DEAR GEORGE,

The "belatedness" of your letter only made _me_ fear that _I_ had

offended _you_. Odd that we should have such views of each other's

sensitiveness.

About Wood. No doubt that he is doing all that he can, but--well, he

is not a publisher. For example: He sent forty or fifty "Shapes" here.

They lie behind a counter at the bookseller's--not even _on_ the

counter. There are probably not a dozen persons of my acquaintance in

Washington who know that I ever wrote a book. Now _how_ are even these

to know about _that_ book? The bookseller does not advertise the books

he has on sale and the public does not go rummaging behind his

counters. A publisher's methods are a bit different, naturally.

Only for your interest I should not care if my books sold or not; they

exist and will not be destroyed; every book will eventually get to

_somebody_.

* * * * *

It seems to be a matter for you to determine--whether Wood continues

to try to sell the book or it is put in other hands if he is ever

tired of it. Remember, I don't care a rap what happens to the book

except as a means of reimbursing you; I want no money and I want no

glory. If you and Wood can agree, do in all things as you please.

I return Wood's letters; they show what I knew before: that the public

and the librarians would not buy that book. Let us discuss this matter

no more, but at some time in the future you tell me how much you are

out of pocket.

_Your_ book shows that a fellow can get a good deal of glory with very

little profit. You are now famous--at least on the Pacific Coast; but

I fancy you are not any "for'arder" in the matter of wealth than you

were before. I too have some reputation--a little wider, as yet, than

yours. Well, my work sells tremendously--in Mr. Hearst's newspapers,

at the price of a small fraction of one cent! Offered by itself, in

one-dollar and two-dollar lots, it tempts nobody to fall over his own

feet in the rush to buy. A great trade, this of ours!

I note with interest the "notices" you send. The one by Monahan is

amusing with its gabble about your "science." To most men, as to him,

a mention of the stars suggests astronomy, with its telescopes,

spectroscopes and so forth. Therefore it is "scientific." To tell such

men that there is nothing of science in your poem would puzzle them

greatly.

I don't think poor Lang meant to do anything but his best and

honestest. He is a rather clever and rather small fellow and not to be

blamed for the limitations of his insight. I have repeatedly pointed

out in print that it requires genius to discern genius at first hand.

Lang has written almost the best, if not quite the best, sonnet in the

language--yet he is no genius.

* * * * *

Why, of course--why should you not help the poor devil, * * *; I used

to help him myself--introduced him to the public and labored to

instruct him. Then--but it is unspeakable and so is he. He will bite

your hand if you feed him, but I think I'd throw a crust to him

myself.

* * * * *

No, I don't agree with you about Homer, nor "stand for" your implied

view that narrative poetry is not "pure poetry." Poetry seems to me to

speak with a thousand voices--"a various language." The miners have a

saying: "Gold is where you find it." So is poetry; I'm expecting to

find it some fine day in the price list of a grocery store. I fancy

_you_ could put it there.

* * * * *

As to Goethe, the more you read him, the better you will love Heine.

Thank you for "A Wine of Wizardry"--amended. It seems to me that the

fake dictum of "Merlin-sage" (I don't quite perceive the necessity of

the hyphen) is better than the hackneyed Scriptural quotation. It is

odd, but my recollection is that it was the "sick enchantress" who

cried "unto Betelgeuse a mystic word." Was it not so in the copy that

I first had, or do I think so merely because the cry of one is more

lone and awful than the cry of a number?

I am still of the belief that the poem should have at least a few

breaks in it, for I find myself as well as the public more or less--I,

doubtless, less than the public--indisposed to tackle solid columns

of either verse or prose. I told you this poem "took away one's

breath,"--give a fellow, can't you, a chance to recover it now and

again.

"Space to breathe, how short soever."

Nevertheless, not my will but thine be done, on earth as it is in San

Francisco. Sincerely yours, AMBROSE BIERCE.

[Washington, D. C.,

May 11, 1904.]

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