls in ignorance of things they--things they must, sooner or
later----" she paused staring as if at an abyss.
"What things?" asked Jane bluntly.
"I don't know what things. I don't _know_ anything. I'm afraid. I'm so
innocent, Miss Lucy, that I'm like a child in the dark. I think I want
some one to hold my hand and tell me there's nothing there."
"Perhaps there isn't."
"Yes, but it's so dark that I can't see whether there is or isn't. I'm
just like a little child. Except that it imagines things and I don't."
"Don't you? Are you sure you don't let your imagination run away with
you sometimes?"
"Not," said Miss Keating, "not on this subject. Even when I'm brought
into contact"--her shoulder-blades obeyed the suggestion of her brain,
and shuddered. "I don't know whether it's good or bad to refuse to face
things. I can't help it. All that side of life is so intensely
disagreeable to me."
"It's not agreeable to me," said Jane. "And what _has_ it got to do with
Mrs. Tailleur?"
Miss Keating smiled queerly. "I don't know. I wish I did."
"If you mean you think she isn't nice, I can tell you I'm sure you're
mistaken."
"It's not what _I_ think. It's what other people think."
"What people?"
"The people here."
Little Jane lifted her head superbly.
"_We_ think the people here have behaved abominably to Mrs. Tailleur."
She lifted her voice too. She didn't care who heard her. She rose,
making herself look as tall as possible.
"And if you're her friend," said she, "you ought to think so too."
She walked out of the room, still superbly. Miss Keating was left to a
painful meditation on misplaced confidence.