CANTO X.

There was a man in our town, and he was wondrous wise,

He jumped into a bramble bush and scratched out both his eyes;

And when he saw what he had done, with all his might and main,

He jumped into another bush, and scratched them in again.

Some people have a very curious way of doing things. Nowadays when the

world has advanced by prodigious strides almost to the limit of

civilization, and having no further to go, is debating within itself

whether it shall lie down and take a rest, a man don't go to so much

trouble to have his eyes out. The age is a fast one, you know; so, when

the man feels like having his glims doused, he just jumps into the midst

of a crowd of real b'hoys, runs his head, good-naturedly, you know,

against a pair of knuckles, and the business is settled with "neatness

and despatch," as the job-printers say.

How different our poet's description. He must have been a man of

wonderful experience; and foresight, let us add, since from his simple

yet wonderfully powerful sketches there is gained an insight into all

the mysterious workings of humanity, from the lulling of the babe in the

cradle, the ruthless disruption of the apron-string that he is led with,

because some naughty little boys laughed at him, to the tolling of the

bell by the old sexton over another dead.

Well, there is no use in moralizing. The tale is before us, graphically

drawn; and to the reader is left naught but the pleasure of

contemplating its beauties. In his pithy way the poet describes a man

who, though possessed of some good qualities, evidently did not know how

to use them. Though the poet has never yet touched upon politics, yet

the careful reader will find that the hero of the sketch must have been

a young Democrat, since he is made to appear very nimble, and has a

fondness, partial to himself, of getting into rather thorny places. What

led him into those dangerous places we have very little chance of

knowing. "He was wondrous wise," saith the poet, and forsooth he jumps

into a bramble-bush, the last place in the world where a _wise_ man is

to be found. But then, perhaps, a tincture of irony flew from our poet's

pen; the hero was wise in his own esteem, perhaps; or was wise in the

opinion of his friends, whose wisdom seemed to be consummated in doing

something ridiculous.

It is very fortunate for the social welfare of community that all its

actions should not be sublime. Mankind would become too serious and

morose and cynical, and life would be a burden. The ridiculous makes it

enjoyable, but at the expense of those who cause the ridicule. Man

_must_ laugh, no matter what the cost to the object laughed at.

Ordinary intelligence would have decided the fate of the wise individual

who found no other use for his eyes but to scratch them out in a

bramble-bush. But our poet dealeth otherwise with his portraits. He

shows us the fate of an overwrought, badly instilled wisdom; yet when

that wisdom has been deserted by its cause, the promptings of a heart,

pure at the core, hold up to contempt the mad teachings of the sophist.

"When he saw what he had done,"

continues the poet, in a sense not entirely literal, for reasons which

are not necessary to be explained, this man of wondrous wisdom saw that

he had been made a dupe. Cunning as a fox were his would-be friends; but

having got him to the bush, there they let him gambol as he would,

ensnaring him to his own almost utter ruin.

A new light flashes upon his brain; his folly appears plainly to his

mind; he had ruthlessly deserted his fond parents; sought evil counsel;

was deserted by his false friends; and was now in a deplorable condition

indeed. Remorse sometimes brings repentance; at least it did in this

case. Our hero remembered the good teachings of his early youth; and,

like the prodigal son, was willing to return to the home of his fathers.

True, he was in a bramble-bush; but, _similia similibus curantur_

(which, interpreted, signifies, "You tickle me and I'll tickle you").

"He jumped into another bush,"

found his eyes as they were before his sad catastrophe, and without

ceremony returned them to their places, by another operation of

scratching.

What more need be said! No circumlocution of words will add to the

ending of a tale, but perhaps serve only to conceal the point. The

author is careful of his reputation. He restores the hero to his

original position, in full possession of his senses.

There let him be;

But O Be good, say we.

* * * * *

Punchinello, Volume 2, No. 33, November 12, 1870 · 第 29 / 39 题