BECKET.

This is no secret, but a public matter.

In here again!

[JOHN OF SALISBURY _and_ MONKS _return_.

Now, sirs, the King's commands!

FITZURSE.

The King beyond the water, thro' our voices,

Commands you to be dutiful and leal

To your young King on this side of the water,

Not scorn him for the foibles of his youth.

What! you would make his coronation void

By cursing those who crown'd him. Out upon you!

BECKET.

Reginald, all men know I loved the Prince.

His father gave him to my care, and I

Became his second father: he had his faults,

For which I would have laid mine own life down

To help him from them, since indeed I loved him,

And love him next after my lord his father.

Rather than dim the splendour of his crown

I fain would treble and quadruple it

With revenues, realms, and golden provinces

So that were done in equity.

FITZURSE.

You have broken

Your bond of peace, your treaty with the King--

Wakening such brawls and loud disturbances

In England, that he calls you oversea

To answer for it in his Norman courts.

BECKET.

Prate not of bonds, for never, oh, never again

Shall the waste voice of the bond-breaking sea

Divide me from the mother church of England,

My Canterbury. Loud disturbances!

Oh, ay--the bells rang out even to deafening,

Organ and pipe, and dulcimer, chants and hymns

In all the churches, trumpets in the halls,

Sobs, laughter, cries: they spread their raiment down

Before me--would have made my pathway flowers,

Save that it was mid-winter in the street,

But full mid-summer in those honest hearts.

FITZURSE.

The King commands you to absolve the bishops

Whom you have excommunicated.

BECKET.

I?

Not I, the Pope. Ask _him_ for absolution.

FITZURSE.

But you advised the Pope.

BECKET.

And so I did.

They have but to submit.

THE FOUR KNIGHTS.

The King commands you.

We are all King's men.

BECKET.

King's men at least should know

That their own King closed with me last July

That I should pass the censures of the Church

On those that crown'd young Henry in this realm,

And trampled on the rights of Canterbury.

FITZURSE.

What! dare you charge the King with treachery?

_He_ sanction thee to excommunicate

The prelates whom he chose to crown his son!

BECKET.

I spake no word of treachery, Reginald.

But for the truth of this I make appeal

To all the archbishops, bishops, prelates, barons,

Monks, knights, five hundred, that were there and heard.

Nay, you yourself were there: you heard yourself.

FITZURSE.

I was not there.

BECKET.

I saw you there.

FITZURSE.

I was not.

BECKET.

You were. I never forget anything.

FITZURSE.

He makes the King a traitor, me a liar.

How long shall we forbear him?

JOHN OF SALISBURY (_drawing_ BECKET _aside_).

O my good lord.

Speak with them privately on this hereafter.

You see they have been revelling, and I fear

Are braced and brazen'd up with Christmas wines

For any murderous brawl.

BECKET.

And yet they prate

Of mine, my brawls, when those, that name themselves

Of the King's part, have broken down our barns,

Wasted our diocese, outraged our tenants,

Lifted our produce, driven our clerics out--

Why they, your friends, those ruffians, the De Brocs,

They stood on Dover beach to murder me,

They slew my stags in mine own manor here,

Mutilated, poor brute, my sumpter-mule,

Plunder'd the vessel full of Gascon wine,

The old King's present, carried off the casks,

Kill'd half the crew, dungeon'd the other half

In Pevensey Castle--

DE MORVILLE.

Why not rather then,

If this be so, complain to your young King,

Not punish of your own authority?

BECKET.

Mine enemies barr'd all access to the boy.

They knew he loved me.

Hugh, Hugh, how proudly you exalt your head!

Nay, when they seek to overturn our rights,

I ask no leave of king, or mortal man,

To set them straight again. Alone I do it.

Give to the King the things that are the King's,

And those of God to God.

FITZURSE.

Threats! threats! ye hear him.

What! will he excommunicate all the world?

[_The_ KNIGHTS _come round_ BECKET.

DE TRACY.

He shall not.

DE BRITO.

Well, as yet--I should be grateful--

He hath not excommunicated _me_.

BECKET.

Because thou wast _born_ excommunicate.

I never spied in thee one gleam of grace.

DE BRITO.

Your Christian's Christian charity!

BECKET.

By St. Denis----

DE BRITO.

Ay, by St. Denis, now will he flame out,

And lose his head as old St. Denis did.

BECKET.

Ye think to scare me from my loyalty

To God and to the Holy Father. No!

Tho' all the swords in England flash'd above me

Ready to fall at Henry's word or yours--

Tho' all the loud-lung'd trumpets upon earth

Blared from the heights of all the thrones of her kings,

Blowing the world against me, I would stand

Clothed with the full authority of Rome,

Mail'd in the perfect panoply of faith,

First of the foremost of their files, who die

For God, to people heaven in the great day

When God makes up his jewels. Once I fled--

Never again, and you--I marvel at you--

Ye know what is between us. Ye have sworn

Yourselves my men when I was Chancellor--

My vassals--and yet threaten your Archbishop

In his own house.

KNIGHTS.

Nothing can be between us

That goes against our fealty to the King.

FITZURSE.

And in his name we charge you that ye keep

This traitor from escaping.

BECKET.

Rest you easy,

For I am easy to keep. I shall not fly.

Here, here, here will you find me.

DE MORVILLE.

Know you not

You have spoken to the peril of your life?

BECKET.

As I shall speak again.

FITZURSE, DE TRACY, _and_ DE BRITO.

To arms!

[_They rush out,_ DE MORVILLE _lingers_.

BECKET.

De Morville,

I had thought so well of you; and even now

You seem the least assassin of the four.

Oh, do not damn yourself for company!

Is it too late for me to save your soul?

I pray you for one moment stay and speak.

DE MORVILLE.

Becket, it _is_ too late. [_Exit_.

BECKET.

Is it too late?

Too late on earth may be too soon in hell.

KNIGHTS (_in the distance_).

Close the great gate--ho, there--upon the town.

BECKET'S RETAINERS.

Shut the hall-doors. [_A pause_.

BECKET.

You hear them, brother John;

Why do you stand so silent, brother John?

JOHN OF SALISBURY.

For I was musing on an ancient saw,

_Suaviter in modo, fortiter in re,_

Is strength less strong when hand-in-hand with grace?

_Gratior in pulchro corpore virtus_. Thomas,

Why should you heat yourself for such as these?

BECKET.

Methought I answer'd moderately enough.

JOHN OF SALISBURY.

As one that blows the coal to cool the fire.

My lord, I marvel why you never lean

On any man's advising but your own.

BECKET.

Is it so, Dan John? well, what should I have done?

JOHN OF SALISBURY.

You should have taken counsel with your friends

Before these bandits brake into your presence.

They seek--you make--occasion for your death.

BECKET.

My counsel is already taken, John.

I am prepared to die.

JOHN OF SALISBURY

We are sinners all,

The best of all not all-prepared to die.

BECKET.

God's will be done!

JOHN OF SALISBURY.

Ay, well. God's will be done!

GRIM (_re-entering_).

My lord, the knights are arming in the garden

Beneath the sycamore.

BECKET.

Good! let them arm.

GRIM.

And one of the De Brocs is with them, Robert,

The apostate monk that was with Randulf here.

He knows the twists and turnings of the place.

BECKET.

No fear!

GRIM.

No fear, my lord.

[_Crashes on the hall-doors. The_ MONKS _flee_.

BECKET (_rising_).

Our dovecote flown!

I cannot tell why monks should all be cowards.

JOHN OF SALISBURY.

Take refuge in your own cathedral, Thomas.

BECKET.

Do they not fight the Great Fiend day by day?

Valour and holy life should go together.

Why should all monks be cowards?

JOHN OF SALISBURY.

Are they so?

I say, take refuge in your own cathedral.

BECKET.

Ay, but I told them I would wait them here.

GRIM.

May they not say you dared not show yourself

In your old place? and vespers are beginning.

[_Bell rings for vespers till end of scene_.

You should attend the office, give them heart.

They fear you slain: they dread they know not what.

BECKET.

Ay, monks, not men.

GRIM.

I am a monk, my lord,

Perhaps, my lord, you wrong us.

Some would stand by you to the death.

BECKET.

Your pardon.

JOHN OF SALISBURY.

He said, 'Attend the office.'

BECKET.

Attend the office?

Why then--The Cross!--who bears my Cross before me?

Methought they would have brain'd me with it, John.

[GRIM _takes it_.

GRIM.

I! Would that I could bear thy cross indeed!

BECKET.

The Mitre!

JOHN OF SALISBURY.

Will you wear it?--there!

[BECKET _puts on the mitre_.

BECKET.

The Pall!

I go to meet my King! [_Puts on the pall_.

GRIM.

To meet the King?

[_Crashes on the doors as they go out_.

JOHN OF SALISBURY.

Why do you move with such a stateliness?

Can you not hear them yonder like a storm,

Battering the doors, and breaking thro' the walls?

BECKET.

Why do the heathen rage? My two good friends,

What matters murder'd here, or murder'd there?

And yet my dream foretold my martyrdom

In mine own church. It is God's will. Go on.

Nay, drag me not. We must not seem to fly.

SCENE III.--_North Transept of Canterbury Cathedral. On the right hand

a flight of steps leading to the Choir, another flight on the left,

leading to the North Aisle. Winter afternoon slowly darkening. Low

thunder now and then of an approaching storm_. MONKS _heard chanting

the service_. ROSAMUND _kneeling_.

ROSAMUND.

O blessed saint, O glorious Benedict,--

These arm'd men in the city, these fierce faces--

Thy holy follower founded Canterbury--

Save that dear head which now is Canterbury,

Save him, he saved my life, he saved my child,

Save him, his blood would darken Henry's name;

Save him till all as saintly as thyself

He miss the searching flame of purgatory,

And pass at once perfect to Paradise.

[_Noise of steps and voices in the cloisters_.

Hark! Is it they? Coming! He is not here--

Not yet, thank heaven. O save him!

[_Goes up steps leading to choir_.

BECKET (_entering, forced along by_ JOHN OF SALISBURY _and_ GRIM).

No, I tell you!

I cannot bear a hand upon my person,

Why do you force me thus against my will?

GRIM.

My lord, we force you from your enemies.

BECKET.

As you would force a king from being crown'd.

JOHN OF SALISBURY.

We must not force the crown of martyrdom.

[_Service stops_. MONKS _come down from the

stairs that lead to the choir_.

MONKS.

Here is the great Archbishop! He lives! he lives!

Die with him, and be glorified together.

BECKET.

Together?... get you back! go on with the office.

MONKS.

Come, then, with us to vespers.

BECKET.

How can I come

When you so block the entry? Back, I say!

Go on with the office. Shall not Heaven be served

Tho' earth's last earthquake clash'd the minster-bells,

And the great deeps were broken up again,

And hiss'd against the sun? [_Noise in the cloisters_.

MONKS.

The murderers, hark!

Let us hide! let us hide!

BECKET.

What do these people fear?

MONKS.

Those arm'd men in the cloister.

BECKET.

Be not such cravens!

I will go out and meet them.

GRIM _and others_.

Shut the doors!

We will not have him slain before our face.

[_They close the doors of the transept. Knocking_.

Fly, fly, my lord, before they burst the doors!

[_Knocking_.

BECKET.

Why, these are our own monks who follow'd us!

And will you bolt them out, and have _them_ slain?

Undo the doors: the church is not a castle:

Knock, and it shall be open'd. Are you deaf?

What, have I lost authority among you?

Stand by, make way!

[_Opens the doors. Enter_ MONKS _from cloister_.

Come in, my friends, come in!

Nay, faster, faster!

MONKS.

Oh, my lord Archbishop,

A score of knights all arm'd with swords and axes--

To the choir, to the choir!

[_Monks divide, part flying by the stairs on the

right, part by those on the left. The rush of

these last bears_ BECKET _along with them some

way up the steps, where he is left standing alone_.

BECKET.

Shall I too pass to the choir,

And die upon the Patriarchal throne

Of all my predecessors?

JOHN OF SALISBURY.

No, to the crypt!

Twenty steps down. Stumble not in the darkness,

Lest they should seize thee.

GRIM.

To the crypt? no--no,

To the chapel of St. Blaise beneath the roof!

JOHN OF SALISBURY (_pointing upward and downward_).

That way, or this! Save thyself either way.

BECKET.

Oh, no, not either way, nor any way

Save by that way which leads thro' night to light.

Not twenty steps, but one.

And fear not I should stumble in the darkness,

Not tho' it be their hour, the power of darkness,

But my hour too, the power of light in darkness!

I am not in the darkness but the light,

Seen by the Church in Heaven, the Church on earth--

The power of life in death to make her free!

[_Enter the four_ KNIGHTS. JOHN OF SALISBURY

_flies to the altar of St. Benedict_.

FITZURSE.

Here, here, King's men!

[Catches hold of the last flying MONK.

Where is the traitor Becket?

MONK.

I am not he! I am not he, my lord.

I am not he indeed!

FITZURSE.

Hence to the fiend!

[_Pushes him away_.

Where is this treble traitor to the King?

DE TRACY.

Where is the Archbishop, Thomas Becket?

BECKET.

Here.

No traitor to the King, but Priest of God,

Primate of England.

[_Descending into the transept_.

I am he ye seek.

What would ye have of me?

FlTZURSE.

Your life.

DE TRACY.

Your life.

DE MORVILLE.

Save that you will absolve the bishops.

BECKET.

Never,--

Except they make submission to the Church.

You had my answer to that cry before.

DE MORVILLE.

Why, then you are a dead man; flee!

BECKET.

I will not.

I am readier to be slain, than thou to slay.

Hugh, I know well thou hast but half a heart

To bathe this sacred pavement with my blood.

God pardon thee and these, but God's full curse

Shatter you all to pieces if ye harm

One of my flock!

FITZURSE.

Was not the great gate shut?

They are thronging in to vespers--half the town.

We shall be overwhelm'd. Seize him and carry him!

Come with us--nay--thou art our prisoner--come!

DE MORVILLE.

Ay, make him prisoner, do not harm the man.

[FITZURSE _lays hold of the_ ARCHBISHOP'S _pall_.

BECKET.

Touch me not!

DE BRITO.

How the good priest gods himself!

He is not yet ascended to the Father.

FITZURSE.

I will not only touch, but drag thee hence.

BECKET.

Thou art my man, thou art my vassal. Away!

[_Flings him off till he reels, almost to falling_.

DE TRACY (_lays hold of the pall_).

Come; as he said, thou art our prisoner.

BECKET.

Down!

[_Throws him headlong_.

FITZURSE (_advances with drawn sword_).

I told thee that I should remember thee!

BECKET.

Profligate pander!

FITZURSE.

Do you hear that? strike, strike.

[_Strikes off the_ ARCHBISHOP'S _mitre, and wounds

him in the forehead_.

BECKET (_covers his eyes with his hand_).

I do commend my cause to God, the Virgin,

St. Denis of France and St. Alphege of England,

And all the tutelar Saints of Canterbury.

[GRIM _wraps his arms about the_ ARCHBISHOP.

Spare this defence, dear brother.

[TRACY _has arisen, and approaches, hesitatingly,

with his sword raised_.

FITZURSE.

Strike him, Tracy!

ROSAMUND (_rushing down steps from the choir)_.

No, No, No, No!

FlTZURSE.

This wanton here. De Morville,

Hold her away.

DE MORVILLE.

I hold her.

ROSAMUND (_held back by_ DE MORVILLE, _and stretching out her arms)_.

Mercy, mercy,

As you would hope for mercy.

FlTZURSE.

Strike, I say.

GRIM.

O God, O noble knights, O sacrilege!

Strike our Archbishop in his own cathedral!

The Pope, the King, will curse you--the whole world

Abhor you; ye will die the death of dogs!

Nay, nay, good Tracy. [_Lifts his arm_.

FlTZURSE.

Answer not, but strike.

DE TRACY.

There is my answer then.

[_Sword falls on_ GRIM'S _arm, and glances from it,

wounding_ BECKET.

GRIM.

Mine arm is sever'd.

I can no more--fight out the good fight--die

Conqueror. [_Staggers into the chapel of St. Benedict_.

BECKET (_falling on his knees_).

At the right hand of Power--

Power and great glory--for thy Church, O Lord--

Into Thy hands, O Lord--into Thy hands!----

[_Sinks prone_.

DE BRITO.

This last to rid thee of a world of brawls! (_Kills him_.)

The traitor's dead, and will arise no more.

FITZURSE.

Nay, have we still'd him? What! the great Archbishop!

Does he breathe? No?

DE TRACY.

No, Reginald, he is dead.

(_Storm bursts_.) [Footnote: _A tremendous thunderstorm actually

broke over the Cathedral as the murderers were leaving it.]

DE MORVILLE.

Will the earth gape and swallow us?

DE BRITO.

The deed's done--

Away!

[DE BRITO, DE TRACY, FITZURSE. _rush out, crying

'King's men!'_ DE MORVILLE _follows slowly.

Flashes of lightning thro' the Cathedral_.

ROSAMUND _seen kneeling by the body of_ BECKET.

THE CUP

A TRAGEDY

_DRAMATIS PERSONAE_.

GALATIANS.

SYNORIX, _an ex-Tetrarch_.

SINNATUS, _a Tetrarch_.

_Attendant_.

_Boy_.

_Maid_.

PHOEBE.

CAMMA, _wife of Sinnatus, afterwards Priestess in the Temple of

Artemis_.

ROMANS.

ANTONIUS, _a Roman General_.

PUBLIUS.

_Nobleman_.

_Messenger_.

THE CUP.

ACT I.

SCENE I.--_Distant View of a City of Galatia_.

As the curtain rises, Priestesses are heard singing in the Temple. Boy

discovered on a pathway among Rocks, picking grapes. A party of Roman

Soldiers, guarding a prisoner in chains, come down the pathway and

exeunt.

_Enter_ SYNORIX (_looking round_). _Singing ceases_.

SYNORIX.

Pine, beech and plane, oak, walnut, apricot,

Vine, cypress, poplar, myrtle, bowering in

The city where she dwells. She past me here

Three years ago when I was flying from

My Tetrarchy to Rome. I almost touch'd her--

A maiden slowly moving on to music

Among her maidens to this Temple--O Gods!

She is my fate--else wherefore has my fate

Brought me again to her own city?--married

Since--married Sinnatus, the Tetrarch here--

But if he be conspirator, Rome will chain,

Or slay him. I may trust to gain her then

When I shall have my tetrarchy restored

By Rome, our mistress, grateful that I show'd her

The weakness and the dissonance of our clans,

And how to crush them easily. Wretched race!

And once I wish'd to scourge them to the bones.

But in this narrow breathing-time of life

Is vengeance for its own sake worth the while,

If once our ends are gain'd? and now this cup--

I never felt such passion for a woman.

[_Brings out a cup and scroll from under his cloak_.

What have I written to her?

[_Reading the scroll_.

'To the admired Gamma, wife of Sinnatus, the Tetrarch, one who years

ago, himself an adorer of our great goddess, Artemis, beheld you afar

off worshipping in her Temple, and loved you for it, sends you this

cup rescued from the burning of one of her shrines in a city thro'

which he past with the Roman army: it is the cup we use in our

marriages. Receive it from one who cannot at present write himself

other than 'A GALATIAN SERVING BY FORCE IN THE ROMAN LEGION.'

[_Turns and looks up to Boy_.

Boy, dost thou know the house of Sinnatus?

BOY.

These grapes are for the house of Sinnatus--

Close to the Temple.

SYNORIX.

Yonder?

BOY.

Yes.

SYNORIX (_aside_).

That I

With all my range of women should yet shun

To meet her face to face at once! My boy,

[_Boy comes down rocks to him_.

Take thou this letter and this cup to Camma,

The wife of Sinnatus.

BOY.

Going or gone to-day

To hunt with Sinnatus.

SYNORIX.

That matters not.

Take thou this cup and leave it at her doors.

[_Gives the cup and scroll to the Boy_.

BOY.

I will, my lord. [_Takes his basket of grapes and exit_.

_Enter_ ANTONIUS.

ANTONIUS (_meeting the Boy as he goes out_).

Why, whither runs the boy?

Is that the cup you rescued from the fire?

SYNORIX.

I send it to the wife of Sinnatus,

One half besotted in religious rites.

You come here with your soldiers to enforce

The long-withholden tribute: you suspect

This Sinnatus of playing patriotism,

Which in your sense is treason. You have yet

No proof against him: now this pious cup

Is passport to their house, and open arms

To him who gave it; and once there I warrant

I worm thro' all their windings.

ANTONIUS.

If you prosper,

Our Senate, wearied of their tetrarchies,

Their quarrels with themselves, their spites at Rome,

Is like enough to cancel them, and throne

One king above them all, who shall be true

To the Roman: and from what I heard in Rome,

This tributary crown may fall to you.

SYNORIX.

The king, the crown! their talk in Rome? is it so?

[ANTONIUS _nods_.

Well--I shall serve Galatia taking it,

And save her from herself, and be to Rome

More faithful than a Roman.

[_Turns and sees_ CAMMA _coming_.

Stand aside,

Stand aside; here she comes!

[_Watching_ CAMMA _as she enters with her Maid_.

GAMMA (_to Maid_).

Where is he, girl?

MAID.

You know the waterfall

That in the summer keeps the mountain side,

But after rain o'erleaps a jutting rock

And shoots three hundred feet.

CAMMA.

The stag is there?

MAID.

Seen in the thicket at the bottom there

But yester-even.

GAMMA.

Good then, we will climb

The mountain opposite and watch the chase.

[_They descend the rocks and exeunt_.

SYNORIX (_watching her_).

(_Aside_.) The bust of Juno and the brows and eyes

Of Venus; face and form unmatchable!

ANTONIUS.

Why do you look at her so lingeringly?

SYNORIX.

To see if years have changed her.

ANTONIUS (_sarcastically_).

Love her, do you?

SYNORIX.

I envied Sinnatus when he married her.

ANTONIUS.

She knows it? Ha!

SYNORIX.

She--no, nor ev'n my face.

ANTONIUS.

Nor Sinnatus either?

SYNORIX.

No, nor Sinnatus.

ANTONIUS.

Hot-blooded! I have heard them say in Rome.

That your own people cast you from their bounds,

For some unprincely violence to a woman,

As Rome did Tarquin.

SYNORIX.

Well, if this were so,

I here return like Tarquin--for a crown.

ANTONIUS.

And may be foil'd like Tarquin, if you follow

Not the dry light of Rome's straight-going policy,

But the fool-fire of love or lust, which well

May make you lose yourself, may even drown you

In the good regard of Rome.

SYNORIX.

Tut--fear me not;

I ever had my victories among women.

I am most true to Rome.

ANTONIUS (_aside_).

I hate the man!

What filthy tools our Senate works with! Still

I must obey them. (_Aloud_.) Fare you well. [_Going_.

SYNORIX.

Farewell!

ANTONIUS (_stopping_).

A moment! If you track this Sinnatus

In any treason, I give you here an order

[_Produces a paper_.

To seize upon him. Let me sign it. (_Signs it_.) There

'Antonius leader of the Roman Legion.'

[_Hands the paper to_ SYNORIX. _Goes up pathway and exit_.

SYNORIX.

Woman again!--but I am wiser now.

No rushing on the game--the net,--the net.

[_Shouts of_ 'Sinnatus! Sinnatus!' _Then horn. Looking off

stage_.]

He comes, a rough, bluff, simple-looking fellow.

If we may judge the kernel by the husk,

Not one to keep a woman's fealty when

Assailed by Craft and Love. I'll join with him:

I may reap something from him--come upon _her_

Again, perhaps, to-day--_her_. Who are with him?

I see no face that knows me. Shall I risk it?

I am a Roman now, they dare not touch me.

I will.

_Enter_ SINNATUS, HUNTSMEN _and hounds_.

Fair Sir, a happy day to you!

You reck but little of the Roman here,

While you can take your pastime in the woods.

SlNNATUS.

Ay, ay, why not? What would you with me, man?

SYNORIX.

I am a life-long lover of the chase,

And tho' a stranger fain would be allow'd

To join the hunt.

SlNNATUS.

Your name?

SYNORIX.

Strato, my name.

SlNNATUS.

No Roman name?

SYNORIX.

A Greek, my lord; you know

That we Galatians are both Greek and Gaul.

[_Shouts and horns in the distance

SINNATUS.

Hillo, the stag! (_To_ SYNORIX.) What, you are all unfurnish'd?

Give him a bow and arrows--follow--follow.

[_Exit, followed by Huntsmen_.

SYNORIX.

Slowly but surely--till I see my way.

It is the one step in the dark beyond

Our expectation, that amazes us.

[_Distant shouts and horns_.

Hillo! Hillo!

[_Exit_ SYNORIX. _Shouts and horns_.

SCENE II.--_A Room in the Tetrarch's House_.

Frescoed figures on the walls. Evening. Moonlight outside. A couch

with cushions on it. A small table with flagon of wine, cups, plate of

grapes, etc., also the cup of Scene I. A chair with drapery on it.

CAMMA _enters, and opens' curtains of window_.

CAMMA.

No Sinnatus yet--and there the rising moon.

[_Takes up a cithern and sits on couch. Plays and sings_.

'Moon on the field and the foam,

Moon on the waste and the wold,

Moon bring him home, bring him home

Safe from the dark and the cold,

Home, sweet moon, bring him home,

Home with the flock to the fold--

Safe from the wolf'----

(_Listening_.) Is he coming? I thought I heard

A footstep. No not yet. They say that Rome

Sprang from a wolf. I fear my dear lord mixt

With some conspiracy against the wolf.

This mountain shepherd never dream'd of Rome.

(_Sings_.) 'Safe from the wolf to the fold'----

And that great break of precipice that runs

Thro' all the wood, where twenty years ago

Huntsman, and hound, and deer were all neck-broken!

Nay, here he comes.

_Enter_ SINNATUS _followed by_ SYNORIX.

SINNATUS (_angrily_).

I tell thee, my good fellow,

My arrow struck the stag.

SYNORIX.

But was it so?

Nay, you were further off: besides the wind

Went with _my_ arrow.

SINNATUS.

I am sure _I_ struck him.

SYNORIX.

And I am just as sure, my lord, _I_ struck him.

(_Aside_.) And I may strike your game when you are gone.

CAMMA.

Come, come, we will not quarrel about the stag.

I have had a weary day in watching you.

Yours must have been a wearier. Sit and eat,

And take a hunter's vengeance on the meats.

SINNATUS.

No, no--we have eaten--we are heated. Wine!

CAMMA.

Who is our guest?

SINNATUS.

Strato he calls himself.

[CAMMA _offers wine to_ SYNORIX, _while_ SINNATUS _helps

himself_.

SINNATUS.

I pledge you, Strato. [_Drinks_.

SYNORIX.

And I you, my lord. [_Drinks_.

SINNATUS (_seeing the cup sent to_ CAMMA).

What's here?

CAMMA.

A strange gift sent to me to-day.

A sacred cup saved from a blazing shrine

Of our great Goddess, in some city where

Antonius past. I had believed that Rome

Made war upon the peoples not the Gods.

SYNORIX.

Most like the city rose against Antonius,

Whereon he fired it, and the sacred shrine

By chance was burnt along with it.

SINNATUS.

Had you then

No message with the cup?

CAMMA.

Why, yes, see here.

[_Gives him the scroll_.

SINNATUS (_reads_).

'To the admired Camma,--beheld you afar off--loved you--sends you this

cup--the cup we use in our marriages--cannot at present write himself

other than

'A GALATIAN SERVING BY FORCE IN THE ROMAN LEGION.'

Serving by force! Were there no boughs to hang on,

Rivers to drown in? Serve by force? No force

Could make me serve by force.

SYNORIX.

How then, my lord?

The Roman is encampt without your city--

The force of Rome a thousand-fold our own.

Must all Galatia hang or drown herself?

And you a Prince and Tetrarch in this province--

SINNATUS.

Province!

SYNORIX.

Well, well, they call it so in Rome.

SINNATUS (_angrily_).

Province!

SYNORIX.

A noble anger! but Antonius

To-morrow will demand your tribute--you,

Can you make war? Have you alliances?

Bithynia, Pontus, Paphlagonia?

We have had our leagues of old with Eastern kings.

There is my hand--if such a league there be.

What will you do?

SINNATUS.

Not set myself abroach

And run my mind out to a random guest

Who join'd me in the hunt. You saw my hounds

True to the scent; and we have two-legg'd dogs

Among us who can smell a true occasion,

And when to bark and how.

SYNORIX.

My good Lord Sinnatus,

I once was at the hunting of a lion.

Roused by the clamour of the chase he woke,

Came to the front of the wood--his monarch mane

Bristled about his quick ears--he stood there

Staring upon the hunter. A score of dogs

Gnaw'd at his ankles: at the last he felt

The trouble of his feet, put forth one paw,

Slew four, and knew it not, and so remain'd

Staring upon the hunter: and this Rome

Will crush you if you wrestle with her; then

Save for some slight report in her own Senate

Scarce know what she has done.

(_Aside_.) Would I could move him,

Provoke him any way! (_Aloud_.) The Lady Camma,

Wise I am sure as she is beautiful,

Will close with me that to submit at once

Is better than a wholly-hopeless war,

Our gallant citizens murder'd all in vain,

Son, husband, brother gash'd to death in vain,

And the small state more cruelly trampled on

Than had she never moved.

CAMMA.

Sir, I had once

A boy who died a babe; but were he living

And grown to man and Sinnatus will'd it, I

Would set him in the front rank of the fight

With scarce a pang. (_Rises_.) Sir, if a state submit

At once, she may be blotted out at once

And swallow'd in the conqueror's chronicle.

Whereas in wars of freedom and defence

The glory and grief of battle won or lost

Solders a race together--yea--tho' they fail,

The names of those who fought and fell are like

A bank'd-up fire that flashes out again

From century to century, and at last

May lead them on to victory--I hope so--

Like phantoms of the Gods.

SINNATUS.

Well spoken, wife.

SYNORIX (_bowing_).

Madam, so well I yield.

SINNATUS.

I should not wonder

If Synorix, who has dwelt three years in Rome

And wrought his worst against his native land.

Returns with this Antonius.

SYNORIX.

What is Synorix?

SINNATUS.

Galatian, and not know? This Synorix

Was Tetrarch here, and tyrant also--did

Dishonour to our wives.

SYNORIX.

Perhaps you judge him

With feeble charity: being as you tell me

Tetrarch, there might be willing wives enough

To feel dishonour, honour.

CAMMA.

Do not say so.

I know of no such wives in all Galatia.

There may be courtesans for aught I know

Whose life is one dishonour.

_Enter_ ATTENDANT.

ATTENDANT (_aside_).

My lord, the men!

SINNATUS (_aside_).

Our anti-Roman faction?

ATTENDANT (_aside_).

Ay, my lord.

SYNORIX (_overhearing_).

(_Aside_.) I have enough--their anti-Roman faction.

SINNATUS (_aloud_).

Some friends of mine would speak with me without.

You, Strato, make good cheer till I return.

[_Exit_.

SYNORIX.

I have much to say, no time to say it in.

First, lady, know myself am that Galatian

Who sent the cup.

CAMMA.

I thank you from my heart.

SYNORIX.

Then that I serve with Rome to serve Galatia.

That is my secret: keep it, or you sell me

To torment and to death. [_Coming closer_.

For your ear only--

I love you--for your love to the great Goddess.

The Romans sent me here a spy upon you,

To draw you and your husband to your doom.

I'd sooner die than do it.

[_Takes out paper given him by Antonius_.

This paper sign'd

Antonius--will you take it, read it? there!

CAMMA.

(_Reads_.) 'You are to seize on Sinnatus,--if----'

SYNORIX. (_Snatches paper_.)

No more.

What follows is for no wife's eyes. O Camma,

Rome has a glimpse of this conspiracy;

Rome never yet hath spar'd conspirator.

Horrible! flaying, scourging, crucifying------

CAMMA.

I am tender enough. Why do you practise on me?

SYNORIX.

Why should I practise on you? How you wrong me!

I am sure of being every way malign'd.

And if you should betray me to your husband------

CAMMA.

Will _you_ betray him by this order?

SYNORIX.

See,

I tear it all to pieces, never dream'd

Of acting on it. [_Tears the paper_.

CAMMA.

I owe you thanks for ever.

SYNORIX.

Hath Sinnatus never told you of this plot?

CAMMA.

What plot?

SYNORIX.

A child's sand-castle on the beach

For the next wave--all seen,--all calculated,

All known by Rome. No chance for Sinnatus.

CAMMA.

Why said you not as much to my brave Sinnatus?

SYNORIX.

Brave--ay--too brave, too over-confident,

Too like to ruin himself, and you, and me!

Who else, with this black thunderbolt of Rome

Above him, would have chased the stag to-day

In the full face of all the Roman camp?

A miracle that they let him home again,

Not caught, maim'd, blinded him.

[CAMMA _shudders_.

(_Aside_.) I have made her tremble.

(_Aloud_.) I know they mean to torture him to death.

I dare not tell him how I came to know it;

I durst not trust him with--my serving Rome

To serve Galatia: you heard him on the letter.

Not say as much? I all but said as much.

I am sure I told him that his plot was folly.

I say it to you--you are wiser--Rome knows all,

But you know not the savagery of Rome.

CAMMA.

O--have you power with Rome? use it for him!

SYNORIX.

Alas! I have no such power with Rome. All that

Lies with Antonius.

[_As if struck by a sudden thought. Comes over to her_.

He will pass to-morrow

In the gray dawn before the Temple doors.

You have beauty,--O great beauty,--and Antonius,

So gracious toward women, never yet

Flung back a woman's prayer. Plead to him,

I am sure you will prevail.

CAMMA.

Still--I should tell

My husband.

SYNORIX.

Will he let you plead for him

To a Roman?

CAMMA.

I fear not.

SYNORIX.

Then do not tell him.

Or tell him, if you will, when you return,

When you have charm'd our general into mercy,

And all is safe again. O dearest lady,

[_Murmurs of_ 'Synorix! Synorix!' _heard outside_.

Think,--torture,--death,--and come.

CAMMA.

I will, I will.

And I will not betray you.

SYNORIX (_aside_).

(_As_ SINNATUS _enters_.) Stand apart.

_Enter_ SINNATUS _and_ ATTENDANT.

SINNATUS.

Thou art that Synorix! One whom thou hast wrong'd

Without there, knew thee with Antonius.

They howl for thee, to rend thee head from limb.

SYNORIX.

I am much malign'd. I thought to serve Galatia.

SINNATUS.

Serve thyself first, villain! They shall not harm

My guest within my house. There! (_points to door_) there! this door

Opens upon the forest! Out, begone!

Henceforth I am thy mortal enemy.

SYNORIX.

However I thank thee (_draws his sword_); thou hast

saved my life.

[_Exit_.

SINNATUS. (_To Attendant_.)

Return and tell them Synorix is not here. [_Exit Attendant_.

What did that villain Synorix say to you?

GAMMA.

Is _he--that_--Synorix?

SINNATUS.

Wherefore should you doubt it?

One of the men there knew him.

CAMMA.

Only one,

And he perhaps mistaken in the face.

SINNATUS.

Come, come, could he deny it? What did he say?

CAMMA.

What _should_ he say?

SINNATUS.

What _should_ he say, my wife!

He should say this, that being Tetrarch once

His own true people cast him from their doors

Like a base coin.

CAMMA.

Not kindly to them?

SINNATUS.

Kindly?

O the most kindly Prince in all the world!

Would clap his honest citizens on the back,

Bandy their own rude jests with them, be curious

About the welfare of their babes, their wives,

O ay--their wives--their wives. What should he say?

He should say nothing to my wife if I

Were by to throttle him! He steep'd himself

In all the lust of Rome. How should _you_ guess

What manner of beast it is?

CAMMA.

Yet he seem'd kindly,

And said he loathed the cruelties that Rome

Wrought on her vassals.

SINNATUS.

Did he, _honest_ man?

CAMMA.

And you, that seldom brook the stranger here,

Have let him hunt the stag with you to-day.

SINNATUS.

I warrant you now, he said _he_ struck the stag.

CAMMA.

Why no, he never touch'd upon the stag.

SINNATUS.

Why so I said, _my_ arrow. Well, to sleep.

[_Goes to close door_.

CAMMA.

Nay, close not yet the door upon a night

That looks half day.

SINNATUS.

True; and my friends may spy him

And slay him as he runs.

CAMMA.

He is gone already.

Oh look,--yon grove upon the mountain,--white

In the sweet moon as with a lovelier snow!

But what a blotch of blackness underneath!

Sinnatus, you remember--yea, you must,

That there three years ago--the vast vine-bowers

Ran to the summit of the trees, and dropt

Their streamers earthward, which a breeze of May

Took ever and anon, and open'd out

The purple zone of hill and heaven; there

You told your love; and like the swaying vines--

Yea,--with our eyes,--our hearts, our prophet hopes

Let in the happy distance, and that all

But cloudless heaven which we have found together

In our three married years! You kiss'd me there

For the first time. Sinnatus, kiss me now.

SINNATUS.

First kiss. (_Kisses her_.) There then. You talk almost as if it

Might be the last.

CAMMA.

Will you not eat a little?

SINNATUS.

No, no, we found a goat-herd's hut and shared

His fruits and milk. Liar! You will believe

Now that he never struck the stag--a brave one

Which you shall see to-morrow.

CAMMA.

I rise to-morrow

In the gray dawn, and take this holy cup

To lodge it in the shrine of Artemis.

SINNATUS.

Good!

CAMMA.

If I be not back in half an hour,

Come after me.

SINNATUS.

What! is there danger?

CAMMA.

Nay,

None that I know: 'tis but a step from here

To the Temple.

SINNATUS.

All my brain is full of sleep.

Wake me before you go, I'll after you--

After _me_ now! [_Closes door and exit_.

CAMMA (_drawing curtains_).

Your shadow. Synorix--

His face was not malignant, and he said

That men malign'd him. Shall I go? Shall I go?

Death, torture--

'He never yet flung back a woman's prayer'--

I go, but I will have my dagger with me.

[_Exit_.

SCENE III.--_Same as Scene I. Dawn_.

Music and Singing in the Temple.

_Enter_ SYNORIX _watchfully, after him_ PUBLIUS _and_ SOLDIERS.

SYNORIX.

Publius!

PUBLIUS.

Here!

SYNORIX.

Do you remember what

I told you?

PUBLIUS.

When you cry 'Rome, Rome,' to seize

On whomsoever may be talking with you,

Or man, or woman, as traitors unto Rome.

SYNORIX.

Right. Back again. How many of you are there?

PUBLIUS.

Some half a score.

[_Exeunt Soldiers and Publius_.

SYNORIX.

I have my guard about me.

I need not fear the crowd that hunted me

Across the woods, last night. I hardly gain'd

The camp at midnight. Will she come to me

Now that she knows me Synorix? Not if Sinnatus

Has told her all the truth about me. Well,

I cannot help the mould that I was cast in.

I fling all that upon my fate, my star.

I know that I am genial, I would be

Happy, and make all others happy so

They did not thwart me. Nay, she will not come.

Yet if she be a true and loving wife

She may, perchance, to save this husband. Ay!

See, see, my white bird stepping toward the snare.

Why now I count it all but miracle,

That this brave heart of mine should shake me so,

As helplessly as some unbearded boy's

When first he meets his maiden in a bower.

_Enter_ CAMMA (_with cup_).

SYNORIX.

The lark first takes the sunlight on his wing,

But you, twin sister of the morning star,

Forelead the sun.

CAMMA.

Where is Antonius?

SYNORIX.

Not here as yet. You are too early for him.

[_She crosses towards Temple_.

SYNORIX.

Nay, whither go you now?

CAMMA.

To lodge this cup

Within the holy shrine of Artemis,

And so return.

SYNORIX.

To find Antonius here.

[_She goes into the Temple, he looks after her_.

The loveliest life that ever drew the light

From heaven to brood upon her, and enrich

Earth with her shadow! I trust she _will_ return.

These Romans dare not violate the Temple.

No, I must lure my game into the camp.

A woman I could live and die for. What!

Die for a woman, what new faith is this?

I am not mad, not sick, not old enough

To doat on one alone. Yes, mad for her,

Camma the stately, Camma the great-hearted,

So mad, I fear some strange and evil chance

Coming upon me, for by the Gods I seem

Strange to myself.

_Re-enter_ CAMMA.

CAMMA.

Where is Antonius?

SYNORIX.

Where? As I said before, you are still too early.

CAMMA.

Too early to be here alone with thee;

For whether men malign thy name, or no,

It bears an evil savour among women.

Where is Antonius? (_Loud_.)

SYNORIX.

Madam, as you know

The camp is half a league without the city;

If you will walk with me we needs must meet

Antonius coming, or at least shall find him

There in the camp.

CAMMA.

No, not one step with thee.

Where is Antonius? (_Louder_.)

SYNORIX (_advancing towards her_).

Then for your own sake,

Lady, I say it with all gentleness,

And for the sake of Sinnatus your husband,

I must compel you.

CAMMA (_drawing her dagger_).

Stay!--too near is death.

SYNORIX (_disarming her_).

Is it not easy to disarm a woman?

_Enter_ SINNATUS (_seizes him from behind by the throat_).

SYNORIX (_throttled and scarce audible_).

Rome! Rome!

SINNATUS.

Adulterous dog!

SYNORIX (_stabbing him with_ CAMMA'S _dagger_).

What! will you have it?

[CAMMA _utters a cry and runs to_ SINNATUS.

SINNATUS (_falls backward_).

I have it in my heart--to the Temple--fly--

For _my_ sake--or they seize on thee. Remember!

Away--farewell! [_Dies_.

CAMMA (_runs up the steps into the Temple, looking back_).

Farewell!

SYNORIX (_seeing her escape_).

The women of the Temple drag her in.

Publius! Publius! No,

Antonius would not suffer me to break

Into the sanctuary. She hath escaped.

[_Looking down at_ SINNATUS.

'Adulterous dog!' that red-faced rage at me!

Then with one quick short stab--eternal peace.

So end all passions. Then what use in passions?

To warm the cold bounds of our dying life

And, lest we freeze in mortal apathy,

Employ us, heat us, quicken us, help us, keep us

From seeing all too near that urn, those ashes

Which all must be. Well used, they serve us well.

I heard a saying in Egypt, that ambition

Is like the sea wave, which the more you drink,

The more you thirst--yea--drink too much, as men

Have done on rafts of wreck--it drives you mad.

I will be no such wreck, am no such gamester

As, having won the stake, would dare the chance

Of double, or losing all. The Roman Senate,

For I have always play'd into their hands,

Means me the crown. And Camma for my bride--

The people love her--if I win her love,

They too will cleave to me, as one with her.

There then I rest, Rome's tributary king.

[_Looking down on_ SINNATUS.

Why did I strike him?--having proof enough

Against the man, I surely should have left

That stroke to Rome. He saved my life too. Did he?

It seem'd so. I have play'd the sudden fool.

And that sets her against me--for the moment.

Camma--well, well, I never found the woman

I could not force or wheedle to my will.

She will be glad at last to wear my crown.

And I will make Galatia prosperous too,

And we will chirp among our vines, and smile

At bygone things till that (_pointing to_ SINNATUS) eternal peace.

Rome! Rome!

_Enter_ PUBLIUS _and_ SOLDIERS.

Twice I cried Rome. Why came ye not before?

PUBLIUS.

Why come we now? Whom shall we seize upon?

SYNORIX (_pointing to the body of_ SINNATUS).

The body of that dead traitor Sinnatus.

Bear him away.

_Music and Singing in Temple_.

ACT II

SCENE.--_Interior of the Temple of Artemis_. Small gold gates on

platform in front of the veil before the colossal statue of the

Goddess, and in the centre of the Temple a tripod altar, on which is a

lighted lamp. Lamps (lighted) suspended between each pillar. Tripods,

vases, garlands of flowers, etc., about stage. Altar at back close to

Goddess, with two cups. Solemn music. Priestesses decorating the

Temple.

(_The Chorus of_ PRIESTESSES _sing as they enter_.)

Artemis, Artemis, hear us, O Mother, hear us, and bless us!

Artemis, thou that art life to the wind, to the wave, to the glebe,

to the fire!

Hear thy people who praise thee! O help us from all that oppress us!

Hear thy priestesses hymn thy glory! O yield them all their desire!

PRIESTESS.

Phoebe, that man from Synorix, who has been

So oft to see the Priestess, waits once more

Before the Temple.

PHOEBE.

We will let her know.

[_Signs to one of the Priestesses, who goes out_.

Since Camma fled from Synorix to our Temple,

And for her beauty, stateliness, and power,

Was chosen Priestess here, have you not mark'd

Her eyes were ever on the marble floor?

To-day they are fixt and bright--they look straight out.

Hath she made up her mind to marry him?

PRIESTESS.

To marry him who stabb'd her Sinnatus.

You will not easily make me credit that.

PHOEBE.

Ask her.

_Enter_ CAMMA _as Priestess (in front of the curtains_).

PRIESTESS.

You will not marry Synorix?

CAMMA.

My girl, I am the bride of Death, and only

Marry the dead.

PRIESTESS.

Not Synorix then?

CAMMA.

My girl,

At times this oracle of great Artemis

Has no more power than other oracles

To speak directly.

PHOEBE.

Will you speak to him,

The messenger from Synorix who waits

Before the Temple?

CAMMA.

Why not? Let him enter.

[_Comes forward on to step by tripod.

Enter a_ MESSENGER.

MESSENGER (_kneels_).

Greeting and health from Synorix! More than once

You have refused his hand. When last I saw you,

You all but yielded. He entreats you now

For your last answer. When he struck at Sinnatus--

As I have many a time declared to you--

He knew not at the moment who had fasten'd

About his throat--he begs you to forget it.

As scarce his act:--a random stroke: all else

Was love for you: he prays you to believe him.

CAMMA.

I pray him to believe--that I believe him.

MESSENGER.

Why that is well. You mean to marry him?

CAMMA.

I mean to marry him--if that be well.

MESSENGER.

This very day the Romans crown him king

For all his faithful services to Rome.

He wills you then this day to marry him,

And so be throned together in the sight

Of all the people, that the world may know

You twain are reconciled, and no more feuds

Disturb our peaceful vassalage to Rome.

CAMMA.

To-day? Too sudden. I will brood upon it.

When do they crown him?

MESSENGER.

Even now.

CAMMA.

And where?

MESSENGER.

Here by your temple.

CAMMA.

Come once more to me

Before the crowning,--I will answer you.

[_Exit Messenger_.

PHOEBE.

Great Artemis! O Camma, can it be well,

Or good, or wise, that you should clasp a hand

Red with the sacred blood of Sinnatus?

CAMMA.

Good! mine own dagger driven by Synorix found

All good in the true heart of Sinnatus,

And quench'd it there for ever. Wise!

Life yields to death and wisdom bows to Fate,

Is wisest, doing so. Did not this man

Speak well? We cannot fight imperial Rome,

But he and I are both Galatian-born,

And tributary sovereigns, he and I

Might teach this Rome--from knowledge of our people--

Where to lay on her tribute--heavily here

And lightly there. Might I not live for that,

And drown all poor self-passion in the sense

Of public good?

PHOEBE.

I am sure you will not marry him.

CAMMA.

Are you so sure? I pray you wait and see.

[_Shouts (from the distance_), 'Synorix! Synorix!'

CAMMA.

Synorix, Synorix! So they cried Sinnatus

Not so long since--they sicken me. The One

Who shifts his policy suffers something, must

Accuse himself, excuse himself; the Many

Will feel no shame to give themselves the lie.

PHOEBE.

Most like it was the Roman soldier shouted.

CAMMA.

Their shield-borne patriot of the morning star

Hang'd at mid-day, their traitor of the dawn

The clamour'd darling of their afternoon!

And that same head they would have play'd at ball with

And kick'd it featureless--they now would crown.

[_Flourish of trumpets_.

_Enter a Galatian_ NOBLEMAN _with crown on a cushion_.

NOBLE (_kneels_).

Greeting and health from Synorix. He sends you

This diadem of the first Galatian Queen,

That you may feed your fancy on the glory of it,

And join your life this day with his, and wear it

Beside him on his throne. He waits your answer.

CAMMA.

Tell him there is one shadow among the shadows,

One ghost of all the ghosts--as yet so new,

So strange among them--such an alien there,

So much of husband in it still--that if

The shout of Synorix and Camma sitting

Upon one throne, should reach it, _it_ would rise

_He!_... HE, with that red star between the ribs,

And my knife there--and blast the king and me,

And blanch the crowd with horror. I dare not, sir!

Throne him--and then the marriage--ay and tell him

That I accept the diadem of Galatia--

[_All are amazed_.

Yea, that ye saw me crown myself withal.

[_Puts on the crown_.

I wait him his crown'd queen.

NOBLE.

So will I tell him.

[_Exit_.

Music. Two Priestesses go up the steps before the shrine, draw the

curtains on either side (discovering the Goddess), then open the gates

and remain on steps, one on either side, and kneel. A priestess goes

off and returns with a veil of marriage, then assists Phoebe to veil

Camma. At the same time Priestesses enter and stand on either side of

the Temple. Camma and all the Priestesses kneel, raise their hands to

the Goddess, and bow down.

[_Shouts_, 'Synorix! Synorix!' _All rise_.

CAMMA.

Fling wide the doors, and let the new-made children

Of our imperial mother see the show.

[_Sunlight pours through the doors_.

I have no heart to do it. (_To Phoebe_). Look for me!

[_Crouches_. PHOEBE _looks out_.

[_Shouts_, 'Synorix! Synorix!'

PHOEBE.

He climbs the throne. Hot blood, ambition, pride

So bloat and redden his face--O would it were

His third last apoplexy! O bestial!

O how unlike our goodly Sinnatus.

CAMMA (_on the ground_).

You wrong him surely; far as the face goes

A goodlier-looking man than Sinnatus.

PHOEBE (_aside_).

How dare she say it? I could hate her for it

But that she is distracted. [_A flourish of trumpets_.

CAMMA.

Is he crown'd?

PHOEBE.

Ay, there they crown him.

[_Crowd without shout_, 'Synorix! Synorix!'

[_A Priestess brings a box of spices to_ CAMMA,

_who throws them on the altar-flame_.

CAMMA.

Rouse the dead altar-flame, fling in the spices,

Nard, Cinnamon, amomum, benzoin.

Let all the air reel into a mist of odour,

As in the midmost heart of Paradise.

Lay down the Lydian carpets for the king.

The king should pace on purple to his bride,

And music there to greet my lord the king. [_Music_.

(_To Phoebe_). Dost thou remember when I wedded Sinnatus?

Ay, thou wast there--whether from maiden fears

Or reverential love for him I loved,

Or some strange second-sight, the marriage cup

Wherefrom we make libation to the Goddess

So shook within my hand, that the red wine

Ran down the marble and lookt like blood, like blood.

PHOEBE.

I do remember your first-marriage fears.

CAMMA.

I have no fears at this my second marriage.

See here--I stretch my hand out--hold it there.

How steady it is!

PHOEBE.

Steady enough to stab him!

CAMMA.

O hush! O peace! This violence ill becomes

The silence of our Temple. Gentleness,

Low words best chime with this solemnity.

_Enter a procession of Priestesses and Children bearing

garlands and golden goblets, and strewing flowers_.

_Enter_ SYNORIX (_as King, with gold laurel-wreath crown

and purple robes), followed by_ ANTONIUS, PUBLIUS,

_Noblemen, Guards, and the Populace_.

CAMMA.

Hail, King!

SYNORIX.

Hail, Queen!

The wheel of Fate has roll'd me to the top.

I would that happiness were gold, that I

Might cast my largess of it to the crowd!

I would that every man made feast to-day

Beneath the shadow of our pines and planes!

For all my truer life begins to-day.

The past is like a travell'd land now sunk

Below the horizon--like a barren shore

That grew salt weeds, but now all drown'd in love

And glittering at full tide--the bounteous bays

And havens filling with a blissful sea.

Nor speak I now too mightily, being King

And happy! happiest, Lady, in my power

To make you happy.

CAMMA.

Yes, sir.

SYNORIX.

Our Antonius,

Our faithful friend of Rome, tho' Rome may set

A free foot where she will, yet of his courtesy

Entreats he may be present at our marriage.

CAMMA.

Let him come--a legion with him, if he will.

(_To_ ANTONIUS.) Welcome, my lord Antonius, to our Temple.

(_To_ SYNORIX.) You on this side the altar.

(_To_ ANTONIUS.) You on that.

Call first upon the Goddess, Synorix.

[_All face the Goddess. Priestesses, Children, Populace,

and Guards kneel--the others remain standing_.

SYNORIX.

O Thou, that dost inspire the germ with life,

The child, a thread within the house of birth,

And give him limbs, then air, and send him forth

The glory of his father--Thou whose breath

Is balmy wind to robe our hills with grass,

And kindle all our vales with myrtle-blossom,

And roll the golden oceans of our grain,

And sway the long grape-bunches of our vines,

And fill all hearts with fatness and the lust

Of plenty--make me happy in my marriage!

CHORUS (_chanting_).

Artemis, Artemis, hear him, Ionian Artemis!

CAMMA.

O Thou that slayest the babe within the womb

Or in the being born, or after slayest him

As boy or man, great Goddess, whose storm-voice

Unsockets the strong oak, and rears his root

Beyond his head, and strows our fruits, and lays

Our golden grain, and runs to sea and makes it

Foam over all the fleeted wealth of kings

And peoples, hear.

Whose arrow is the plague--whose quick flash splits

The mid-sea mast, and rifts the tower to the rock,

And hurls the victor's column down with him

That crowns it, hear.

Who causest the safe earth to shudder and gape,

And gulf and flatten in her closing chasm

Domed cities, hear.

Whose lava-torrents blast and blacken a province

To a cinder, hear.

Whose winter-cataracts find a realm and leave it

A waste of rock and ruin, hear. I call thee

To make my marriage prosper to my wish!

CHORUS.

Artemis, Artemis, hear her, Ephesian Artemis!

CAMMA.

Artemis, Artemis, hear me, Galatian Artemis!

I call on our own Goddess in our own Temple.

CHORUS.

Artemis, Artemis, hear her, Galatian Artemis!

[_Thunder. All rise_.

SYNORIX (_aside_).

Thunder! Ay, ay, the storm was drawing hither

Across the hills when I was being crown'd.

I wonder if I look as pale as she?

CAMMA.

Art thou--still bent--on marrying?

SYNORIX.

Surely--yet

These are strange words to speak to Artemis.

CAMMA.

Words are not always what they seem, my King.

I will be faithful to thee till thou die.

SYNORIX.

I thank thee, Camma,--I thank thee.

CAMMA (_turning to_ ANTONIUS).

Antonius,

Much graced are we that our Queen Rome in you

Deigns to look in upon our barbarisms.

[_Turns, goes up steps to altar before the Goddess.

Takes a cup from off the altar. Holds it towards_

ANTONIUS. ANTONIUS _goes up to the foot of the

steps, opposite to_ SYNORIX.

You see this cup, my lord. [_Gives it to him_.

ANTONIUS.

Most curious!

The many-breasted mother Artemis

Emboss'd upon it.

CAMMA.

It is old, I know not

How many hundred years. Give it me again.

It is the cup belonging our own Temple.

[_Puts it back on altar, and takes up the cup

of Act I. Showing it to_ ANTONIUS.

Here is another sacred to the Goddess,

The gift of Synorix; and the Goddess, being

For this most grateful, wills, thro' me her Priestess,

In honour of his gift and of our marriage,

That Synorix should drink from his own cup.

SYNORIX.

I thank thee, Camma,--I thank thee.

CAMMA.

For--my lord--

It is our ancient custom in Galatia

That ere two souls be knit for life and death,

They two should drink together from one cup,

In symbol of their married unity,

Making libation to the Goddess. Bring me

The costly wines we use in marriages.

[_They bring in a large jar of wine_.

CAMMA _pours wine into cup_.

(_To_ SYNORIX.) See here, I fill it.

(_To_ ANTONIUS.) Will you drink, my lord?

ANTONIUS.

I? Why should I? I am not to be married.

CAMMA.

But that might bring a Roman blessing on us.

ANTONIUS (_refusing cup_).

Thy pardon, Priestess!

CAMMA.

Thou art in the right.

This blessing is for Synorix and for me.

See first I make libation to the Goddess,

[_Makes libation_.

And now I drink. [_Drinks and fills the cup again_.

Thy turn, Galatian King.

Drink and drink deep--our marriage will be fruitful.

Drink and drink deep, and thou wilt make me happy.

[SYNORIX _goes up to her. She hands him the cup. He drinks_.

SYNORIX.

There, Gamma! I have almost drain'd the cup--

A few drops left.

CAMMA.

Libation to the Goddess.

[_He throws the remaining drops on the altar

and gives_ CAMMA _the cup_.

CAMMA (_placing the cup on the altar_).

Why then the Goddess hears.

[_Comes down and forward to tripod_. ANTONIUS _follows_.

Antonius,

Where wast thou on that morning when I came

To plead to thee for Sinnatus's life,

Beside this temple half a year ago?

ANTONIUS.

I never heard of this request of thine.

SYNORIX (_coming forward hastily to foot of tripod steps_).

I sought him and I could not find him. Pray you,

Go on with the marriage rites.

CAMMA.

Antonius----

'Camma!' who spake?

ANTONIUS.

Not I.

PHOEBE.

Nor any here.

CAMMA.

I am all but sure that some one spake. Antonius,

If you had found him plotting against Rome,

Would you have tortured Sinnatus to death?

ANTONIUS.

No thought was mine of torture or of death,

But had I found him plotting, I had counsell'd him

To rest from vain resistance. Rome is fated

To rule the world. Then, if he had not listen'd,

I might have sent him prisoner to Rome.

SYNORIX.

Why do you palter with the ceremony?

Go on with the marriage rites.

CAMMA.

They are finish'd.

SYNORIX.

How!

CAMMA.

Thou hast drunk deep enough to make me happy.

Dost thou not feel the love I bear to thee

Glow thro' thy veins?

SYNORIX.

The love I bear to thee

Glows thro' my veins since first I look'd on thee.

But wherefore slur the perfect ceremony?

The sovereign of Galatia weds his Queen.

Let all be done to the fullest in the sight

Of all the Gods.

Nay, rather than so clip

The flowery robe of Hymen, we would add

Some golden fringe of gorgeousness beyond

Old use, to make the day memorial, when

Synorix, first King, Camma, first Queen o' the Realm,

Drew here the richest lot from Fate, to live

And die together.

This pain--what is it?--again?

I had a touch of this last year--in--Rome.

Yes, yes. (_To_ ANTONIUS.) Your arm--a moment--It will pass.

I reel beneath the weight of utter joy--

This all too happy day, crown--queen at once.

[_Staggers_.

O all ye Gods--Jupiter!--Jupiter! [_Falls backward_.

CAMMA.

Dost thou cry out upon the Gods of Rome?

Thou art Galatian-born. Our Artemis

Has vanquish'd their Diana.

SYNORIX (_on the ground_).

I am poison'd.

She--close the Temple door. Let her not fly.

CAMMA (_leaning on tripod_).

Have I not drunk of the same cup with thee?

SYNORIX.

Ay, by the Gods of Rome and all the world,

She too--she too--the bride! the Queen! and I--

Monstrous! I that loved her.

CAMMA.

I loved _him_.

SYNORIX.

O murderous mad-woman! I pray you lift me

And make me walk awhile. I have heard these poisons

May be walk'd down.

[ANTONIUS _and_ PUBLIUS _raise him up_.

My feet are tons of lead,

They will break in the earth--I am sinking--hold me--

Let me alone.

[_They leave him; he sinks down on ground_.

Too late--thought myself wise--

A woman's dupe. Antonius, tell the Senate

I have been most true to Rome--would have been true

To _her_--if--if---- [_Falls as if dead_.

CAMMA (_coming and leaning over him_).

So falls the throne of an hour.

SYNORIX (_half rising_).

Throne? is it thou? the Fates are throned, not we--

Not guilty of ourselves--thy doom and mine--

Thou--coming my way too--Camma--good-night.

[_Dies_.

CAMMA (_upheld by weeping Priestesses_).

Thy way? poor worm, crawl down thine own black hole

To the lowest Hell. Antonius, is he there?

I meant thee to have follow'd--better thus.

Nay, if my people must be thralls of Rome,

He is gentle, tho' a Roman.

[_Sinks back into the arms of the Priestesses_.

ANTONIUS.

Thou art one

With thine own people, and tho' a Roman I

Forgive thee, Camma.

CAMMA (_raising herself_).

'CAMMA!'--why there again

I am most sure that some one call'd. O women,

Ye will have Roman masters. I am glad

I shall not see it. Did not some old Greek

Say death was the chief good? He had my fate for it,

Poison'd. (_Sinks back again_.) Have I the crown on? I will go

To meet him, crown'd! crown'd victor of my will--

On my last voyage--but the wind has fail'd--

Growing dark too--but light enough to row.

Row to the blessed Isles! the blessed Isles!--

Sinnatus!

Why comes he not to meet me? It is the crown

Offends him--and my hands are too sleepy

To lift it off. [PHOEBE _takes the crown off_.

Who touch'd me then? I thank you.

[_Rises, with outspread arms_.

There--league on league of ever-shining shore

Beneath an ever-rising sun--I see him--

'Camma, Camma!' Sinnatus, Sinnatus! [_Dies_.

THE FALCON

DRAMATIS PERSONAE.

The Count Federigo Degli Alberighi.

Filippo, _Count's foster-brother_.

The lady Giovanna.

Elisabetta, _the Count's nurse_.

THE FALCON

SCENE.--_An Italian Cottage. Castle and Mountains seen through

Window_.

Elisabetta discovered seated on stool in window darning. The Count

with Falcon on his hand comes down through the door at back. A

withered wreath on the wall.

ELISABETTA.

So, my lord, the Lady Giovanna, who hath been away so long, came back

last night with her son to the castle.

COUNT.

Hear that, my bird! Art thou not jealous of her?

My princess of the cloud, my plumed purveyor,

My far-eyed queen of the winds--thou that canst soar

Beyond the morning lark, and howsoe'er

Thy quarry wind and wheel, swoop down upon him

Eagle-like, lightning-like--strike, make his feathers

Glance in mid heaven. [_Crosses to chair_.

I would thou hadst a mate!

Thy breed will die with thee, and mine with me:

I am as lone and loveless as thyself. [_Sits in chair_.

Giovanna here! Ay, ruffle thyself--_be_ jealous!

Thou should'st be jealous of her. Tho' I bred thee

The full-train'd marvel of all falconry,

And love thee and thou me, yet if Giovanna

Be here again--No, no! Buss me, my bird!

The stately widow has no heart for me.

Thou art the last friend left me upon earth--

No, no again to that. [_Rises and turns_.

My good old nurse,

I had forgotten thou wast sitting there.

ELISABETTA.

Ay, and forgotten thy foster-brother too.

COUNT.

Bird-babble for my falcon! Let it pass.

What art thou doing there?

ELISABETTA.

Darning your lordship.

We cannot flaunt it in new feathers now:

Nay, if we _will_ buy diamond necklaces

To please our lady, we must darn, my lord.

This old thing here (_points to necklace round her neck_),

they are but blue beads--my Piero,

God rest his honest soul, he bought 'em for me,

Ay, but he knew I meant to marry him.

How couldst thou do it, my son? How couldst thou do it?

COUNT.

She saw it at a dance, upon a neck

Less lovely than her own, and long'd for it.

ELISABETTA.

She told thee as much?

COUNT.

No, no--a friend of hers.

ELISABETTA.

Shame on her that she took it at thy hands,

She rich enough to have bought it for herself!

COUNT.

She would have robb'd me then of a great pleasure.

ELISABETTA.

But hath she yet return'd thy love?

COUNT.

Not yet!

ELISABETTA.

She should return thy necklace then.

COUNT.

Ay, if

She knew the giver; but I bound the seller

To silence, and I left it privily

At Florence, in her palace.

ELISABETTA.

And sold thine own

To buy it for her. She not know? She knows

There's none such other----

COUNT.

Madman anywhere.

Speak freely, tho' to call a madman mad

Will hardly help to make him sane again.

_Enter_ FILIPPO.

FILIPPO.

Ah, the women, the women! Ah, Monna Giovanna, you here again! you that

have the face of an angel and the heart of a--that's too positive! You

that have a score of lovers and have not a heart for any of them--

that's positive-negative: you that have _not_ the head of a toad, and

_not_ a heart like the jewel in it--that's too negative; you that have

a cheek like a peach and a heart like the stone in it--that's positive

again--that's better!

ELISABETTA.

Sh--sh--Filippo!

FILIPPO (_turns half round_).

Here has our master been a-glorifying and a-velveting and a-silking

himself, and a-peacocking and a-spreading to catch her eye for a dozen

year, till he hasn't an eye left in his own tail to flourish among the

peahens, and all along o' you, Monna Giovanna, all along o' you!

ELISABETTA.

Sh--sh--Filippo! Can't you hear that you are saying behind his back

what you see you are saying afore his face?

COUNT.

Let him--he never spares me to my face!

FILIPPO.

No, my lord, I never spare your lordship to your lordship's face, nor

behind your lordship's back, nor to right, nor to left, nor to round

about and back to your lordship's face again, for I'm honest, your

lordship.

COUNT.

Come, come, Filippo, what is there in the larder?

[ELISABETTA _crosses to fireplace and puts on wood_.

FILIPPO.

Shelves and hooks, shelves and hooks, and when I see the shelves I am

like to hang myself on the hooks.

COUNT.

No bread?

FILIPPO.

Half a breakfast for a rat!

COUNT,

Milk?

FILIPPO.

Three laps for a cat!

COUNT.

Cheese?

FILIPPO.

A supper for twelve mites.

COUNT.

Eggs?

FILIPPO.

One, but addled.

COUNT.

No bird?

FILIPPO.

Half a tit and a hern's bill.

COUNT.

Let be thy jokes and thy jerks, man! Anything or nothing?

FILIPPO.

Well, my lord, if all-but-nothing be anything, and one plate of dried

prunes be all-but-nothing, then there is anything in your lordship's

larder at your lordship's service, if your lordship care to call for

it.

COUNT.

Good mother, happy was the prodigal son,

For he return'd to the rich father; I

But add my poverty to thine. And all

Thro' following of my fancy. Pray thee make

Thy slender meal out of those scraps and shreds

Filippo spoke of. As for him and me,

There sprouts a salad in the garden still.

(_To the Falcon_?) Why didst thou miss thy quarry yester-even?

To-day, my beauty, thou must dash us down

Our dinner from the skies. Away, Filippo!

[_Exit, followed by_ FILIPPO.

ELISABETTA.

I knew it would come to this. She has beggared him. I always knew it

would come to this! (_Goes up to table as if to resume darning, and

looks out of window_.) Why, as I live, there is Monna Giovanna coming

down the hill from the castle. Stops and stares at our cottage. Ay,

ay! stare at it: it's all you have left us. Shame upon you! She

beautiful! sleek as a miller's mouse! Meal enough, meat enough, well

fed; but beautiful--bah! Nay, see, why she turns down the path

through our little vineyard, and I sneezed three times this morning.

Coming to visit my lord, for the first time in her life too! Why,

bless the saints! I'll be bound to confess her love to him at last. I

forgive her, I forgive her! I knew it would come to this--I always

knew it must come to this! (_Going up to door during latter part of

speech and opens it_.) Come in, Madonna, come in. (_Retires to front

of table and curtseys as the_ LADY GIOVANNA _enters, then moves chair

towards the hearth_.) Nay, let me place this chair for your ladyship.

[LADY GIOVANNA _moves slowly down stage, then crosses

to chair, looking about her, bows as she sees the

Madonna over fireplace, then sits in chair_.

LADY GIOVANNA.

Can I speak with the Count?

ELISABETTA.

Ay, my lady, but won't you speak with the old woman first, and tell

her all about it and make her happy? for I've been on my knees every

day for these half-dozen years in hope that the saints would send us

this blessed morning; and he always took you so kindly, he always took

the world so kindly. When he was a little one, and I put the bitters

on my breast to wean him, he made a wry mouth at it, but he took it so

kindly, and your ladyship has given him bitters enough in this world,

and he never made a wry mouth at you, he always took you so kindly--

which is more than I did, my lady, more than I did--and he so

handsome--and bless your sweet face, you look as beautiful this

morning as the very Madonna her own self--and better late than never--

but come when they will--then or now--it's all for the best, come when

they will--they are made by the blessed saints--these marriages.

[_Raises her hands_.

LADY GIOVANNA.

Marriages? I shall never marry again!

ELISABETTA (_rises and turns_).

Shame on her then!

LADY GIOVANNA.

Where is the Count?

ELISABETTA.

Just gone

To fly his falcon.

LADY GIOVANNA.

Call him back and say

I come to breakfast with him.

ELISABETTA.

Holy mother!

To breakfast! Oh sweet saints! one plate of prunes!

Well, Madam, I will give your message to him.

[_Exit_.

LADY GIOVANNA.

His falcon, and I come to ask for his falcon,

The pleasure of his eyes--boast of his hand--

Pride of his heart--the solace of his hours--

His one companion here--nay, I have heard

That, thro' his late magnificence of living

And this last costly gift to mine own self,

[_Shows diamond necklace_.

He hath become so beggar'd, that his falcon

Ev'n wins his dinner for him in the field.

That must be talk, not truth, but truth or talk,

How can I ask for his falcon?

[_Rises and moves as she speaks_.

O my sick boy!

My daily fading Florio, it is thou

Hath set me this hard task, for when I say

What can I do--what can I get for thee?

He answers, 'Get the Count to give me his falcon,

And that will make me well.' Yet if I ask,

He loves me, and he knows I know he loves me!

Will he not pray me to return his love--

To marry him?--(_pause_)--I can never marry him.

His grandsire struck my grandsire in a brawl

At Florence, and my grandsire stabb'd him there.

The feud between our houses is the bar

I cannot cross; I dare not brave my brother,

Break with my kin. My brother hates him, scorns

The noblest-natured man alive, and I--

Who have that reverence for him that I scarce

Dare beg him to receive his diamonds back--

How can I, dare I, ask him for his falcon?

[_Puts diamonds in her casket_.

_Re-enter_ COUNT _and_ FILIPPO. COUNT _turns to_ FILIPPO.

COUNT.

Do what I said; I cannot do it myself.

FILIPPO.

Why then, my lord, we are pauper'd out and out.

COUNT.

Do what I said! [_Advances and bows low_.

Welcome to this poor cottage, my dear lady.

LADY GIOVANNA.

And welcome turns a cottage to a palace.

COUNT.

'Tis long since we have met!

LADY GIOVANNA.

To make amends

I come this day to break my fast with you.

COUNT.

I am much honour'd--yes-- [_Turns to_ FILIPPO.

Do what I told thee. Must I do it myself?

FlLIPPO.

I will, I will. (_Sighs_.) Poor fellow!

[_Exit_.

COUNT.

Lady, you bring your light into my cottage

Who never deign'd to shine into my palace.

My palace wanting you was but a cottage;

My cottage, while you grace it, is a palace.

LADY GIOVANNA.

In cottage or in palace, being still

Beyond your fortunes, you are still the king

Of courtesy and liberality.

COUNT.

I trust I still maintain my courtesy;

My liberality perforce is dead

Thro' lack of means of giving.

LADY GIOVANNA.

Yet I come

To ask a gift. [_Moves toward him a little_.

COUNT.

It will be hard, I fear,

To find one shock upon the field when all

The harvest has been carried.

LADY GIOVANNA.

But my boy--

(_Aside_.) No, no! not yet--I cannot!

COUNT.

Ay, how is he,

That bright inheritor of your eyes--your boy?

LADY GIOVANNA.

Alas, my Lord Federigo, he hath fallen

Into a sickness, and it troubles me.

COUNT.

Sick! is it so? why, when he came last year

To see me hawking, he was well enough:

And then I taught him all our hawking-phrases.

LADY GIOVANNA.

Oh yes, and once you let him fly your falcon.

COUNT.

How charm'd he was! what wonder?--A gallant boy,

A noble bird, each perfect of the breed.

LADY GIOVANNA (_sinks in chair_).

What do you rate her at?

COUNT.

My bird? a hundred

Gold pieces once were offer'd by the Duke.

I had no heart to part with her for money.

LADY GIOVANNA.

No, not for money.

[COUNT _turns away and sighs_.

Wherefore do you sigh?

COUNT.

I have lost a friend of late.

LADY GIOVANNA.

I could sigh with you

For fear of losing more than friend, a son;

And if he leave me--all the rest of life--

That wither'd wreath were of more worth to me.

[_Looking at wreath on wall_.

COUNT.

That wither'd wreath is of more worth to me

Than all the blossom, all the leaf of this

New-wakening year. [_Goes and takes down wreath_.

LADY GIOVANNA.

And yet I never saw

The land so rich in blossom as this year.

COUNT (_holding wreath toward her_).

Was not the year when this was gather'd richer?

LADY GIOVANNA.

How long ago was that?

COUNT.

Alas, ten summers!

A lady that was beautiful as day

Sat by me at a rustic festival

With other beauties on a mountain meadow,

And she was the most beautiful of all;

Then but fifteen, and still as beautiful.

The mountain flowers grew thickly round about.

I made a wreath with some of these; I ask'd

A ribbon from her hair to bind it with;

I whisper'd, Let me crown you Queen of Beauty,

And softly placed the chaplet on her head.

A colour, which has colour'd all my life,

Flush'd in her face; then I was call'd away;

And presently all rose, and so departed.

Ah! she had thrown my chaplet on the grass,

And there I found it.

[_Lets his hands fall, holding wreath despondingly_.

LADY GIOVANNA (_after pause_).

How long since do you say?

COUNT.

That was the very year before you married.

LADY GIOVANNA.

When I was married you were at the wars.

COUNT.

Had she not thrown my chaplet on the grass,

It may be I had never seen the wars.

[_Replaces wreath whence he had taken it_.

LADY GIOVANNA.

Ah, but, my lord, there ran a rumour then

That you were kill'd in battle. I can tell you

True tears that year were shed for you in Florence.

COUNT.

It might have been as well for me. Unhappily

I was but wounded by the enemy there

And then imprison'd.

LADY GIOVANNA.

Happily, however,

I see you quite recover'd of your wound.

COUNT.

No, no, not quite, Madonna, not yet, not yet.

_Re-enter_ FILIPPO.

FILIPPO.

My lord, a word with you.

COUNT.

Pray, pardon me!

[LADY GIOVANNA _crosses, and passes behind chair and

takes down wreath; then goes to chair by table_.

COUNT (_to_ FILIPPO).

What is it, Filippo?

FILIPPO.

Spoons, your lordship.

COUNT.

Spoons!

FILIPPO.

Yes, my lord, for wasn't my lady born with a golden spoon in her

ladyship's mouth, and we haven't never so much as a silver one for the

golden lips of her ladyship.

COUNT.

Have we not half a score of silver spoons?

FILIPPO.

Half o' one, my lord!

COUNT.

How half of one?

FILIPPO.

I trod upon him even now, my lord, in my hurry, and broke him.

COUNT.

And the other nine?

FILIPPO.

Sold! but shall I not mount with your lordship's leave to her

ladyship's castle, in your lordship's and her ladyship's name, and

confer with her ladyship's seneschal, and so descend again with some

of her ladyship's own appurtenances?

COUNT.

Why--no, man. Only see your cloth be clean.

[_Exit_ FILIPPO.

LADY GIOVANNA.

Ay, ay, this faded ribbon was the mode

In Florence ten years back. What's here? a scroll

Pinned to the wreath.

My lord, you have said so much

Of this poor wreath that I was bold enough

To take it down, if but to guess what flowers

Had made it; and I find a written scroll

That seems to run in rhymings. Might I read?

COUNT.

Ay, if you will.

LADY GIOVANNA.

It should be if you can.

(_Reads_.) 'Dead mountain.' Nay, for who could trace a hand

So wild and staggering?

COUNT.

This was penn'd, Madonna,

Close to the grating on a winter morn

In the perpetual twilight of a prison,

When he that made it, having his right hand

Lamed in the battle, wrote it with his left.

LADY GIOVANNA.

O heavens! the very letters seem to shake

With cold, with pain perhaps, poor prisoner! Well,

Tell me the words--or better--for I see

There goes a musical score along with them,

Repeat them to their music.

COUNT.

You can touch

No chord in me that would not answer you

In music.

LADY GIOVANNA.

That is musically said.

[COUNT _takes guitar_. LADY GIOVANNA _sits listening

with wreath in her hand, and quietly removes

scroll and places it on table at the end of the song_.

COUNT (_sings, playing guitar_).

'Dead mountain flowers, dead mountain-meadow flowers,

Dearer than when you made your mountain gay,

Sweeter than any violet of to-day,

Richer than all the wide world-wealth of May,

To me, tho' all your bloom has died away,

You bloom again, dead mountain-meadow flowers.'

_Enter_ ELISABETTA _with cloth_.

ELISABETTA.

A word with you, my lord!

COUNT (_singing_).

'O mountain flowers!'

ELISABETTA.

A word, my lord! (_Louder_).

COUNT (_sings_).

'Dead flowers!'

ELISABETTA.

A word, my lord! (_Louder_).

COUNT.

I pray you pardon me again!

[LADY GIOVANNA _looking at wreath_.

(COUNT _to_ ELISABETTA.)

What is it?

ELISABETTA.

My lord, we have but one piece of earthenware to

serve the salad in to my lady, and that cracked!

COUNT.

Why then, that flower'd bowl my ancestor

Fetch'd from the farthest east--we never use it

For fear of breakage--but this day has brought

A great occasion. You can take it, nurse!

ELISABETTA.

I did take it, my lord, but what with my lady's

coming that had so flurried me, and what with the

fear of breaking it, I did break it, my lord: it is

broken!

COUNT.

My one thing left of value in the world!

No matter! see your cloth be white as snow!

ELISABETTA (_pointing thro' window_).

White? I warrant thee, my son, as the snow yonder

on the very tip-top o' the mountain.

COUNT.

And yet to speak white truth, my good old mother,

I have seen it like the snow on the moraine.

ELISABETTA:

How can your lordship say so? There my lord!

[_Lays cloth_.

O my dear son, be not unkind to me.

And one word more. [_Going--returns_.

COUNT (_touching guitar_).

Good! let it be but one.

ELISABETTA.

Hath she return'd thy love?

COUNT.

Not yet!

ELISABETTA.

And will she?

COUNT (_looking at_ LADY GIOVANNA).

I scarce believe it!

ELISABETTA.

Shame upon her then! [_Exit_.

COUNT (_sings_).

'Dead mountain flowers'----

Ah well, my nurse has broken

The thread of my dead flowers, as she has broken

My china bowl. My memory is as dead.

[_Goes and replaces guitar_.

Strange that the words at home with me so long

Should fly like bosom friends when needed most.

So by your leave if you would hear the rest,

The writing.

LADY GIOVANNA (_holding wreath toward him_).

There! my lord, you are a poet,

And can you not imagine that the wreath,

Set, as you say, so lightly on her head,

Fell with her motion as she rose, and she,

A girl, a child, then but fifteen, however

Flutter'd or flatter'd by your notice of her,

Was yet too bashful to return for it?

COUNT.

Was it so indeed? was it so? was it so?

[_Leans forward to take wreath, and touches_ LADY

GIOVANNA'S _hand, which she withdraws hastily;

he places wreath on corner of chair_.

LADY GIOVANNA (_with dignity_).

I did not say, my lord, that it was so;

I said you might imagine it was so.

_Enter_ FILIPPO _with bowl of salad, which he places on table_.

FILIPPO.

Here's a fine salad for my lady, for tho' we have been a soldier, and

ridden by his lordship's side, and seen the red of the battle-field,

yet are we now drill-sergeant to his lordship's lettuces, and profess

to be great in green things and in garden-stuff.

LADY GIOVANNA.

I thank thee, good Filippo. [_Exit_ FILIPPO.

_Enter_ ELISABETTA _with bird on a dish which she places on

table_.

ELISABETTA (close to table).

Here's a fine fowl for my lady; I had scant time to do him in. I hope

he be not underdone, for we be undone in the doing of him.

LADY GIOVANNA.

I thank you, my good nurse.

FILIPPO (_re-entering with plate of prunes_).

And here are fine fruits for my lady--prunes, my lady, from the tree

that my lord himself planted here in the blossom of his boyhood--and

so I, Filippo, being, with your ladyship's pardon, and as your

ladyship knows, his lordship's own foster-brother, would commend them

to your ladyship's most peculiar appreciation.

[_Puts plate on table_.

ELISABETTA.

Filippo!

LADY GIOVANNA (COUNT _leads her to table_).

Will you not eat with me, my lord?

COUNT.

I cannot,

Not a morsel, not one morsel. I have broken

My fast already. I will pledge you. Wine!

Filippo, wine!

[_Sits near table_; FILIPPO _brings flask, fills

the_ COUNT'S _goblet, then_ LADY GIOVANNA'S;

ELISABETTA _stands at the back of_ LADY

GIOVANNA'S _chair_.

COUNT.

It is but thin and cold,

Not like the vintage blowing round your castle.

We lie too deep down in the shadow here.

Your ladyship lives higher in the sun.

[_They pledge each other and drink_.

LADY GIOVANNA.

If I might send you down a flask or two

Of that same vintage? There is iron in it.

It has been much commended as a medicine.

I give it my sick son, and if you be

Not quite recover'd of your wound, the wine

Might help you. None has ever told me yet

The story of your battle and your wound.

FILIPPO (_coming forward_).

I can tell you, my lady, I can tell you.

ELISABETTA.

Filippo! will you take the word out of your master's own mouth?

FILIPPO.

Was it there to take? Put it there, my lord.

Becket and other plays · 第 5 / 6 章