CHAPTER V.

"Then marry me," the musician was saying, half-an-hour later. It had not

struck him before that she might not possibly want to do so.

"But I have already told you that I do not love you," persisted Lady

Joan, who was enjoying herself immensely.

"What does that matter? It will come in time, it is sure to come.

Besides, I love you; is not that enough?"

It would have been, to most of his lady friends; but Lady Joan only

caught the humor of his words, and laughed derisively.

"You think you are going to put me off by pretending to laugh," he went

on patiently; this was to show his superior knowledge of her character;

"but the truth is that you dare not be serious, Lady Joan; why don't

you give in to your real feelings and stop making a joke of life just

this once?"

"I make a joke of life?" she cried; she was half in earnest now; "how is

that possible unless one has realized its sadness? You enthusiasts who

have never laughed at anything, and are always talking about taking life

seriously, you have never gone deep enough to see that it _is_ serious.

If you had, you would only laugh for the rest of your life, because--it

would be impossible after you had once realized _that_ to keep serious

and live."

For the first time in his life the musician did not want to argue.

"Don't you see that I love you as I have never loved any one before, as

I could never love any one again?" he said humbly.

"How am I to believe that?" she retorted sharply, and he flushed

slightly.

"Is that quite fair of you? Have I not been always perfectly open with

you? I told you the story of my marriage the first time I ever met you,

and I have told you to-day about poor little No--about Miss Bisley.

Could any man do more?"

"No," she said carelessly, "but you might very well have done less,--I

mean, the whole town told me about Miss Bisley directly I came home from

abroad, though, except for the name, the two accounts do not tally in

the least. But then, nothing in Relton shrinks in the washing."

The musician flinched, and tried another tactic.

"Then I suppose you merely think I am a brute who is taking advantage of

your loneliness to profess an affection for you which he does not feel?

A man has to pay a big penalty for your friendship, Lady Joan."

She would not have let him see it for the world, but she felt she had

gone a little too far, and a rapid change came over her mood.

"It is not that; I am afraid of myself, I think," she said with a sigh,

and she looked down at his boots.

His face lighted up.

"Then--" he began eagerly; but she put up her hand with a gesture of

warning.

"No, no, you mistake me; I do not believe that it is in me to love

anybody--for long. My friends say it is because I have never known a

mother's love; but if my parents had lived they would simply have made

me fight with them through their tiresome affection for me. Now, I know

what you are going to say--that I am speaking with the spirit of the

age, or some of that twaddle I have heard before. If I am, it is you who

have taught it me, for I don't allow anybody else to mention the age to

me; I am sick of it and the people who make their living out of abusing

it. I could never love you, or anybody. That's the truth, and--don't you

believe me?"

"Not quite," he said, and looked at her in an unpleasantly direct way.

"Besides," she said, rather awkwardly, catching at another loophole of

escape, "there is this Norah Bisley: how am I to know that she will not

come back?"

He shook his head, and she smiled at the guilelessness of his reply.

"I don't think it is possible. You see, I wrote three times--"

"The letters may have gone astray."

"The third one I sent by hand, and it was returned to me unopened. I can

see now that it is only what I might have expected; she did not have a

thought apart from her father, and her father never liked me well enough

to look on me in the light of a son-in-law. He took her away directly he

suspected our liking for one another, and when they got together and

away from me he must have persuaded her to give me up. I wrote to him

and I wrote to her, but, as you know, with no avail. She was a lovable

little thing, spoiled by her weakness of will, poor little Norah!"

"Poor little Norah!" she echoed half mockingly, and crumbled some mortar

off the broken wall and watched it splash into the water below. She was

wondering how it was that she had been more fascinated in half-an-hour

by handsome, empty-headed Jack Raleigh than she had been in three long

years by this large-hearted musician, with the high forehead and the

cavernous eyes, with his passion for metaphysics and Socialism, and his

ardent desires to reform society and the world in his own lifetime. Yet

she found him interesting sometimes, generally when he was not there and

she was thinking about him, and she wondered again why he did not

interest her more, and whether she would not have tumbled into a

commonplace engagement with him if her parents had been alive and he had

been asked to dine at the Court, like any ordinary young man, and she

had been forbidden, like any ordinary young woman, to come down to the

inn and play with his child. But she had no parents to impose

conventionality upon her, and she had gloried in her liberty for

twenty-five years, and she was loth to give it up now for the sake of a

man who, she felt sure, would bore her in a week with his desperate

enthusiasms, and whom she was not even sure that she loved. No, she

could not marry him, she felt sure, and she looked up to say so, and met

his restless eyes watching her with such a boy's eagerness that she

again went off on a side issue.

"I am not livable with, that is the truth," she said rather weakly, and

crumbled some more mortar off the wall, and wished he would not look at

her so gloomily. He was thinking that the courtship was not going as

smoothly as he expected it would, and beginning dimly to understand that

for the only time in his experience he was humbling himself before a

woman who was not going to fall a victim to his persuasions; and the

discovery did not make him more eloquent nor less humble, though it

tended to make him look at the question still more blindly from his own

point of view, and he told himself again, obstinately, that he could not

live without her for his wife.

"Lady Joan," he said suddenly, "is it me that you dislike, or marriage?"

"Both," she said, and laughed heartily, and became swiftly grave again,

and came up to him and took both his hands, an unwonted action that

brought the color to his cheeks; "don't you see, my dear friend, that if

we were to marry I should plague your life out, and you would never

write another note of music, and Mrs. Reginald Routh and all the others

would point at me with invective? And you would bore me to the verge of

extinction in a month! Of course if you didn't like me it might work

better, because then I should have to make you fall in love with me, and

that would prevent it from being such a deadly dull affair. Or if I

hated you I might do it, because then we could live our separate lives,

and there would be nothing to spoil. Don't you see how marriage always

spoils things? It is never romantic; it is expedient, that's all. It

does for people who are not fond of one another, or for people who do

not feel such things; but for two people who are in love, and one of

them a hypersensitive musician--bah! it would be madness! Not that I am

in love, of course."

He chose to ignore the feminine way in which she concluded, and as she

dropped his hands and swung away from him, he found himself feeling for

his tobacco pouch, and he reflected that the courtship was not much more

romantic than the married life she pictured.

"Then you believe in perpetual engagements?" he asked, for the sake of

saying something.

"Not a bit of it," she replied gayly, leaning over the broken wall and

watching the creatures in the water below; "engagements simply mean all

the conventional drawbacks without the moral conveniences. No, there is

only one way out of it, and that won't work when you come to examine

it."

"And what is that?" he asked, like a man, rashly.

"To marry some one who doesn't matter, and be in love with some one

else," she replied carelessly, and kept her face averted.

He rolled up his cigarette and lighted it, and wondered whether women

ever discussed among themselves these subjects which they had no

diffidence in approaching with men.

"No, it would hardly work, I am afraid," he said slowly. "Lady Joan, it

is an absurdly old-fashioned thing to say, but do you know I fancy,

after all, that marriage is the only way out of it?"

She turned round and faced him with hot cheeks and angry eyes.

"I think you are merely abusing your privilege as my friend," she cried;

"I am not going to stay here for you to draw me out and then--then laugh

at me. It is time we closed this--this absurd interview, and I wish--I

wish I had known you were here before I started for my walk. Do you

suppose that _I_ would say anything to _you_ that the whole world might

not hear?"

He certainly did suppose so from quite recent experience, but he only

apologized humbly for having his meaning mistaken, and allowed her to

retrace her steps across the field without uttering any commonplace

about meeting again as friends. Perhaps he knew quite well that when

they did meet again she would be by far the most self-possessed of the

two.

The musician walked back to the inn and tried to persuade himself that

he was a disappointed man.

"My engagements never do seem to go right," he thought dejectedly, as he

leaned out of the parlor window and looked vaguely among the

fruit-trees. The door was pushed open from without, and a rush of red

sunshine and childish footsteps came into the room.

"Here I are, daddy! Where is you, daddy? I've been a naughty boy,

_welly_ naughty Nanny says, 'cos I didn't say grace at tea-time. Why

don't _you_ never say grace, my daddy? When I are a big man I aren't

never going to say grace no more! Nanny says I are to kiss you free

times, and did you bring any sweets for me, daddy?"

"That will do, my son, yes," said Digby, nervously, as the boy clambered

on his knee and proceeded to cover him with sticky embraces; "Nanny is

always right, of course, but I think twice will be enough. Thanks. The

sweets are in this pocket, so you need not turn out all the others. And

you must not have any unless you stop jumping."

The musician was not fond of children, and he always imagined his own

was going to break his neck or damage himself in some way every time he

came into the room. Sonny on his part had his own views concerning this

mysterious daddy who came and went so strangely, and who was always

going to chastise him severely according to Mrs. Haxtell, but never did

anything worse than bring him sweets, and hold him by his sash until he

was nearly suffocated.

"And now for my story, daddy," he shouted, with his mouth full of

sugar-plums. "Be quick please, my daddy; once upon a time--go on,

daddy!"

"Once upon a time," began the musician vaguely, and his thoughts strayed

away to the lithesome figure swaying to and fro on the broken wall, and

he tried hard to realize his crestfallen condition now that she had

refused him.

"Yes, daddy, yes; go on, please, my daddy: are you forgotten the end of

my story, daddy dear?" pleaded the restless spirit in his arms.

"Oh, dear, once upon a time there was--there was--oh, confound it all,

there was a beautiful lady, wasn't there?" he began wearily.

"A booful lady? _Welly_ booful, daddy?"

"Very beautiful, my son."

"Oh," solemnly, "and what sort of daddy did she have?"

"Eh, what? Daddy? Oh--she didn't have one," said the musician, oblivious

of morality; he was going through an eloquent speech in his mind which

he might have said in the castle meadow if only he had not been so

absurdly nervous.

"Oh," said the baby voice, growing shrill with interest, "didn't she

never have no daddy at all?"

Of course, thought the musician, if he had said that to her instead of

stuttering over a few commonplaces she would have found him irresistible

at once.

"Daddy, _dear_," implored Sonny, tugging at his coat suggestively.

"Oh, the devil take the story!" shouted the musician; "didn't I tell you

she never had a daddy? Don't ask so many questions, Sonny."

The big blue eyes became tearful at the unusual tone of anger and at the

untimely end of the story, and Digby's conscience smote him a little.

"I aren't crying, only little girls cry," gasped the child between his

hardly suppressed sobs. "I was only just thinking, daddy, what a welly

funny booful lady she were, daddy."

"Yes, my son," said the musician, very much in the tone of respect he

would have used to a man of his own age who was battling with some

terrible grief, "yes, my son, she was a very funny beautiful lady, so

funny that daddy could not understand her at all, although he loved her

so much. And she laughed at daddy, and wouldn't be kind to him, though

she was kind to the whole world besides."

The musician almost choked with his own emotion this time; but Sonny

jumped up and down with glee at having at last discovered a human chord

in the mythical beautiful lady.

"Oh, so she were a _naughty_ booful lady, daddy? Then she won't have jam

for tea next Sunday, will she, daddy dear?"

The wooden door that led into the yard creaked open again, and again the

red light from the setting sun flooded the little room.

"Yes, Sonny, of course, she was a naughty beautiful lady, that's just

what she was! But do you know I've come back to say that I won't be

naughty any more just yet, at least if daddy lets me, and I'm going to

be kind to him--at least, if daddy wants me. Daddy, do say something.

May I be good for a change, and will you let me be kind to you? I've

come to say I am sorry, like a good little girl; and--I may have jam for

tea next Sunday, mayn't I? Oh, daddy, do say something, and don't look

so doleful! Don't you understand? I was wrong, and you were right,

and--oh, how stupid it all is! Why--daddy--I--I don't believe you want

me now!"

And Lady Joan flung herself into the old high-backed wooden settle, and

crossed her feet, and broke into her maddening, mocking laugh as if to

hide something she was ashamed of showing. But the musician, who knew

her better than she thought he did, in spite of his almost childish

ignorance of woman's nature, went up to her and put the child on her

lap, and smiled down into her upturned, laughing face.

"We both want our beautiful lady, don't we, Sonny? And may I make my

confession too, Lady Joan? I was not sure that I did want you so

desperately after you sent me away just now. But I found that I did

directly you opened the door and the sunshine came in, and I can never

do without you again. But it is better to understand one another at

starting, isn't it?"

"Much better. And ideals are such bosh when we have grown out of our

short frocks. So the understanding is quite complete; you don't know how

much you love me, so we will call it desperately, and I don't know how

much I love you, so we will call it desperately too. You have been in

love shoals of times before, and I--well, I am capable of falling in

love with some one else on my wedding-day. So neither of us will be

disappointed if it does not answer, but we have agreed to try. Hey-day,

what fun it is! The lonely lady at the Court marrying the musician at

the inn; the lady has the establishment, and the musician has the money

to keep it up: if you were truly modern you would have both, and be a

risen cabinet-maker. Relton will have enough to talk about for a year.

But you will not behave as if we were engaged, _just_ yet, will you?

I--I don't feel as if I could quite stand it; do you understand?"

He had never heard her voice falter like that before, and he nodded to

show that he quite understood. But she sprang to her feet with one of

her quick gestures before he had time to realize the intoxicating

feeling of that moment, and he experienced a sensation of chill.

"What wickedness to keep this child up so late; come along, Sonny lad, I

told Nanny that I would put you to bed for a treat, and daddy is going

to stay here and smoke his pipe."

And she vanished up the primitive staircase which led straight from the

parlor up to the room above; and daddy was left somewhat with the

feeling of having consented to Lady Joan's suggestion of marriage

without receiving the right to kiss her, and he sat by the window again

and looked among the fruit-trees, and called himself the happiest man in

the world, and felt that he would be able to write his Swinburne song

when the house was quiet.

A third time the wooden door creaked, and a third time the red sunlight

filled the room. But the musician did not notice it, for he was still

looking out of the window into the orchard, and he was telling himself

with a sense of profound relief that his engagement was at last going

right.

There was the sound of a low, soft, glad cry in the little inn parlor,

and something glided in noiselessly, hesitated for a moment, and then

sped across the ray of light to where he sat by the window. And the

musician turned his eyes away from the fruit-trees then, and fixed them

on the apparition before him, and a look of dumb amazement began to

creep slowly over his face.

"Digby, I've come at last. You said you would not mind waiting ten years

for me, and it has only been one; yet, oh! such a weary long one to me,

Digby! But it has not been my fault, it hasn't really, dear; they never

told me, and papa stopped your two first letters, and Roger Brill--it

was Roger, wasn't it?--never brought me the last one at all. It was all

a mistake, I can't tell you now, but I found it out and gave them the

slip, and came straight here. Oh, Digby, you are not angry with me, are

you? I never meant to keep you waiting so, but I did not find it all out

till yesterday, so I could not come before. Oh, it has been so sad,

waiting for you. And I have been so ill too, Digby; they did not know

what was the matter with me, but _I_ knew all the time. It is all over

now, though, and we are going to be happy at last, aren't we? And may I

have my kiss now, the one you promised me? I think if you had kissed me

before I went away I should never have been ill. But I am going to be

happy now, so happy. Oh, Digby, I feel so greedy over my happiness that

I am frightened of its slipping away again. Is it because I have

startled you that you are so silent? Tell me you are not angry with me,

Digby,--and--when may I have my kiss, please?"

He took her mechanically into his arms and kissed the mouth that was

held up to him, and he experienced dully the sort of shock that an

unconventional man feels when a woman he has always considered the type

of purity does something which a woman of the world would know better

than to risk her reputation by doing. Upstairs, in the room overhead, he

could hear Lady Joan singing his child to sleep. He passed his hand

across his brow and wondered in a vague sort of way how it was all

going to end; it seemed years since Lady Joan had spoken to him.

"No, Norah child, of course I am not angry with you; how could any one

be that? But--"

"I don't mind anything if you are not angry with me. Only, why are you

so quiet? Have you been suffering too, Digby; haven't they been kind to

you?"

"Who? the fates? No, I fancy they have not been kind to me. Did you come

alone, childie?"

"I came with old nurse; she is at the station. Digby, tell me, have you

been ill?"

"No, I have not been ill; I have been working rather hard, and perhaps

worrying as well. Forgive me, dear; you must own it is all rather

startling?"

She put her arms round him, and laughed her low, soft laugh; and he

writhed at the contrast it made to Lady Joan's loud mocking one, which

still rang in his ears.

"Of course it is; I feel as if I had begun to live all over again after

being asleep in a cold, dark place ever since last year. Have you ever

felt like that, Digby? Oh, I have never asked after Sonny; how is he?

Has he gone to bed? May I go up and kiss him?"

"No, stay here," he said vehemently, and then bit his moustache savagely

when she opened her great eyes at him; and he added in a quieter tone,

"he is quite bonny, but we--we won't disturb him yet. There is a lady

with him who--who has been kind to me, and--and she will be coming down

perhaps--"

"A lady? Oh, I see," wonderingly. "I am glad she has been kind to

you--very. Do you like her?"

Should he tell her then? It was not yet absolutely necessary.

"Yes, I like her," he said in a toneless voice, and he forced himself to

smile reassuringly at her.

"I should like to see her, then. Hark, she is coming downstairs; how

merry she is, your friend!" as the full healthy laugh came down the

stairs.

If there had been any means, however desperate, of putting off the

crisis for another ten seconds, the musician would have stooped to it.

But he realized that there was none, and with the same flash of

consciousness as he realized it he braced himself to meet the event as

manfully as such a pitiful situation would allow.

"Norah," he said sternly, putting her off his knee and standing up in

front of her, "I have something to say to you. Will you be brave and

hear me? It may all come right, of course, but--this lady was kind to my

boy--and to me, when no one else would hold out a hand to us; and I

thought you had forgotten me, and so--I asked her to marry me. It was

only this afternoon, and of course--"

The noisy peals of laughter came right into the room through the inner

door, and Lady Joan stood in the dull glow which was all that remained

of the sunlight.

"Oh, daddy, what do you think Sonny said? Why--who--what is it?"

Something white, and quivering, and small, had fallen with a thud across

her feet, and again the low, long child's cry with the joy gone out of

it sounded in the stillness of the summer evening.

The musician had sunk on a chair with his face in his hands.

At the Relton Arms · 第 5 / 10 章